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Knight of Ren

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About Knight of Ren

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  • Birthday July 18

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  1. Anna/Elsa's theme gets a new rendition in Sisters, of course Vuelie appears again, and Elsa's Danger Theme? (from the tracks Sorcery & Whiteout) gets some nice new renditions. Of the new themes, the most memorable were the Enchanted Forest Theme (in the track the Northuldra for example) and a new theme for Elsa, maybe representing her recently discovered magic side (in Dark Sea or The Flood). And also, there are more interjection between songs and score this time around, especially with the song All is Found.
  2. That's actually part of the track Iduna's Scarf from the OST. The FYC has two sections of the track, with the rendition of the Vueliè Theme missing. The other difference is that the FYC does not have the first 20 seconds of The Flood and the track Epilogue is missing. I suppose because of the use of previous material.
  3. That is the most note-worthy unreleased cue, as far as I can remember from watching the movie.
  4. I already posted this on The Hidden World thread, but I'll just put it in here too: I did a quick breakdown of how the OST and the FYC compare to each other, and there's about 2 minutes of previously unreleased music. The FYC is the film version of many of the cues, but there are a couple of tracks that have some fragments removed from the FYC, even though they appear in the film (tracks 2 and 11 from the OST). The highlighted tracks are the ideal film version playlist, and they were the same, I highlighted the OST version. OST vs FYC
  5. I did a quick breakdown of how the OST and the FYC compare to each other, and there's about 2 minutes of previously unreleased music. The FYC is the film version of many of the cues, but there are a couple of tracks that have some fragments removed from the FYC, even though they appear in the film (tracks 2 and 11 from the OST). The highlighted tracks are the ideal film version playlist, and they were the same, I highlighted the OST version. OST vs FYC Feel free to correct or add anything you want! PS: It's such a shame that the big rendition of The Alpha's Theme that plays after 13. The Hidden World is not present in here. In the FYC it would be placed right before 20. The Hiccup I Know.
  6. Does anyone know the chronological order of Volume 1 and 2 of The Dark Crystal: Age of Resistance by Pemberton? It's such a great score and I would love to listen to it chronologically, so any help with that is more than welcome.
  7. The music from Gamora's death is the Sacrifice Theme that he lists elsewhere, that comes from "One Way Trip" of The Avengers and in Endgame plays in "Not Good" in its epic glory during And the theme he mentions as the Death Theme appeared in Avengers in the track "They Called It" and in Endgame at the begining of the track "I Was Made for This", right after the brief statement of the Black Widow's theme.
  8. Reading that reddit breakdwon, I don't really agree with some of his associations, as I think he sometimes mistakes motifs with musical references or callbacks. If a motif plays only two times, each in a different movie in scenes that are similar between each other, I think it would be better to say it's just a nod to a previous scene that is very similar to other. For example, in his analysis he mentions , and I think is more of a homage or reference to that scene, rather than a proper theme (or motif) But aside from that, I think it's a really great analysis and it has made me go back to previous scores and appreciate them even more. Especillay the Silvestri ones.
  9. I watched the movie yesterday and loved it. In my opinion it was a perfect ending to the trilogy. The score in context was even better and the album is a great representation of the whole score, with very few missing tracks. The most significant piece of missing music is a rendition of the Forbidden Friendship Theme and The Alpha's Theme when right after The Hidden World and before Armada Battle. Other than that the most interesting tracks are all on album. BTW, I loved the more silent moments where the music got the be on the front and guide the story like in Third Date or in The Hidden World sequence. Truly magical and a testament of Powell's great skills.
  10. It's nice to have the film version of some cues, but I wish they had included a bit more of new material, like some variations of the Devtech theme from the first half of the movie.
  11. Well, now listening to the different apparitions I agree that there is a theme for Queenie/Jacob and another for Queenie. The theme I listed could be like a secondary idea for Grindelwald. And I remember that the bit from The Thestral Chase also played near the end again, but it's not on album.
  12. I noticed a theme from the first movie being reused in the second one, that I think could be associated with Grindelwlad. But the weird thing is that the part it was supposed to play in the first movie was changed with a statement of the Fantastic Beasts Fanfare (or the main titles theme, depending on how you call it) The appearance of the theme in Relieve Him of His Wand its appearance in The Thestral Chase and also appears here And I definetly think that bit in Spread the Word is related to Queenie, but I think is not Queenie's theme but more like a variation of Jacob and Queenie's theme, as is very similar to what plays several times in scenes they're togetehr in the movie, and it appeared in the first movie at the moment they're about to obliviate Jacob near the end.
  13. I watched the movie yesterday and now I like the album more because it really helps to know when each tracks plays. Even so, the album has still some quiet cues that could have been replaced by some more interesting material that was left out, like more Queenie/Jacob material, some more Credence and Grindelwald material and two great tracks that I don't really know why they were left out. One is a great variation of the FB theme with a french flavour (similar to what appears in Newt and Jacob Pack for Paris) that plays when they enter the french minsiter of magic, and a great rendition of Hewig's theme when Hogwarts is seen for the first time on screen. Overall, even if it's a step down from the previous one, it's still a fantastic score, with some great new themes. All of Leta's material is really beautiful and Dumbledore's theme is criminally underused but it's also really great. I wish there was a proper main theme for Grindelwald, instead of many different and vanishing ideas. I hope that in the sequels this themes get to grow and develop more.
  14. Candyman by Philip Glass: Beautiful main theme and greatly used through the score. I love the big part the choir plays in the score. And I aslo like the organ incorporated into some tracks. Hellraiser by Christopher Young: The two main themes are stunning, haunting and have a really great gothic tone that I love. I think that maybe the album would have benefited if some of the more ambient, experimental tracks were left out, but nevertheless, this is a fantastic score. Could anyone recommend me some more horror scores like this two? Bad Times at the El Royale by Michael Giacchino: I have to disagree with what Jay said a couple of post up this one. While I think it would have benefited from a shorter presentation leaving out some quieter cues, especially from the first half, I don't think it's a boring score and I really like the atmosphere it creates. It's quite a different score from Giacchino's usual style and it reminds me of Brian Tyler's Yellowstone and some of the scores by the Cave-Ellis duo, like Hell or High Water or Wind River.
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