GerateWohl

Guys, I would really like to join you and have a beer. But I am in bed and very sick. So, I will not be able to connect.
Have a good evening together. 

Probably, the score is the only thing from this movie that aged well.

Almost......but I do like some classic country artists like Cash ....Wills....Hank Jr.....

From Goldsmith, King Solomon's Mines ('91), Supergirl ('93) and Poltergeist ('97). Omen Trilogy is from 2001 and Poltergeist II from 2003.
 

Their music for BABYLON BERLIN is excellent#

Looks like JW finally has written his own biography, and he also came up with the best title.
 

Hard to narrow it down but to the above I’d add the Gerhardt Citizen Kane compilation which is brilliantly performed in great sound but has some less well known gems like White Witch Doctor and Beneath the 12 Mile Reef (one score I’d love to have re-recorded in full I must admit). 
 

A nice starter: 
Psycho (Varese re-recording) North by Northwest (original recording on Intrada or WaterTower, or Varese re-recording) Vertigo (Varese re-recording) Herrmann's Decca phase four albums
https://www.europadisc.co.uk/classical/93203/Cinema_Spectacular.htm
https://www.europadisc.co.uk/classical/93202/Bernard_Herrmann_-_Film_Classics.htm Salonen's album (with the L.A. Phil.!)

More like dielectrics.

Old Indy retired at his new house, discovering that he has a Poltergeist issue there and his adventurous young  nurse puts him in a wheelchair an takes him on a trip to reveal the secret behind this. 

I'm going to try that! I might finally hear the end of the album.
 
Are we sure this isn't more of a Thom Yorke solo album?

Ok. I will do.

Try having it on in the background an evening.

The torn curtain

The ultimate example, to me, is Morricone's WHAT DREAMS MAY COME. It is - in fact - my second favourite Morricone in general! Not to say the Kamen is bad, but it's in a whole other league.
 
But loads of other examples. I prefer Bernstein's LAST MAN STANDING over Cooder's. Illaremendi's LA LENGUA DE LAS MARIPOSES over Marenabar's. Corigliano's EDGE OF DARKNESS over Shore's. Chris Young's AN UNFINISHED LIFE over Lurie's. Goldsmith's TIMELINE over Tyler's. And loads more I can't remember off the top of my head.

I am not completely sure.
 

I wouldn't. It is the best part. But luckily Williams did it the other way round and took out the march from the Love Theme for once.
Why did I point this out? I like the one and the other not. So, I like them to be separated. Maybe it's again my secondary theme thing.

I am not looking at the musical quality but rather on the effectiveness of the piece in the movie, and I am not a fan of the Superman march. Anyway, I think in general a march is not a good musical genre for a superhero theme.
And in the movie the Avengers theme works perfectly.
Apart from the march, yes, the Superman score is far better, but the comment was just about the theme.

I am not completely sure.
 

I am not completely sure.
 

See, if I care. Ha! 

I think, action music is not necessarily Goldsmith biggest strength.
Anyway, I must confess, I like his Supergirl soundtrack, even though it is not so prominent. It is somehow the rough Goldsmith counter work to Williams' Superman score.
 
 

Or do a reboot. With Tom Hardy as Dr. Henry Jones. Could work, I think. 

KILL
 
THIS
 
MOVIE.

I wonder which score @Yavar Moradi chooses.
 
 
There's a good 8-minute suite played by the LSO, conducted by Roy Budd.