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  1. I'm still so pissed they cut that part out of the movie.
  2. The Force Awakens is obviously the best of the score, but I always am surprised by how much everyone loves the album. The pacing feels really weird to me. I always listened to the FYC instead. Just the fact that Follow Me and The Falcon's pacing is killed the way it is to shove Rey's Theme in between made it so I rarely listened to the OST album. He explicitly stated that in an interview. Actually this.
  3. Saw the podcast pop up in one of my feeds, nice to know it's you I'll be listening to. Looking forward to this very much!
  4. So that performance was last night, huh? Was anyone there?
  5. I assumed for Last Jedi it was only because the original cut was over 3 hours, and it was done so early Williams scored the whole thing and they just cut what they didn't need, most notably that third lesson cue in the deleted scene on the home media release.
  6. Didn't TFA have never ending recording sessions too? It's just compared to TROP it wasn't a rushing to the last moment thing.
  7. Maybe they mean Oyfn Pripetshik?
  8. It seemed like they wanted to do a bigger Bond push soon....but they haven't even bothered to start looking for a new actor yet?
  9. Did anyone ever do a full transcription of the theme? Wanted to see if I could incorporate it into an arrangement of some sort, but I'm not nearly as good at transcribing as I used to be.
  10. So who did Powell know that he signed on to score such a lousy film?
  11. ...but he's on board literally because he's the Rogue One guy that saved the movie.
  12. I just don't understand why they wouldn't want to musically tie it to Rogue One... If the only reason this show exists is because people supposedly adored Rogue One, wouldn't they want to make it feel as much like that movie as possible?
  13. I can't even count the number of times I've listened to this cue, and every single time that passage makes my body tense up because of how emotionally manipulative (in a good way) it is. Every time.
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