Code 000. Destruct. 0. 4,262 Posted April 12, 2014 Posted April 12, 2014 The message boards? I've never seen such a barren wasteland anywhere else on the internet....
Incanus 5,890 Posted April 13, 2014 Posted April 13, 2014 The message boards? I've never seen such a barren wasteland anywhere else on the internet....IMDB messageboards. You will never find a more wretched hive of scum and villainy.
nightscape94 968 Posted April 13, 2014 Posted April 13, 2014 Their layout is atrocious and completely ineffective.
Koray Savas 2,260 Posted April 13, 2014 Posted April 13, 2014 Yeah I don't know how anyone has a discussion on that software.
Naïve Old Fart 13,025 Posted April 14, 2014 Posted April 14, 2014 A quick "JFK" question:Does anyone know if the TV motif (which can be heard at 2:09.34 on the Blu-Ray) is an original JW composition, or an an archive piece?
paleo 78 Posted April 15, 2014 Posted April 15, 2014 Sorry that I didn't browse hundreds of threads to possibly find out:Is there a good open source program for editing sound files (e.g., for cutting off a section or combining several files into one)? Or what do you use for this kind of stuff? I normally don't edit (as you can tell), but I'd like to "improve" a few of my playlists now... Thanks.
Code 000. Destruct. 0. 4,262 Posted April 17, 2014 Posted April 17, 2014 Any fans of Syd Mead's art on here? And if so, any recommendations on similar stuff? Totally dig that classic retro vision of the future.
Ludwig 1,180 Posted April 19, 2014 Posted April 19, 2014 Was it in an interview that Williams said he convinced Lucas to use a completely original score for Star Wars rather than an original score plus classical pieces? If so, where can I find that interview? Or is it documented somewhere else?
Naïve Old Fart 13,025 Posted April 23, 2014 Posted April 23, 2014 A quick "The Witches Of Eastwick" question:The film version of "The Destruction Of Darryl" has some extra music in it (when Susan Sarandon falls off of the balcony). Was this actually composed by JW, because, to me, it sounds as though it was edited into the scene by someone "diong" JW, in much the same way that Morton Stevens "did" JG, in "Outland"? it sounds "almost", but not quite right.
Jay 46,244 Posted April 23, 2014 Posted April 23, 2014 I think the answer you seek is here: http://www.jwfan.com/forums/index.php?showtopic=20741
Incanus 5,890 Posted April 23, 2014 Posted April 23, 2014 I believe it is an alternate, perhaps an insert where the Ballroom Scene "flying" theme is used more prominently (than on the original version found on the album) when Jane falls over the upper floor railing and is saved by laughter induced levitation. Obviously this small thematic quote is used to draw a connection between the two scenes. I doubt it was composed by anyone but good ol' Johnny.
Xander Harris 9,677 Posted April 23, 2014 Posted April 23, 2014 In Amazing Stories: The Mission, the "episode version" of The Landing has this extra bigger fanfare after the plane falls. It's actually not on the Intrada CD. However, McNeely recorded it just like the episode, only without the preceding part that's on the Intrada CD. When you listen to it in the show, it kinda sounds like an insert that was spliced in. That said, why would McNeely have recorded it like the insert but not included the preceding passage except to establish a weird reason to keep listening to a re-recording after the original versions have been released? Can someone ask him on Facebook since I'm too embarrassed to? What is wrong with me?
#SnowyVernalSpringsEternal 12,390 Posted April 23, 2014 Posted April 23, 2014 I unfriended McNeely after his Facebook argument with Neil S. Bulk.
Jay 46,244 Posted April 23, 2014 Posted April 23, 2014 Justin, I'd recommending asking Doug and Roger on Intrada's message board rather than asking McNeely on Facebook http://www.intrada.net/phpBB2/index.php
Mr. Brown 91 Posted April 26, 2014 Posted April 26, 2014 Anyone know where I'd find Daft Punk's "Giorgio by Moroder" with the music in the beginning intact, but without the vocals?While I like Moroder's interview, I'd like to hear the music without the voice over--if it even exists.
Naïve Old Fart 13,025 Posted April 29, 2014 Posted April 29, 2014 Sorry, but I think you can only hear it on "Random Access Memories", complete with interview (but isn't that the whole point of the song..?).Still, it's the best damn pop record I have heard in a good few years.
#SnowyVernalSpringsEternal 12,390 Posted May 9, 2014 Posted May 9, 2014 Yet another way of the Moderators to maintain a tight hold on the membership.I will never forget the day i woke up to find my screen-name changed to "Stefan Cock-Swallower"!Damn you Mr. Breathmask!
#SnowyVernalSpringsEternal 12,390 Posted May 9, 2014 Posted May 9, 2014 Yes Lee, you can go back to Quint or TheGreatEye without groveling to Jason.
Incanus 5,890 Posted May 9, 2014 Posted May 9, 2014 I do approve the name you are thinking but alas the power over our names is held by Jason and Jason alone.
Jay 46,244 Posted May 9, 2014 Posted May 9, 2014 Nah, Ricard or Andreas (Root Admins) could do it too, just not Moderatos (like Inky)
Quintus 6,499 Posted May 11, 2014 Posted May 11, 2014 I'm thinking about watching John Carter right now on Netflix. Is it as bad as they said it was? As bad as 10,000 BC and AotC?
#SnowyVernalSpringsEternal 12,390 Posted May 11, 2014 Posted May 11, 2014 Neil S. Bulk liked it, if that means anything.
#SnowyVernalSpringsEternal 12,390 Posted May 11, 2014 Posted May 11, 2014 So John Carter is Moderator aproved!
#SnowyVernalSpringsEternal 12,390 Posted May 11, 2014 Posted May 11, 2014 "She was only 16 years old!"
Sharkissimo 1,978 Posted May 11, 2014 Posted May 11, 2014 You couldn't run an egg and spoon race, Eric.
Quintus 6,499 Posted May 12, 2014 Posted May 12, 2014 I watched the first half of Eternal Sunshine of the Spotless Mind instead. Interesting.
filmmusic 3,270 Posted May 31, 2014 Posted May 31, 2014 Could anyone recommend any comedy-drama-adventure contemporary scores set mainly in Paris?One that I thought of, is an animation score, "the Triplettes of Belleville".But I'm not sure yet if it's along the lines I was looking for. I haven't seen the film for many years.Is there any something similar in plot/atmosphere, in live action film?
Sharkissimo 1,978 Posted May 31, 2014 Posted May 31, 2014 Could anyone recommend any comedy-drama-adventure contemporary scores set mainly in Paris?One that I thought of, is an animation score, "the Triplettes of Belleville".But I'm not sure yet if it's along the lines I was looking for. I haven't seen the film for many years.Is there any something similar in plot/atmosphere, in live action film?I'd recommend the other films of Silvain Chomet.THE ILLUSIONIST - Sylvain ChometTHE OLD LADY AND THE PIDGEONS - Jean Conti
Code 000. Destruct. 0. 4,262 Posted July 8, 2014 Posted July 8, 2014 I'm trying to streamline my music library. Can someone give me the lowdown on the two disc releases of Rosewood, The Fury, and Jaws? Are the second discs (original albums) vital; that is, is there significant material on them that doesn't appear on the first discs? I know with Rosewood, it's mostly just the choral stuff, but not certain about the other two.
Jay 46,244 Posted July 8, 2014 Posted July 8, 2014 Well first of all for Jaws, there is no 2 disc set, so you might have some sort of fun made creation. Anyways, for both Jaws and The Fury, Williams actually got a different orchestra together and recorded the entire LP program from scratch. IE, he took the sheet music from the film cues, then added, embellished, changed around, etc whatever he wanted and invented new programs that then got recorded and released as the OST. They're basically essential listens, and many find them superior to the later release of the actual film cues.
Code 000. Destruct. 0. 4,262 Posted July 8, 2014 Posted July 8, 2014 You're right, Jaws isn't 2 discs. I just forgot that I combined the original album with the Decca release. Duh.Ok well looks like that and The Fury should stay, and I'll ditch all but the three choral songs of Rosewood's original album.
Marian Schedenig 11,695 Posted July 8, 2014 Posted July 8, 2014 The second disc of The Fury (the album recording by the LSO) is essential. In fact it's among the most essential discs of all Williams releases. The soundtrack on disc one has some additional stuff that's worth having. Incanus 1
Naïve Old Fart 13,025 Posted July 12, 2014 Posted July 12, 2014 Speaking of re-recorded OSTs...how much of both "The Eiger Sanction", and "Earthquake" are OST, and how much is re-recording?IMO, "The City Sleeps" on CD sounds OST, but I'm not sure.
Jay 46,244 Posted July 12, 2014 Posted July 12, 2014 None of them were recorded at a later date, but some tracks could have been written just for the album, and recorded during the main sessions of the rest of the film cues.
Naïve Old Fart 13,025 Posted July 12, 2014 Posted July 12, 2014 Thanks for that, Jay. Was this the case for "Jaws"?
Omen II 1,300 Posted July 12, 2014 Posted July 12, 2014 Speaking of re-recorded OSTs...how much of both "The Eiger Sanction", and "Earthquake" are OST, and how much is re-recording?IMO, "The City Sleeps" on CD sounds OST, but I'm not sure.Both albums are re-recordings and do not include the versions of the music heard in the movie soundtrack. Although the album and original soundtrack versions of The City Sleeps (actually the end titles) from Earthquake are indeed very similar, they are different recordings - if you compare the vibraphone effect leading into the end titles on both versions, the difference is obvious. All the source music tracks represented on the album (e.g. Something for Rosa, Something for Remy, Miles' Pool Hall) are also clearly different in the film where they appear.I would suggest however that the earthquake special effects within the Medley track on the album may well be from the film's soundtrack. You can hear the cows mooing when the cattle track swerves off the freeway, for example, as well as the screeching of the tyres. The Aftershock effects track may be too but I have never been able to place it in the movie.
Naïve Old Fart 13,025 Posted July 12, 2014 Posted July 12, 2014 The "Earthquake Effects" is the first 3 or so minutes of the main 'quake (complete with bells ringing, and cows mooing). "Aftershock" might just be trying to demonstrate how Sensurround works on a 2.0 system (it doesn't!). Actually the "Aftershock" track might come from the bit when Genevive Bujold hangs on to a tree for dear life.The effects in the "Medly" are all there in the film, but are not as "condensed" as the album suggests.
Omen II 1,300 Posted July 12, 2014 Posted July 12, 2014 The effects in the "Medly" are all there in the film, but are not as "condensed" as the album suggests.Yes. For anyone that doubts whether the album is a rerecording, compare the album version of the main title... ...and the film version:
Marian Schedenig 11,695 Posted July 13, 2014 Posted July 13, 2014 Thanks for that, Jay. Was this the case for "Jaws"? The Jaws album is an entirely different recording from the OST. And (I haven't listened to it in a long time) at least several cues are considerably extended compared to the original versions, notably the fugue and Promenade.
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