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FYI, the GLORIA from MONSIGNOR will be performed Live in Los Angeles @ 5:00pm on March 15,2020 They are going to be using Mr. Williams original scores for this performance

Click here http://www.buysoundtrax.com/larsons_soundtrax-8-16-19.html

Well, the estate liked it, We liked it and you are entitled to your opinion. But if you think that is the worst cover you ever have seen..,You haven't seen a lot of covers... 🙂 Ford A. Thaxton It's a really interesting look into how that score was created by the composer just working at his own piano. Ford A. Thaxton

BASIL POLEDOURIS COLLECTION, THE: VOL. 4 - THE BLUE LAGOON: PIANO SKETCHES https://tinyurl.com/y9c5vzrl SRP: $17.95 LISTEN TO A SOUND CLIP FROM the score for "THE BLUE LAGOON: PIANO SKETCHES" https://tinyurl.com/yctuvflh THE BASIL POLEDOURIS COLLECTION, VOLUME 4 is a limited edition release of 500 units. This Title will begin shipping on the week of Nov 4, 2018 Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents a very special release of composer Basil Poledouris’s original piano sketches and demos that were recorded in his home studio as he was creating the score for 1980’s THE BLUE LAGOON. With this unique release, listeners are given the unprecedented opportunity to listen, like a fly on the wall in Basil Poledouris’ home studio, as the composer works through his themes and musical interludes on the piano in 1979. Via cassette recordings made by the composer while working, the creative process of developing this film score from his initial piano noodlings to his far more developed and confident treatments is audibly documented. As themes both familiar and unrecognized are created and discarded during the course of composition, a major film score is born. Released in 1980, Randal Kleiser’s THE BLUE LAGOON was Poledouris’ second major film score and largest breakthrough, leading to his magnificent score to CONAN THE BARBARIAN in 1982. Basil’s score for THE BLUE LAGOON was straightforwardly romantic and tropically lush, recorded with a full symphony orchestra. It provided an eloquent, yet far from pretentious, melodic sound that treated the characters’ emotional drama quite honestly and sympathetically. With this remarkable opportunity to hear the late composer at work, you’ll hear the score come together as it happens through these preserved and meticulously mastered recordings. As a bonus track, we’ve included a 10-minute recording of Basil and Randal Kleiser working over music a significant moment in the film with Emmeline’s theme, which is a fascinating glimpse into the interaction between composer and director during the creation of this score. Dragon’s Domain Records is proud to present this unique behind-the-scenes examination of the creation of Basil Poledouris’ THE BLUE LAGOON score. Mastered by James Nelson at Digital Outland and with exclusive liner notes by author Randall D. Larson, aided by the memories of Basil’s daughter Zoë Poledouris, is released in a limited edition of 500 units. The CDs, to be distributed through buysoundtrax.com, are expected to begin shipping on the first week of November. ?01. Emmeline (Demo) (2:57) 02. Sketch #1 - Main Theme (3:03) 03. Baroque Motif (12/5/79) (4:28) 04. Sketch #3 - Two Takes on a Theme (3:06) 05. Sketch #4 - Two Takes on an Alternate Theme (1:17) 06. Sketch #2 - Main Title (4:51) 07. Main Title (Demo for Director) (1:02) 08. Sketch #5 - Part 1, Full Tonic Statement (2:27) 09. Emmeline (Demo for Director) (2:27) 10. Sketch #6 - Shark Scene (2:41) 11. Main Title A Section Demo (3:55) 12. Main Title B Section Demo (2:56) 13. Sketch #5 - Part 2, Dramatic Motif (6:32) 14. Main Title Full Demo (3:28) 15. Alternate Main Theme Demo (5:14) 16. Emmeline Full Demo (3:01) BONUS?TRACK 17. Composer and Director Interact (10:48) Total Time: 64:58

POLYNESIAN ODYSSEY / ALAMO: THE PRICE OF FREEDOM - ORIGINAL SOUNDTRACKS BY MERRILL JENSON https://tinyurl.com/y9plmo9d SRP: $19.95 LISTEN TO A SOUND CLIP FROM the score for "POLYNESIAN ODYSSEY" https://tinyurl.com/y8au7n67 LISTEN TO A SOUND CLIP FROM the score for "ALAMO: THE PRICE OF FREEDOM" https://tinyurl.com/y7ajmr33 POLYNESIAN ODYSSEY / ALAMO: THE PRICE OF FREEDOM - ORIGINAL SOUNDTRACKS BY MERRILL JENSON is a limited edition release of 500 units. This Title will begin shipping on the week of Nov 4th, 2018 Dragon’s Domain Records, to be distributed through buysoundtrax.com presents the original motion picture soundtrack to the IMAX films POLYNESIAN ODYSSEY and ALAMO: THE PRICE OF FREEDOM, both composed by Merrill Jenson and performed by The National Philharmonic Orchestra of London. Merrill Boyd Jenson has specialized, not entirely but in large part, in documentaries and IMAX films shown at museums and American historical sites. The film scores collected on this album are excellent examples. The 1988 IMAX film, ALAMO: THE PRICE OF FREEDOM had been commissioned for The Alamo historical site in San Antonio, Texas, where it was shown for many years. Jenson counts this score among his own favorites. The main theme that opens and concludes the score is a breathtaking piece of music, with an elegant structure that reflects a sense of Americana through its harmonic phrasing, while reflecting with the military connotations of the battle via a martial snare drum; it is a score that breathes heavily the elegance of pastoral Americana. 1991’s POLYNESIAN ODYSSEY, also filmed in the IMAX format, was commissioned by the Polynesian Cultural Center to be shown at its theme park and museum in Laie, Oahu in Hawaii. Through vivid, majestic images, POLYNESIAN ODYSSEY told the history of the Polynesian Islands and their peoples; Jenson’s score matched the film’s grand, large format visuals with vivid, eloquent music, from the pageantry of its resplendent choral excursions to the historical and ethnic flavorings that support much of the music’s layered orchestrations. Both ALAMO and POLYNESIAN ODYSSEY were recorded in England with The National Philharmonic of London. Working on these nonfiction films, and many others, has given Jenson an intuitive respect for history and cultures other than his own. Writing emotionally-tinged music for significant events in human history provides a unique sense of fulfillment, and has inspired music that is both meaningful and cinematically effective. “It’s been rewarding to help viewers realize the greatness of the migration of the Polynesian people, and the greatness of their culture. And with ALAMO, the stories of heroes who died for our country should be told. I am proud to be part of both of these stories.” Dragon’s Domain Records is excited to bring these excellent scores to compact disc – ALAMO as a reissue, POLYNESIAN ODYSSEY for the first time. Both scores have been mastered by James Nelson at Digital Outland with exclusive liner notes by author Randall D. Larson, with the participation of the composer. POLYNESIAN ODYSSEY/ALAMO: THE PRICE OF FREEDOM is released in a limited edition of 500 units. The CDs, to be distributed through buysoundtrax.com, are expected to begin shipping on the week of November 4th. Polynesian Odyssey 01. Prologue / Man Is Born (2:04) 02. First Migration (1:47) 03. First Sea Voyage / First to Discover New Land (2:55) 04. Migration From Peru (1:34) 05. Easter Island (1:06) 06. Ancient New Zealand / New Zealand By Air (4:24) 07. Boar Hunt (3:13) 08. Boar Kill (1:02) 09. Arrival of the Wedding Party (1:12) 10. Wedding Dinner (3:02) 11. Wedding Ceremony (2:07) 12. Evolution of Man (1:09) 13. Impending Invasion / Invading War Party (3:54) 14. Arrival of the Clipper (2:20) 15. Natives See the Great Ship (2:53) 16. Epilogue (2:49) 17. End Credits (1:06) Alamo: The Price of Freedom 18. Main Theme (1:30) 19. The Dream of Texas (1:24) 20. Travis Arrives (1:06) 21. Post of Honor (1:02) 22. Santa Anna Arrives (1:21) 23. With a Cannon Shot (0:48) 24. Cavalry Attack (1:01) 25. The Time Has Come (0:46) 26. Bowie Surrenders Command (1:08) 27. “To The People of Texas” (1:50) 28. Bohnham’s Return (1:12) 29. The Line (2:45) 30. The Ring (1:48) 31. Call to Attention / Deguelio (1:27) 32. No Small Affair / Finale (3:35) 33. Suite from Polynesian Odyssey (4:54) Total Time: 69:03

Buysoundtrax.com October Horror Sale 20% Off all titles in our HORROR SECTION (CDS and DIGITAL RELEASES) CLICK HERE TO GO THE HORROR SOUNDTRACK Page https://tinyurl.com/yc34ug6k

Order Here: https://tinyurl.com/y8wsjakm $15.95 Based on the 1977 novel by Richard Adams, THE PLAGUE DOGS is an animated drama released in 1982 and directed by Martin Rosen. It tells the story of two dogs who escape from a fictional research facility in Northwestern England and struggle against the rugged environment, local constabulary, and British military seeking to recapture them. Rosen’s first film had been an animated adaptation of Adams’ first novel, WATERSHIP DOWN (1978), which had been a huge international success and was the sixth most popular film of its year in England. It was therefore natural for Rosen then to make a film out of Adam’s subsequent novel involving animals. Like WATERSHIP DOWN, the second film was animated and straightforward, unafraid to confront the reality of life in the wild, but THE PLAGUE DOGS treated its subject matter with an even more unflinching dramatic focus about the plight of the canine protagonists and the ethical realities of their predicament. The film’s bleakness and its lack of a cathartic resolution led to its failure at the box office; although in recent decades the film has been much better regarded and critical consensus now recognizes the film’s disconsolation as its greatest ingenuity. Composer and electronic music pioneer Patrick Gleeson grew up in Seattle with initial musical hopes to become a jazz pianist until he became hooked on electronic music. Influenced by Wendy Carlos, Gleeson released several albums of electronic interpretations of classical and pop music, and then merged his interests in synthesizers music and jazz during his collaborative work with keyboardist and bandleader Herbie Hancock in the early ‘70s. This, and a bit of music for short films – including heading the synthesizer group responsible for orchestrating and performing the film electronic score for APOCALYPSE NOW – brought him to Martin Rosen’s attention and he gained his first feature film assignment scoring THE PLAGUE DOGS. Influenced by techniques of American minimalism as well the music of Polish composer Witold Lutosławski, Gleeson wrote a sophisticated score that suited the style of Rosen’s uncompromising filmmaking. The music is performed by members of The Kronos Quartet, augmented by Gleesen’s then-state-of-the-art electronic synthesizers. The score is not thematic-based, but rather allows each musical moment to unfold like a new chapter, giving each sequence a unique musical design of its own. Dragon’s Domain Records is excited to bring THE PLAGUE DOGS to compact disc for the first time, mastered by James Nelson at Digital Outland with exclusive liner notes by author Randall D. Larson, with the participation of the composer. THE PLAGUE DOGS is a limited edition of 50 units. As a special offer, the first 100 people to order the album from the record label’s website will have their copy autographed by the composer at no additional charge. THE PLAGUE DOGS, to be distributed through buysoundtrax.com, is expected to begin shipping on August 30th. 1. Time and Tide 4:22 (Composed and Sung by Alan Price) 2. Freedom 2:30 3. Wondering 3:38 4. The Change 2:02 5. In the Pens 1:47 6. Sheep Dogs 2:41 7. The Escape from the Incinerator 0:52 8. Frog Catching 1:23 9. Rowf's Kill 1:59 10. Lack Loud's Death 2:18 11. Inside The Laboratory 2:32 12. The Beginning of the End 3:28 13. Rowf and Snitter Run to the Sea 3:54 14. Time and Tide 1:26 (Composed by Alan Price) Total Time: 38:33

https://tinyurl.com/y8844uj2 Order Here: https://tinyurl.com/y8844uj2 $17.95 “I’ve always been interested in music and in movies, since a very early age,” said Japanese-American composer Paul Chihara. His life experience has ranged from family incarceration during World War II’s Japanese Relocation program to musical training under Nadia Boulanger at the Paris Conservatoire, and further studies at the Hochschule für Musikin Berlin. He’s been a Professor of Music at UCLA, a music advisor to Zubin Mehta, conductor of the Los Angeles Philharmonic for ten years, while he was developing the first electronic music studio at UCLA. He was the first composer in residence of the Los Angeles Chamber Orchestra when it was conducted by Sir Neville Mariner. He got into film scoring through a happenchance call from Roger Corman, who was seeking a graduate student to help with a new science fiction movie, a request Chihara, having just retired from UCLA to become a classical composer, filled personally, presenting myself as his own graduate student. He wound up scoring Corman’s DEATH RACE 2000 and opening up a new career in film composing while continuing to maintain a respected career in classical concert music. Among Chihara’s early projects was scoring THE MISSISSIPPI, a 1977 documentary episode for the COUSTEAU ODYSSEY TV program, about the famous French undersea explorer, researcher, and filmmaker Jacques Cousteau’s expedition over the 2,350 mile-long Mississippi River, second longest river in North America. Chihara’s score, performed by members of the London Symphony fulfilling a freelance contract, is an integration of various Americana tunes of the 19thCentury and Chihara’s own original cues to support sequences that needed emotive dramatic support. These included a cheerful trumpet theme flavored with a precise swiftness suggestive of the mighty, modern Mississippi, and much music with arpeggios in the lower strings, which depicts the ongoing undercurrent of the churning water of the Mississippi. Dragon’s Domain Records is excited to bring Paul Chihara’s score to THE MISSISSIPPI and his title treatments for THE MORNING AFTER to compact disc for the first time, mastered by James Nelson at Digital Outland with exclusive liner notes by author Randall D. Larson, with the participation of the composer. THE PAUL CHIHARA COLLECTION, VOLUME 1 is a limited edition of 1000 units. As a special offer, the first 50 people to order the album from the record label’s website will have their copy autographed by the composer at no additional charge. The album, to be distributed through buysoundtrax.com, is expected to begin shipping on August 30th. PART I: RELUCTANT ALLY 01. Opening Narration / Opening Titles (2:26) 02. Icy Dive / Making The River Safe (2:44) 03. Journey / The Buoys / Grounded Sand Barge / Grounded (2:52) 04. Vicksburg / Cotton Field (2:12) 05. The Lead Mine Drive / Grain / Leaving St. Louis (3:00) 06. Roping Cattle / Yellowstone / River Rafting (3:39) 07. Raptor Lead / Wounded Eagles / St. Louis Arch (2:54) 08. Loches (2:56) 09. Catfish (2:22) 10. Final Act / “In Part 2” / End Credits Part One (2:18) PART II: FRIENDLY FOE 11. Prologue and Main Title Part Two / Opening (2:58) 12. Appointment with a Bear / Bear Cubs / Putting The Collar On (3:15) 13. Big Muddy (1:17) 14. Helicopter Flight (2:42) 15. Missouri River (1:20) 16. The Relic / Black Hills (2:47) 17. Powerful Lights (2:14) 18. Indian Hardships / Indian Legend (1:04) 19. Water Samples / Flooding / Flooded Town (2:48) 20. River Control / Holding Sites / Shrinking Delta (1:42) 21. Canadian Geese (1:39) 22. Wetlands (1:19) 23. Swamp Montage (2:54) 24. The River is Wiser / End Credits Part Two (2:11) Total Time: 59:01

Here is the hollywood reporter obit https://tinyurl.com/yam79hzw

ACCIDENT MAN - ORIGINAL SOUNDTRACK BY SEAN MURRAY Original Soundtrack Recording by Sean Murray https://tinyurl.com/y7ksd537 SRP: $15.95 LISTEN TO A SOUND CLIP FROM the score for "ACCIDENT MAN" https://tinyurl.com/yceqrlvg ACCIDENT MAN is a limited edition release of 500 units. This Title will begin shipping on the week of Aug 7th 2018 FIRST 50 Copies Purchased through BUYSOUNDTRAX.COM will be autographed by Composer Sean Murray Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents the soundtrack release of ACCIDENT MAN, featuring music composed by Sean Murray (CALL OF DUTY: Black Ops and World At War, BUFFY THE VAMPIRE SLAYER television series, DEEP BLUE SEA 2), for the 2018 action film directed by Jesse V. Johnson (THE PACKAGE, THE BEAUTIFUL ONES, SAVAGE DOG), starring action star Scott Adkins (UNIVERSAL SOLDER: DAY OF RECKONING, UNDISPUTED 2 & 3, NINJA, EL GRINGO), Ray Stevenson (KING ARTHUR, OUTPOST, KILL THE IRISHMAN), Ashley Greene, David Paymer, Michael Jai White (SPAWN, UNDISPUTED 2, BONE), Ray Park (STAR WARS EPISODE 1: THE PHANTOM MENACE, X-MEN, G.I. JOE), Amy Johnston (LADY BLOODFIGHT), Perry Benson, Nick Moran, Ross O’Hennessy, Stephen Donald and Stu Small. Based on the comic book series created by Pat Mills and Tony Skinner, ACCIDENT MAN tells the story of Mike Fallon (Adkins), a stone cold killer known as the Accident Man, because his hits are always designed to look like an accident and continue to baffle the police. When an ex-girlfriend is dragged into the London underworld and murdered, Fallon starts to look into the cause of her death and discovers that his own fellow hit men were hired to kill her. As he struggles to keep her sister and himself alive, he is forced to rip apart the life he knew in order to hold those accountable and avenge the one person who actually meant something to him. Fallon has wade through waves of his peers, also colorful hitmen known for the particular talents they employ when they carry out their contracts, until he can get to the one person responsible for giving the order. Jesse V. Johnson has worn many hats in film production over the years, including stunt man, stunt coordinator, second unit director and assistant director. In recent years, he has been writing and directing his own films, including many successful action film. ACCIDENT MAN continues his collaboration with composer Sean Murray, which has included films such as THE PACKAGE, SAVAGE DOG, THE BEAUTIFUL ONES and, most recently, THE DEBT COLLECTOR. For ACCIDENT MAN, Sean Murray has written a full throttle action score, including some great electronic throwbacks during the fight scenes to bands from the late 70s, early 80s, such as Tangerine Dream. Sean Murray grew up in Santa Barbara, California where he learned the craft of film composing by scoring dozens of student movies for the Brooks Institute Film School. He made his professional debut as composer for the action film SCORPION. Among his credits are the controversial television series GOD, THE DEVIL AND BOB with James Garner and Alan Cumming, for Carsey-Werner and NBC; and the deeply disturbing psychological-thriller JUNKYARD DOG starring Vivica Fox. Most recently, he has also scored DEEP BLUE SEA 2 and THE DEBT COLLECTOR. Sean is the son of actor Don Murray, whose performance with Marilyn Monroe in BUS STOP was nominated for an Academy Award. Sean lives in the Hollywood Hills, close to the film studios and post-production houses. ACCIDENT MAN is a limited edition release of 500 units. It is expected to begin shipping the week of Aug 7th 2018 01 A New Bike 2:38 02 Right Bitch 1:18 03 Operators / Sushi 1:01 04 Little Weasel / Gas Gun Fun 1:58 05 Blow Out / Triangle 2:30 06 Ambush / Yellow Fever 3:39 07 Grave / Green Papers 2:37 08 Smack Head Murder 3:37 09 Crushing Mick & Mac / Mike’s Bike 3:27 10 Are We Cool? / Ray of Dark 2:53 11 Defenestration 2:18 12 Berserker 1:38 13 Sorry Mate / Inside Source 3:40 14 Mr. Kent 3:30 15 American Prick / Big Guns 3:27 16 Peter Out / Adkin’s Bandage 2:10 17 Lick The Knife / Name Your Price 5:09 18 Fallon Angel / Old Bean 2:00 19 The Accident Man 2:49 20 Best of Friends (Unused) 3:21 Total Time: 56:17

Different strokes for different folks...

THE RETURN OF SWAMP THING Original Soundtrack Recording by Chuck Cirino https://tinyurl.com/ybga9b7j SRP: $17.95 LISTEN TO A SOUND CLIP FROM the score for "THE RETURN OF SWAMP THING" https://tinyurl.com/y894aw7d THE RETURN OF SWAMP THING is a limited edition release of 500 units. This Title will begin shipping on the week of Aug 7th 2018 FIRST 50 Copies Purchased through BUYSOUNDTRAX.COM will be autographed by Composer Chuck Cirino and Director Jim Wynorski Dragon’s Domain Records, to be distributed through buysoundtrax.com presents the original motion picture soundtrack for THE RETURN OF SWAMP THING, featuring music composed by Chuck Cirino for the 1989 sequel to SWAMP THING, directed by Jim Wynorski, Dick Durock, Heather Locklear, Sarah Douglas, Joey Seagal, Ace Mask, Monique Gabrielle and the great Louis Jourdan. THE RETURN OF SWAMP THING continues the longtime collaboration between filmmaker Jim Wynorski and composer Chuck Cirino, which includes films such as CHOPPING MALL, DEATHSTALKER II, NOT OF THIS EARTH, TRANSYLVANIA TWIST, A DOGGONE CHRISTMAS, A DOGGONE HOLLYWOOD and, most recently, A DOGGONE ADVENTURE. Following the cult success of the original SWAMP THING released in 1982 and directed by Wes Craven, the producers Benjamin Melniker and Michael Uslan decided to make a sequel, and ordered up a script from screenwriters Neil Cuthbert (later, Hocus Pocus, Mystery Men) and Grant Morris (later, Dead Dog). They offered the directing assignment to Jim Wynorski, then four movies along in his prolific career of more than 150 films. Actor/stuntman Dick Durock returned as scientist Alec Holland’s alter ego Swamp Thing, Louis Jourdan as the villainous Arcane, still eager to steal Alec Holland’s chemical advances, Heather Locklear (TV’s MELROSE PLACE, FIRESTARTER), came in as Arcane’s niece Abby, a character from the comic book. Sarah Douglas (Ursa from SUPERMAN and SUPERMAN II) co-starred as Dr. Lana Zurrell, assistant to Arcane in his attempts to combine human genes from various swamp animals to create an army of monsters known as “Un-Men. When it came to music, Wynorski brought in his friend, composer Chuck Cirino, who had begun scoring all of Wynorski’s films since 1986. Their passionate mutual interest in Italian composer Ennio Morricone brought them together in the mid-1970s and their friendship was strengthened when both wound up in Los Angeles shortly after STAR WARS was released. By the time Wynorski began directing, Cirino had gotten into writing music as well as directing and editing. When they came to collaborate on THE RETURN OF SWAMP THING, the film’s budget was sufficient enough to accommodate a few live instruments in addition to Cirino’s electronic set-up, including a small brass section containing flugelhorns and trumpets, a recorder soloist, and an Electric Valve Instrument player. Everything else was synth. Remarkably, The score was recorded in a cramped and complicated set-up in the bedroom of Cirino’s Van Nuys home. There are actually two scores to THE RETURN OF SWAMP THING; well, one and a half scores to be precise. One is present in the film and occupies the majority of this complete score album. The second can be heard in the 22-minute suite that concludes the track list. Cirino’s score for THE RETURN OF SWAMP THING is full of exciting thematic material and fans of the composer have been long anticipating its release. Chuck Cirino did not start his career as a composer, but rather as a programmer in Stroudsburg, Pennsylvania for a Public Access cable TV station, where he learned how to create TV shows by himself, without a crew. In his spare time, he experimented with the station’s video equipment and created a series of genre productions that allowed him the opportunity to learn how to incorporate special effects into his work. After relocating to California, Cirino transitioned into directing high-end special effects television commercials. His first work as composer was for the 1980 cult film GYPSY ANGELS, which starred Vanna White and Richard Roundtree. Since then he has scored films for Roger Corman, directed music videos for bands like Earth, Wind & Fire and The Dickies’ KILLER KLOWNS FROM OUTER SPACE, and has recorded over 40 music soundtracks for feature films including SORCERESS, HARD TO DIE, TRANSYLVANIA TWIST, and many others. Most recently, he has scored A DOGGONE CHRISTMAS, A DOGGONE HOLLYWOOD and A DOGGONE ADVENTURE. Chuck has worked as a producer, director, filmmaker, videographer, animator, special effects technician, editor, and composer. He executive produces and directs WEIRD TV, a television series featuring weird Americans, bizarre news, unbelievable events and outlandish skits. Chuck’s credits also include executive producer and director of the Sci Fi Channel projects, WORLDWIDE WEIRD and WARPED IN SPACE, and BABERELLAS, an independent Sci Fi feature distributed by Xenon Pictures. Dragon’s Domain Records is excited to bring THE RETURN OF SWAMP THING to compact disc for the first time, mastered by James Nelson at Digital Outland with exclusive liner notes by author Randall Larson, with the participation of the composer and the director. THE RETURN OF SWAMP THING is a limited edition of 1000 units. As a special offer, the first 100 people to order the album from the record label’s website will have their copy autographed by the composer at no additional charge. THE RETURN OF SWAMP THING, to be distributed through buysoundtrax.com, is expected to begin shipping on August 7th. 1. Once Upon A Time In The Swamp (1:07) 2. The Search (1:41) 3. Arcane’s Theme (1:08) 4. Father And Daughter (2:13) 5. Dirty Duo (0:55) 6. Diamond Cut/Wrong Answer (1:57) 7. Love In The Swamp (3:20) 8. Swampy Saves The Kids (2:25) 9. Rescue Abby (1:21) 10. Abby (1:23) 11. Down Memory Lane (1:40) 12. Arcane’s Taccata (1:03) 13. It’s Too Easy (1:16) 14. A Piece Of Thing (1:41) 15. Love Theme (2:40) 16. Boys Will Be Boys (0:45) 17. Out Of The Tub (1:06) 18. Take The Keys And Run (1:24) 19. The Scary Swamp (1:39) 20. That Hurts (0:40) 21. Knock Knock (1:09) 22. The Machine (1:28) 23. Requiem (1:42) 24. To Sunrise (1:40) 25. Together Forever (0:51) 26. End Titles (1:08) 27. The Return Of Swamp Thing (Pre-Score Suite) (22:38) 28. The Glory Of Swamp Thing (Unused) (0:50) Total Time: 64:00

This very talented composer passed away at the age of 79 this week Here is a link to a obit by Randall D. Larson http://buysoundtrax.com/Patrick_Williams_obit.html

http://www.buysoundtrax.com/larsons_soundtrax-4-13-18.html A Great look at the scoring of the new NETFLIX version of LOST IN SPACE and interview with it's composer by Randall D. Larson

New SOUNDTRAX column has posted:Feature Interviews:David Shire’s APOCOLYPSE NOWDon Davis’s TOKYO GHOULSoundtrack Reviews:BEN-HUR/Rózsa/Tadlow, THE COMMUTER/Baños/Varese Sarabande, LBJ / Marc Shaiman / Lakeshore, LE MAGNIFIQUE/Bolling/Music Box, MATHILDE/Beltrami/Moviescore Media, MAX AND ME/McKenzie/Sony Classical, THE ORPHANAGE 10th Anniv./Velasquez/Quartet, RED SPARROW /Newton Howard/Sony Classical, STASIS/ Glasgow/ Fourteen Kings Music, VIDEOMAN/Waveshaper & R Parker/LakeshoreBook, Soundtrack, Vinyl, & Game Music NewsCheers -rdlhttp://www.buysoundtrax.com/larsons_soundtrax-3-30-18.html