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BrotherSound last won the day on August 4 2020

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About BrotherSound

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  1. Well, anyone dying to see the complete cue list for Stepmom, today’s your lucky day! Found it in the SESAC repertoire, apparently in film order: 688787458 Stepmom 688787459 Ben’s Antics 688787461 Isabel’s Expertise 688787462 Luke’s Rationale 688787463 She Can Cook Too 688787464 I Trust You 688787465 Feeling Change 688787467 I Killed Her 688787468 Get Out of My House 688787469 Ben Is Lost 688787470 On Horseback 688787471 I’d Do It For You 688787472 Isabel’s Rejection 688787473 Through MRI 688787474 Hung By A Threa
  2. Ah, so it’s Paramount that has this practice of not using the original cue names of cues that appear in OST tracks? I’m seeing the same thing for The Adventures of Tintin, but fortunately we’ve already got almost all those titles (I just wanted to fill in a few gaps). So, now we can speculate what the three parts of ‘Indy’s Very First Adventure’ would be. @crumbs Have a 24-bit version to analyze for hints? And interesting that ‘Scherzo for Motorcycle and Orchestra’ is unexpectedly listed as two parts. The main cue and an insert? Bet it’s the bit with the Indy theme…
  3. I believe this list includes only the source music composed by JW (note also the absence of the Koeniggraetzer March). Yep, looks like it’s him:
  4. @Jay So, remember those work codes I discovered that show the film order of The Rise of Skywalker cues? Turns out The Last Crusade has them, too, and it shows 'Young Indy' is the cue between 'Indy's Very First Adventure Part 3' and 'The Boat Scene': I don't think we knew about 'Don’t Call Me Junior', which must be the actual title of 6M3.
  5. Updated my cue list and breakdown with some previously unknown cue titles, from the SESAC Repertory: Gabriel's Last Fight Gabriel Mortally Wounded Susan Speaks Rev 2 On To Yorktown
  6. So, unfortunately I don't know what the first section of 'Indy's Very First Adventure' is titled, but I can tell you it's almost certainly not 'Young Indy'. Looking through the GEMA database, all the cues that appear on the 1989 OST have had their titles replaced with the OST title, while the cues that weren't used appear with their original titles. OST tracks that are comprised of more than one cue are listed with 'Part 1', 'Part 2', etc. There's three sections to 'Indy's Very First Adventure', so it's most likely comprised of 1M1, 1M2, and 1M3. 1M2 and 1M3 are probably 'Circus Tr
  7. Many of the inserts include the same material from the original cue at the beginning and end to make them easier to blend into the original. If you were to only include the unique material from each (and if all were actually recorded), I think you could pare it down to the final version and two alternates, something like this: 1. 9M85 with 9M85 A New The final version, with the insert replacing the original version, minus any microedits. 2. 9M85 and 9M85 Alt Insert The original version and the Luke’s theme insert seem like they could work side-by-side.
  8. Right, that's the insert 9M85A “Luke Looks”. The film and album use a different insert, 9M85A New “Rey Looks”, as heard in 'Peace and Purpose'. They both replace the same section of 9M85 “Finale Part I”, so there should be at least three recorded versions of Luke’s death. We don’t know whether 9M85 Alt Insert was actually recorded yet, which is the insert that uses Luke’s theme, scored wistfully for flute and clarinet. The recording status is also uncertain for 9M85B and 9M85C. 9M85B “Between Luke and the March”, which is actually an insert with an insert, replacing a f
  9. @Jay @crumbs @Falstaft @Datameister For my fellow TROS score obsessives, I've noticed the gaps in the numbering I shared a couple days ago appear to indicate where the "reel" breaks are in the final version of the film, just like the ones indicated on the spreadsheet for the November 11th cut:
  10. I’ve noticed another little germ of an idea that seems to pop up fairly often in the sequel trilogy scores: For example, 1:35 in ‘The Old Death Star’: Or 2:10 in ‘Main Title and Escape’ (with a slightly different rhythm): Reminds me of Liszt’s Les Préludes.
  11. Oh, thanks @Jay! I’d forgotten there was ever a time before it was split like this.
  12. So, I've found the original cue titles and added them to the Amistad complete score breakdown thread, inexplicably in General Discussion (@Jay Possible to move this?) :
  13. So, especially since the time is ripe for an expansion of this score, I went digging and found the original cue titles in the GEMA database. They seem to generally be in film order, though with some of the album titles grouped at the end (maybe just the ones that are not also cue titles?). I've included the few slates that are known: 1M1 Retribution [unused?] OX4925 [Main Title?]* OX4927 Cinque's Theme OX4928 1M2 July 4th, 1839 OX4929 [source, arr. Abraham & Allen]* OX4930 Ya Weh [source, arr. Abraham & Allen] OX4932 The Capture OX4934 The Captu
  14. Am I really the first to bring up ‘The Banquet’ from Hook? Pure joy, especially in the concert arrangement: They really ought to publish the entire Hook suite from this album…
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