Jump to content

.


BloodBoal

Recommended Posts

I voted Batman Begins for the film, no question there.

For the score, can there be a "I don't like either score" option?

Link to comment
Share on other sites

Well I don't like either score

But I remember how the Batman theme goes. Don't remember a thing about MOS's score.

Link to comment
Share on other sites

Easy. Man of Steel and Man of Steel, although Begins is the most appealing of that wretched trilogy (TDKR is my favourite of the scores).

It's the thematic material and monochrome nature of the score for Begins that brings it down for me, and I never liked the Heroics theme (Molossus) which I remember playing significant part. Too power anthemy, Teutonic and stuffy. It's as dated as a Sony W800i.

Link to comment
Share on other sites

Film-wise, I prefer Batman Begins. Even with some of its cheesier moments, there isn't a whole lot I'd change about it. Man of Steel on the other hand is just too much, especially at the end. Honestly, I'm very interested to see how BvS will address the insane levels of destruction porn found in the first film.

Score-wise, neither is a favorite of mine (especially compared to their older counterparts). I hardly ever play the whole album to either score, let alone one of their *ahem* expansions. I'd say Man of Steel gets more play time though, if only because of First Flight (Film Mix).

Link to comment
Share on other sites

Nolan > Snyder

Not in a million years. Nolan is as uncinematic as it gets.

Just seen the votes. Early days of course, but it seems you lot have no taste!

Snyder is seriously one of the worst filmmakers out there. He's Uwe Bol with a budget.
Link to comment
Share on other sites

Snyder is seriously one of the worst filmmakers out there. He's Uwe Bol with a budget.

He's a visionary auteur, just like Mark Neveldine and Brian Taylor. I see no comparison with Uwe Boll, who's films are devoid of craft, wit, and meaning.

Link to comment
Share on other sites

I wonder if thinking about these excellent scores next to each other will make people realize how perfectly different and suited they are to their respective cinematic worlds, supplanting the "just the same Zimmer noise" theory.

Link to comment
Share on other sites

Snyder is seriously one of the worst filmmakers out there. He's Uwe Bol with a budget.

He's a visionary auteur, just like Mark Neveldine and Brian Taylor. I see no comparison with Uwe Boll, who's films are devoid of craft, wit, and meaning.
Snyder has wit and meaning? He took Frank Miller's style that Rodriguez brought to life in Sin City and added a bunch of slow motion. That's pretty much it. Auteur, yes. Visionary, no.
Link to comment
Share on other sites

I voted Batman Begins for the film, no question there.

For the score, can there be a "I don't like either score" option?

This would have been my preferred route. Went with Begins for the score but purely based on the fact that JNH worked on it too.

Link to comment
Share on other sites

I wonder if thinking about these excellent scores next to each other will make people realize how perfectly different and suited they are to their respective cinematic worlds, supplanting the "just the same Zimmer noise" theory.

I hear a few negligible harmonic shifts from my subwoofer from these scores. That's about it.

Link to comment
Share on other sites

I voted Batman Begins film. No brainer there, it is actually in some ways one of the best superhero films out there and the most entertaining and enjoyable film Nolan has ever made (note that I didn't say "his best").

As for the score, it's a bit more complicated. While I don't exactly love Man of Steel, it does have probably about 30-40 minutes of material that I really like. As long as Zimmer stays away from action sequences, his effort is strong. In its own way.

Karol

Link to comment
Share on other sites

I've grown to even enjoy the action material of MOS which initially was a bit grating. But it has a distinctive character that you come to appreciate.

Link to comment
Share on other sites

Ofcourse you do!

Yes, my evolved musical sensibilities when compared to most people make it a fairly obvious conclusion that I see much that others don't.

(Trying out my new "Alexcremers of film music" persona)

- LePèlerinGris

Link to comment
Share on other sites

Nolan > Snyder

Not in a million years. Nolan is as uncinematic as it gets.

Just seen the votes. Early days of course, but it seems you lot have no taste!

Nolan > Snyder

Not in a million years. Nolan is as uncinematic as it gets.

Just seen the votes. Early days of course, but it seems you lot have no taste!

Snyder is seriously one of the worst filmmakers out there. He's Uwe Bol with a budget.

I think he can do in interesting stuff. He just needs to, you know, MAKE GOOD MOVIES.

Like, I mean, 300 and MoS, WTF?

Link to comment
Share on other sites

You should have added "Neither" for the for score as an option. Nolan's Batman for sure got my vote for the film. For the score since I had to chose a lesser of two evils I chose Batman Begins.

Link to comment
Share on other sites

I voted Batman Begins for the film, no question there.

For the score, can there be a "I don't like either score" option?

That would've been my pick.

Nolan > Snyder

Not in a million years. Nolan is as uncinematic as it gets.

Whatever, dude.

Link to comment
Share on other sites

We best hope nobody ever does a poll on Brad Fidel's Terminator scores, because it's a scientific impossibility for a person to have an opinion on the merits of a film's underscore which one wouldn't normally listen to away from its movie.

Link to comment
Share on other sites

Snyder is seriously one of the worst filmmakers out there. He's Uwe Bol with a budget.

He's a visionary auteur, just like Mark Neveldine and Brian Taylor. I see no comparison with Uwe Boll, who's films are devoid of craft, wit, and meaning.

Snyder has wit and meaning? He took Frank Miller's style that Rodriguez brought to life in Sin City and added a bunch of slow motion. That's pretty much it.

If you can't see the visual wit in the Smallville battle then you are beyond hope. And Rodriguez is a nihilistic hack, not worthy of been uttered in the same sentence as Snyder.

Link to comment
Share on other sites

Movie: Batman Begins (no contest)

Score: Not my type of music so I can't vote

Alexandre

There are moments in MOS that I think are close to your type of music, Alex.

Link to comment
Share on other sites

Batman Begins is clearly the superior film.

The scores are a bit more complicated. But like croc says, there about 30 minutes of serious ingenuity in MoS that I'd probably take over his largely dull Batman scores.

Link to comment
Share on other sites

I do need to give MoS a fair listen sometime soon. I was not a fan of the movie, but the score may well be a match for BB. (The film will never be.)

Link to comment
Share on other sites

Snyder is seriously one of the worst filmmakers out there. He's Uwe Bol with a budget.

He's a visionary auteur, just like Mark Neveldine and Brian Taylor. I see no comparison with Uwe Boll, who's films are devoid of craft, wit, and meaning.

Snyder has wit and meaning? He took Frank Miller's style that Rodriguez brought to life in Sin City and added a bunch of slow motion. That's pretty much it.

If you can't see the visual wit in the Smallville battle then you are beyond hope.

If you can, you may be looking too hard! :P

Link to comment
Share on other sites

Which is better, Stiff: the Man Of Steel score, or the Mad Max: Fury Road score?

MoS, by quite some way.

I'm 100% sure you havent heard the Fury Road score on its own so your judgement is impaired.

Its an interesting question Alvar. Both are Holkenborg scores ofcourse, strongly percussionistic.

I would say both have strong merits in there own ways and showcase the fact that Tom Holkenborg is a rising star of film music

Link to comment
Share on other sites

Quite so. It's hard to judge them both against each other as Holkenborg scores though, since there was obviously cross-pollination with Hans on the first one. But if you want to take some of the most prominent action cues from MOS as representative of his work, then I think Fury Road wins.

Link to comment
Share on other sites

The percussion writing in both scores are largely uninteresting. But MoS has some nice impressionistic moments of colour.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.