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Maestro

Member Since 14 Apr 2003
Offline Last Active Jun 16 2013 09:40 PM
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Posts I've Made

In Topic: SCOREPEDIA: Guidelines, Suggestions, and Q&A

14 February 2013 - 05:38 AM

Initial observation: neither filmmusic nor filmusic are actual words, and I don't think they are used by any practitioners of the craft or anyone in the industry. I'd suggest changing that.


In Topic: The one John Williams score everyone seems to love that you just don't ge...

09 February 2013 - 05:29 AM

The Witches of Eastwick leaves me feeling a little empty. I recognize in it the same DNA strands of other scores I love, and there are certainly some goosebump moments (namely "The Ballroom Scene")—but something about it just doesn't resonate.


In Topic: Jack Reacher (Film & Score)

13 December 2012 - 01:28 AM

Thanks for the nice mention, Maurizio.

For you JW kids, here's a fun quote from my interview with McQuarrie:

"We eventually did bring [the producers] the first eight minutes of score that Joe was a real champ to do as a demo. When Tom [Cruise] heard it…I’ve never heard back from him so quickly in my life. I heard back literally eight minutes later. He said, “Who is this guy?? Where did you find him? I haven’t heard a score like this since John Williams scored Born on the Fourth of July.”

In Topic: TV: Twin Peaks

12 April 2012 - 06:53 PM

Great, hypnotic review, Quint. You've nailed much of the wonder and irresistible charm of this one-of-a-kind show. (Though I personally never got bored!) And has there ever been a show that made you appreciate good coffee more?

In Topic: La-La Land Records' HOOK (2CD Expanded) Discussion thread

29 March 2012 - 11:49 PM

This go-round, I'm noticing how closely in style much of Hook is related to Last Crusade. The similarities to Home Alone have always been obvious to me, but I'm hearing a lot of LC mannerisms today (which is awesome).

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