![](https://www.jwfan.com/forums/uploads/set_resources_10/84c1e40ea0e759e3f1505eb1788ddf3c_pattern.png)
Marcus
Members-
Posts
1,194 -
Joined
-
Last visited
-
Days Won
9
Marcus last won the day on July 10 2016
Marcus had the most liked content!
About Marcus
- Birthday 14/10/1979
Profile
-
Location
Oslo/Berlin
Recent Profile Visitors
11,962 profile views
-
Marcus reacted to a post in a topic: Do you think Saving Private Ryan is a masterpiece?
-
Marcus reacted to a post in a topic: NEW book by Frank Lehman - The Skywalker Symphonies: Musical Storytelling in Star Wars
-
Edmilson reacted to a post in a topic: What exactly did William Ross do in Harry Potter the Chamber of Secrets
-
NewBlueEyes reacted to a post in a topic: MORTAL Film Score (OST)
-
Marcus reacted to a post in a topic: Indiana Jones and the Dial of Destiny (Disney Records Original Soundtrack Album) - NO FILM SPOILERS!
-
NewBlueEyes started following Marcus
-
Marcus reacted to a post in a topic: The Fabelmans - OST Album
-
Marcus reacted to a post in a topic: The Fabelmans - OST Album
-
Tydirium reacted to a post in a topic: John Williams executes Order 66 on sheet music
-
TownerFan reacted to a post in a topic: John Williams executes Order 66 on sheet music
-
GerateWohl reacted to a post in a topic: John Williams executes Order 66 on sheet music
-
Topic title is misleading. Williams' representatives are simply prohibiting unauthorized arrangements of intellectual property. This is only fair, as Williams should retain right of approval (or disapproval) of any arrangement made of his music. Regrettably, there are many sub par arrangements of his music in wide circulation. Hopefully this will serve to promote the HL signature editions (as well as officially approved arrangements).
-
Marcus reacted to a post in a topic: Williams debuts "Helena's Theme" from Indiana Jones 5 at the Hollywood Bowl
-
Tydirium reacted to a post in a topic: JW is writing a new violin concerto for Anne-Sophie Mutter - "Violin Concerto No. 2"
-
Marcus reacted to a post in a topic: Jerry Goldsmith's Deep Rising
-
Marcus reacted to a post in a topic: Steven Spielberg turns 75 today!
-
Marcus reacted to a post in a topic: Favourite piano performances by John Williams himself?
-
Marcus reacted to a post in a topic: Favourite piano performances by John Williams himself?
-
Jurassic Shark reacted to a post in a topic: Korngold
-
ChrisAfonso reacted to a post in a topic: JW is writing a new violin concerto for Anne-Sophie Mutter - "Violin Concerto No. 2"
-
Jurassic Shark reacted to a post in a topic: JW is writing a new violin concerto for Anne-Sophie Mutter - "Violin Concerto No. 2"
-
Joni Wiljami reacted to a post in a topic: JW is writing a new violin concerto for Anne-Sophie Mutter - "Violin Concerto No. 2"
-
How familiar is JW with the greatest film composer who ever lived?
Marcus replied to InTheCity's topic in JOHN WILLIAMS
Now, I absolutely adore Shostakovich, but his film music really isn't the best part of his oeuvre, and John Williams' film music is, for the most part, far more accomplished, both as pure music and as music written to enhance and coexist with another artform. Some of Shostakovich's early film music efforts are quite outstanding, but as has already been mentioned, the scores he wrote for propaganda films often feel rather tepid and uninvested, and, dare I say, emotionally dishonest. -
Sharkissimo started following Marcus
-
The film is now out, and the score is available from all platforms, as well as in physical format. It's been an incredible journey, and I am so happy and grateful to have been part of it. The soundtrack album was a particular joy to assemble, as it gave me the opportunity to shape a generous selection (almost 80 minutes) of music written and recorded throughout the scoring process into a unified whole. All in all, I penned about 4 hours and 15 minutes of music for this score throughout the editing process, and the soundtrack reflects my own musical preference from all of these. We've been blessed with some truly stunning orchestral and solo performances. The film will hit the international market later this year, and I hope many of you get to see it. Here's another cue, featuring the Stavanger Symphony Orchestra, and the rich, beautiful acoustics of their new concert hall:
-
Greetings, and thanks for your thoughtful comments. We were definitely conscious about avoiding a more pristine "Hollywood" sound aesthetic, as André wanted this film to be far removed from mainstream fantasy drama fare. So I guess the aesthetic we went for is in some ways a more 'contemporary concert' approach. Having said that, we were tasked with the challenge of having to mediate two separate orchestras and recording venues due to scheduling, and subsequently try to find a balance between the two, which meant minimizing the differences, and I suppose that might account for some of the aspects you take issue with Glad you seem to enjoy the music regardless, and would certainly welcome opportunities to embrace different recording aesthetics in the future, should they arise. Best, Marcus
-
Thank you. What's interesting to me about that, is that save for the brassy send off of one of the main themes towards the end of the credits suite, I'm probably as unconscious of any channelling as I am of my own voice, whatever that may be... I guess any voice is an expression of one's experience, preferences and personality. But from a writing perspective, especially in a film score, you just respond to the challenges at hand. Which means that it's all just music, regardless of its connotations. Having said that, Williams has been a deeply formative influence on my writing, and even though an influence is something you write your way through, some "residue" will inevitably remain, no matter how sublimated that influence becomes...
-
Another few items: Here's one of the score's several main themes: And a lengthy finale and end credits suite, featuring concert settings of most of the score's thematic material:
-
Another few items:
-
Seems it's also up on YouTube. Here's a little teaser of sorts:
-
Greetings, all of you! I wanted to share with you my first major feature score, written for André Øvredal's MORTAL. The film will be out in theaters worldwide this year, and the soundtrack is already up on Spotify (and elsewhere eventually; CD will be available as of next week). It's been a great privilege working on this, as André Øvredal is such an incredibly gifted director (Scary Stories to Tell in the Dark, Troll Hunter, The Autopsy of Jane Doe), and also deeply passionate about film music. The score is performed by the Stavanger Symphony Orchestra and the Budapest Film Orchestra, and features solo work from Nils Økland (Hardanger Fiddle), Ditte Bræin (Soprano) and Kåre Nordstoga (Organ). Hope you'll enjoy! https://open.spotify.com/album/4ULpjMKTlWxQAZZyxvEJpV?si=TwRrf8y0SKOu3TSsRjyQCg
-
The Rise of Skywalker The Rise of Skywalker OST Album Discussion
Marcus replied to Jay's topic in JOHN WILLIAMS
I wish I could hear this already... -
ACROSS THE STARS - Williams / Mutter collaboration album
Marcus replied to WilliamsStarShip2282's topic in JOHN WILLIAMS
This is a miraculous album. Imagine being able to craft such imaginative, vital and energetic new takes on this music at 87! There's incredible flair and elegance on display here, but also deep thought -and a simply stunning (and daring) command of how to pit a violinist against an orchestra. What a marvelous, generous gift. -
What exactly did William Ross do in Harry Potter the Chamber of Secrets
Marcus replied to loveydovey's topic in JOHN WILLIAMS
The situation is roughly this: All the new music is Williams. All the old music repurposed from HP1 is Williams, but adapted (to fit the film) by William Ross. -
How Does Each Film Composer Write (Paper or Software)?
Marcus replied to Will's topic in General Discussion