Florian

I've never heard his score, but I'm in perpetual amazement that anybody would think of Randy Newman to score this film.

I'm at a point in my life where I don't have the time to dedicate to listen to full expanded albums and whatnot.  I do try but unless it's already a favourite I tend to be far more attracted to shorter releases.  HOWEVER, Air Force One flows brilliantly.  There are a few odd short cues here and there that disrupt the flow a bit but this is high octane Goldsmith and McNeely and it'a an absolutely treat.  Interesting to hear some repeated ideas in some of the cues (ideas from Target Air Force One are reprised in The Dogfight). I also like hearing the electronic presence is some of the more atmospheric cues.  But overall, this is everything you could ever want from this score. It's amazing that this much quality was put together and recorded in just 3 weeks.
 
-Erik-

Ok, but NO ONE is thinking about shuffling playlists when remixing these albums.
 
-Erik-

Air Force One, both albums, have GREAT dynamic range, IMO!
 
-Erik-

Not all scores are remastered equally.  

The new album sounds pretty much identical to the 1997 album. Actually, looking at the waveforms and loudness info, the new set is roughly 2db quieter.  
 
-Erik-

Previously unreleased tracks that finally appeared on this new release will show up at his campaign rallies next year.

1- The Trump Theme: Air Force One

Sweet! Ordered! 
 
 
 
The info is on the release's page at Varese's site:
 
 

Yes! I've awaited this one for decades!

Not sure if I like this of putting the Film Versions as bonus tracks, and not on the main program. Unless in cases in which the film versions are editorially created by music editors, and therefore weren't recorded like that by the composer, I prefer them on the main program and the alternate versions as bonus. 

That's awesome this finally got the release.

Listening to Company Car now, I can definitely hear the similarity (the opening notes are spot on, for instance) but the TWINE end credits definitely sound a little different as the Bond theme plays out (tempo is a tad higher, more percussion in the background, small things like that). I'm probably just nitpicking at this point though.

The opening from the TWINE end credits comes from TND. Company Car, iirc.

"I put it there and nobody said no"  😄

I'd buy Casino Royale in a heartbeat. Excellent score from Arnold.
 
Here's hoping he returns for the next film. Newman started sounding very generic-action-movie by the end of Spectre, barely resembled a Bond score.

I had the expanded TND CD that was released some 15 years ago. Sadly, I lost it. Still don't know how.
 
Arnold's scores are fantastic, you'd have to be crazy to put Newman on the same level.

If they only have access to Arnold scores recorded before the 2005 fee increase, there's only one left.
 
Oh wait, these are recorded in London right? Never mind about the fees.

Hopefully the rate of these releases isn’t one per year. 

Tease and tantalize!

to MOR row never diiiiiiiiiies
 
surRENdeeeer

You guys are making me want to listen to TND again! (Oh how I hope LLL gets to complete it next year!)

Valentin Dimtrovich Zukovsky!!!
 
I always liked that Wade got to come back for TND and Valentin for TWINE.  Recurring characters in Bond are fun.

It's definitely one of the better Bond songs.
 
I'm glad Arnold got to actually be involved with the theme song twice (this and Casino).

Cannot wait to finally hear Bond Has Left the Building without sfx!