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Erik Woods

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About Erik Woods

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    Frequent Poster
  • Birthday 10/01/1976

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    Kitchener, Ontario, Canada

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  1. Yes, the film score of the year recipients get a trophy. Here's John Powell with his trophy for Solo.
  2. How is that exactly when he only has one vote? -Erik-
  3. Film score reviews, critique and analysis already exists in podcast form and has for YEARS! For instance, my show is MORE than just a music show. I usually write 3000-4000 words per show describing the film, score, it's use in context and aspects of the score I want you to focus on when listening to the suite I carefully curate for the program. Then you have podcasts like Art of the Score, Settling The Score, The Soundtrack Show, The Annotator, The Goldsmith Odyssey, The Baton, etc that breakdown, analysis and review film scores. -Erik-
  4. I respect all three of them.They are essentially the pioneers of on-line film music reviews (along with Tracksounds, Soundtrack Express, MainTitles (aka Scorereviews), Cinemusic, & Music From The Movies). I've sure many of us owe a debt a gratitude to at least one of them back in the infancy of the web that made us feel like we film music lovers weren't alone in the world. Currently, I value Jon and James' reviews the most but I never miss a CC review because his site was the first I came across when looking for other film music folks on the internet back in my second year of college. I'm happy to see these veteran journalists still going strong and I hope they keep going for many years to come! There is still a place in the world for film music reviews. -Erik-
  5. NEW EPISODE FAVOURITE SCORES OF 2019 - PART 1 http://www.cinematicsound.net/the-flag-ship-show-fav-scores-2019-pt1/ On today’s new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO, I select my 10 favourites scores of 2019. This is part one of a two-part series. Today, you’ll hear selections 10 – 6 which includes music by John Williams, Austin Wintory, Christopher Lennertz, Philipp Noll and Nainita Desai. Sure, you could peek at the list before listening to the show by uncovering the playlist via the link above but where is the fun in that? However, if you do, don't spoil the fun for everyone else for at least a few weeks. Enjoy! APPLE PODCASTS: http://apple.co/29zAyyL SPOTIFY: http://spoti.fi/2PfYHPb Enjoy! -Erik-
  6. Here's TEMPLE OF DOOM, which I had the greatest of pleasures to co-host with Jeff! I hope I get to join him again in the near future! https://www.podbean.com/eu/pb-p9eyf-cc99c2 -Erik-
  7. Interesting edit. And just for comparisons sake, here's what I did back in December. I too included Speeder Bike Chase, but I also wanted to extend the playing of the Anthem of Evil material before the Speeder music. I also cut down the Speeder music... I didn't want to play the entire piece in the credits. I also incorporated the Cincinnati Pops finale of "The Jedi Steps and Finale" to end the piece credits with Rey's theme but with a more triumphant conclusion without going to the OT trilogy well. -Erik- PS - End Credit Ranking (Skywalker Saga) 1. Empire 2. The Force Awakens 3. Star Wars 4. Jedi 5. The Phantom Menace 6. Attack of the Clones . . . . . . . . . . . . . . . . . . . . . . tied for the absolute worst. The Rise of Skywalker, The Last Jedi, & Revenge of the Sith
  8. My gift to you this holiday season. Here's my Fantasy End Credit suite of The Rise of Skywalker end title. I truly disliked the Finale cue on the album so my goal was to fix it by trying my best to eliminate as much previously established themes and only use new Rise of Skywalker themes and music in the suite. I hope you enjoy! IMO, this is a much more satisfying finale then what Williams gave to us on the album and in the film.
  9. Agreed. The Finale is a hot mess. This end credit suite goes down as one of the worst of the series (maybe THE worst) along side Revenge of the Sith. So disappointing especially when we know that Williams more than capable of weaving together brilliant end credits suites. -Erik-
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