Florian

Even if Williams farts in the bath tub it gets nominated. Those are the rules.

On a side note, nothing beats Baldrick in a posing pouch, Skelly

It's pretty much a joke.
I think. 

 
The recent forum update sorta messed up the links to the posts...at least it has on my end.  It'll take me to the right page but I generally have to scroll to the right post that I want.

I am excited to see how we can re-order the FYC files with the OST to create a chronological presentation of the music.

now we need an editing guide...

Well, someone at Walt Disney (or at whatever sub-contractor maintains their FYC web sites) has a sense of humor!!
I was poking around the source code for their RSVP site and found a reference to an MP3 file named "01.mp3":
<div id="audioContainer"> <div id="playerUI" class="hide"> <a href="#" class="close">x</a> <audio id="audioPlayer" src="./assets/audio/01.mp3" type="audio/mp3" controls="controls"> </audio> <h5 class="header gfont">Listening to: <span>Audio</span></h5> </div></div>And here's what you get when you play it:
http://disneystudiosawards.com/assets/audio/01.mp3

Why must there be no artwork?
I assume it's to level the playing field and do as much as possible to get the Academy members to actually vote on the music and not just for who is in the film or who spent more on flashy album art...

Technically, the OGG should be superior but last year I did some side-by-side comparisons and couldn't see (in terms of frequency response) or hear any real difference in quality. Opinions may differ, however.

This "franchise" has gone way past its usefulness. Let's all allow the idea of a Terminator Saga to slip away peacefully so we can remember fondly the two movies worth watching.

Stop making movies in it.

The few scenes beginning from the "shit" moment during the Bond/Huge Henchman fight are utterly cringe-inducing.
After the movie my girlfriend commented that Brosnan was silly but at least he looked OK while silly, Craig doesn't have that look that allows him to be silly or corny. And I kind of agree.
Movie was alright, no where near as good as Skyfall and Casino Royale, but was pretty fun in its own right. Should have been at least 20 mins shorter though. It feels like a transition film between the brooding, serious predecessors and the fun, silly escapism it probably wants to be. It sometimes feels stuck in no man's land.

After having listened to the score in the context of the film, I've gotta say I prefer Newman's Skyfall. It complimented the action the better and there was more variation in tone. While more cohesive, Spectre feels monotonous and often bludgeoning.
That's not to say I still don't enjoy Snow Plane, Secret Room, Vauxhall Bridge, Donna Lucia, Madeleine, Los Muertos Vivos Estan and Silver Wraith and their reprisals--but it does come like a overlong footnote to Skyfall--which is good description of the film.

Finally saw the film yesterday evening, and I really have to say the score worked absolutely wonderfully in the film. There are some really gorgeous moments where the score perfectly complements the visuals - most notably moments of either sheer dissonance (I'm thinking of the Austria sequences) or splendid creativity (e.g. the wild synth flute in Tempus Fugit).

The eternally long stretches of ambient noises in this score are hard to tolerate for anyone who values melody. It's easily the least melodic and least memorable score of the 24.
I'm currently watching Goldeneye, and can again confirm it is a better score than Spectre.

Use the ignore function, I don't reply to your provocations either. Just don't read what you don't like.

Alas I don't speak music so I have no idea what you are talking about.

Not sure I share the love for Snow Plane. Apart from the brass clusters, not a lot is going on in this track.
Backfire on the other hand, I love. Overall I'm undecided whether I like it overall - my first attempt at a listen was at work, where I had some significant distractions. Apart from Skyfall, I haven't really been perked by his output since Wall-E.

Based on most on Hans Zimmer's output since 2009, I don't think it's unreasonable

In my opinion he'll most likely try and do something "quirky" or "original" with it and it'll sound awful (I hated Man of Steel and TASM2). It'll just be his generic action material, string ostinatos and thumping bass.
Not to mention "Additional music by Geoff Zanelli, Lorne Balfe, Rupert Gregson-Williams, Pharrell Williams, Junkie XL, Nick Glennie-Smith, Phil from Accounting.. etc etc"

Good thing I didn't already order this. C'mon Intrada, that seems like a major slip-up.

Awesome, I never knew that before; thanks!

SCREAM 4 / SCRE4M
Needed: Score album (OST) + Woodsboro Entertainment Bootleg (+ Soundtrack album)
With many thanks to FunnyML for the original cue titles.
Notes:
- The volume of the bootleg tracks needs to be increased.
- The leaked "complete score" actually contains the full cues: besides cutting out the silences at the beginning & end of the cues, the Woodsboro bootleg - in two or three cases - cuts out some (very silent and unimportant) seconds of music.
- The bootleg seems to have better quality than the "complete score" leak. So I suspect the bootleg is based on a higher-bitrate version of that leak.
- If anyone knows which cues flow into the next in the film, please let us know.

I'm Not Outside / Stab 6 Main Title
OST 21 2:02-end

Watch the Movie / Stab 7 Main Title
BL 3
(the ending is rather long, whereas in the film it's fairly short and quickly segues to the next cue.
The cue also contains a loop at the ending. I suggest to abbreviate it and fade out.)

1m3 You're Not Real
OST 1

Dewey in the Morning
OST 2

Jenny's Phone Calls Jill
BL 6

Dewey Cleans Up
BL 7

2m10 Cheating on My Diet / Woodsboro 2010
OST 3

When You Let Someone Go
OST 4

It's My Rental
OST 5

The Media Arrives
BL 12

You're Not a Reporter Anymore
BL 13

Interrogation
BL 14

Best Idea Ever
BL 15

How's Gale?
BL 16

No Match for the Ninja
BL 17

You Were Busy
OST 6

In the Closet
BL 19

Olivia Dies / Preview of Coming Events
OST 7

Woodsboro Remake
BL 21

Working Together
OST 8

Fine!
BL 23
(shortens the fade-out from the complete score)

You Are the Message
OST 9

Everything's under Control
OST 10

Structure Apparent / I Know How You Feel
Soundtrack 12
(= BL 26 + OST 11)
(I don't know if these cues are combined in the film.)

Cameras Obscured
OST 12

Gale and Ghostface
OST 13
(Marco Beltrami misspells Gale as Gail)

He's Making the Movie
BL 30

Fuck Bruce Willis
BL 31

You're Shopping?
BL 32

7m38 You're a Survivor
OST 14

The After Party
OST 15

Robbie Hears a Noise
BL 35

Make a Move
BL 36

I'm Gay... If It Helps
BL 37

Jill, Run!
BL 38 + 39
(the bootleg actually cuts the piece in two and deletes some (very silent) music.)

I Got It Right
OST 16

This Is Making a Move
BL 41

Your Ingenue Days Are Over
OST 17

Sole Survivor
OST 18

Touch and Go
OST 19

You Just Won't Die
OST 20

9m51 Don't Fuck with the Original
OST 21 0:00-2:00

BONUS TRACK

I'm Not Outside / Stab 6 Main Title (Alternate)
Jermaine Stegall soundcloud track

Scream 3
Needed:
Score = OST
MP3 bootleg
FLAC bootleg (40 tracks - 24 + 16) = BL
(This is not the Woodsboro Entertainment bootleg, which also has 40 tracks, but with other timings and made-up track titles.)
Here We Go Again / Cotton Car
OST 1 + OST 2 + clean ending from BL 2
These cues are separate in the film: so if you want, you can also use BL 1 & 2 for clean ending and opening. However:
- delete the first 9 seconds of BL 1
- the harp at the ending of BL 2 plays an error that the OST version has correct
1m4 100% Scared / 1m5 Cotton Gets Picked
BL 3 + BL 4
Home on the Range
OST 5
Gale Meets Kincaid
BL 6
Immediately followed by the next cue
Sunset Pictures
OST 15
Unused; tracked in the film with Red Right Hand
Does not seem to fit the picture
Roman’s Forum
[unreleased short cue; this cue title seems to fit here, but it may also belong to another cue]
1m8b Dewey and the Gales
BL 7
Dewey and Connie Chung
[unreleased]
Dad Brings the Bacon Home / Sidney’s Nightmare
BL 8 + OST 7
BL 8 is unused
BL 8 ending replaced in film by very brief piano solo (could also be an unreleased opening of Sidney’s Nightmare): this very short cue might possibly be titled “Night Transition”, but that’s a guess.
Boo-Balicious
BL 10
Roman Calls
[short unreleased cue]
Candy Phone / 2m10b Candy Ain’t Sweet
BL 11 + BL 12
Going to Jennifer’s
[short unreleased or tracked cue for Dewey & Gale’s drive to Jennifer’s]
Crime Scene
[short unreleased cue]
The Fall of Roman / Killer Calls Sidney
BL 13 + BL 14
Gale Force / Gale Spies on Dewey
BL 15
(Probably two titles for the same cue)
You can also replace first part of cue by OST 17
Comparing Photos / Stone Cold Dead / Roll with It
OST 6 + BL 17 + BL 18
Cue list spells “Stone Cole Dead”.
“Stone Cold” on the album is an edit of parts of “Stone Cold Dead” and “Cotton Gets Picked”.
4m1 Sid Arrives
BL 19
On the Set
OST 4
= cue title “Meet Martha”?
Immediately follows “Sid Arrives”
Randy Speaks
BL 20
Wes Craven Sting
[unreleased sting; possible cue title taken from ASCAP list]
Doppelgaler
(= “Doppelgailer”)
This cue is on the MP3 bootleg as “Searching”.
I think the cue title “Doppelgaler” is for this short cue, which is a guess but I wouldn’t know which other title might fit here, and where the title “Doppelgaler” might otherwise fit.
Leia & Stormtroopers / Sid in the Can / 4m8a Home Sweet Home / 4m8b Killer in the Closet / Mother’s Room / The Fall Girl
BL 21 + 22 + OST 14 + BL 24 + BL 2.01 + BL 2.02
Milton Takes Meetings / Sidney & Kincaid
BL 2.03 + OST 9
(“Sidney & Kincaid” in cue list as “Sidney & Kidciad”)
“Sidney & Kincaid” is on the website as 5m5 Gale and Dewey Drive to Milton’s (“Gale & Dewey Drive to Milton”), but that cue title is for the next cue (aka “Dewey Mobile”), so I don’t know what 5m5 is for, “Sidney & Kincaid” or “Gale and Dewey Drive to Milton’s” (my guess is the latter).
Gale and Dewey Drive to Milton’s
on mp3 bootleg as “Dewey Mobile (Alternate)”
Follows the previous cue almost immediately.
This cue is largely unused in the film, and it seems like the last section’s scored for a deleted scene. The only part that’s used can be found in the middle section, but it abbreviates even that section (to about the length of the corresponding album version’s part).
Roman Around
BL 2.05
“Roman Around” follows immediately after the part of “Gale and Dewey Drive to Milton’s” that’s used in the film
The Killer Phone
BL 2.06
(follows practically immediately)
(title should possibly be “The Killer’s Phone”)
Ghostface Attacks / Ghostface vs Jennifer / Dewey Falls for Gale
BL 2.07 + 2.08 + OST 11 + second half of BL 2.09
or instead of 2.07 + 2.08, take OST 10, but there are two very minor micro-edits in “Ghostface Attacks”. On the other hand, the album track has correctly mixes the two cues together.
6m4 Sidney’s Call / 6m5 Sidney Joins the Party
(“Sidney Calls” in the cue list, but on Beltrami’s website it’s “Sidney’s Call”, which is also more correct)
OST 16 + BL 2.11
last part of BL 2.11 can be replaced by second half of OST 3
Siddin on a Ghost Face / Trilogy Rambling
BL 2.13 + BL 2.14
(OST 13 is a small segment from BL 2.14)
(The bootleg titles don’t see to match up here anymore.)
Between these two cues (2.14 and 2.15) the film tracks in music from various cues. Of course, as you can see on the DVD, there’s an alternate ending so the film has altered as well.
In that alternate ending, for instance, I think the ending of BL 2.14 matches up perfectly, while in the final film the strangling continues so it’s followed by tracked music immediately.
(By the way, the track “Sid Gets Shot” that is on a couple of bootlegs is in fact “Siddin on a Ghost Face” (BL 2.13) with a tracked ending.)
Boom Boom Out Go Lights
OST 20
You can hear a brief segment still in the film, and if you play the whole track, it actually matches up pretty well, so I guess that it’s been written for this scene. (It’s pretty much the only non-tracked piece in this part.)
All in the Family
BL 2.15
(OST 12 is a segment of BL 2.15)
7m4 Sid Wears a Dress
OST 19
Red Right Hand (Scream 3 Version)
Nick Cave and the Bad Seeds – B-Sides & Rarities Disc 2
BONUS TRACKS
Gale and Dewey Drive to Milton’s (Album Version)
OST 8
I don’t know which is the original cue, but the bootleg alternate sounds like a remix of the album version, though it could be vice versa.
Wild Track
BL 2.12
This is the track called “Unused” on the bootlegs. According to Broughtfan at the FSM board, it is “a wild cue that one of Marco's orchestrators from that period did as a "if needed" soundscape-y piece, which is why you don't hear it in the film, its only appearance being on the OST (serving as a sort of prologue to one of MB's actual score cues).”
Note
Cue titles that are from Scream 2 or which don’t seem to fit anywhere are:
Night Transition (possibly for the brief piano cue that replaces “Dad Brings the Bacon Home”?)
Wood Gester
Stab – Window Crash
Maureen Stops the Show
Sid Says Goodbye Derek