Edmilson

Lots of dance/musical movies. It's a curious choice indeed. As for who will score the series, he collaborated with Brian Tyler on Crazy Rich Asians and Henry Jackman on G.I. Joe: Retaliation. Let's see if he ask one of them to score Willow.

With the money Disney has, they should build a time machine and bring 1980s Horner to the present so he can score the next version of this. But it's cheaper to pay a "meh" composer like Balfe or Jackman to do a brand new (and boring) score.

I love her score for Belle, it's very touching.

Can someone please ask him which cues were based on John Williams material?

Here it is called "O Estranho Mundo de Jack" - "Jack's Strange World".

This really could've been released with liner notes. I want to know which cues Williams was involved!

I'm not a fan of the movie either, but the score is great! It's certainly a Williams top 10 for me, maybe top 5.

A modern Williams score for Batman probably would sound like a mix of WotW, Minority Report and Prisoner of Azkaban, but in the late 80s... Maybe something like Dracula and The Fury?

What about ROTJ? Most of the climax doesn't sound that good . Agreed, that song is woeful.

I read somewhere that Zimmer and his team wrote 20 hours of music for Dark Phoenix. How they managed to write this amount of music for a 2h film is beyond me...

How can I make the forum's software to embed a video I posted on my Google Drive, like people has been done on Restored Isolated Score threads?

So it needed three books to contain all the countless alternates Abrams made Williams write?

Thanks, that's really helpful!

I have a few questions. Firstly, Refugee Status is not used in the movie, or is it? I watched it a few months ago and I don't remember a scene with this cue. Ray and Rachel is another cue that I don't remember when it plays in the film. Also, Defeat and Reunion and Boston Street Finale were all meant to play over the same scene of Ray arriving in Boston and delivering Rachel to the mother, right? Are they alternates of each other? If not, which scene does Defeat and Reunion plays?

Yep, all three scores in the trilogy were recorded in London. So Powell theoretically shouldn't have any problem in expanding them.

Nope, it's the ninth Harry Potter movie, which is a romantic comedy about him and Ginny.

Yeah, these dick jokes can be a pain in the ass. Some of them are very hard to swallow. I don't recommend to pay attention on these small issues. We should concentrate on bigger problems than this. Also, does anyone know what composer Thomas Wanker has been doing? Maybe he's working hard to impress screenwriter Lulu Wang?

He just made a dick joke, which is not against the rules... or is it? In any case it was very childish.

And they're not real movies? So what are they, paintings?

Seasons 5 to 8 were a disaster. The finale is one of the worst episodes I've ever seen. Let's hope the revival is at least better than the last few seasons.

It sounded a little synth to me, to be honest. Are we sure this sounds were actually produced by human voice, and not by a synthesizer?

You forgot one of my favorite Ludlows: the one used in The Patriot.

Which means Episode X will be scored by Djiatchino.

This gif is disturbing. What were people thinking back in 2003?

Cary Fukunaga’s ‘No Time to Die’ Opening Brings Back the ‘It’ Horror Movie He Never Made Daniel Craig's final Bond movie does not begin with the eye-popping action scene 007 fans are expecting.