Amer

This week's new arrivals!!! 

The Land Before Time is my last holy grail.
My childhood memory.
I've been waiting for it for my whole life.

I waited a bit to catch up with this thread because other things are coming too.

 
Oh, and... this beauty just arrived.
 

The extended Escape from the City too.
 
I love to crank that out as I'm flying down the freeway!

https://thelegacyofjohnwilliams.com/2020/10/12/war-of-the-worlds-podcast/
 
Also available as a YouTube video:
 
Hope you'll like it, gents!

These arrived today

Just finished listening to the entire score for the first time. The clarity of the sound is phenomenal and a great improvement from the OST. It is great to hear all of the previously unreleased music for the first time outside of the film itself. Perfect listening for Halloween. Heck, I think I'll re-watch the film on 4K Blu-Ray again just for the heck of it. Chills!

It came! I will be listening to the score, reading the liner notes with a nice cup of ginger tea later this evening.

Mine arrived!

The extra clarity was instantly noticeable to me right away.  I love it!

Definitely, it is a very noticable departure from the sound of the OST.

Oh yes, I was talking about the OST.
 
Karol

I can’t say I had any complaints about the sound of the original OST. I don’t think any dramatic improvement in quality was really possible in this case, but everything sounds excellent so far.

Sharp eye! Nah, I just moved over for the photo while I was ripping disc one.
 
A few notes:
 
@crumbs was right! Every version of ‘Reunion in Boston’ is here. In the main program, ‘Defeat and Reunion’ uses the C-major version (following the original introduction, as intended) and ‘Boston Street Finale’ is the Horn and Piano version. The OST has complete original 6M3 cue (‘The Separation of the Family’) and the film version that combines several different versions (‘The Reunion’). In the alternates section, ‘Boston Street Finale (Alternate No. 1)’ is 6M3 Alt, and ‘Boston Street Finale (Alternate No. 2)’ is 6M3 New. So all six versions are accounted for, but mercifully split up to avoid too much monotony.
 
The alternate ‘Prologue and Opening Montage’ has all the same synth material (1M2 Film Prologue), but includes some parts that were written but later removed for the version of the orchestral overlay (1M2 Prologue Orch.) used for the final version. For instance, the strings enter right from the beginning of the cue.
 
‘Before the Escape’ is indeed, as suspected, 2M4 CD Intro presented on its on.
 
The alternate ‘Epilogue’ appears to be just an alternate take, as far as I can tell. No significant differences in composition are jumping out at me so far.

Just ripping my copy now.

The booklet looks nice, but I’d wish they’d make space for a full cue-by-cue chronological discussion, and there’s no notes about the alternates at all. It’s very well-written, but more high-level overview of the music.
 
Mike Matessino does provide some tech notes. He received Protools files that still had the performance edits to conform to the picture, so he had to meticulously open these back up to be able to present the cues as they were originally recorded.
 

After watching Amistad on Blu-Ray with remastered picture and sound, I wanted to start this thread. The Maestro's score, like the film itself, is a masterpiece. However, there is over 40 minutes of the score that has not yet been released. The first attempt of Mr. Baldwin communicating with the Africans, Cinque's tale of slaying the lion, his entire flashback sequence, Yambe explaining the Bible to Cinque, the entirety of Adams' Summation are just a few of many yet to be released highlights from the score. The entire score is a brilliant combination of African texture and instrumentation with orchestra and choir. The score is powerful and moving, like all the Maestro's work. However, there is something I cannot truly describe about this score of his that makes me want it to be given the remastered and expanded treatment. I have a very personal connection to this score. I was too young to see the film when it first came out, but I was introduced to the music via the soundtrack album. This score introduced me to the spiritual aspect of music. When I was old enough, I saw the film, and both the film and score moved me deeply. All of the Maestro's work is sheer brilliance and blessed with genius, but if I had a choice, difficult as it is given his other scores that have not yet received remastered, expanded and definitive releases, to have one score be given a remastered and definitive release, it would be Amistad.
 
This thread is not only an appreciation of this score, but a discussion on the likelihood of Amistad getting the remastered, expanded and definitive treatment.

Wasn’t expecting this until Saturday, but look what just arrived!
 

I’ve seen you obsessively correct other people all the time on things at least this minor.  No offense meant but really it looks like you just can’t take a dose of your own medicine and admit either your wording was wrong or you accidentally omitted some stuff Mike produced from your (impressive) list.
 
Yavar

I asked about Tripord Siren sfx at FSM and Mike Matessino just responded :
 


Just wanted to know if the Tripod trumpet like blast effect was created by John Williams in pre production? If so it would be nice to have that as an added Easter Egg on this set!

MM:It wasn't musically created actually. I did think about having it but there was no clean element for it, and the mood at the time the project was getting finalized was not one in which it felt like a good idea to scare listeners out of their wits with this siren of doom.
 

I asked about Tripord Siren sfx at FSM and Mike Matessino just responded :
 


Just wanted to know if the Tripod trumpet like blast effect was created by John Williams in pre production? If so it would be nice to have that as an added Easter Egg on this set!

MM:It wasn't musically created actually. I did think about having it but there was no clean element for it, and the mood at the time the project was getting finalized was not one in which it felt like a good idea to scare listeners out of their wits with this siren of doom.
 

Those are 2 of my favorite expanded score releases of all time

The Rocketeer
Apollo 13
 
Both in stock.

Ordered! (From the samples) Sound quaity is greatly improved and clear! Thanks Intrada and Team. Im sure, another astrounding job by Mike Matessino. I suppose sound is transfered in high resolution. The Opening/ Prologe and Epilogue (sans dialogue) are already my favourite cues!

Man I've had the Epilogue cue from this score stuck in my head all night

I believe so!
 
 
I believe the edit points between takes was different in the film compared to the album
 
 
I think he has produced an album for 37 different Williams scores over the past 15 years!!
 
1962 Bachelor Flat (Intrada 2008) 1965 None But The Brave (FSM 2009) 1966 How To Steal A Million (Intrada 2008) 1969 Goodbye, Mr. Chips (FSM 2006) 1972 Pete 'n' Tillie (Varese 2017) 1972 The Cowboys (Varese 2018) 1972 The Poseidon Adventure (La-La Land 2019) 1974 Earthquake (La-La Land 2019) 1974 The Towering Inferno (La-La Land 2019) 1975 Jaws (Intrada 2015) 1976 Family Plot (Varese 2010) 1977 Black Sunday (FSM 2010) 1977 Close Encounters of the Third Kind (La-La Land 2017) 1978 Jaws 2 (Intrada 2015) 1978 The Fury (La-La Land 2013) 1978 Superman: The Movie (La-La Land 2019) 1979 Dracula (Varese 2018) 1979 1941 (La-La Land 2011) 1982 E.T. The Extra-Terrestrial (La-La Land 2017) 1982 Monsignor (Intrada 2019) 1984 The River (Intrada 2020) 1987 Empire Of The Sun (La-La Land 2014) 1990 Stanley & Iris (Varese 2017) 1990 Home Alone (La-La Land 2015) 1992 Far And Away (La-La Land 2020) 1992 Home Alone 2 (La-la Land 2012) 1993 Jurassic Park (La-La Land 2016) 1993 Schindler's List (La-La Land 2018) 1997 Rosewood (La-La Land 2013) 1997 The Lost World (La-La Land 2016) 1998 Saving Private Ryan (La-La Land 2018) 2001 A.I. Artificial Intelligence (La-La Land 2015) 2001 Harry Potter and the Sorcerer's Stone (La-La Land 2018) 2002 Minority Report (La-La Land 2019) 2002 Harry Potter 2 and the Chamber of Secrets (La-La Land 2018) 2004 Harry Potter 3 and the Prisoner of Azkaban (La-La Land 2018) 2005 War of the Worlds (Intrada 2020)  
 
You know, I never noticed before that he's done more 70s, 90s, and 00s Williams scores than 80s Williams scores!