Popular Post Cerebral Cortex 3,358 Posted April 14, 2016 Popular Post Share Posted April 14, 2016 Looks great to me! Even if you were to skip evaluating him physically, his mental vitality is enviable at any age. And thanks for posting! Not Mr. Big, Loert, zoltan_902 and 1 other 4 Link to comment Share on other sites More sharing options...
Tom 5,137 Posted April 14, 2016 Share Posted April 14, 2016 That was a wonderful little interview with great insight by Williams into some of his concert works. His connection to the Violin concerto is quite touching. Cerebral Cortex and crumbs 2 Link to comment Share on other sites More sharing options...
pete 970 Posted April 14, 2016 Share Posted April 14, 2016 Would love to know what he's working during the concerts^. He said he'd love to go if he wasn't working. I guess he's always writing music. And count me as another who doesn't think he looks too aged. Regardless, his mind seems as sharp as ever. Link to comment Share on other sites More sharing options...
artguy360 1,899 Posted April 14, 2016 Share Posted April 14, 2016 Love hearing JW talk about his own music. Now if only the folks who made the TFA bluray agreed. Link to comment Share on other sites More sharing options...
Incanus 5,801 Posted April 14, 2016 Share Posted April 14, 2016 Although Williams repeats a lot of the same sentiments he has said in several interviews in the past, it is always a delight to hear him speak on his music and music in general, which he seems to celebrate continually and is still in awe of his journey of exploration through it. And I don't think he looks too old or tired, quite the contrary. Cerebral Cortex and crumbs 2 Link to comment Share on other sites More sharing options...
Popular Post nightscape94 965 Posted April 14, 2016 Popular Post Share Posted April 14, 2016 That Philly orchestra interview is one second longer than TFA featurette. crumbs, Chewy, Cerebral Cortex and 2 others 5 Link to comment Share on other sites More sharing options...
Popular Post Thor 8,353 Posted April 14, 2016 Popular Post Share Posted April 14, 2016 Thanks for sharing that brief interview. I don't think he looks old for his age at all. Yes, his face has become a little wrinkly (due, no doubt, to the harsh California sun), but the important thing is how lively he is. I don't know many 84-year-olds who have that. The John Williams historian in me would have wanted specific questions about specific pieces -- preferably old ones or those not often talked about -- but I must say it was refreshing to just hear him talk for a few minutes about something else than the tired, old stories. Cerebral Cortex, Once, crumbs and 2 others 5 Link to comment Share on other sites More sharing options...
TJH132 49 Posted April 16, 2016 Share Posted April 16, 2016 I love his description of music as "mysterious as it is; elusive as it may be." Very poetic and heartfelt, I think. Cerebral Cortex 1 Link to comment Share on other sites More sharing options...
JonMcIntosh 0 Posted April 20, 2016 Share Posted April 20, 2016 The press release for the concert on the jwfan.com site says that the May 4th show is sold-out. This is absolutely not true, in case anyone is wondering. I just picked up a pair in the famed Conductor's Circle. There are still a handful of really good seats left. I cannot wait for this! Link to comment Share on other sites More sharing options...
Ricard 2,257 Posted April 20, 2016 Share Posted April 20, 2016 9 hours ago, JonMcIntosh said: The press release for the concert on the jwfan.com site says that the May 4th show is sold-out. This is absolutely not true, in case anyone is wondering. Well, that's what the orchestra's website said when it was posted. Glad to see they put more tickets on sale. JonMcIntosh 1 Link to comment Share on other sites More sharing options...
nightscape94 965 Posted April 20, 2016 Share Posted April 20, 2016 Tickets will occasionally become available if people cancel. Nothing strange about that. I had a concert on my radar two years ago that was sold out for months only to catch a seat within the last couple of weeks leading up to it. Link to comment Share on other sites More sharing options...
Joe Brausam 218 Posted April 20, 2016 Author Share Posted April 20, 2016 So who else is going? I've got a conductor's circle ticket. Normally I don't like sitting there, but I don't think I'll ever have another opportunity to see Williams do what he does face to face. Link to comment Share on other sites More sharing options...
JonMcIntosh 0 Posted April 20, 2016 Share Posted April 20, 2016 2 hours ago, Joe Brausam said: So who else is going? I've got a conductor's circle ticket. Normally I don't like sitting there, but I don't think I'll ever have another opportunity to see Williams do what he does face to face. Joe, why do you normally not like these seats? It's my first time in Philly, first time at this venue, and first time seeing Maestro Williams conducting his own stuff. I was looking forward to these seats. Link to comment Share on other sites More sharing options...
Joe Brausam 218 Posted April 20, 2016 Author Share Posted April 20, 2016 Oh! Nothing wrong with them. Really they're quite fun. I just usually prefer to sit in the tiers. I made the same choice as you here though, these will be great seats for really getting to see him in action. Link to comment Share on other sites More sharing options...
JonMcIntosh 0 Posted April 20, 2016 Share Posted April 20, 2016 Just now, Joe Brausam said: I made the same choice as you here though, these will be great seats for really getting to see him in action Great! I called the box office to ensure that we could still see the screens from these seats and they assured me that there wouldn't be any sight problems. Link to comment Share on other sites More sharing options...
nightscape94 965 Posted April 27, 2016 Share Posted April 27, 2016 "The May 1 concert with Denève and Ma will be broadcast live on WRTI, 90.1 FM" FYI. Ricard 1 Link to comment Share on other sites More sharing options...
bespinGPT 8,767 Posted April 27, 2016 Share Posted April 27, 2016 On 2016-03-31 at 8:19 AM, azahid said: The Concert program sounds very nice. I hope they manage to record this for a future video release someday. It would make a great Blu-Ray! Link to comment Share on other sites More sharing options...
Popular Post Ricard 2,257 Posted April 29, 2016 Popular Post Share Posted April 29, 2016 'Phila. Orchestra celebrates 'Star Wars,' classical composer John Williams' (New Williams interview) Quote Creative breakthroughs in the face of personal trauma aren't unusual in the lives of artists. "It makes or breaks people," Williams said. "I was young and my wife was very young. Had I been 20 years older, I would've been less able to restart my life. Immediately thereafter, I did feel differently about working, especially with music. I can't quantify or describe what it did. But we do change. All life experience does that. We have accidents. We have happy things. Having three teenage children at the time required a lot of focus and strength, being a single parent. . . . We could talk for a week about this." http://www.philly.com/philly/columnists/david_patrick_stearns/20160426_Phila__Orchestra_to_celebrate_John_Williams_-_movie_and_classical_composer.html#O57HoM01KVYTmW0S.99 Cerebral Cortex, Thor, Sharkissimo and 2 others 5 Link to comment Share on other sites More sharing options...
Thor 8,353 Posted April 29, 2016 Share Posted April 29, 2016 I like this: Quote Now he's one of the few 84-year-olds working in the thick of the film industry. At one point in the last decade, there was a three-year hiatus. Williams says he can't remember why. "Music," he says, "is something you don't leave." Affirms my belief that he will write music right up untill the day he dies -- like you see in AMADEUS. Link to comment Share on other sites More sharing options...
justaguy 68 Posted April 29, 2016 Share Posted April 29, 2016 Quote But while everyone remarks at Williams' modesty and his superb, courtly manners, he did walk out on a Boston rehearsal when musicians hissed one of his pieces. So he stands up for his music, though his self-critical nature drives him to revise concertos many times. Interesting. Link to comment Share on other sites More sharing options...
crumbs 14,869 Posted April 29, 2016 Share Posted April 29, 2016 14 minutes ago, zaddini said: Interesting. Musicians "hissed" one of his pieces? Really? Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 29, 2016 Share Posted April 29, 2016 Multiple Miggs from the string section, he hissed at you, what did he say? Sharkissimo 1 Link to comment Share on other sites More sharing options...
Code 000. Destruct. 0. 4,260 Posted April 29, 2016 Share Posted April 29, 2016 What piece got "hissed?" Ridiculous. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 29, 2016 Share Posted April 29, 2016 Where Dreams Are Born from A.I. Link to comment Share on other sites More sharing options...
Tom 5,137 Posted April 29, 2016 Share Posted April 29, 2016 It was America the Dream Goes On, which is a bit over the top both musically and in terms of its lyrics. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 29, 2016 Share Posted April 29, 2016 Pinko Commie scum! The whole orchestra should have been disbanded! crumbs 1 Link to comment Share on other sites More sharing options...
Loert 2,673 Posted April 29, 2016 Share Posted April 29, 2016 I didn't find it interesting at first, but before I knew it, it had gotten hold of me! Seriously, sometimes I find myself randomly singing "A-meeer-icaaaa"...and I'm not even American! I think it should be mentioned though, that almost immediately after, everybody apologized and were on good terms. Link to comment Share on other sites More sharing options...
Disco Stu 15,501 Posted April 29, 2016 Share Posted April 29, 2016 That song always makes me think of the over-the-top patriotic song that's being recorded at the beginning of the movie Nashville. "We must be doin' somethin' right, to last 200 years!" Link to comment Share on other sites More sharing options...
Thor 8,353 Posted April 29, 2016 Share Posted April 29, 2016 36 minutes ago, Tom said: It was America the Dream Goes On, which is a bit over the top both musically and in terms of its lyrics. Yeah, that's the one. However, we do not know the circumstances of the "walk-out". Whether it was the musicians' reactions to the piece or some other factor. Perhaps they were just unruly that day, and Williams had a bad day, and it came to a halt. Link to comment Share on other sites More sharing options...
nightscape94 965 Posted April 30, 2016 Share Posted April 30, 2016 Interviews with Ma and Denève here: http://wrti.org/post/yo-yo-ma-and-philadelphia-orchestra-live-wrti-tribute-john-williams-may-1st-2-pm Link to comment Share on other sites More sharing options...
Popular Post aviazn 273 Posted April 30, 2016 Popular Post Share Posted April 30, 2016 13 hours ago, loert said: I think it should be mentioned though, that almost immediately after, everybody apologized and were on good terms. Not exactly—Williams actually quit as director that night. It was widely reported around the country that the orchestra had discipline problems and that Williams felt he wasn't given enough artistic control. It was a major embarrassment for the Pops, and they had to lure him back two months later. Some of the contemporary news stories make for interesting reading. http://www.nytimes.com/1984/06/14/arts/boston-pops-conductor-resigns-post-abruptly.html Quote The incident touching off Mr. Williams's displeasure was said to have occurred at a rehearsal of one of his own pieces. A few hisses reportedly came from orchestra players, but such behavior is said to be common toward other composers' works at Pops rehearsals as an expression of opinion. The sources said that the players did not think that that incident alone was strong enough to provoke Mr. Williams to resign. http://www.csmonitor.com/1984/0628/062847.html Quote Pops members have speculated that the hissing incident was the ''straw that broke the camel's back'' - that Mr. Williams's deeper dissatisfaction lay with management's lack of control over unruly members, and his lack of artistic control over hiring and firing. Various members said they were surprised Williams took the hissing ''so seriously.'' Reports are legion of Pops players hissing at new music or new arrangements, looking at watches, reading, or talking while colleagues played. Associate conductor Harry Ellis Dickson says he, too, has had to contend with decorum problems. Arthur Fiedler, Pops conductor for 51 years, had to put up with constant friction, Mr. Dickson adds. ''There were knock-down, drag-out fights with him,'' Dickson says at the office of Boston Symphony Orchestra, the Pops's parent organization. ''But Fiedler loved it. John was a bit more sensitive.'' http://www.upi.com/Archives/1984/08/03/Mark-Williams-to-return-as-Pops-conductor/5111460353600/ Quote Orchestra members have been close-mouthed about causes of the discord that led to Williams' resignation in June. It was widely reported that Williams considered the musicians disrespectful for reading, talking and joking during rehearsals, but orchestra spokeswoman Kim Smedvig said the differences 'were more of a morale than a discipline' problem. Of course things eventually settled down, and here's how the LA Times characterized the incident in retrospective when JW retired. http://articles.latimes.com/1991-12-21/entertainment/ca-566_1_boston-pops Quote Aside from Williams' commercial accomplishments with the Boston Pops, he will be remembered for turning around a frayed and jaded ensemble left to him by Arthur Fiedler who led it for more than 50 years. Under Williams' baton, the Pops has emerged as a far more artistically dynamic and disciplined ensemble than it had under Fiedler who, near the end of his tenure, felt he was never taken seriously as a conductor. Orchestra members thought the ensemble reduced to background noise by the Pops' audience and that arrangements of Pops' favorites were tired and outdated. The situation came to a head in 1985 when Williams stormed off the podium during rehearsal after a Pops player maligned a score being played in front of its arranger, Syd Ramin, a close friend of Williams. It was a turning point for Williams and the orchestra. Reforms came, allowing members of the parent Boston Symphony to opt out of playing part of or even the entire Pops season, which runs about eight weeks (six in the spring two at Christmas Pops). More challenging scores were given to the orchestra, and Williams took pains to encourage the audience to listen more carefully to performances. Ricard, justaguy, Once and 4 others 7 Link to comment Share on other sites More sharing options...
justaguy 68 Posted April 30, 2016 Share Posted April 30, 2016 Thank you, aviazn. Link to comment Share on other sites More sharing options...
Thor 8,353 Posted April 30, 2016 Share Posted April 30, 2016 Yeah, thanks for the context, aviazn. As I suspected, it was clearly a more complex issue than players just being dissatisfied with the "America - The Dream Goes On" piece. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 30, 2016 Share Posted April 30, 2016 So basically Williams made the BPO a more professional ensemble then it had been, and not just an obligation on the Boston Symphony schedule. Link to comment Share on other sites More sharing options...
Thor 8,353 Posted April 30, 2016 Share Posted April 30, 2016 Seems that way. I can understand why things got a little haywire at the end of Fiedler's career. He had been there for more than 50 years, and players were obviously not taking him that seriously anymore. Lots of things to "tidy up" for Williams. I hope they've managed to stay disciplined throughout Lockhart's tenure as well (he's been the music director for 21 years now!). Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 30, 2016 Share Posted April 30, 2016 I can see how a lack of discipline from the orchestra might lead to frustration from Williams. Since he was used to dealing with Hollywood orchestra's who by their nature have to be very disciplined and professional. Time is money after all. Link to comment Share on other sites More sharing options...
Loert 2,673 Posted April 30, 2016 Share Posted April 30, 2016 Thank you for the context @aviazn, obviously I was misrepresenting the complexity of the situation. I was aware that Williams quit (and returned later), but didn't realise that it was due to a longer-standing problem with the orchestra. Quote ...Williams took pains to encourage the audience to listen more carefully to performances. My respect for Williams deepens yet again! Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 30, 2016 Share Posted April 30, 2016 People who book the tables as the Pops and have dinner and drinks during the concert should be shot by snipers positioned on the balcony of Symphony Hall! Ricard 1 Link to comment Share on other sites More sharing options...
Thor 8,353 Posted April 30, 2016 Share Posted April 30, 2016 17 minutes ago, Stefancos said: People who book the tables as the Pops and have dinner and drinks during the concert should be shot by snipers positioned on the balcony of Symphony Hall! I did that. But it was to sit close to the stage & Williams. And I did order a beer or two. But I agree that it's annoying with chatter etc. Ideally, I would have preferred a normal seating system. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 30, 2016 Share Posted April 30, 2016 Good thing we went on separate years. I would have had to kill you! ? Link to comment Share on other sites More sharing options...
Loert 2,673 Posted April 30, 2016 Share Posted April 30, 2016 Wait, so the JW Dance comes from the 1984 July 4th concert, under a month after the resignation? So the members of the orchestra knew he was going to leave at that point? If so...that's interesting. Unless it's a different orchestra he's conducting??? Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted April 30, 2016 Share Posted April 30, 2016 Hollywood Bowl i think? Link to comment Share on other sites More sharing options...
Miguel Andrade 1,361 Posted April 30, 2016 Share Posted April 30, 2016 That concert was at the Hatch Shell, at Boston's Esplanade. Most likely it wasn't with the Boston Pops Orchestra, but rather with the Boston Pops Esplanade Orchestra, that while operates under the BSO organization, is made up of freelancer musicians from the Boston area. Also, there is an interview made by a British television channel, in which bits of a rehearsal can be seen and where Williams has to call the orchestra members to attention. The interviewer asks him about that, wondering about lack of discipline, but Williams downplays it as it would be expected. The interview dates from 83 or 84... Finally, I do remember reading the articles from the Boston Globe from that time, and I do recall mention of problems between Williams and orchestra during rehearsal of Varsity Drag -- maybe that was the Sid Ramin arranged piece?... Williams also conducts an arrangement of his own of that one every now and then. I have all of those on my files, and when I get the time, I might just check it out. Ricard and Loert 2 Link to comment Share on other sites More sharing options...
Thor 8,353 Posted April 30, 2016 Share Posted April 30, 2016 43 minutes ago, Miguel Andrade said: Also, there is an interview made by a British television channel, in which bits of a rehearsal can be seen and where Williams has to call the orchestra members to attention. The interviewer asks him about that, wondering about lack of discipline, but Williams downplays it as it would be expected. The interview dates from 83 or 84... I have some faint memory of that, but it would be great to see again if the footage is available somewhere. I have this weird curiousity to see Williams pissed off. Link to comment Share on other sites More sharing options...
Miguel Andrade 1,361 Posted April 30, 2016 Share Posted April 30, 2016 Well, I do have it on DVD... maybe it can even be found on youtube -- not that I ever saw it there. Williams "pissed-off" mode is hardly the regular "pissed-off"... he sounds a bit annoyed at best! Link to comment Share on other sites More sharing options...
nightscape94 965 Posted May 1, 2016 Share Posted May 1, 2016 Audience loved the cello concerto performance. Big response for Ma. They both held the score up. Link to comment Share on other sites More sharing options...
Code 000. Destruct. 0. 4,260 Posted May 1, 2016 Share Posted May 1, 2016 I completely understand goofing off in an orchestra. It's just what happens. I spent years in the trombone section, and was often the root of the trouble there, which made me the root of the trouble ensemble-wide. BUT... to actually be disrespectful to the conductor, or composer, or arranger, especially if they're present, is beyond the pale, and Williams was right to get fed up with it. There's just no reason for that, it's common decency and musical fellowship. Why be an ass? Darth Crossfader 1 Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,415 Posted May 1, 2016 Share Posted May 1, 2016 Those trombone players are usually the ones that cause a fuss! Link to comment Share on other sites More sharing options...
Not Mr. Big 4,739 Posted May 1, 2016 Share Posted May 1, 2016 It's funny how the politics of grade-school band seem to extend into the professional world. I guess each instrument naturally attracts a certain type of person. aviazn 1 Link to comment Share on other sites More sharing options...
aviazn 273 Posted May 1, 2016 Share Posted May 1, 2016 Ooooh, here's another fun news story from right after he resigned, this time an AP wire report. Headline: John Williams Couldn't Take the Hissing https://news.google.com/newspapers?nid=1346&dat=19840617&id=nu8vAAAAIBAJ&sjid=ovsDAAAAIBAJ&pg=6559,265251&hl=en Quote Musicians often relieve boredom and stress with a variety of antics, [longtime associate conductor Harry Ellis] Dickson said, and Fiedler encouraged their pranks. For instance, while Fiedler was conducting the movie theme "Jaws," percussionists inflated a plastic shark and tossed it around on stage, he said. Once they flew paper airplanes on stage, and another time a player let loose a live lobster to amuse a colleague, he said. Williams, though, was not amused by a tradition of hissing while rehearsing new music. "It is not unusual for the orchestra to hiss at what we consider bad arrangements. Some of the pieces do deserve it, but I think it particularly bothered John that is piece was included among them," a musician, who asked not to be identified, told The Patriot Ledger of Quincy. The hissers never stepped forward, but the entire orchestra visited Williams that night to apologize and ask him to reconsider, Dickson said. "They feel very bad about this." Craig Nordstrom, chairman of a players' committee, told the Globe, "There is a feeling of embarrassment." Williams refused to reconsider, but promised to finish out the season, conducting four concerts on Boston's Esplanade, including the annual Fourth of July performance. Not Mr. Big 1 Link to comment Share on other sites More sharing options...
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