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Ben Burtt Quits


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Bizarre that the article isn't working now.  He's leaving Lucasfilm and going to Pixar.

Neil

NOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Pixar must resist the evil!

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Bizarre that the article isn't working now.  He's leaving Lucasfilm and going to Pixar.

Apparently, he used George Lucas' private bathroom. Lucas sent him a memo to use the employee bathroom from now on. Burtt stormed into Georges office, told him off, and quit.

Jeff

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Apparently, he used George Lucas' private bathroom. Lucas sent him a memo to use the employee bathroom from now on. Burtt stormed into Georges office, told him off, and quit.

George was right. When he entered his bathroom, every possible machine or tap was left on. There was sound everywhere. Also, half of his bath tub was missing and tracked with part of the shower.

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Too late,he still managed to partailly ruin the Soundmix in RotS.

Noiw that he's gone,Williams should re-edits the prequels himself...

K.M.

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Sounding Out: Ben Burtt Jr.

CNY native played off-screen role in all 6 'Star Wars' films

Thursday, May 26, 2005

By Joan E. Vadeboncoeur

Staff writer

Twenty-nine years and 10 months.

No one else besides "Star Wars" creator George Lucas has spent so much time in a galaxy far, far away, up close and personal with Jedi knights, storm troopers, wise old Yoda and those delightful droids R2-D2 and C-3PO as Ben Burtt Jr.

The Syracuse native, who has been sound designer on all six "Star Wars" films, refers to it as his "tour of duty." Almost fresh out of film school with a couple of assignments with low-budget, high-profile filmmakers Roger Corman and Russ Meyer, he was plucked by Lucas for the original "Star Wars."

Through nearly three decades, Burtt also has been in the thick of the progress and process of cinema, from the digital revolution to what is termed "pre-visualization." Ahead of filming, Burtt and fellow technicians film a mock scene which can be shown to Lucas, the cinematographers and camera operators to orient them to the sequence.

With "Sith," Burtt says in a recent phone interview, these small

films would be watched by the actors as they played out a scene. This process, he says, gave them a keener sense of the action, rather than simply acting against blue screen before computer-generated characters and scenes were added.

It is over now and Burtt, who has won four Oscars for sound effects editing and creature and robot voice creation, is moving on. He is joining Pixar Animation. It is, he says, time for a fresh wind to blow.

"George hasn't announced officially what his next projects are," he says. At Lucasfilm, almost everyone works from project to project. The "Star Wars" adventures have guaranteed three years' employment, but nothing past that. Besides, Burtt admits, "The last few years have been frustrating, so I was at a point of change. But I had no official plan."

Yet, the time had come for a new challenge and Pixar came calling. He terms it "the most attractive" of his offers. One reason, Burtt chose Pixar was its Bay Area location. The filmmaker has long been a resident of Northern California not far from Lucas' headquarters at Skywalker Ranch in Marin County and its allied operations. Burtt had no desire to pack up for Hollywood.

More significantly, the sound designer and film editor knew many of the Pixar folks. He recalls that many of the Pixar honchos had been Lucas employees when it was a small division of Lucasfilm.

"I had an office just down from them. We were the big shots," he says with a chuckle.

Soon Lucas sold the operation to Steve Jobs, co-founder of Apple Computer. Eventually that business became Pixar, which turned out the blockbusters "Finding Nemo," "Toy Story" flicks and "Monsters, Inc."

This week, after a brief break for R & R, the 56-year-old joins that firm. It will not be his first experience with animation.

When the now-Pixar cohorts were working down the hall at Lucasfilm, they persuaded Burtt to try his hand. The result was "The Adventures of Andre and Wally B.," the tale of a bulbous-nosed android named Wally and a persistent bee, the other title creature. Words of wifely wisdom Wives are often said to be the severest critics of their husbands' work. Just ask Burtt. A couple of weeks ago, the co-editor of "Revenge of the Sith" showed a finished print at his alma mater, the University of Southern California. He was worried about its reception and that it might not satisfy fans. He confided his concerns to his wife, Peg. But, after the screening, he was heartened at the cheers and applause the film received. Burtt says, "Peg (in her first look), who is not a 'Star Wars' fan, told me, 'I really can't trust you, Ben.' " Bet that it came as his greatest compliment.

- Joan E. Vadeboncoeur,

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Yay! He's gone. Sure he was a good sound effects editor and all, but he butchered the score. Imagine if they had him around for the original Toy Story. Randy Newman's "You got a friend in me" would have become "You got...me."

Didn't Matthew Wood do the sound design in ROTS anyway? So our score butchering complaints (there aren't too many) should be directed towards him.

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Burtt is a sound God...really the first and one of the greatest. Then the prequel trilogy came out. I haven't cared for his editting of film at all, and should never be a music editor...althought I think those changes have a lot more to do with George's personal decisions.

Thanks for all the great Star Wars sounds, Ben...you could do some great things for Pixar.

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I haven't cared for his editting of film at all, and should never be a music editor...althought I think those changes have a lot more to do with George's personal decisions.

Being picky here, but Burtt was never a music editor officially. He was just the last guy to handle the overall sound design before release.

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No one else besides "Star Wars" creator George Lucas has spent so much time in a galaxy far, far away, up close and personal with Jedi knights, storm troopers, wise old Yoda and those delightful droids R2-D2 and C-3PO as Ben Burtt Jr.  

Oh really? :)

Ray Barnsbury

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Not the edits,but the final soundmix,like how loud the SFX are vs the music.It's pretty clear from interviews that the SW films would have no music at all if it was up to him so he just tosses it distantly in the background in as many scenes he can get away with.

In the OT the SFX were still loud but the music details were always clear present in every scene.Now you have to strain to hear the music in a lot of scenes,and forget about the details of the orchestrations.

K.M.

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Would that the SW sound mixes were done by an artist like Walter Murch who has a much more balanced approach to the value of different sound components. Would that he'd edited them too actually.

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That is one of the things that have pissed me off about Burtt....he perfers to have "his music" louder over Williams. There is so much good music in that movie that a lot of it is drowned out by sound effects....irritates the hell out of me a lot of times...

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No one else besides "Star Wars" creator George Lucas has spent so much time in a galaxy far, far away, up close and personal with Jedi knights, storm troopers, wise old Yoda and those delightful droids R2-D2 and C-3PO as Ben Burtt Jr.  

Oh really? :|

My thoughts exactly.

No, wait, I did this :folder: too.

ttbk

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While I know we all dislike what he has done to music, the man really does know sound FX. In this regard, I'm sad he won't be working on Indy 4. Hopefully someone else will throw in the Wilhelm for us. :folder: Heck, he's the one who started the whole Wilhelm thing, and now everybody's doing it.

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They may bring him for Indy IV after all, they guy is not quitting becasue malcontent, it just that he needs job and Lucasfilm has finished starwars.

Lets hope he doesnt mess up with the score this time.

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Heck, he's the one who started the whole Wilhelm thing, and now everybody's doing it.

I don't think so. I have a video with tens of Wilhelms from all over movie history included, and following the original one (by the guy called Wilhelm), there immediately were films after it that reused it. And that was long before Burtt even finished college.

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I don't think so. I have a video with tens of Wilhelms from all over movie history included, and following the original one (by the guy called Wilhelm), there immediately were films after it that reused it. And that was long before Burtt even finished college.

Well, he's probably the single person most responsible for it's continued popularity.

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Burtt has sort of made the Wilhelm a signature of his, but it was recorded and used long before his time. And these days it's often used as a nod to Star Wars (like in LotR).

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Used as a nod to Star Wars? Has anyone responsible stated this? Otherwise I don't understand how using an old Western sound effect constitutes a nod to Star Wars.

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Well, as I understand it, McCallum allowed Jackson and co. to check out some of the pre-viz facilities at Lucasfilm. It is assumed that as something of a "thank you" the Wilhelm was included in Two Towers (and again in RotK).

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What's wrong with Ben Burtt? Forgive my ignorance.

Low mixing of the score vs. loud SFX mixing. Bad editor. Holds a good amount of responsibility for the horrible looping, tracking, and general hacking up of the scores.

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It's really a shame he feels the urge to get involved in all kind of stuff. If he would just stay with creating his awesome sound effects, he would hear nothing but praise.

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I love the SFX in the star wars movies.

The Wilhelm is a cool scream.

However, the SFX were too overpowering in the prequels.

I very much dislike straining to hear the music.

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