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Marcus

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Marcus last won the day on July 10 2016

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About Marcus

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  • Birthday 10/14/1979

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    Oslo/Berlin

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  1. This is a miraculous album. Imagine being able to craft such imaginative, vital and energetic new takes on this music at 87! There's incredible flair and elegance on display here, but also deep thought -and a simply stunning (and daring) command of how to pit a violinist against an orchestra. What a marvelous, generous gift.
  2. The situation is roughly this: All the new music is Williams. All the old music repurposed from HP1 is Williams, but adapted (to fit the film) by William Ross.
  3. Only manuscript. 8 staves for smaller cues, up to 20 for the busiest ones:
  4. I'm currently scoring a fairly big feature film, requiring 110-120 minutes of orchestral music, some of it highly complex. I do all of my work in very detailed short-score with no additional orchestrators, sending each page off to only two people: An engraver providing orchestral parts, and an assistant providing mock-ups (and digital elements integral to the score, all of which I first notate and describe to the best of my ability). It's a small team, but a very effective one. For my concert work, it's all manuscript, but most of it gets engraved courtesy of my publisher.
  5. Categorically no. He simply isn't. (Doesn't mean you're not entitled to prefer his music over Williams', which is merely a matter of taste)
  6. I think The Adventures of Han is a delightfully fresh and fun piece that achieves quite a lot of different things at once, and in subtle ways. Connective tissue and seemingly throwaway moments actually hearken back (or is that forward?) to a lot of the action writing in the OT, but just in quick glimpses/foreshadowings. It's a sort of in medio res piece, and might seem less tightly constructed than it actually is, which is a rather apt way of having form serve as a kind of characterization. The piece is structurally who Han is as a character: Someone who suddenly finds himself in the middle of a (mis)adventure. On the surface, it's music of impulse, whim; it's designed to feel rhapsodic, even though, as has been pointed out, it's actually a kind of rondo. On the other hand, it's Williams also showcasing his less romantic, more modern style. The motivics are more concerned with rhythmic twists than long-lined lyricism. It's a less heroic, more haphazardous take on the elements that constitute Luke's theme. A sort of curveball Luke in minor mode. It's clever and catchy, and bridges the old and the new in a very elegant way.
  7. As soon as I'm asked! Haven't done much film scoring as of late, but scoring two now, one of which will have a major international release... It would take no small measure of luck, and the right connections, but I'd do it in a heartbeat.
  8. Oh, definitely. And I really hope we get to see and hear as many and as varied musical takes on them as possible. It's a fun challenge to pay homage to a legacy, while at the same time retaining a sort of playful disobedience towards it.
  9. Hmm... Just listened to Powell's score. I'm very glad he was encouraged to tread elsewhere, rather than just lightly, but I have to say there's something about his approach that to my ears also highlights certain shortcomings of a more "modern" approach (not to slight Powell's efforts in the least; my guess is he's written exactly the score he was asked to). The use of percussion gets very tiring very quickly, and instead of energizing the musical flow seems to detract from it. And the harmonic language feels for the most part sort of emotionally flat. It just ends up feeling very light and inconsequential, I guess. Then again, it might be a very light and inconsequential film... In the process of scoring a major film myself at the moment, I have of course encountered a temp track that is mostly informed by scores from the last few years (lots of Zimmer). And while I respect and like much of it, I can't help but lament a tendency to make things streamlined and unobtrusive. It's a style that co-exists very comfortably with just about anything you'd have it accompany, as so much of it is about latching on to steady rhythms and inoffensive 'pop' chord progressions. But it does tend to sacrifice having an integrity of its own, subsequently preventing the music from adding new, individual layers. I guess that's the aspect I "miss" the most...
  10. Dear Pierre, Thank you for your sincere and heartwarming post. I think there's a deep lesson in it for everyone. To overcome one's struggles, and to find joy and gratitude in life.. Well, that seems to me just about as meaningful as life can get. Also, for what it's worth: There's true lyrical beauty in the piece that you posted, and true talent. May it serve you well, no matter what you pursue. Warmly, Marcus
  11. If this is indeed a snippet of Han's theme, it does seem to share some DNA with the Han & Leia love theme (or whatever you may want to call the reverse Tristan-melody 😉)...
  12. Good for Joe! We were at Manhattan School of Music together, he was an undergrad while I was doing my Master's there. The nicest, sweetest person imaginable. I think he was set on becoming a film composer even back then. I remember him writing a thesis piece that was sort of an hómmage to Hollywood. Even though he's made a name for himself doing lots of crossover projects, I guess he's one of the relatively few Hollywood composers of his generation (at least to my knowledge) with a degree in composition.
  13. This is much more than mere allusions to existing themes. Rather, these are truncated versions of existing JW tracks, and sound almost like a scratched disc skipping ahead... Sounds like the very laziest way of avoiding copyright issues...
  14. The Harry Potter Children's Suite is essentially Williams' take on a kind of "young person's guide to the orchestra". It is as masterful as it is colorful, and is about as far removed from a "sketch" as you can get. On the contrary, it represents ways of developing the musical material even further, all the while exploring the orchestra in delightful detail.
  15. Certainly! There's quite a bit available on Spotify etc. You can also check out my website, www.marcuspaus.com Here's some stuff off YouTube:
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