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New Intrada: Star Trek V The Final Frontier (Jerry Goldsmith) - unlimited

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#1 Jason LeBlanc

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Posted 15 May 2012 - 03:58 AM

INTRADA Announces:

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STAR TREK V: THE FINAL FRONTIER
Composed and Conducted by JERRY GOLDMITH
INTRADA MAF 7119


By popular demand, Intrada has re-issued the expanded edition of Star Trek V: The Final Frontier, featuring Jerry Goldsmith's colorful and exciting score. As a follow on to his masterpiece score to Star Trek: The Motion Picture, this score takes off where his first score left off. While The Motion Picture allowed Goldsmith to establish themes that would become rooted in the Star Trek franchise, that film required a score of atmosphere and awe -- focusing on the mystery, grandeur, and beauty of space. For Star Trek V, high-adventure was the order of the day, requiring a colorful, exciting, action-packed score.

In 2010 La-La Land Records released a long-awaited 2CD expanded edition of Star Trek V: The Final Frontier. Their 5,000-copy limited edition sold out in months. While other expanded Star Trek albums were not limited and remain in print, this rapid sellout created a hole in the catalog, so Intrada has decided to put it back in print. The CD program is identical to the already perfect presentation created by La-La Land Records, although packaging has been updated to fit in with the design of the Star Trek II, III, IV and VI packages.

Star Trek V: The Final Frontier (1989) was the penultimate film to star the original cast of Star Trek. After Leonard Nimoy (Spock) directed the third and fourth entries in the series, Paramount Pictures awarded Star Trek V to William Shatner (Kirk), whose story input resulted in an action-adventure exploring religious fanaticism, the human yearning for God, and the familial nature of Kirk, Spock and McCoy (DeForest Kelley)­with touches of humor inspired by the commercial success of Star Trek IV: The Voyage Home (1986).

INTRADA MAF 7119
Retail Price: $24.99
AVAILABLE NOW
For track listing and sound samples, please visit
http://store.intrada...it.A/id.7518/.f


STAR TREK V: THE FINAL FRONTIER (2CD)

Label: Intrada MAF 7119
Date: 1989
Tracks: 42
Time = 131:51

For those that missed spectacular limited 2-CD presentation from La-La Land label, Intrada brings powerhouse Jerry Goldsmith soundtrack back as per desire of licensor to see title remain available in ongoing STAR TREK soundtrack series. William Shatner stars, directs fifth feature installment of legendary series, employs familiar original cast in tale of hostages, quest for meaning in life, other ambitious plot ideas. Goldsmith anchors with famed Enterprise theme but ingeniously focuses on incredibly flexible four-note triad-ish motif that plays in all manner of guise: aggressively bowed in low cellos, tentatively played by upper strings, crisply punched by trumpets, elongated by triumphant French horns, so forth. Rich major-key theme for Kirk ("A Busy Man") adds warmth while pulsating action cues ("Open The Gates", "Raid On Paradise", "Let's Get Out Of Here") excite! Score also makes terrific use of dynamic theme for Klingons, introduced in first feature. Array of alternates plus remastered presentation of original 1989 soundtrack album round out stunning audio treat, mastered from original digital session elements. All musical content plus liner notes by Trek authority Jeff Bond are identical to earlier 2-CD release. New packaging by Joe Sikoryak brings artwork design in keeping with other Intrada/Film Score Monthly STAR TREK releases. Jerry Goldsmith conducts.

CD 1: THE FILM SCORE
01. Nimbus III 2:01
02. The Mind-Meld 2:43
03. The Mountain [Main Title]* 4:53
04. The Big Drop 0:26
05. Raid On Paradise 2:43
06. Not Alone 1:11
07. Target Practice 1:52
08. A Tall Ship 1:43
09. Plot Course 1:46
10. No Harm 2:13
11. Approaching Nimbus III 2:59
12. Open The Gates 3:01
13. Well Done 1:16
14. Without Help 4:55
15. Pick It Up 2:31
16. No Authority 0:30
17. It Exists 1:47
18. Free Minds 3:18
19. The Birth 3:53
20. The Barrier* 2:52
21. A Busy Man 4:41
22. An Angry God 6:57
23. Let’s Get Out Of Here [Part 1] 3:42
24. Let’s Get Out Of Here [Part 2] 3:07
25. Cosmic Thoughts 1:16
26. Life Is A Dream [End Credits]* 3:57
Total Time: 73:07

CD 2: THE 1989 SOUNDTRACK ALBUM
01. The Mountain* 3:50
02. The Barrier* 2:51
03. Without Help 4:18
04. A Busy Man 4:40
05. Open The Gates 3:00
06. An Angry God 6:55
07. Let’s Get Out Of Here 5:1
08. Free Minds 3:17
09. Life Is A Dream* 3:57
10. The Moon’s A Window
To Heaven† 4:00

Total Time: 42:22

ADDITIONAL MUSIC
11. The Mountain [Main Title] (alternate)* 4:45
12. A Busy Man (alternate) 4:42
13. Paradise Saloon (source) 2:42
14. The Moon’s A Window to Heaven (film version) 1:10
15. Vulcan Song/Row, Row,
Row Your Boat (source) 1:33
16. Synclavier Effects 1:54
Total Disc Time: 59:28



So its:

1. Unlimited instead of limited to 5,000 copies
2. Only $25 instead of $30.
3. Got a new spine that lines up with Intrada's 4 and 6, and FSM's 2 and 3. I wonder if the rumored LLL Trek 1 will match?
-Jay
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#2 scallenger

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Posted 15 May 2012 - 04:26 AM

Will definitely be getting this in the next month or two for sure. It was a mistake for me not to get it before, even when I did have money issues at the time. I'll probably get this at the same time as LLL's rumored ST:TMP. Awesome that it is also 5 dollars cheaper now. I'm not missing out this time.
"Let's be clear. The planet is not in jeopardy. We are in jeopardy. We haven't got the power to destroy the planet- or to save it. But we might have the power to save ourselves." -- Ian Malcolm, Jurassic Park by Michael Crichton


#3 stewdog1

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Posted 15 May 2012 - 08:21 PM

Not thrilled that they went unlimited this soon and $5 cheaper to boot.

#4 Joey

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Posted 15 May 2012 - 08:28 PM

24.95 is highway robbery for this score.
OH God, Joe is posting again, someone hand me my pills!

"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.

#5 Wojo

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Posted 15 May 2012 - 08:37 PM

And what fantastic analogy would you draw for those of us who paid $29.99 the first time around, just because we're Star Trek completists, Goldsmith fanatics, or both?

@Wojo: stop being facetious.


#6 Trent Bennett

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Posted 15 May 2012 - 09:02 PM

24.95 is highway robbery for this score.


:rolleyes:
""Fear. Fear attracts the fearful. The strong, the weak, the corrupt, the innocent. Fear is my ally."

#7 Joey

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Posted 15 May 2012 - 09:16 PM

sorry Trent, that is way too much for this score, maybe STTMP, but few scores are worth that much to me. I don't pay that for movies why should I pay more for a score. Especially for such a terrible film.
OH God, Joe is posting again, someone hand me my pills!

"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.

#8 Wojo

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Posted 15 May 2012 - 11:03 PM

A lot of us do have rather expensive scores in our collections that we have permanently detached from the movies in our mind, because the music is so good.

I listened to Cutthroat Island a lot more times than I ever saw the film, which was once, and once too many.

@Wojo: stop being facetious.


#9 Nemesis

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Posted 15 May 2012 - 11:15 PM

It's probabely cheaper because they didn't had to mix the masters again.
You can listen to my music here

#10 Faleel

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Posted 15 May 2012 - 11:46 PM

sorry Trent, that is way too much for this score, maybe STTMP, but few scores are worth that much to me. I don't pay that for movies why should I pay more for a score. Especially for such a terrible film.


STV is better than TMP.

Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.

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John Williams sucks, he doesn't write with a quill pen, there is no emotion in pencil music ! Purcell is the man !

#11 crocodile

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Posted 15 May 2012 - 11:49 PM

Umm... no.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#12 Faleel

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Posted 16 May 2012 - 01:34 AM

Umm. Yes.

Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.

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John Williams sucks, he doesn't write with a quill pen, there is no emotion in pencil music ! Purcell is the man !

#13 Trent Bennett

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Posted 16 May 2012 - 01:40 AM

Again, you're wrong. Most people will always choose Star Trek TMP over Star Trek V, including myself.
""Fear. Fear attracts the fearful. The strong, the weak, the corrupt, the innocent. Fear is my ally."

#14 Faleel

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Posted 16 May 2012 - 02:06 AM

STV is a better listening experience than TMP, there is not one cue I skip.

Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.

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John Williams sucks, he doesn't write with a quill pen, there is no emotion in pencil music ! Purcell is the man !

#15 Miles Prower

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Posted 16 May 2012 - 02:55 AM

Again, you're wrong. Most people will always choose Star Trek TMP over Star Trek V, including myself.


Yeah, see, we call those opinions.
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#16 Wojo

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Posted 16 May 2012 - 03:21 AM

Again, you're wrong. Most people will always choose Star Trek TMP over Star Trek V, including myself.


Hmm. I never think to myself, "I want to listen to Star Trek V," but then choose to listen to Star Trek TMP at the last moment. Do you know why? Because then I would never listen to Star Trek V, ever.

@Wojo: stop being facetious.


#17 OneBuckFilms

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Posted 16 May 2012 - 03:30 AM

It really depends on my mood as to which one I want to listen to.

Love them both, a lot.

TMP for me, however, has a slight edge.
Of all the things I've lost, I miss my mind the most.

#18 Drax

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Posted 16 May 2012 - 03:34 AM

Both scores are garbage. Horner trumped Goldsmith's drivel out the airlock!
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#19 Hlao-roo

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Posted 16 May 2012 - 03:35 AM


Again, you're wrong. Most people will always choose Star Trek TMP over Star Trek V, including myself.


Hmm. I never think to myself, "I want to listen to Star Trek V," but then choose to listen to Star Trek TMP at the last moment. Do you know why? Because then I would never listen to Star Trek V, ever.


Wrong.

It really depends on my mood as to which one I want to listen to.

Love them both, a lot.

TMP for me, however, has a slight edge.


This is incorrect.

#20 crocodile

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Posted 16 May 2012 - 07:09 AM



Again, you're wrong. Most people will always choose Star Trek TMP over Star Trek V, including myself.


Hmm. I never think to myself, "I want to listen to Star Trek V," but then choose to listen to Star Trek TMP at the last moment. Do you know why? Because then I would never listen to Star Trek V, ever.


Wrong.

It really depends on my mood as to which one I want to listen to.

Love them both, a lot.

TMP for me, however, has a slight edge.


This is incorrect.


That's a wrong opinion.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#21 Incanus

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Posted 16 May 2012 - 07:21 AM




Again, you're wrong. Most people will always choose Star Trek TMP over Star Trek V, including myself.


Hmm. I never think to myself, "I want to listen to Star Trek V," but then choose to listen to Star Trek TMP at the last moment. Do you know why? Because then I would never listen to Star Trek V, ever.


Wrong.

It really depends on my mood as to which one I want to listen to.

Love them both, a lot.

TMP for me, however, has a slight edge.


This is incorrect.


That's a wrong opinion.

Karol

That is correctly incorrect.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#22 Richard Penna

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Posted 16 May 2012 - 11:37 AM

:lol2:

You're all wrong. Goldsmith is rubbish.

24.95 is highway robbery for this score.


I'm not a trek fan and I disagree with that. I had the chance to hear this after it was sold out, and after listening to about 4 cues, I immediately regretted dismissing it.

Or, think of it this way: the money Intrada makes from this will help make something happen that you do want to buy,


And: ordered!

#23 Charlie Brigden

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Posted 16 May 2012 - 11:39 AM

Can someone who gets this do a high-res scan of the artwork? I absolutely loathe the LLL cover.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#24 crocodile

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Posted 16 May 2012 - 11:40 AM

Is this not big enough for you?

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Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#25 Charlie Brigden

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Posted 16 May 2012 - 11:42 AM

That is, thanks. But I'd like the inlay and spine as well. Or I may just make it myself.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#26 Wojo

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Posted 16 May 2012 - 01:23 PM

Truthfully, fellas, the whole "wrong opinion" shtick got old fast. Blume did it best and he's not here anymore.

~*~

I dislike the tiny yellow font up top in front of the saucer. It worked on VI's cover because it's over top of black space.

Is your problem with LLR's cover for V the white font that stretches from edge to edge? Really I think we need another poster that isn't so much pink and purple.

@Wojo: stop being facetious.


#27 Charlie Brigden

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Posted 16 May 2012 - 01:32 PM

My problem is the whole design looks cheap - and the custom created logo is nigh on the same as a bootleg cover that previously made the rounds. The back cover as well just looks ugly and cheap. I agree on the yellow font, but it's better than the LLL. I had previously assumed the long "Music from the Paramount original motion picture soundtrack" was contractual as it was the same on the original LP, but I guess not.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#28 Incanus

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Posted 16 May 2012 - 01:37 PM

It is a good release when people can't obsess and criticize about anything but the cover art and design.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#29 crocodile

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Posted 16 May 2012 - 01:39 PM

I like pink. The LLL cover looked better to me. Seriously.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#30 Incanus

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Posted 16 May 2012 - 01:40 PM

As long as the music sounds good I am happy. Not worried about spine colors or design of the booklet. Except if it is a JW release. Then I hold no bars.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#31 crocodile

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Posted 16 May 2012 - 01:41 PM

Me neither to be honest. But, again, I'm really happy for those people who missed it. It's a really great music and great presentation.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#32 Jason LeBlanc

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Posted 16 May 2012 - 04:48 PM

Can someone who gets this do a high-res scan of the artwork? I absolutely loathe the LLL cover.


I have a 1400x1400 version if you want
-Jay
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#33 Faleel

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Posted 16 May 2012 - 05:00 PM

here is my version:Attached File  Final FrontierCS-alt.jpg   173.17K   0 downloads

Attached File  Final FrontierCS-alt-3.jpg   270.48K   0 downloads

Posted Image

Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.

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John Williams sucks, he doesn't write with a quill pen, there is no emotion in pencil music ! Purcell is the man !

#34 Charlie Brigden

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Posted 16 May 2012 - 05:08 PM


Can someone who gets this do a high-res scan of the artwork? I absolutely loathe the LLL cover.


I have a 1400x1400 version if you want


Please, that'd be great.
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#35 Jason LeBlanc

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Posted 16 May 2012 - 05:21 PM

http://img38.imagesh...8/7004/stvv.jpg
-Jay
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#36 Charlie Brigden

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Posted 16 May 2012 - 05:48 PM

Thanks!
Repeat the JWFan pledge after me: 'I hereby recognise John Towner Williams' place in the world as the great composer there has ever been, and I therefore renounce the works of Rozsa, Korngold, Herrmann, Horner, Kamen, Giacchino (unless the prophecy is fulfilled and he becomes the heir to JTW) and Goldsmith, especially Goldsmith. I understand that if I ever refer to Jurassic Park as anything less than "a masterpiece sixty-five million years in the making" I will be resigned to living out my days at the Zimmershrine.'

#37 Miles Prower

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Posted 17 May 2012 - 06:19 PM

Well, my LLL sold... $35.99! Not too shabby, just a little above breaking even. Guess I'm obligated to get the Intrada now :D
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#38 Wojo

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Posted 17 May 2012 - 07:14 PM

Who paid $35.99 for a score that's about to go back into circulation, a first-grader? Shit.

@Wojo: stop being facetious.






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