Jean-Baptiste Martin

As usual just after the appearance of the Willow page on the Intrada website, I will publish a review of this new edition on James Horner Film Music.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

Promise me you won't call the insane asylum if I tell you that one of the chapters of the book lists the 1187 appearances of the motif, with timecode in the films and albums, and also a description of the scenes and orchestrations.

As usual just after the appearance of the Willow page on the Intrada website, I will publish a review of this new edition on James Horner Film Music.

As usual just after the appearance of the Willow page on the Intrada website, I will publish a review of this new edition on James Horner Film Music.

As usual just after the appearance of the Willow page on the Intrada website, I will publish a review of this new edition on James Horner Film Music.

As usual just after the appearance of the Willow page on the Intrada website, I will publish a review of this new edition on James Horner Film Music.

As usual just after the appearance of the Willow page on the Intrada website, I will publish a review of this new edition on James Horner Film Music.

Here is the full performance of A Forest Passage from the concert in Szczecin, Poland, on 13th May 2022.
Thank you to Sara and Emily Horner, and the Szczecin Philharmonic for granting permission to publish the recording.
Enjoy!
 

Here is the full performance of A Forest Passage from the concert in Szczecin, Poland, on 13th May 2022.
Thank you to Sara and Emily Horner, and the Szczecin Philharmonic for granting permission to publish the recording.
Enjoy!
 

Here is the full performance of A Forest Passage from the concert in Szczecin, Poland, on 13th May 2022.
Thank you to Sara and Emily Horner, and the Szczecin Philharmonic for granting permission to publish the recording.
Enjoy!
 

It's Willow!

Here is the full performance of A Forest Passage from the concert in Szczecin, Poland, on 13th May 2022.
Thank you to Sara and Emily Horner, and the Szczecin Philharmonic for granting permission to publish the recording.
Enjoy!
 

Here is the full performance of A Forest Passage from the concert in Szczecin, Poland, on 13th May 2022.
Thank you to Sara and Emily Horner, and the Szczecin Philharmonic for granting permission to publish the recording.
Enjoy!
 

It's Willow!

It's Willow!

It's Willow!

It's Willow!

It's Willow!