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Intrada Announces Goldsmith's The Shadow 2-Disc Set


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#1 Mark Olivarez

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Posted 24 July 2012 - 01:01 AM

http://www.intrada.n....php?f=4&t=4961



INTRADA Announces:

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THE SHADOW
Composed and Conducted by JERRY GOLDSMITH

INTRADA Special Collection Vol. 204

Universal Pictures' 1994 The Shadow allowed composer Jerry Goldsmith to put his imprimatur on the darkly gothic phase of the superhero genre that developed in the 1990s. Writing for a large orchestra, Goldsmith created a score that found the perfect mix between heroism and menace and resulted in one of his longest scores. Goldsmith’s main title music introduces many of the score’s core elements: an unnerving pitch bend, played by synthesizers; a grandly powerful brass melody for the Shadow; and a bouncing electronic figure that will become a key rhythmic device throughout the score. Goldsmith’s classic-sounding Shadow theme and the score’s large scale orchestrations complemented the film’s period setting and lavish look, while the composer’s trademark electronics helped better position the film for a contemporary audience.

When the original soundtrack for The Shadow was released in 1994, it presented only a fraction of Jerry Goldsmith’s hour-and-twenty-minute score, reducing the composer’s wealth of action material to two cues and barely hinting at the complete score’s range and scope. In particular, Goldsmith’s elegant and haunting love theme—one of his best of the ’90s—plays only briefly at the very end of the album. This premiere presentation of the complete score represents one of the most substantial restorations of a Goldsmith soundtrack, illuminated by the fact that just 30 minutes of the full 85-minute score appeared on the original 1994 soundtrack album. To present this dynamic work, Universal provided access to the original 48-track digital session elements plus the multi-track film mixes and live two-track session mixes and remixes. The result is a 2-CD set featuring the entire score and the original Arista CD program.

In the film, character Lamont Cranston (Alec Baldwin) plays an expatriate American who becomes a vicious warlord in Tibet before a Tibetan mystic redeems him and teaches Cranston the powers of the mind that will allow him to become the Shadow. In New York, taking the guise of a millionaire playboy, Cranston becomes involved with Margo Lane (Penelope Anne Miller), the only person who seems immune to the Shadow’s mental powers. John Lone plays the Shadow’s Mongolian nemesis Shiwan Khan, who also studied under Tulku. Khan plans to conquer the world with his army of followers and an atomic bomb.

INTRADA Special Collection Vol. 204
Retail Price: $29.99
Available Now
For track listing and sound samples, please visit
http://store.intrada...it.A/id.7684/.f



Tracklisting

Complete Soundtrack Part 1
01. The Poppy Fields 3:41
02. The Clouded Mind 6:43
03. I’ll Be There 3:55
04. No Shadow 0:33
05. Secrets 3:08
06. Don’t Open It! 4:15
07. Do You Believe? 2:24
08. The Sanctum 3:34
09. Who Are You? 4:46
10. The Code 0:59
11. The Call 2:36
12. No Thought 1:19
13. Chest Pains 3:27
14. A Mission 2:35
15. Nice Tie 2:49
16. The Knife 3:06
17. What I Know 4:48
18. The Jumper 1:21
19. The Tank 4:06
Part 1 Total Time: 60:09


Complete Soundtrack Part 2
01. The Dream 1:59
02. Get Dr. Lane 1:05
03. The Hotel 5:55
04. Fight Like A Man 4:13
05. The Mirrors 4:58
06. The Mirrors (Alternate Version) 4:04
07. Frontal Lobotomy 2:30
Part 2 Total Time: 24:52

The Extras
08. Wild Drums 0:19
09. Dinner Source (Dennis Dreith) 1:06
10. Bart’s Bounce (Dennis Dreith) 2:06
Total Extras Time: 3:35

Original 1994 Arista Soundtrack Album
11. The Shadow Knows… 1994 ALEC BALDWIN 0:08
12. Original Sin (Theme From The Shadow) (Steinman) TAYLOR DANE 6:27
13. The Poppy Fields (Main Title) 3:16
14. Some Kind Of Mystery (Warren) SINOA 3:48
15. The Sanctum 3:33
16. Who Are You? 4:02
17. Chest Pains 3:26
18. The Knife 3:05
19. The Hotel 5:53
20. The Tank 4:08
21. Frontal Lobotomy 2:28
22. Original Sin (Theme From The Shadow) (Steinman) Film Mix TAYLOR DANE 5:02
23. The Shadow Radio Show 1937: “Who Knows What Evil Lurks In The Hearts Of Men?” ORSON WELLES 0:29
Album Total Time: 46:15
CD2 Total Time: 74:56



#2 Koray Savas

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Posted 24 July 2012 - 01:03 AM

So it takes a kick-ass Goldsmith score to bring Mark back, eh? ;)

In 50 years Herrmann will be forgotten.


#3 Wojo

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Posted 24 July 2012 - 01:05 AM

Nobody expects a surprise holy grail posting from Mark Olivarez!

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@Wojo: stop being facetious.


#4 OneBuckFilms

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Posted 24 July 2012 - 01:07 AM

Ordered about an hour and a half ago. :)
Of all the things I've lost, I miss my mind the most.

#5 Blumenkohl

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Posted 24 July 2012 - 01:30 AM

Ordered. Thanks Markypoo.

#6 publicist

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Posted 24 July 2012 - 05:44 AM

Ordered. The THE MIRRORS (revised) cue brought tears to my eyes. :nod:
You wouldn't see a subtle plan if it painted itself purple and danced naked on top of a harpsichord, singing "Subtle Plans Are Here Again."

#7 king mark

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Posted 24 July 2012 - 07:09 AM

. I have the OST I bought ages ago but never listened to it much.

It's in the period where Goldsmith was starting to disappoint me and I was losing interest

#8 Stefancos

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Posted 24 July 2012 - 08:21 AM

Well what else are you gonna spend your money on these days? The latest James Newton Howard? The upcoming Twilight soundtrack?

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#9 publicist

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Posted 24 July 2012 - 08:25 AM

The BOURNE samples sound ok enough to give it a spin. Not a fun romp like THE SHADOW but i doubt we'll hear writing like that again soon.
You wouldn't see a subtle plan if it painted itself purple and danced naked on top of a harpsichord, singing "Subtle Plans Are Here Again."

#10 Stefancos

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Posted 24 July 2012 - 08:28 AM

Can't sound blander then Hungry Games and Show White....

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#11 Quint

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Posted 24 July 2012 - 08:34 AM

The main theme on this is absolutely awesome brass badassness!

#12 paleo

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Posted 24 July 2012 - 08:34 AM

Oi, I so want to have this... have been trying to get the score for a while, but the prices were ridiculous... and now 50 minutes more :-) But I can't find any info concerning how many CDs they made... is it unlimited? Would be great, because I'm about to move into another city, so it's bad timing at the moment.

#13 publicist

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Posted 24 July 2012 - 08:42 AM

I think it's not limited. It will not run away.
You wouldn't see a subtle plan if it painted itself purple and danced naked on top of a harpsichord, singing "Subtle Plans Are Here Again."

#14 Maurizio

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Posted 24 July 2012 - 08:46 AM

I remember vividly that back in the days when this score was released, several fans lamented Goldsmith was ripping off Elfman's Batman theme.
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams

"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams

#15 paleo

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Posted 24 July 2012 - 08:47 AM

I think it's not limited. It will not run away.


Hope so; would be extremely disappointed in this case...

#16 Incanus

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Posted 24 July 2012 - 08:51 AM

Another release for the long list of scores I have to buy when my wallet is plump enough.

Ars superior est vita hominum.

"We pop out and come into the world and music is there. We didn't invent it - it's all organised in the atmosphere by divinity or whatever. It's a miracle." - John Williams-

I think music is a stream of some kind. It could be blood. It could be water. It could be ether. Whatever it is it seems to be a living, organic force that’s in motion, that serves humanity and is part of humanity and part of what describes us as humans. We sing, play, dance, all the things that we do. And there is a vibrant and great literature we have been given. ... As musicians, we join the stream. We swim in the stream with all the other millions of music makers. It’s a life force, a strong one, surrounding us and we are part of it. -John Williams-


#17 publicist

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Posted 24 July 2012 - 08:56 AM

I remember vividly that back in the days when this score was released, several fans lamented Goldsmith was ripping off Elfman's Batman theme.


Well, he does (that and a sub-theme from Franz Waxman's PRINCE VALIANT), but we have come a long way since 1994. Now it's just another bold JG horn theme - and the term 'ripping off' has gained connotations since so that it seems quite surreal to attach it to something as slightly influenced as the SHADOW.
You wouldn't see a subtle plan if it painted itself purple and danced naked on top of a harpsichord, singing "Subtle Plans Are Here Again."

#18 Jason LeBlanc

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Posted 24 July 2012 - 11:04 AM

Oi, I so want to have this... have been trying to get the score for a while, but the prices were ridiculous... and now 50 minutes more :-) But I can't find any info concerning how many CDs they made... is it unlimited? Would be great, because I'm about to move into another city, so it's bad timing at the moment.


Ever since Explorers sold out in less than 24 hours, Intrada no longer publicly posts how many units their CDs are limited to. Basically, they will keep stuff in print as long as it's selling and will give a 2 week's notice if something is about to go out of print.

I'd imagine they negotiated for 5,000 units of The Shadow initially, and will go back for 5,000 more if those all sell out.
-Jay
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#19 paleo

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Posted 24 July 2012 - 11:23 AM

Thanks, I totally missed this development... so it should be possible to get a copy.

#20 crocodile

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Posted 24 July 2012 - 04:28 PM

I sounds great from sound clips. Never heard this one before. Is it really this good?

Good to see Mark, as well. :)

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan

#21 OneBuckFilms

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Posted 24 July 2012 - 04:48 PM

There will be plenty of copies to go around. :)

Between this, Hook and Star Trek: The Motion Picture, it's been a stellar year so far.
Of all the things I've lost, I miss my mind the most.

#22 Hedji

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Posted 24 July 2012 - 05:48 PM



I remember vividly that back in the days when this score was released, several fans lamented Goldsmith was ripping off Elfman's Batman theme.


I must admit, that was always my initial reaction at the time. I also agree with KM, this represented an era of JG disappointing me, so I've dismissed this score ever since. I'll have to give it another chance, sine some folks are being moved to tears by it.


#23 Marian Schedenig

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Posted 24 July 2012 - 05:58 PM

I sounds great from sound clips. Never heard this one before. Is it really this good?


There's damn cool stuff in it. I haven't listened to my CDR in a while, hoping for a re-release. :)

Nobody expects a surprise holy grail posting from Mark Olivarez!


His chief weapons are fear and surprise.

#24 Drax

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Posted 25 July 2012 - 08:54 AM

Finally!
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#25 paleo

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Posted 25 July 2012 - 09:55 AM

I sounds great from sound clips. Never heard this one before. Is it really this good?


Well, I immediately wanted it after seeing the movie... and I often don't like Jerry Goldsmith scores so much. I love the main theme, and the mystery music :-)

Just listening to the samples (had technical problems earlier); wow even the very first cue is a blast!

#26 lonzoe

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Posted 27 July 2012 - 02:56 PM

Wow. I can't believe this is finally getting an expansion. This is easily one of Goldsmith's best scores in the 90s, imo. I never owned the OST. So I'm definitely picking this up whenever I have the opportunity. Might order this with Newman's The Phantom. Which is another awesome superhero score from the 90s. This made my week. Probably Intrada's best release so far this year. Haven't been this excited for a release by them in a while.

#27 OneBuckFilms

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Posted 27 July 2012 - 03:28 PM

Got my copy last night, and have been listening to it.

Excellent score, very atmospheric. The wild percussion, mostly related to Shiwan Khan (bad guy of the movie), really comes across nicely.

Definately a nice step up from the original 30 minute album, which I will pass on to a good friend (to whom I pass on almost all of my upgraded OST cds).

It's also interesting to hear "The Mirrors" in 2 versions the way they have it. Both versions are very different, yet it is apparent they were written for basically the same sequence.

This score also, IMHO, shows what synths can bring to the feel of a score when used as instruments in their own right, rather than as a cost cutting measure taking on the role of brass, strings or percussion. (Star Trek: TMP is another such showcase, using synths and the Blaster Beam).

Makes me miss Jerry Goldsmith all over again.
Of all the things I've lost, I miss my mind the most.

#28 lonzoe

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Posted 27 July 2012 - 03:37 PM

^^^ (Y) Yeah I can't wait to purchase this.

#29 BobaMike

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Posted 27 July 2012 - 07:26 PM

fyi: this is available on amazon for 21 bucks, new, from screen archives.

http://www.amazon.co... shadow intrada

Probably a pricing error?

#30 Drax

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Posted 08 August 2012 - 12:30 PM

I've been listening to this whole thing over and over all week and I'm still not tired of it. This really is Jerry just having good time! The Taylor Dayne and Sinoa songs are lovely too.

The Batman comparisons are just untrained ears hearing "gothic" and not knowing what they're babbling about. Goldsmith's score has a more organised structure whereas Elfman's more frenetic score captures Bruce Wayne's scatterbrained psyche.

For me, this is the best release from Intrada this year so far.
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#31 Stefancos

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Posted 08 August 2012 - 12:34 PM

Elfman's more frenetic score captures Bruce Wayne's scatterbrained psyche.


Untrue! Elfman was, at that point in his career unable to do anything else but frantic or carnivalesque.

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#32 Drax

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Posted 08 August 2012 - 12:38 PM


Elfman's more frenetic score captures Bruce Wayne's scatterbrained psyche.


Untrue! Elfman was, at that point in his career unable to do anything else but frantic or carnivalesque.


Eh? If that's what he did, then how does that make my post untrue?
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#33 Stefancos

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Posted 08 August 2012 - 04:49 PM

Wayne's duel persona was better served by Zimmer's cello's, his low brass and drums!

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#34 Marian Schedenig

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Posted 08 August 2012 - 05:44 PM

Wayne's duel persona was better served by Zimmer's cello's, his low brass and drums!


Yes, drums are good for duels.

#35 Drax

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Posted 09 August 2012 - 09:01 AM

Hefti and Riddle's music was superior anyway.
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#36 crocodile

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Posted 14 October 2012 - 10:00 PM

This score and album are very good indeed. While Goldsmith's music is usually very entertaining, here I hear something even more fun, especially in latter part of his career. It's a bit more quirky and playful than his usual works tend to be, especially all the action music. And sounds fantastic as well. I even like how the synths are done here. Yes, a bit dated, but they create a cool ambience. Glad I bought this.

Karol
From a storytelling point of view, from a directing point of view, there is one thing I associate with what he does, which is calm. There is such an inherent calm and inherent trust of the one powerful image, that he makes me embarrassed with my own work, in terms of how many different shots, how many different sound effects, how many different things we’ll throw at an audience to make an impression. But with Kubrick, there is such a great trust of the one correct image to calmly explain something to audience. There can be some slowness to the editing. There’s nothing frenetic about it. It’s very simple. There’s a trust in simple storytelling and simple image making that actually takes massive confidence to try and emulate. - Christopher Nolan




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