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Dixon Hill

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Posts posted by Dixon Hill

  1. My problem with Lynch, I've discovered after The Return and listening to him speak, is that he violates Hemingway's iceberg theory.  He constructs labyrinthine weirdness, but there's not necessarily anything below the surface holding it together.  I can enjoy weirdness for its own sake to a point but the extent to which he relies on it has become surprisingly offputting for me.

  2. Correct.  All done in London except for the NZ material for Cannes.  Watford Town Hall, Air Lyndhurst, Henry Wood Hall, and Abbey Road were all used with the greatest bulk taking place at the first.  Jim Ware or Doug would know for sure what was going on where on a given date though.  I'm pretty sure I've read the account of the Fellowship sessions on or right after 9/11, somewhere.

  3. 1 hour ago, Gruesome Son of a Bitch said:

    The Dark Knight OST

     

    This one is such a hard listen. It has its moments, but they're scattered among a bunch of monotonous rhythmic noise. I've been meaning to go through these scores (Including Batman v Superman) and snag all the best bits for a consistently enjoyable playlist, but boy is it a chore! Unlike everyone else on the internet, I actually like HZ's Braveheart/Titanic-esque Batman theme. The thing is, when he's good, he's really good, but when he's not good, he's just terrible. This score is a great example of that. It has some frankly astonishingly cool bits (And I Thought My Jokes Are Bad is a brief badass testosterone-fueled musical celebration of masculinity that makes me feel cooler doing anything while listening to it; Harvey Two-Face has a similar extremely badass but extremely brief short moment in the middle of a long track; All renditions of Batman theme are awesome) but they're connected by long stretches of pure shit.

     

    That may be his most challenging soundtrack album release to date.  Well maybe there are others that are just less interesting, but as far as stuff that isn't uninteresting but unlikely to appeal to many listeners outside of the film, least of all at JWFan, it has to take the cake.  There is alot of that experimental, Francis Bacon-paintings-in-music type stuff.  

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