stravinsky

Herrmann's Jane Eyre is wonderful. 

Fanfare for a Useless Parasite. 

Fanfare for a Useless Parasite. 

Fanfare for a Useless Parasite. 

Fanfare for a Useless Parasite. 

Fanfare for a Useless Parasite. 

Fanfare for a Useless Parasite. 

Fanfare for a Useless Parasite. 

I'm hoping when this score gets the same treatment as the Disaster Box we are in for a surprise equal to hearing the full score for Earthquake for the first time. 

I can't believe it. Maybe it's the way he orchestrates by combining Sop Sax with other woodwinds. The other reason I thought it might be samples is that I can magine how exhausting it must be not only to rehearse this music but to play it straight through. Although I guess a Mahler Symphony must be worse. I've enjoyed Torke's music ever since encountering his Colour Music album on Argo 30 years ago as a student. Christ where does the time go? Anyway thanks for the info! 

For me this cue by J Brett is still the best theme associated with Episode IX. Too bad it wasn't in the movie. 

What always astounds me is the musicianship of these incredible session players. I mean how much rehearsal would they get for one cue? The music is so multifaceted and urgent but everything is so tight. And I don't mean just this score. Their unerring ability to just pick something up and make it sound like this leaves me in total awe. 

What always astounds me is the musicianship of these incredible session players. I mean how much rehearsal would they get for one cue? The music is so multifaceted and urgent but everything is so tight. And I don't mean just this score. Their unerring ability to just pick something up and make it sound like this leaves me in total awe. 

What always astounds me is the musicianship of these incredible session players. I mean how much rehearsal would they get for one cue? The music is so multifaceted and urgent but everything is so tight. And I don't mean just this score. Their unerring ability to just pick something up and make it sound like this leaves me in total awe. 

What always astounds me is the musicianship of these incredible session players. I mean how much rehearsal would they get for one cue? The music is so multifaceted and urgent but everything is so tight. And I don't mean just this score. Their unerring ability to just pick something up and make it sound like this leaves me in total awe. 

What always astounds me is the musicianship of these incredible session players. I mean how much rehearsal would they get for one cue? The music is so multifaceted and urgent but everything is so tight. And I don't mean just this score. Their unerring ability to just pick something up and make it sound like this leaves me in total awe. 

What always astounds me is the musicianship of these incredible session players. I mean how much rehearsal would they get for one cue? The music is so multifaceted and urgent but everything is so tight. And I don't mean just this score. Their unerring ability to just pick something up and make it sound like this leaves me in total awe. 

I'm hoping when this score gets the same treatment as the Disaster Box we are in for a surprise equal to hearing the full score for Earthquake for the first time. 

The Bronze Locust score is a little gem. Gorgeous score. There must be a load of Williams' TV stuff that is probably long gone. 

I met the Maestro whilst singing with London Voices. He was very down to earth & noble at one and the same time. 

I sang on the prequels yes. Interesting to think of the idea of each Star Wars Score as a Symphony. 

I sang on the prequels yes. Interesting to think of the idea of each Star Wars Score as a Symphony. 

I met the Maestro whilst singing with London Voices. He was very down to earth & noble at one and the same time. 

I met the Maestro whilst singing with London Voices. He was very down to earth & noble at one and the same time. 

I sang on the prequels yes. Interesting to think of the idea of each Star Wars Score as a Symphony.