Wojo 2,453 Posted June 4, 2009 Share Posted June 4, 2009 I'm ignoring the pictures of this video, I just wanted to hear the music. This is my absolute favorite moment of Terminator music ever. Link to comment Share on other sites More sharing options...
Richard Penna 3,695 Posted June 4, 2009 Share Posted June 4, 2009 It's a simple theme, no denying that, but when put in the context of the ideas in the film I find it effective and haunting.But if you've never seen the film then it's understandable that the ideas and 'realities' that make the theme so iconic go amiss. Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted June 4, 2009 Share Posted June 4, 2009 But if you've never seen the film then it's understandable that the ideas and 'realities' that make the theme so iconic go amiss.Oh, I have seen both of the Brad Fiedel-scored films, and I think he made two great film scores, but like the majority of Jerry Goldsmith's output, I do not find much if any pleasure in listening to them as pieces of music. Link to comment Share on other sites More sharing options...
Wojo 2,453 Posted June 4, 2009 Share Posted June 4, 2009 It's no lie, the two first Terminator scores are tough to listen to. There's a lot of loud techno sounding electronic noise. But the melodies are there, and the scores can be poignant and pleasant when they want to be. Link to comment Share on other sites More sharing options...
BTR1701 59 Posted June 4, 2009 Share Posted June 4, 2009 I have to say that I agree. Perhaps I was born too late for it to make an impact, but I feel nothing when I hear it, and I cannot recall a single note of the theme. Honestly, even if Elfman did reference the famous Brad Fiedel theme, I would probably not recognize it.How does it make no impact?http://www.youtube.com/watch?v=uXQTzJgU6qcOne of the best opening credit sequences ever. The T-800 skull emerging from the flames with its baleful staring red eyes and the clanging anvils in the background was fantastic. There's a reason Cameron is a legend. Link to comment Share on other sites More sharing options...
Neimoidian 14 Posted June 5, 2009 Share Posted June 5, 2009 I have to say that I agree. Perhaps I was born too late for it to make an impact, but I feel nothing when I hear it, and I cannot recall a single note of the theme. Honestly, even if Elfman did reference the famous Brad Fiedel theme, I would probably not recognize it.How does it make no impact?http://www.youtube.com/watch?v=uXQTzJgU6qcOne of the best opening credit sequences ever. The T-800 skull emerging from the flames with its baleful staring red eyes and the clanging anvils in the background was fantastic. There's a reason Cameron is a legend.The look of that playground on fire is overwhelming. The only thing I don't like about the music is that synthesized choir... Link to comment Share on other sites More sharing options...
Datameister 2,044 Posted June 5, 2009 Share Posted June 5, 2009 I really like Fiedel's main theme, particular the way it's implemented in T2. Can't say I'm fond of all the synthesizers, and I find most of his underscoring just plain annoying, but the musical ideas presented in the main theme are very poignant for me. Something about the theme really conveys the careful balance between futility and hope in the films. I'd really like to hear it given a full orchestral treatment, perhaps with minimal use of synthesizers to tastefully augment the sound. Link to comment Share on other sites More sharing options...
QMM 4 Posted June 5, 2009 Share Posted June 5, 2009 I'd really like to hear it given a full orchestral treatment, perhaps with minimal use of synthesizers to tastefully augment the sound.Check out Beltrami's end credits from T3 then Link to comment Share on other sites More sharing options...
Datameister 2,044 Posted June 5, 2009 Share Posted June 5, 2009 I seem to recall being somewhat underwhelmed by that. It's been a while since I heard it, though. Link to comment Share on other sites More sharing options...
QMM 4 Posted June 5, 2009 Share Posted June 5, 2009 Link to comment Share on other sites More sharing options...
Kendal_Ozzel 36 Posted June 5, 2009 Share Posted June 5, 2009 Even better. Link to comment Share on other sites More sharing options...
SF1_freeze 131 Posted June 6, 2009 Share Posted June 6, 2009 Terminator Salvation was a mediocre film with a bad score. I never liked Elfman scores, but he rarely wrote something that uninspired. The new main theme does nothing to me and isn't even original. It is just a weak ripoff of the original Brad Fiedel Main theme.Additionally the music was mixed badly in the movie...I don't get why some of you claim that the fiedel main theme was in the movie. (Then it would have had at least some kickass music moments). There only wasthe start of the main theme, the short badamdamdadam motif three times overdubbed (!!!) in it.That ISN'T the Original MAIN theme, it's just a motif Link to comment Share on other sites More sharing options...
Richard Penna 3,695 Posted June 6, 2009 Share Posted June 6, 2009 Of all the things I'd call it, 'bad score' most definitely ain't one of them. I can't get the 2 themes out of my head and the underscore just needed a little time to fully appreciate. Link to comment Share on other sites More sharing options...
SithTyrann 0 Posted June 6, 2009 Share Posted June 6, 2009 do you guys think its possible there is coming a complete score of "salvation"i like the ost but the some great cues from the film are missing, so a complete score would be great. Link to comment Share on other sites More sharing options...
Richard Penna 3,695 Posted June 6, 2009 Share Posted June 6, 2009 Always the chance of a promo, or a leak. Failing that, an iso on the DVD/Blu.Otherwise, forget it. Link to comment Share on other sites More sharing options...
Corellian2019 386 Posted June 6, 2009 Share Posted June 6, 2009 I'm hoping more for complete or expanded soundtracks from the first two films to either a) leak out, or b) be officially released in a Terminator soundtrack box set (ideally). Link to comment Share on other sites More sharing options...
Charlie Brigden 7 Posted June 6, 2009 Author Share Posted June 6, 2009 I'm hoping more for complete or expanded soundtracks from the first two films to either a) leak out, or b) be officially released in a Terminator soundtrack box set (ideally).THE TERMINATOR is officially available essentially complete (it's advertised as complete but it doesn't have the end credits). http://www.amazon.co.uk/Terminator-Brad-Fi...2914&sr=1-3 Link to comment Share on other sites More sharing options...
Corellian2019 386 Posted June 6, 2009 Share Posted June 6, 2009 Unfortunately that "Definite Edition" is missing quite a bit of music apart from the end credits. Link to comment Share on other sites More sharing options...
Charlie Brigden 7 Posted June 6, 2009 Author Share Posted June 6, 2009 Unfortunately that "Definite Edition" is missing quite a bit of music apart from the end credits.Which parts? Link to comment Share on other sites More sharing options...
Corellian2019 386 Posted June 6, 2009 Share Posted June 6, 2009 Oh, off the top of my head, we're missing:-the cue heard when the Terminator visits the gun & ammo shop-the cue heard when Kyle Reese saws off a police shotgun-the cue heard when Sarah drives away from the parking lot and Reese follows her-the cue heard when the Terminator kills Matt and Ginger-portions of "Garage Chase" that were edited out for some reason Link to comment Share on other sites More sharing options...
Charlie Brigden 7 Posted June 6, 2009 Author Share Posted June 6, 2009 Oh, off the top of my head, we're missing:-the cue heard when the Terminator visits the gun & ammo shop-the cue heard when Kyle Reese saws off a police shotgun-the cue heard when Sarah drives away from the parking lot and Reese follows her-the cue heard when the Terminator kills Matt and Ginger-portions of "Garage Chase" that were edited out for some reasonWeird. Never noticed. Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted June 7, 2009 Share Posted June 7, 2009 Terminator Salvation was a mediocre film with a bad score. I never liked Elfman scores, but he rarely wrote something that uninspired. The new main theme does nothing to me and isn't even original. It is just a weak ripoff of the original Brad Fiedel Main theme.Additionally the music was mixed badly in the movie...I don't get why some of you claim that the fiedel main theme was in the movie. (Then it would have had at least some kickass music moments). There only wasthe start of the main theme, the short badamdamdadam motif three times overdubbed (!!!) in it.That ISN'T the Original MAIN theme, it's just a motifI'm with ya. I think it's a terrible score. Link to comment Share on other sites More sharing options...
King Mark 3,631 Posted June 7, 2009 Share Posted June 7, 2009 I listened to it.It's a mediocre score that's still above the normal MV drivel . I'd never notice "unreleased music" ,nor would I care about it. Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted June 7, 2009 Share Posted June 7, 2009 Danny Elfman's modern output takes a number of listens to fully appreciate, I think. Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted June 7, 2009 Share Posted June 7, 2009 No kiddin', everyone on here is like "Oh I loved it after about 10 listens." A score shouldn't have to do that IMO. As for unreleased music, I didn't think there was enough music in the film to begin with. Link to comment Share on other sites More sharing options...
Jacob 0 Posted June 7, 2009 Share Posted June 7, 2009 In your opinion, if you're not doing backflips over a soundtrack within the first 0.05 seconds it means it's a piece of gopher crap that you could never possibly enjoy for eternity and beyond.Note that the extreme hyperbole means I'm joking.Mostly. Link to comment Share on other sites More sharing options...
King Mark 3,631 Posted June 7, 2009 Share Posted June 7, 2009 I think a good score should have a few tracks that grab you right away..then the quieter stuff can grow on you.If nothing clicks on first listen it's not a good sign Link to comment Share on other sites More sharing options...
Nick Parker 3,040 Posted June 7, 2009 Share Posted June 7, 2009 I suppose that is your opinion, and you can think whatever you want, but I have to honestly say that I am very glad I do not think the way you do. Please do not take any offense from that, I mean none. Link to comment Share on other sites More sharing options...
Charlie Brigden 7 Posted June 7, 2009 Author Share Posted June 7, 2009 I agree with Nick, but care not how it is taken. This idea that a score has to appeal on the first listen is crazy and somewhat ADD. Link to comment Share on other sites More sharing options...
Neimoidian 14 Posted June 7, 2009 Share Posted June 7, 2009 No kiddin', everyone on here is like "Oh I loved it after about 10 listens." A score shouldn't have to do that IMO.Why? Many great scored did. Most of my JW experiences were like that. Not that I disliked the music, but I didn't love it either. Only after some time did it grow on me.The same goes for people - when you meet someone, you may not like that person at first or not find him/her attractive, but you end up having great friend or marrying one... Link to comment Share on other sites More sharing options...
Datameister 2,044 Posted June 7, 2009 Share Posted June 7, 2009 All I can say is that I'm glad I've given some music multiple chances. There are some really top-notch scores that I had little interest in at first...it was only because I didn't write them off immediately that I can obtain so much enjoyment from them now. Link to comment Share on other sites More sharing options...
crocodile 8,019 Posted June 7, 2009 Share Posted June 7, 2009 Same here.As for TS, I enjoyed it right away.Karol Link to comment Share on other sites More sharing options...
Richard Penna 3,695 Posted June 7, 2009 Share Posted June 7, 2009 I enjoyed a few tracks from TS right away. It just took a few listens to identify the themes, and appreciate the underscore more.That's a routine I've come to get used to. If after several listens I still want to turn off a track halfway through, or forget it was even playing, that's the sign that it sucks.I think a good score should have a few tracks that grab you right away..then the quieter stuff can grow on you.And that's exactly what happened with TS. Opening and Final Confrontation grabbed me immediately. Maybe it took a quieter environment to fully appreciate the quieter stuff.If you're trying to do your usual JW comparison, it's not working. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted June 7, 2009 Share Posted June 7, 2009 Final Confrontation again? Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted June 7, 2009 Share Posted June 7, 2009 That's like commenting on a Giacchino score with "Puns again?" Link to comment Share on other sites More sharing options...
Richard Penna 3,695 Posted June 7, 2009 Share Posted June 7, 2009 Indeed. I've got 6 Final Confrontation cues in my main playlist. 5 of those are Elfman. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted June 7, 2009 Share Posted June 7, 2009 I don't like them on the new Star Trek score! Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted June 7, 2009 Share Posted June 7, 2009 8 of the 23 in my Library are by Elfman. I never realized how many there were! Link to comment Share on other sites More sharing options...
Ollie 1,059 Posted June 7, 2009 Share Posted June 7, 2009 Every once and awhile I like to play iQuiz on the iPod and same/similar track titles can make it difficult. Link to comment Share on other sites More sharing options...
Trent B 337 Posted June 7, 2009 Share Posted June 7, 2009 I had very low expectations for the film but surprisingly I enjoyed it. I though the CG was pretty damn good especially for how Arnold as the T-800 ( I think?) makes an appearance, it had me convinced it was actually Arnold.Regarding the score, it definitely isn't something memorable. I did hear the Fiedel theme statement at the beginning of the Main Titles...but those could have been overdubs as stated earlier by another poster. In fact I think this is the dullest score Elfman has put out in recent years.I think the best rendition of Fiedel's Terminator theme is the re-recording Beltrami did for Terminator 3 with full orchestra. Now that kicked ass. Link to comment Share on other sites More sharing options...
Neimoidian 14 Posted June 7, 2009 Share Posted June 7, 2009 After hearing it on the album, I find it one of his best in recent years - way better than Hellboy II and better than Wanted. Link to comment Share on other sites More sharing options...
Charlie Brigden 7 Posted June 8, 2009 Author Share Posted June 8, 2009 I cannot stand Marco Beltrami.After hearing it on the album, I find it one of his best in recent years - way better than Hellboy II and better than Wanted.I like it, but in no way is it as good as HELLBOY II. Link to comment Share on other sites More sharing options...
BurgaFlippinMan 7 Posted June 8, 2009 Share Posted June 8, 2009 I think the best rendition of Fiedel's Terminator theme is the re-recording Beltrami did for Terminator 3 with full orchestra. Now that kicked ass.I found it to be rather limp. T2's opening and end credits however...not THAT kicked ass Link to comment Share on other sites More sharing options...
Richard Penna 3,695 Posted June 8, 2009 Share Posted June 8, 2009 I didn't find Beltrami's orchestral approach had much energy. I must listen to it again, but to me it's a theme that loses some of its power when taken off the synths. Link to comment Share on other sites More sharing options...
Ollie 1,059 Posted June 8, 2009 Share Posted June 8, 2009 If you want to hear a good performance of Fiedel's theme, listen to Erich Kunzel's rendition with the Cincinnati Pops. Link to comment Share on other sites More sharing options...
Richard Penna 3,695 Posted June 8, 2009 Share Posted June 8, 2009 Yeah, that's a fairly good one. At least it gets the rhythm of the theme right - I don't like how Beltrami brings the 4th note in early - loses some of its robotic feel.I still think it's a theme that belongs firmly in the realm of synths. Like Callery's 24 theme. Link to comment Share on other sites More sharing options...
Trent B 337 Posted June 8, 2009 Share Posted June 8, 2009 I think Beltrami's version just shows what it would have sounded like with a full real orchestra instead of it being synth. Personally, I love Beltrami's version. Link to comment Share on other sites More sharing options...
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