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Rate John Williams' Overall Output


indy4

Rate John Williams' Overall Output  

40 members have voted

  1. 1. Rate all the work you've heard by the maestro

    • 10
      16
    • 9.5
      6
    • 9
      9
    • 8.5
      2
    • 8
      1
    • 7.5
      2
    • 7
      0
    • 6.5
      1
    • 6
      0
    • 5.5
      0
    • 5
      0
    • 4.5
      0
    • 4
      0
    • 3.5
      0
    • 3
      0
    • 2.5
      0
    • 2
      0
    • 1.5
      0
    • 1
      0
    • .5
      3


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I was thinking awhile ago about my least favorite Williams scores, and really how quite astonishing it is that I can still get quite a bit out of his "worst" material. I'd give him a well earned 7.5 for his lifetime's work thus far, at least all of it that I've heard. You can include non-film works, anything you've heard by JW. He has created such a wonderful library of different styles, sounds, and compositions, and he's left me a more-than-satisfied listener.

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You are upset about the omission of 0!? What makes me angry is the omission of quarter increments! This poll is as useful as a wet piece of toilet paper!

I agree completely. This poll does not live up to the high standards we've come to expect at this site. We deserve better.

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Yeah but that stupid indy4 not only forgot to put a 0, he also forgot to put an 11.

Well, you're certainly entitled to think that way if you like your film music safe and pedestrian. Otherwise, the highest rating should be reserved for composers who are willing to challenge convention and push the boundaries of Hollywood musical diction as allowed for by the film.

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This is such a Josh poll! :)

Initially I'm thinking around an 8.5, but I'll vote later.

;)

I was not watching who was the author of that poll, but I also thought was "Yeah, Josh strikes again!"

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Yeah but that stupid indy4 not only forgot to put a 0, he also forgot to put an 11.

Well, you're certainly entitled to think that way if you like your film music safe and pedestrian. Otherwise, the highest rating should be reserved for composers who are willing to challenge convention and push the boundaries of Hollywood musical diction as allowed for by the film.

I tend to judge on quality. JW = quality and lots of it. Unmatched amounts of consistent quality. If he's safe and pedestrian then sign me up for more of the good stuff.

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I am not referring to you specifically, Quint, but I always find it amusing when Alan manages to spark debates with people because they fail to see the satire. If that made no sense, then that is probably because I stayed up far too long after bedtime....

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Yeah but that stupid indy4 not only forgot to put a 0, he also forgot to put an 11.

Well, you're certainly entitled to think that way if you like your film music safe and pedestrian. Otherwise, the highest rating should be reserved for composers who are willing to challenge convention and push the boundaries of Hollywood musical diction as allowed for by the film.

I tend to judge on quality. JW = quality and lots of it. Unmatched amounts of consistent quality. If he's safe and pedestrian then sign me up for more of the good stuff.

His "quality" has been matched many times over by some of his peers and predecessors, but if you find such joy in his particular brand of quality, then you are certainly welcome to it.

I am not referring to you specifically, Quint, but I always find it amusing when Alan sparks debates with people because they fail to see the satire. If that made no sense, then that is probably because I stayed up far too long after bedtime....

That has happened, but in this particular case, I'm actually playing a legitimate game of devil's advocate in hopes of making this thread more interesting than it might otherwise be. Even some of Williams's most ardent fans have acknowledged he is not much of an innovator -- even if he does have a musical voice to call his own. How one ranks Williams in the pantheon of great film composers ultimately has to have a lot to do with how much one values art that seeks to defy, confound, and reshape expectations without abandoning its core purpose.

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Sorry, indy4, but this IS kinda stupid.

JW wrote what? 100+ scores? Some are good, some are not so good. And then there are some spectacular masterpieces.

So what's the average rating for most? Probably 7 or 8.

But then, I'll give him 10 anyway, because JW is the composer whose works I admire most. IMO there was never one who was better. And most likely, there never will be one, either (but if so, he/she will get a 10 too).

;)

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I did suspect that Alan was baiting, but I wasn't certain so I responded with a good'ol honest answer. I played it safe, much like JW has post Schindler's List.

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I did suspect that Alan was baiting, but I wasn't certain so I responded with a good'ol honest answer. I played it safe, much like JW has post Schindler's List.

My opening salvo with the Goldsmith and Shore bit was baiting, but then I thought it might be interesting to genuinely explore this and see what might happen if we attacked Williams at his soft underbelly, if you like -- his essential conventionality, which is what I refer to when I say "pedestrian." (In just about any other facet of musicality, he is as exceptional as they come.) And a corollary to that is his approach to film scoring -- which is generally to react as an audience member might react to seeing the film for the first time. Sometimes that leads to music that is arguably too literal and obvious.

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My opening salvo with the Goldsmith and Shore bit was baiting, but then I thought it might be interesting to genuinely explore this and see what might happen if we attacked Williams at his soft underbelly, if you like -- his essential conventionality, which is what I refer to when I say "pedestrian." (In just about any other facet of musicality, he is as exceptional as they come.) And a corollary to that is his approach to film scoring -- which is generally to react as an audience member might react to seeing the film for the first time. Sometimes that leads to music that is arguably too literal and obvious.

Didn't you read the other thread? Williams is the most versatile, successful and manna from heaven, anyway...saying mean stuff won't change that!!!

;)

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Nobody is perfect, so I'll give him a 9.5.

His impact in the world of music and success are undeniable. To me there is no one better.

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Yeah but that stupid indy4 not only forgot to put a 0, he also forgot to put an 11.

Well, you're certainly entitled to think that way if you like your film music safe and pedestrian. Otherwise, the highest rating should be reserved for composers who are willing to challenge convention and push the boundaries of Hollywood musical diction as allowed for by the film.

Ah yes, THOSE composers. Yes, those composers. We all know them. Takemitsu - 10. Corigliano - 10. John Williams - 9.... I don't think so.

John Williams - 10

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Yeah but that stupid indy4 not only forgot to put a 0, he also forgot to put an 11.

Well, you're certainly entitled to think that way if you like your film music safe and pedestrian. Otherwise, the highest rating should be reserved for composers who are willing to challenge convention and push the boundaries of Hollywood musical diction as allowed for by the film.

Ah yes, THOSE composers. Yes, those composers. We all know them. Takemitsu - 10. Corigliano - 10. John Williams - 9.... I don't think so.

John Williams - 10

I rate your output 4 - must do better!

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Yeah but that stupid indy4 not only forgot to put a 0, he also forgot to put an 11.

Well, you're certainly entitled to think that way if you like your film music safe and pedestrian. Otherwise, the highest rating should be reserved for composers who are willing to challenge convention and push the boundaries of Hollywood musical diction as allowed for by the film.

Ah yes, THOSE composers. Yes, those composers. We all know them. Takemitsu - 10. Corigliano - 10. John Williams - 9.... I don't think so.

John Williams - 10

I rate your output 4 - must do better!

"Surely you can do bettah!"

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Sorry, indy4, but this IS kinda stupid.

You're just upset because he thought of it first.

Um, no.

10 for technical capability.

7 for overall enjoyment.

So it would be a 8.5.

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Sorry, indy4, but this IS kinda stupid.

You're just upset because he thought of it first.

Um, no.

You don't have the right to call a poll stupid. Seriously.

OK. Then YOU are stupid. Satisfied?

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There are some scores in the 70 and 80 that I give 3 stars and less.

From the 90s onward, every JW score gets 4, 4.5, or 5 stars from me (except maybe 1 or 2).

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Again, this kind of "rate this", or "rate that" poll comes down to the final arbiter: personal opinion. I am unable to convey (especially in a few sentences) what J.W.'s music means to me. It is, simply, the most exciting, most beautiful music I have ever had the privilege to listen to. Yes, there is stuff that he has written that I think is below par ("Hook", "Schindler's List", and "...Last Crusade", "Eps. I-III" come to mind), conversly, there is less "commercial" stuff that I adore ("The Accidental Tourist", "Images", "The Missouri Breaks", "Jane Eyre", "Mnority Report"). In the end, though, I give the man a resounding 10 (as I would Jerry Goldsmith, and Alex North) because COLLECTIVELY his music means more to me than any individual score. How can one measure a friendship, or a marriage, if it is based on individual moments? No, it has to be taken as a whole, and, as a whole, J.W.'s music gets top marks!

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Again, this kind of "rate this", or "rate that" poll comes down to the final arbiter: personal opinion. I am unable to convey (especially in a few sentences) what J.W.'s music means to me. It is, simply, the most exciting, most beautiful music I have ever had the privilege to listen to. Yes, there is stuff that he has written that I think is below par ("Hook", "Schindler's List", and "...Last Crusade", "Eps. I-III" come to mind), conversly, there is less "commercial" stuff that I adore ("The Accidental Tourist", "Images", "The Missouri Breaks", "Jane Eyre", "Mnority Report"). In the end, though, I give the man a resounding 10 (as I would Jerry Goldsmith, and Alex North) because COLLECTIVELY his music means more to me than any individual score. How can one measure a friendship, or a marriage, if it is based on individual moments? No, it has to be taken as a whole, and, as a whole, J.W.'s music gets top marks!

Well said!

This is exactly why I have him 10 stars too.

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