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David Arnold is writing a song for Shirley Bassey (No Good About Goodbye)


Neimoidian

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lets hope he like the esperience and she returns to the bond franchise :devil:

That would also mean that the song will be composed by arnold and perfectly integrated on the score which would be also great.

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Unfortunately, from a marketing standpoint, a Shirley Bassey sung Bond song would not be the choice of the studio.

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You never know. They could hype that the woman who sang Goldfinger is coming back, which might attract some older fans who have left the franchise. Retro is the thing, ya know?

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Unfortunately, from a marketing standpoint, a Shirley Bassey sung Bond song would not be the choice of the studio.

Ye of little faith.

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Unfortunately, from a marketing standpoint, a Shirley Bassey sung Bond song would not be the choice of the studio.

Unfortunately.

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I don't care who sings it, as long as Arnold gets to write the theme so the song and score form a musical unity (see: You Know My Name, The World Is Not Enough and Surrender).

- Marc, who just realized he needs to listen to TND again - because it's awesome.

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  • 4 months later...

I don't think it's rejected. I believe Arnold and Don Black simply used the opportunity to write QoS-inspired song for Bassey and - possibly - to show the producers what they would have got, if they hadn't hired Jack White.

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This really sounds good and would have been an athmospheric intro to the film. Yeah, the melody isn't the catchiest one, but the mood of the whole thing is right, and the thematic hook provides a connection with the score proper.

Stylistically it's quite safe, unlike YKMN, perhaps that's why the producers rejected it... pity though.

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It wouldn't fit the tone of the film anyway. The song itself is nice, but, to be honest, it does sound like a fan fetish, more of a tribute than its own thing.

Karol

Indeed.

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"Another Way to Die" is horrible and nearly anything would be better. While "No Good About Goodbye" isn't nearly as good as Arnold's rejected "Surrender", I think its a decent song that's elevated by Bassey's inclusion.

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That's the point, the actual film song sounds clumsy to me... Trying to have that groovy Bond feeling with brass etc., but failing to know how to really employ these things. The only thing that really catches my attention in this song is the bridge with the buildup in the latter half of the song.

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It wouldn't fit the tone of the film anyway. The song itself is nice, but, to be honest, it does sound like a fan fetish, more of a tribute than its own thing.

Karol

Indeed.

Yeah, it's Arnold doing Arnold. Very stale sounding. I like "Another Way To Die."

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It wouldn't fit the tone of the film anyway. The song itself is nice, but, to be honest, it does sound like a fan fetish, more of a tribute than its own thing.

Karol

Indeed.

Yeah, it's Arnold doing Arnold. Very stale sounding. I like "Another Way To Die."

To my ears it's more like Arnold emulating Barry. I prefer his more "personal" and - as far as Bond franchise is concerned - his more contemporary voice - You Know My Name would be a good example of a very solid Bond song which doesn't pretend to be second Goldfinger of DAF.

EDIT:

If I got it correctly, looks like David Arnold confirmed that while NGAG had been his idea for the main title song, he actually hadn't written anything (apart from the opening melody) before Jack White got the job. So, in other words, the song has never been rejected per se.

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It wouldn't fit the tone of the film anyway. The song itself is nice, but, to be honest, it does sound like a fan fetish, more of a tribute than its own thing.

Karol

Indeed.

Yeah, it's Arnold doing Arnold. Very stale sounding. I like "Another Way To Die."

Me too. I think people have it in their heads that all 007 songs need to sound like Barry, like Star Wars fans thinking the films have to be "dark" to be good.

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Wow, nice surprise - and I like the song a lot so I will be integrating it into the score itself as well.

The official song "Another way to die" is just that I'm afraid, another way to die.

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While Arnold and Bassey's song is much better than the crap that White came up with, it doesn't fit with the style of the film.

Of course I still find the score and film for QOS to be a massive letdown after Casino Royale.

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I think that if NGNG had been the real song, people would have not complained THAT much and many would love the return of barryesque songs. (people love Casino royale's and the world is not enogh barryesque loves themes right?) if jack white song had surfaced now as a rejected song, everyone would be saying 'CRAP!'

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Does the moniker "Barryesque" make the song good? Barry influence or not, it's utterly devoid of character or relevance to the film. Maybe "Another Way to Die" would be more appreciated if Arnold had incorporated it into the score (okay, he did, but not very much). That instrumental bridge is full of adaptable music.

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Does the moniker "Barryesque" make the song good? Barry influence or not, it's utterly devoid of character or relevance to the film. Maybe "Another Way to Die" would be more appreciated if Arnold had incorporated it into the score (okay, he did, but not very much). That instrumental bridge is full of adaptable music.

like most not-composed-by-the-composer-of-the-filmscore songs

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So? It works. Good Will Hunting, for example, more or less belongs to two composers: Danny Elfman and Elliot Smith. Elfman wrote the orchestral score, yes, but Smith's music is just as important a presence in the film. I believe Elfman orchestrated one of his songs. It took two people, and that's fine with me.

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I don't hate "Another Way to Die", but I just don't like it much. I wish it had a more interesting melody in the chorus. And I cringe every time I hear that obnoxious WHOA-OOOO-OOOOO-OOOOOO-OOOOO-OOOOAAAAA scream; they're both talented singers, so I'm sure they're hitting the right notes... it just sounds off somehow.

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I don't hate "Another Way to Die", but I just don't like it much. I wish it had a more interesting melody in the chorus. And I cringe every time I hear that obnoxious WHOA-OOOO-OOOOO-OOOOOO-OOOOO-OOOOAAAAA scream; they're both talented singers, so I'm sure they're hitting the right notes... it just sounds off somehow.

It's pretty embarrassing. I like certain sections of the song, but that damn sure ain't one of 'em.

Haven't heard the Bassey/Arnold song yet, but it sounds cool to me.

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I downloaded No Good About Goodbye and programmed it between Time To Get Out and The Palio and it makes so much sense! The song fits Arnold's score like a glove. Fantastic!

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  • 2 weeks later...

Finally heard "No Good About Goodbye." About halfway through, I realized that I would probably always, from that point forward, think of it as the "real" theme song for Quantum of Solace.

That said, I don't think it would actually have fit the movie. The soundtrack album, yes, definitely (and I'll be doing what many others are probably doing, adding it into my own personal playlist for the soundtrack in place of "Another Way to Die"); but the movie, no. "Another Way to die" ain't much of a song, but it's at least got the right energy to flow from that frantic opening scene into the film proper. "No Good But Goodbye," despite being a vastly better song, would seem out of place, at least to my ears.

Over the end credits, though...? Woulda been perfect.

Now, granted, Arnold has denied that it was a rejected Bond song, and I see no reason to disbelieve him. That doesn't change the fact that, whenever it was composed, performed, and released, it IS a Bond song, if in spirit only. The fact that Arnold wrote it, and Bassey sung it, well, that's good enough for me. Maybe at some point in the future it'll be good enough for the producers again.

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  • 2 years later...

Sorry if that has been discussed before, but I don't recall and I figured this is as good a place as any. Did you know Shirley was rejected for Quantum Of Solace? I mean, seriously? I found this out a month ago or so.

This song kicks all kinds of ass.

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WOW! Thank you for psoting that video. Never heard it before but that song was awesome. What a shame they rejected it. It would have been the best thing about the movie. I hope for SKYFALL they get either Adelle or Micheal Buble (or even Seth Macfarlane) to sing the vocals. Then again, I think they should ask Shirley again.

Anyone know if they plan on re-releasing the soundtracks? Mine need to be upgraded badly. I think all my Bond soundtracks date back to the late 90's

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Sorry if that has been discussed before, but I don't recall and I figured this is as good a place as any. Did you know Shirley was rejected for Quantum Of Solace? I mean, seriously? I found this out a month ago or so.

:sleepy:

Another dreary, dull, pretend-Barry dirge from DA. As bad as Another Way To Die was, at least it's got some life and energy to it.

BTW - Arnold wrote the song after QOS, taking the 6 note motif he came up with for the film. It wasn't rejected.

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I like it. I even enjoyed the actual title song, and score with it.

Although I'm excited for Newman on Skyfall, I'm still a tad bummed Arnold couldn't finish a "trilogy" for craig's bond.

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You do realize most James Bond scores were scored by John Barry and not David Arnold, right?

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