Jay 37,378 Posted December 29, 2015 Author Share Posted December 29, 2015 It's great! Link to comment Share on other sites More sharing options...
BloodBoal 7,538 Posted December 29, 2015 Share Posted December 29, 2015 Link to comment Share on other sites More sharing options...
Taikomochi 1,136 Posted December 29, 2015 Share Posted December 29, 2015 30 minutes ago, Jay said: 3. Rey Meets BB-8 OST cue: This is is so confusing! Essentially, the first 1:10 of this OST track is used twice in the film: Once for when Rey meets BB8, but then again when R2 powers up and shows the map for our heroes. However, neither time it exactly matches the OST version (you can tell yourself by comparing FYC version for its second use). So it's hard to know which scene it was intended for and which was tracked, and where the different music comes from (Inserts?). The part from 1:10-end of the track doesn't appear in the film at all, further confusing things! If you are referring to the little instance of the March of the Resistance on the OST track, I believe it is in the film when they arrive at Maz's castle and we see agents of both sides notifying their superiors. Still a separate cue, either way. As to your question, I'd guess it goes with the first instance, given the title, just as an alternate. Link to comment Share on other sites More sharing options...
Popular Post deleted account 108 Posted December 30, 2015 Popular Post Share Posted December 30, 2015 Based on what I've been able to get from interviews with JW, JJ and others, as well as face-to-face conversations with people who would know, the process on TFA for JW was a departure from his usual way of scoring films, the result being there was never one DEFINITIVE version of the score written. For one thing, he scored the movie one reel at a time, starting with reel 1 and progressing linearly through the film, which he never would otherwise do. Secondly, he rewrote cues to fit picture changes instead of having the music editor cut them to fit the film, at least until there simply wasn't time to write and record any more revisions. So if JJ added fifteen seconds to a sequence, JW would look at the addition and perhaps completely rewrite the cue, or instead fashion an insert to cover the new material. So, as he was doing reel 2 he'd also pick up any bits that needed to be revised for Reel 1. As reel 3 was being recorded, he'd go back and revise r1 and r2. etc. Now, since there was recording being done right up to the last minute, my guess is that a lot of the OST would favor music recorded earlier in the process. Something like the OST version of "Snoke" might be a cue written for an earlier version of the film that no longer really relates to the final Snoke scenes in the film. Much like the conveyor belt cue from AOTC, which I believe was written, at best, to an animatic, and not to anything resembling a cut of the actual scene, there may be music on the OST that is impossible to reconcile with any scene shot-for-shot in the final film. Now, the FYC, if JW has followed the Academy rules, must contain the film versions of cues, with no concert versions, suites or such. It does not have to be COMPLETE, but it must match the movie with what it does contain, similiar to an isolated score track. I have not been able to verify that it does, but as I said, it SHOULD. (UPDATE: Since the making of this film and it's score was so fluid, it's possible JW wrote "Rey Meets BB8" for that scene, then as the editors were cutting the later reels, they were using music they had from earlier reels as temp. So perhaps they partly tracked "Rey Meets BB8" into the R2 waking scene and Williams made a new cue using the same material for a number of bars or pages before taking it off in a different direction. We see examples of this in his conductors score and sketches for AOTC and ROTS, where he literally cut-and-pasted Hal Leonard "Throne Room and End Titles" pages into the score, or instructed the orchestrator to copy measures from another cue or ver of a cue.) In my opinion, if one is going to try to build a definitive, comprehensive cd of the score, it's going to be challenging because of the way the music was created for this film.... Jacck, Ricard, greenturnedblue and 1 other 4 Link to comment Share on other sites More sharing options...
Jay 37,378 Posted December 30, 2015 Author Share Posted December 30, 2015 Sure, but one can still combine the OST and FYC into a listenable program fairly easily since there isn't much alternate material between them. It's if video games come out releasing bits and bobs from various versions of cues that things will get really complicated.... Chris ChrusherComix 1 Link to comment Share on other sites More sharing options...
Sharkissimo 1,973 Posted December 30, 2015 Share Posted December 30, 2015 On 21/12/2015 at 6:51 PM, karelm said: On 21/12/2015 at 6:51 PM, karelm said: Some might find this of interest... John Williams, Composer & Conductor William Ross, assistant Conductor Gustavo Dudamel, guest conductor Violins: Roger Wilkie, concertmaster. Tamara Hatwan, asst. concertmaster. Bruce Dukov Natalie Leggett Katia Popov Tereza Stanislav Julie Gigante Helen Nightengale Eu Me Ahn Joel Pargman Serena McKinney Darius Campo Irina Voloshina Ben Powell Grace Oh Raffi Rishik Jacqueline Brand Phillip Levy Maia Jasper Violas: Brian Dembow (principal) Shawn Mann (asst. principal) Andrew Duckles Rob Brophy Alma Lisa Fernandez Carolyn Riley Michael Nowak Erik Rinearson Mat Funes Darrin McCann Celli: Steve Erdody (principal) Robert DeMaine (asst. principal) Armen Ksajikian Cecilia Tsan Timothy Landauer Dennis Karmazyn Laszlo Mezo John Walz Kim Scholes Jacob Braun Dane Little Basses: Nico Abondolo (principal) Chris Kolgaart (asst. principal) Drew Dembowski Ed Meares Michael Valerio Steve Dress Flutes: Heather Clark (principal) Jenni Olson Geri Rotella Ben Smolen (principal sub.) Steve Kujala (piccolo sub.) Oboes: Jessica Pearlman (principal) Lara Wickes Leslie Reed Clarinets: Donald Foster (principal) Stuart Clark Gary Bovyer Ralph Williams Bassoon: Rose Corrigan Ken Munday Damian Montano French Horns: Andrew Bain (principal) Dave Everson (asst. principal) Steve Becknell Dylan Skye Hart Mark Adams Dan Kelley Jenny Kim Ben Jaber Trumpets: Jon Lewis (principal) Barry Perkins Daniel Rosenboom David Washburn Trombones: Bill Booth (principal) Alex Iles Phil Keen Bill Reichenbach Stteve Holtman James Miller Tubas: Doug Tornquist Jim Self Timpani: Don Williams Percussion: Jerry Williams Alan Estes Greg Goodall Peter Limonick Judy Chilnik Steve Schaeffer Wade Culbreath Harp: Joanne Turovsky (1st) Allison Allport (2nd) Piano: Gloria Chen Randy Kerber Robert Thies Alan Steinberger Mike Lang Note: the string roster is incomplete. There were 30 to 34 violins, 12 violas. Some might find this of interest... John Williams, Composer & Conductor William Ross, assistant Conductor Gustavo Dudamel, guest conductor Violins: Roger Wilkie, concertmaster. Tamara Hatwan, asst. concertmaster. Bruce Dukov Natalie Leggett Katia Popov Tereza Stanislav Julie Gigante Helen Nightengale Eu Me Ahn Joel Pargman Serena McKinney Darius Campo Irina Voloshina Ben Powell Grace Oh Raffi Rishik Jacqueline Brand Phillip Levy Maia Jasper Violas: Brian Dembow (principal) Shawn Mann (asst. principal) Andrew Duckles Rob Brophy Alma Lisa Fernandez Carolyn Riley Michael Nowak Erik Rinearson Mat Funes Darrin McCann Celli: Steve Erdody (principal) Robert DeMaine (asst. principal) Armen Ksajikian Cecilia Tsan Timothy Landauer Dennis Karmazyn Laszlo Mezo John Walz Kim Scholes Jacob Braun Dane Little Basses: Nico Abondolo (principal) Chris Kolgaart (asst. principal) Drew Dembowski Ed Meares Michael Valerio Steve Dress Flutes: Heather Clark (principal) Jenni Olson Geri Rotella Ben Smolen (principal sub.) Steve Kujala (piccolo sub.) Oboes: Jessica Pearlman (principal) Lara Wickes Leslie Reed Clarinets: Donald Foster (principal) Stuart Clark Gary Bovyer Ralph Williams Bassoon: Rose Corrigan Ken Munday Damian Montano French Horns: Andrew Bain (principal) Dave Everson (asst. principal) Steve Becknell Dylan Skye Hart Mark Adams Dan Kelley Jenny Kim Ben Jaber Trumpets: Jon Lewis (principal) Barry Perkins Daniel Rosenboom David Washburn Trombones: Bill Booth (principal) Alex Iles Phil Keen Bill Reichenbach Stteve Holtman James Miller Tubas: Doug Tornquist Jim Self Timpani: Don Williams Percussion: Jerry Williams Alan Estes Greg Goodall Peter Limonick Judy Chilnik Steve Schaeffer Wade Culbreath Harp: Joanne Turovsky (1st) Allison Allport (2nd) Piano: Gloria Chen Randy Kerber Robert Thies Alan Steinberger Mike Lang Note: the string roster is incomplete. There were 30 to 34 violins, 12 violas. The string line-up was probably 30/14/12/8, which corresponds to nearly all of Williams's recent "big" scores. Intriguing to see 8 horns back again, as with TPM and ROTS. I wonder if he'll return to 6 as with ATOC on Episode VIII, or stick with the larger sound. Link to comment Share on other sites More sharing options...
deleted account 108 Posted December 30, 2015 Share Posted December 30, 2015 2 hours ago, Jay said: Sure, but one can still combine the OST and FYC into a listenable program fairly easily since there isn't much alternate material between them. Absolutely - I was just commenting on how challenging I think it will be to create any one presentation of the score that is "definitive" as so many cues will have alts for little sections of them.... Chris ChrusherComix 1 Link to comment Share on other sites More sharing options...
Popular Post Damien F 1,742 Posted December 30, 2015 Popular Post Share Posted December 30, 2015 I just read Filmtrack's extentive 6000+ word 5 star review. He mentions that those agitated strings near the end of the Snoke track return at 1:28 of Torn Apart when Ren kills Han. Wow...I never noticed that before and it is a fantastic musical link between Ren's horrific act and Snoke. Chris ChrusherComix, Muad'Dib and Taikomochi 3 Link to comment Share on other sites More sharing options...
Oboejdub 22 Posted December 30, 2015 Share Posted December 30, 2015 11 minutes ago, dfenton85 said: I just read Filmtrack's extentive 6000+ word 5 star review. He mentions that those agitated strings near the end of the Snoke track return at 1:28 of Torn Apart when Ren kills Han. Wow...I never noticed that before and it is a fantastic musical link between Ren's horrific act and Snoke. Not only that - It seems related to this figure (1:05 in Palpatine's Seduction from ep 3). a very dark side motif. somone else discovered that and posted it in another thread somewhere, i definitely would never have known. Chris ChrusherComix 1 Link to comment Share on other sites More sharing options...
Jay 37,378 Posted December 30, 2015 Author Share Posted December 30, 2015 3 hours ago, Taikomochi said: If you are referring to the little instance of the March of the Resistance on the OST track, I believe it is in the film when they arrive at Maz's castle and we see agents of both sides notifying their superiors. Still a separate cue, either way. Omg you're absolutely right! Thank you! Dunno how I missed that one... Link to comment Share on other sites More sharing options...
DominicCobb 194 Posted December 30, 2015 Share Posted December 30, 2015 90% sure you can hear the orchestral bit in Snoke (OST) in his second scene. Also, I think the first 30 seconds or so of That Girl With the Staff is used for when Rey refuses to sell BB-8. Link to comment Share on other sites More sharing options...
Taikomochi 1,136 Posted December 30, 2015 Share Posted December 30, 2015 1 minute ago, DominicCobb said: 90% sure you can hear the orchestral bit in Snoke (OST) in his second scene. Also, I think the first 30 seconds or so of That Girl With the Staff is used for when Rey refuses to sell BB-8. There a few seconds there, but I do not think that is the scene it was written for. You hear much more of it when Rey tells Finn her name, her saying her name coinciding with the statement of her theme, right before the Falcon has maintenance issues. I believe that moment is what intended for. Link to comment Share on other sites More sharing options...
DominicCobb 194 Posted December 30, 2015 Share Posted December 30, 2015 Just now, Taikomochi said: There a few seconds there, but I do not think that is the scene it was written for. You hear much more of it when Rey tells Finn her name, her saying her name coinciding with the statement of her theme, right before the Falcon has maintenance issues. I believe that moment is what intended for. I think so too but there's definitely a bit of it in the early scene where she refuses to sell BB-8. I can't say for sure how much off the top of my head but I distinctly remember at least the part that sounds like Luke and Leia (to me at least) that starts at 0:09 is for sure in that scene. It sounded to me like the track played out for a few more seconds but I'm less sure of that. Link to comment Share on other sites More sharing options...
Chris ChrusherComix 46 Posted December 30, 2015 Share Posted December 30, 2015 I saw it for the 2nd time myself tonight and I'm impressed some of you can pick all that out in the theatre. Sometimes hard to tell with dialog and sound effects. I recognized a LOT more in this 2nd viewing (of course, I didn't have either version of the score when I saw it the 1st time). Definitely more enjoyable being familiar with the OST CD and the FYC promo. Can we have a list that includes all music from both placed in an easy-to-edit order, complete with alternates tacked on at the end? That's kind of what I want to listen to more than cut up everything perfectly chronological (with incomplete cues, it's always jarring). I always tend to listen to it that way until we have a definitive complete/almost complete version that exists for us. I don't mind editing together, but I still want everything (even if, like I said, we need alternates at the end). Link to comment Share on other sites More sharing options...
Jay 37,378 Posted December 30, 2015 Author Share Posted December 30, 2015 36 minutes ago, Taikomochi said: There a few seconds there, but I do not think that is the scene it was written for. You hear much more of it when Rey tells Finn her name, her saying her name coinciding with the statement of her theme, right before the Falcon has maintenance issues. I believe that moment is what intended for. Definitely. 32 minutes ago, DominicCobb said: I think so too but there's definitely a bit of it in the early scene where she refuses to sell BB-8. I can't say for sure how much off the top of my head but I distinctly remember at least the part that sounds like Luke and Leia (to me at least) that starts at 0:09 is for sure in that scene. It sounded to me like the track played out for a few more seconds but I'm less sure of that. Sounds like tracking. Link to comment Share on other sites More sharing options...
karelm 2,915 Posted December 30, 2015 Share Posted December 30, 2015 9 hours ago, Sharky said: The string line-up was probably 30/14/12/8, which corresponds to nearly all of Williams's recent "big" scores. Intriguing to see 8 horns back again, as with TPM and ROTS. I wonder if he'll return to 6 as with ATOC on Episode VIII, or stick with the larger sound. I don't think it was 8 horns. I think the brass lineup was 6/4/4/2 and the others were subs due to the long duration and pauses in the dates. Isn't that the Empire Strikes Back and Attack of the Clones line up? Link to comment Share on other sites More sharing options...
Jay 37,378 Posted December 30, 2015 Author Share Posted December 30, 2015 OK main post updated with correct info about OST track 4. Man, the OST is more jumbled chronological-wise than was first apparent. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted December 30, 2015 Share Posted December 30, 2015 Yep. I noticed during my third viewing that the "cameo" of the Resistance Theme in Rey Meets BB-8 shows up rather late in the film in Maz's place, where a droid is contacting the Resistance. Link to comment Share on other sites More sharing options...
Jay 37,378 Posted December 30, 2015 Author Share Posted December 30, 2015 Yep, that's the update I just made Link to comment Share on other sites More sharing options...
Not Mr. Big 4,642 Posted January 5, 2016 Share Posted January 5, 2016 I believe the interrogation scenes had some cool understated variations of Rey's and Kylo's themes. Link to comment Share on other sites More sharing options...
Incanus 5,716 Posted January 5, 2016 Share Posted January 5, 2016 On 30.12.2015 at 0:47 AM, Jay said: OK main post updated with correct info about OST track 4. Man, the OST is more jumbled chronological-wise than was first apparent. Yeah it certainly does but at least it makes for a nice listening experience and represents the score on the whole rather well. Link to comment Share on other sites More sharing options...
deleted account 108 Posted January 6, 2016 Share Posted January 6, 2016 This score more than typical Wiliams seems to have a lot of short cues. Link to comment Share on other sites More sharing options...
mrbellamy 6,298 Posted January 7, 2016 Share Posted January 7, 2016 I just realized, don't know if this has been discussed, but was the awesome Force statement at 3:14-3:25 of Torn Apart not used anywhere in the film? I was looking up a stream of TFA to refresh my memory of where that was and discovered it wasn't in that sequence. Link to comment Share on other sites More sharing options...
Not Mr. Big 4,642 Posted January 7, 2016 Share Posted January 7, 2016 I wonder if the Finn/Kylo duel ever had any score written for it, and if so, how significant was it? Link to comment Share on other sites More sharing options...
Incanus 5,716 Posted January 7, 2016 Share Posted January 7, 2016 9 hours ago, elvisjones said: This score more than typical Wiliams seems to have a lot of short cues. I don't think it is so atypical. In all fairness same goes for e.g. some of the cues in The Phantom Menace even though many of them might be meant to flow together. Different director, different spotting of music I wager as the main reason. And there are some substantial pieces like the opening Attack on the Jakku Village, I Can Fly Anything and Follow Me & Falcon sequence (which runs for about 7 minutes), Han and Leia and Torn Apart. The film has a lot of music but it is not wall-to-wall unlike the Prequels. Link to comment Share on other sites More sharing options...
BloodBoal 7,538 Posted January 7, 2016 Share Posted January 7, 2016 Link to comment Share on other sites More sharing options...
mrbellamy 6,298 Posted January 8, 2016 Share Posted January 8, 2016 On 1/7/2016 at 8:07 PM, mrbellamy said: I just realized, don't know if this has been discussed, but was the awesome Force statement at 3:14-3:25 of Torn Apart not used anywhere in the film? I was looking up a stream of TFA to refresh my memory of where that was and discovered it wasn't in that sequence. Anybody remember? Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 9, 2016 Share Posted January 9, 2016 19 hours ago, mrbellamy said: Anybody remember? Is it on the FYC? Might narrow it down. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted January 9, 2016 Share Posted January 9, 2016 If it wasn't used in the film it cannot be on the FYC Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 9, 2016 Share Posted January 9, 2016 The replaced Force Theme fanfare in The Ways of the Force is on the FYC... Link to comment Share on other sites More sharing options...
Jay 37,378 Posted January 9, 2016 Author Share Posted January 9, 2016 No it isn't. Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 9, 2016 Share Posted January 9, 2016 Isn't it at 3:20 of track 20, unless I'm having a psychotic episode? Was this not the Force Theme statement replaced by Burning Homestead in the final film? Link to comment Share on other sites More sharing options...
Taikomochi 1,136 Posted January 9, 2016 Share Posted January 9, 2016 No, the bit replaced by Burning Homestead is the opening Force theme statement of The Ways of the Force on the OST, iirc. That section is not on the FYC. Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 9, 2016 Share Posted January 9, 2016 Oh, my memory of the film has definitely waned then, I need a second viewing. What does the aforementioned Force Theme statement (3.20 on the FYC) represent in the final film again? That whole section of the film was pretty overwhelming visually and in the sound mix. Really struggled to isolate the music. Link to comment Share on other sites More sharing options...
Taikomochi 1,136 Posted January 9, 2016 Share Posted January 9, 2016 It is when Spoiler Rey and Ren grapple with each other, both holding their lightsabers, before Rey beats him down at the end of the fight It's a fantastic musical moment, but suffers under the sound effects. crumbs 1 Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 9, 2016 Share Posted January 9, 2016 Ah hah, well that's that! Disappointing it was mixed so lowly, I don't remember hearing it cinematically at all. What part of the OST was overwritten with the tracked ANH section then? 0:12 to 0:25? Link to comment Share on other sites More sharing options...
Jay 37,378 Posted January 9, 2016 Author Share Posted January 9, 2016 On the OST track "The Ways Of The Force", 0:00-0:45 is Williams' intended music for Kylo Ren attempting to Force-Pull Luke's saber to himself, but Rey being the one to do it instead, and turning it on. In the final film, ~0:12-0:34 was replaced by the Burning Homestead recording from 1977. The OST then jumps past the X-Wing stuff to continue into the rest of the Ren/Rey fight from 0:45-end. The FYC, on the other hand, omits the "Rey Gets The Lightsaber" music entirely, instead opening with the X-Wing music before also continuing into the music for the Rey/Ren fight. crumbs 1 Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 9, 2016 Share Posted January 9, 2016 Ah hah! Thanks for clearing that up. I thought the bigger Force Theme statement at the end of the cue was the one replaced, mostly because I had no memory of hearing it in the film! Glad I was wrong, but hopefully the sound mix didn't dial it too low as to be practically inaudible. Those pesky sound mixers! Link to comment Share on other sites More sharing options...
Jay 37,378 Posted January 9, 2016 Author Share Posted January 9, 2016 No problem. The FYC exactly matches the film throughout. crumbs 1 Link to comment Share on other sites More sharing options...
Datameister 2,044 Posted January 9, 2016 Share Posted January 9, 2016 I've begun work on my edit and I'm puzzled by the ending of the FYC's "The Attack in the Jakku Village Part 2." Can anyone confirm that these last 15 seconds (which were clearly edited onto the end of the cue as heard on the OST) were similarly edited into the same spot in the film? Link to comment Share on other sites More sharing options...
Jay 37,378 Posted January 9, 2016 Author Share Posted January 9, 2016 Yes, I can confirm that. The entire track is identical to what's in the film. Those last 15 seconds cover the shuttles returning to the Star Destroyer and Poe being marched through the hangar, ending with that final note playing as Finn enters the center of the frame. The music then continues immediately in the film. Link to comment Share on other sites More sharing options...
Datameister 2,044 Posted January 9, 2016 Share Posted January 9, 2016 6 hours ago, Jay said: Yes, I can confirm that. The entire track is identical to what's in the film. Those last 15 seconds cover the shuttles returning to the Star Destroyer and Poe being marched through the hangar, ending with that final note playing as Finn enters the center of the frame. The music then continues immediately in the film. Thank you! What about 6:41-6:49 in the FYC's "Follow Me and The Falcon"? I assume that moment plays the same way in the film, but do we know where it's from? The rest of the sequence is identical between the OST and FYC, other than microedits in both and tracking in the FYC, but am I right in thinking that those 8 seconds aren't heard elsewhere in either album? My guess is that it's tracked from some unreleased cue but I'm curious if anyone else knows. EDIT: Never mind, it's from " Kylo Ren Arrives at the Battle "! Link to comment Share on other sites More sharing options...
Jilal 569 Posted January 9, 2016 Share Posted January 9, 2016 20 minutes ago, Datameister said: Thank you! What about 6:41-6:49 in the FYC's "Follow Me and The Falcon"? I assume that moment plays the same way in the film, but do we know where it's from? The rest of the sequence is identical between the OST and FYC, other than microedits in both and tracking in the FYC, but am I right in thinking that those 8 seconds aren't heard elsewhere in either album? My guess is that it's tracked from some unreleased cue but I'm curious if anyone else knows. 6:41 - 6:49 is indeed tracked, from a cue that appears later in the film (I heard it twice in theater). I'm not sure which one precisely - quite possibly, it doesn't appear on both the OST album and the FYC promo. Link to comment Share on other sites More sharing options...
Datameister 2,044 Posted January 10, 2016 Share Posted January 10, 2016 Interesting...thanks! Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 10, 2016 Share Posted January 10, 2016 The Force Awakens will get deleted scenes on the Bluray but no extended version. Quote “There will be deleted scenes, but not an extended version,” Abrams told us after the panel for his upcoming Hulu series 11.22.63 at the Television Critics Association’s press tour in Beverly Hills on Saturday. We also asked what the longest cut of the film was before he edited it down to two hours and 16 minutes for theatrical release. “I don’t know what the longest cut was,” Abrams said. “Probably, if it were with credits, close to two hours and 50 minutes was the first cut.” What are the odds Williams recorded music for many of the deleted scenes, considering the unusual post-production schedule? Something to look forward to, hopefully! http://www.ew.com/article/2016/01/09/force-awakens-dvd Link to comment Share on other sites More sharing options...
Datameister 2,044 Posted January 10, 2016 Share Posted January 10, 2016 Silly me. On my last question, that's from "Kylo Ren Arrives at the Battle." Never mind! Link to comment Share on other sites More sharing options...
JoeinAR 1,949 Posted January 10, 2016 Share Posted January 10, 2016 On Sunday, December 20, 2015 at 3:25 PM, Ricard said: It works almost perfectly because it's the more chronological of his recent albums. Fortunately he didn't do his typical "listening experience" thing this time. I wish he had. He knows best. Link to comment Share on other sites More sharing options...
Wojo 2,453 Posted January 10, 2016 Share Posted January 10, 2016 If you play the album on random, then slide the main titles and end credits to their proper places, and slap the concert themes after the main titles, you get as good an album sequence as John Williams. Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted January 10, 2016 Share Posted January 10, 2016 3 hours ago, Joey said: I wish he had. He knows best. Judas! Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted January 10, 2016 Share Posted January 10, 2016 Don't forget, Shawn Murphy doesn't consider us completists as "normal people" ! Link to comment Share on other sites More sharing options...
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