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saulocf

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About saulocf

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  1. Powell HTTYD is obviously the winner here, but take that out of Powell and you got a bunch of 3 star scores with as many highlights as extremely annoying bits, and a bunch of those scores don't do nothing for me (Rio, Ice Age 3 and 4, Happy Feet 2...). Horner has done great on Land Before Time, Balto and my favorites An American Tail duo. But its Giacchino for me.. in the animated movies is where he shows how great of a composer he can be. Incredibles 2, Up and Inside Out are great, Ratatouille and The Incredibles are awesome. Coco is extremely underrated (a very mature score!) and I even find
  2. This may be Giacchino's worse score yet. Bummer.
  3. I have this extra ticket for sale as I won't be needing it anymore. https://www.ebay.com/itm/192641735409
  4. Powell and Giacchino do it sometimes (Ice Age 2 and 3, Mars Needs Moms, Doctor Strange, Spider-Man Homecoming, Star Trek), but they seem to be the only ones doing it. I kind of like Giacchino's end credit suite in Rogue One, even if it is edited. But John Williams also did that for some of his scores (Harry Potter 3, The Last Jedi)
  5. I don't think it is the entire code, but their sub-concious and memories seemed to be stored there instead of all in their brain balls. Like a cloud storage for the hosts data.
  6. It means that there are no more back-ups for the hosts. Once dead, they won't be able to reset like before. In Dolores' opinion, that's the only way to be free.
  7. Did anybody else thought that the transition from “Dice & Roll” to the end credits was awful? As someone who likes a good transition from the finale to the end credits, this was the third time in a row that the transition was very disappointing. The End Credits editing isn’t very good as well.
  8. Ok guys, I will be the one raining in the parade. I didn't hear the score in the album yet but it really took me out of the movie a couple of times! It was trying to make all actions seem epic and with high stakes when it could have been much more playful. The begging of the train sequence is a great example where the score could go lighter. It has some great moments and the new Williams theme has some good statements (tho a little overused and simplistic I'd say), but it made some sequences unbearable! Gosh, compare Williams' "Slave Children Crusade" with a similar one from this movie. The Wi
  9. And the OST takes a while to take flight. That cue would have helped a lot!
  10. "Pangborn Again" for sure! That flute! A must for fans of the score
  11. Countless opportunities without sounding chaotic. One great mention of Strange, Spider-Man, Black Panther, Captain America would suffice.
  12. Gosh. How hard is to quote a theme from another composer? Giacchino's theme isn't great, but it is very memorable. Already disappointed.
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