bored

Of all of the hills Zimmer chose to die on, he chose Junkie XL? How poetic, the master of BWAHM, and the master of BAM together, shitting on film scoring. 

It's funny because I think James Newton Howard's work on Batman Begins and TDK is far superior to most of Zimmer's work on those films. "Bruce Left For Dead" from the complete score of Batman Begins being my favorite example of how the heart of the music was really Howard. 

Of all of the hills Zimmer chose to die on, he chose Junkie XL? How poetic, the master of BWAHM, and the master of BAM together, shitting on film scoring. 

It's funny because I think James Newton Howard's work on Batman Begins and TDK is far superior to most of Zimmer's work on those films. "Bruce Left For Dead" from the complete score of Batman Begins being my favorite example of how the heart of the music was really Howard. 

It's funny because I think James Newton Howard's work on Batman Begins and TDK is far superior to most of Zimmer's work on those films. "Bruce Left For Dead" from the complete score of Batman Begins being my favorite example of how the heart of the music was really Howard. 

It's funny because I think James Newton Howard's work on Batman Begins and TDK is far superior to most of Zimmer's work on those films. "Bruce Left For Dead" from the complete score of Batman Begins being my favorite example of how the heart of the music was really Howard. 

Of all of the hills Zimmer chose to die on, he chose Junkie XL? How poetic, the master of BWAHM, and the master of BAM together, shitting on film scoring. 

Imagine being one of the most popular musicians on earth and still being such a fucking loser.

Odd people, who get offended by thread making on an open message board. 
It's not trolling just because you don't like it. 
God forbid we have fun threads instead of endless barrages of "What obscure score nobody knows have you heard today". 

Deadline -- 90's Action Piece
 
A new piece that's inspired by '90s Mark Mancina, Jerry Goldsmith, and Brad Fiedel.

Hi there,
For the past year, i've been creating my own random composition.
I have no background in music, aside from listening and analyzing music.
I just want to share and hear what your thoughts about it, and what could be improved.
 
JP inspired:
"Run"
https://drive.google.com/file/d/1xKkNvJ85oE7cFgXP3maBuxKdgYZ3v3FN/view?usp=sharing
 
"Oro" [spanish flair]
https://drive.google.com/file/d/17I5LNVmFEP9p21MYkzVrOFs-Z6tf68Jj/view?usp=sharing
 
 
JNH inspired:
"Ambush"
https://drive.google.com/file/d/1bqekvj0qFTTCkUPESjxpk6kImL8XWF03/view?usp=sharing
 
"Revealed"
https://drive.google.com/file/d/1oiDpX1umnNCcdlv22MSXcw1A56aHeQxT/view?usp=sharing
 
 
I'm hugely inspired by what Powell has said in the past interview:
"The formula" to find your own voice in music composing, one of them is to combine what you like about one composer and the other.
So i guess if thats the case, then i'd like to mix JNH and JP 😅
 
What do you guys think 🙏
 

I haven't gotten around to Skyfall yet, but I've always loved Finding Nemo, WALL-E, and A Series of Unfortunate Events. There's just so much style and heart in those 3 scores. ASOUE in particular is just brimming with personality, and his music really fits with the tone of the film and the book series.

Tragic moments call for over-the-top scoring. We're super excited to release a cue we've waited a long time to finally share - Cue 34: The Veil and Death of Sirius. Let us know what you think!

@WampaRat Thank you so much for your comment! It means a lot to us to hear that and we're so glad to know your impressions so far! We hope you'll like the ending, and let us know what you think.

Also, today's the day! We get to break into the Ministry of Magic and begin the finale of the movie! Enjoy Cue No. 33: The Department of Mysteries.

BP

Don't worry, Junkie will find a way to top that!

Don't worry, Junkie will find a way to top that!

I have no problem with memorability of Elfman score. Plus two full-length action tracks rocks

Who needs this Junkie's junk? Even if it's not released yet, Elfman work already beat the shit out of it.

Does this guy keep getting work because people love seeing his drug addict name in the credits?

He did a pretty good job for Age of Ultron (and Justice League despite what Snyder fanboys will try and tell you) so I think the musical continuity is in good hands.

Same reaction here. Elfman in superhero/blockbuster mode does nothing for me these days. Nor do I have any interest in superhero films. That being said, it's a million times better than Giacchino.

Is it Elfman?! with Raimi again! Gia out?
 
https://www.inverse.com/entertainment/danny-elfman-doctor-strange-2-multiverse-of-madness-score-music
 
DANNY ELFMAN CONFIRMS HE'S SCORING THE MUSIC OF DOCTOR STRANGE 2
Danny Elfman is heading to the multiverse. The acclaimed musician and composer tells Inverse he's returning to the MCU.
 
In a wide-ranging interview with Inverse about his newest single "Love in the Time of Covid," a dark rock song about love, lust, and lack thereof in a year of lockdowns, Elfman confirmed he is scoring the 2022 movie Doctor Strange in the Multiverse of Madness with director Sam Raimi.
 
"I am starting to do bits of pre-work for Doctor Strange 2 that Sam Raimi's directing," Elfman tells Inverse. "Even though I don't start it for some months, there's bits of recorded music they need for the sets."
 
Naturally, Elfman couldn't reveal too much about the new Marvel Studios movie slated for release on March 25, 2022. But the film will mark a reunion between Elfman and Raimi, who first worked together on the 1990 superhero noir Darkman followed by Spider-Man in 2002 and Spider-Man 2 in 2004. Disagreements between Elfman and Raimi led to the musician exiting the franchise for 2007's Spider-Man 3. In the years since, the two mended fences and collaborated once more for the 2011 Disney fantasy film Oz the Great and Powerful.
 
Elfman also scored the movies Batman (1989), The Nightmare Before Christmas (1993), Mission: Impossible (1995), Men in Black (1997), and Dumbo (2019), and Avengers: Age of Ultron (2015). He is known for his frequent collaborations with directors like Raimi, Tim Burton, and Gus Van Sant. Prior to his acclaimed film work, Elfman was the singer-songwriter of the new wave band Oingo Boingo.
 
What's extra interesting about Elfman's involvement in Doctor Strange is the concept of the MULTIVERSE. While exact details are unknown, it is widely speculated the "multiverse" will create a convergence of past Marvel film franchises — specifically the different versions of Spider-Man.
 
It has thus far only been rumored (and not confirmed) that Tobey Maguire — whose first two Spidey films Elfman scored — will reprise his Spider-Man in Marvel and Sony's third, untitled Spider-Man scheduled for December 17, 2021. (Actors Alfred Molina and Jamie Foxx, both of whom played villains in past Spider-Man films, are reported to return in their roles as well.)
 
Elfman's involvement in Doctor Strange in the Multiverse of Madness suggests that Raimi is bringing as many touches of his Spider-Man films to the Marvel Cinematic Universe as he can. And while it doesn't confirm cameos, fans can be assured that the unmistakable spirit of Raimi's movies will live on in the MCU.
 
Meanwhile, our full interview with Danny Elfman is not one to miss and is COMING SOON. In the interview, Elfman speaks openly and honestly about living through a difficult pandemic year. His newest single "Love in the Time of Covid," which explores the aggravating yearning for physical intimacy in a time of social distancing, is available now with a music video from German director Sven Gutjahr and trans performer Shrek 666.

He's absolutely right. "Content" is a foul word. And it's not just cinema that's being affected by it.

https://www.indiewire.com/2021/02/martin-scorsese-streaming-lack-of-curation-1234617241/
 
Next up for Scorsese is “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro, and Lily Gladstone. The Apple-Paramount backed movie goes into production in the first half of 2021. Head over to Harper Magazine’s website to read Scorsese’s new essay in its entirety.
 
https://harpers.org/archive/2021/03/il-maestro-federico-fellini-martin-scorsese/