The Avengers (Written and Directed by Joss Whedon, music by Alan Silvestri)
#361
Posted 26 April 2012 - 08:35 PM
It's a real comic book film - you can't compare this to the Nolan Batman - this is just a really well-written, well-directed, well-acted rollercoaster. It's exhilarating (The HULK especially), it's funny, the tone is right - it's serious when it needs to be but knows when to cut the tension with a joke - and just fun. The dynamic between the characters is one of distrust at first, so there are teething issues to go through while they fight the bad guys.
I thought the score worked really well - have to go back and listen to it on its own.
#362
Posted 26 April 2012 - 11:26 PM
#363
Posted 26 April 2012 - 11:43 PM
Hmm, but Charlie, not to put a dampener on it -I'm glad you enjoyed it, but you also loved John Carter...
So what if he loved John Carter?
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#364
Posted 26 April 2012 - 11:47 PM
#365
Posted 27 April 2012 - 08:44 AM
#366
Posted 27 April 2012 - 12:12 PM
All this fare is no entertainment for grown-ups. 'The Avengers" are infantile.
The only pictures the studios will boast about are 'Prometheus' and 'The Dark Knight Rising', which are fine, but they're children's movies. They're not for adults.
And they're very good children's movies, don't get me wrong, they're wonderfully written … but they are not for adults.
#367
Posted 27 April 2012 - 12:26 PM
There is some cheese in it, but that was to be expected. The most important thing is that it all works and I had plenty of fun (in an adolescent kind of way). Might even see this again sometime.
Oh and Hulk looks much better CG-wise this time. Mark Rufallo own the part now.
Well said, Capt Obvious!What a shame that a gifted Jewish person like Joss Whedon has to grapple with rubbish source material like comic books.
All this fare is no entertainment for grown-ups. 'The Avengers" are infantile.
The only pictures the studios will boast about are 'Prometheus' and 'The Dark Knight Rising', which are fine, but they're children's movies. They're not for adults.
And they're very good children's movies, don't get me wrong, they're wonderfully written … but they are not for adults.
Karol
#368
Posted 27 April 2012 - 02:00 PM
#369
Posted 27 April 2012 - 02:13 PM
"04 - In order to avoid controversial off-topic debates, political and religious references are NOT ALLOWED ON ANY OF THE FORUMS."
John Williams sucks, he doesn't write with a quill pen, there is no emotion in pencil music ! Purcell is the man !Among all the things I have done in my short and pitiful life, becoming an inside joke on JWFAN is the one I'm the least proud of.
#371
Posted 27 April 2012 - 02:51 PM

I hope Episode III is Called 'Revenge of the Sith'
#372
Posted 27 April 2012 - 02:53 PM
#373
Posted 27 April 2012 - 03:07 PM
#374
Posted 27 April 2012 - 06:02 PM
This is a really entertaining movie. I wouldn't say "good", because this fulfills a different type of expecttions to, say, Chris Nolan's films.
¿¿??
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#375
Posted 27 April 2012 - 06:06 PM
Karol
#376
Posted 27 April 2012 - 06:09 PM
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#377
Posted 27 April 2012 - 06:12 PM
I liked it alot, and will be getting it from intrada, but I'm not gonna say it's marvel's best (Still Iron Man for me).
Iron Man's score is easily Marvel's worst.
Sorry for stating an opinion :l
#378
Posted 27 April 2012 - 06:13 PM
But I wasn't looking for that in The Avengers. I just wanted a big, somewhat dumb (it is dumb) film to have a good time for 2 and a half hours. And it suceeds in that. Sort of like Independence Day or Mission: Impossible 4.
Karol
#379
Posted 27 April 2012 - 06:19 PM
Really? I don't want to get into argument, but all Nolan's films, whether you enjoy them or not, have a very strong personality that you can't mistake for anything else. His use of camera, lighting, editing, sound, all of that. It is the personality that puts it above other films like that. The Avengers says nothing about its director. I heard he does some stuff with dialogue but that is not enough to establish his style. I watch Batman movies, because I like Chris Nolan, not because I want to see a superhero film. That's what I meant.
But I wasn't looking for that in The Avengers. I just wanted a big, somewhat dumb (it is dumb) film to have a good time for 2 and a half hours. And it suceeds in that. Sort of like Independence Day or Mission: Impossible 4.
Oooh, a style. Nolan's films are clearly his. I've seen Inception (which I loved and still do) and the Batmans (which I loved at first but in second or third views I find a lot of stuff to criticize).
The reason I want to see The Avengers is because I want to see a Joss Whedon thing (although I like superheroes). And as long as I can see it does look like something he would do. I'll elaborate on this when I see it, because Whedon is precisely one of these guys out there with a strong personality.
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#380
Posted 27 April 2012 - 06:20 PM
Karol
#381
Posted 27 April 2012 - 06:45 PM

I hope Episode III is Called 'Revenge of the Sith'
#383
Posted 27 April 2012 - 08:11 PM
#384
Posted 27 April 2012 - 08:20 PM
Share your thoughts when you see it, because I'd like to know what all those Whedon-isms might be. I have no idea.
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#385
Posted 27 April 2012 - 11:41 PM
Wow, that theme's weak.
I agree it's sounds like something Jablonsky or Djawadi would do, not Silvestri. It is rather disappointing for a major movie like this. I swear it seems like most movies these days have almost no theme to the scores.
Bingo!
Every single new score that comes out on iTunes sounds exactly the same as the one before it. Basically either long, sustained chords for somber moods, or frenetic synthesized string ostinatos over long sustained chords for action sequences.
The Silvestri score to Avengers is nothing special, but at least it employs a real orchestra playing real music, not some kind of sonic wallpaper, and it's sad that this is the best we can expect these days.
It really makes my heart sad for missed opportunities to think of what Williams might do with a film like Avengers, if given wide latitude and a direction to compose in his 80's-90's style.
#386
Posted 28 April 2012 - 01:28 AM
Edited by Jarbas, 28 April 2012 - 01:29 AM.
#387
Posted 28 April 2012 - 06:22 PM
#388
Posted 28 April 2012 - 07:54 PM
#389
Posted 28 April 2012 - 09:17 PM
#390
Posted 29 April 2012 - 09:50 AM
that's a good excuse and you wont be embarrased being a grown man going to watch those kind of movies

I hope Episode III is Called 'Revenge of the Sith'
#392
Posted 29 April 2012 - 07:49 PM
But Superman II had a better fight scene.
#393
Posted 29 April 2012 - 08:23 PM
#394
Posted 29 April 2012 - 08:28 PM
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#395
Posted 30 April 2012 - 04:59 PM
The Silvestri score to Avengers is nothing special, but at least it employs a real orchestra playing real music, not some kind of sonic wallpaper, and it's sad that this is the best we can expect these days.
It really makes my heart sad for missed opportunities to think of what Williams might do with a film like Avengers, if given wide latitude and a direction to compose in his 80's-90's style.
Williams already gave us his dose of superhero/comic-book scores, so let's have someone else getting their chance at it.
I can't understand all the slack this score is receiving 'round here. Sure, it's not a earth-shattering, revolutionary score, but I think it's fine, competently written film music that does really well its job. This aren't the kind of movies where to expect lush lyricism à la Superman The Movie anymore. Having made peace with that, you can't deny that Silvestri is really good at getting well all the film's dramatic needs and amping up the excitement mainly through rhythm and pulse. I like his trademark use of manly ostinatos and bold orchestrations. Considering these movies are a constant barrage of loud sound effects, he found a good way to be heard. Yes, he pays his due to some of the current film scoring trends (orchestrations are done well, but seem a tad too much molded into the thick block of horns-strings-percussion typical of current scores), but I have to say that I was quite surprised that most of the score sounds very acoustic and natural. And it totally sounds like a Silvestri score, which is a good thing. He is one of the few composers still able to keep his voice intact in the real tough arena of today's Hollywood film music.
Too many people probably expect the next Star Wars when it comes to this kind of movies' film scores, maybe not realizing how much things have changed, especially in the last 10-15 years. Hey, at least Silvestri was able to snook in a good theme in it.
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#396
Posted 30 April 2012 - 05:10 PM
[This aren't the kind of movies where to expect lush lyricism à la Superman The Movie anymore.
I haven't seen the film, but it looks like its begging for it. It's about a team of superheros with cheesy costumes trying to defend the world of aliens. That doesn't mean, however, that a score with more meat to it has to sound like Superman or Star Wars. I want complex, emotionally resonating scores, but I'd be happy they took an specially designed, original angle. So, as it stands, I'm in a no win-no win situation.
This said, I like the theme. It seems to represent the team as a time bomb idea well, specially how it starts.
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#397
Posted 30 April 2012 - 05:17 PM
Too many people probably expect the next Star Wars when it comes to this kind of movies' film scores, maybe not realizing how much things have changed, especially in the last 10-15 years. Hey, at least Silvestri was able to snook in a good theme in it.
I don't think anyone's expecting the next Star Wars or don't realize how much thing have changed in film music. More like we're all too aware of how much has changed in film music and are lamenting that fact.
#398
Posted 30 April 2012 - 05:21 PM
[This aren't the kind of movies where to expect lush lyricism à la Superman The Movie anymore.
I haven't seen the film, but it looks like its begging for it.
It's mostly an action film (a well-made one, imho), not a Shakespearean character study. It has some nice little folds that give to the film much more dignity than the usual dumb Hollywood blockbusters of today. But it still remains a blockbuster made in 2012. The music follows this logic accordingly. Silvestri was asked to do this kind of score and he complied egregiously, imho.
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#399
Posted 30 April 2012 - 05:30 PM
The unpopular opinions continue....
#400
Posted 30 April 2012 - 05:33 PM
It's mostly an action film (a well-made one, imho), not a Shakespearean character study. It has some nice little folds that give to the film much more dignity than the usual dumb Hollywood blockbusters of today. But it still remains a blockbuster made in 2012. The music follows this logic accordingly. Silvestri was asked to do this kind of score and he complied egregiously, imho.
Yes, the score fits with the stylistic trends of the time. I agree. I just don't like the stylistic trends of the time much, regarding music for film. It ususally doesn't live up to the musical and filmic potential of many films.
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