Cameron007

"White Knight" is my winner, along with the unlisted "Backseat Pilot".
 
The cues from TWINE are a close second, though.

To those who are bitching about the OST being included...it's possible they HAD to include it as part of the contract for this release. I'm sure if they had it their way, they MAY NOT have included the OST.

If you don't like the OST, then hey don't rip it to your computer. Just rip the rest of the score. Be thankful we even have this. I know I certainly am and I honestly can NOT wait until I get my copy. I'm really eager to dive into this and hear film version cues outside of the film for once. IE: Parade Attack via samples.

Here's hoping that at some point Spidey 2 and 3 follows suit with the same treatment.

I agree 100% about Backseat Pilot. Also, I wonder if the scene was originally longer? That would explain why the original cue is longer.

Fake fans for not remembering the first two X-Men scores got expanded

I hope they commission you in the future. You make gorgeous covers.

I hope they commission you in the future. You make gorgeous covers.

"The Bitch Got It"

And it sounds like there's some unused music after Carver gets the jump on Bond.
 
Also, it's not a David Arnold score unless somebody or something "gets it" by the end.

But it's also been 20 years since anybody or anything has gotten it. 
 
Carver Gets It
 
Tanker Gets It
The Boat Gets It
The Garden Gets It
 
Sub Gets It
 
Peoples Gets It
Walter Gets It
 
Antonov Gets It
Moneypenny Gets It

Him and Mike are the best in the business!

I woke up, and this is still real!! 

In the words of Elliot Carver, for all us TND fans…
 
THIS.  IS OUR MOMENT!
 
Instabuy for me

David Arnold has known about the release for some time.
 
I hope this means Moonraker and Licence to Kill are likewise back on the cards.

NOBODY DOES IT BETTER THAN LA-LA LAND RECORDS...
 
RELEASE #2
 
TOMORROW NEVER DIES: EXPANDED/REMASTERED 25TH ANNIVERSARY LIMITED EDITION
LLLCD 1607
Music by David Arnold
Limited Edition of 5000 Units
RETAIL PRICE: $29.98
 
ORDERS BEGIN TUESDAY NOVEMBER 29, 2022 AT 12 PM PST
 
La-La Land Records, Metro-Goldwyn-Mayer and Geffen Records proudly present the remastered and expanded 2-CD re-issue of the original motion picture score to the 1997 feature film TOMORROW NEVER DIES, starring Pierce Brosnan as James Bond 007, Michelle Yeoh and Jonathan Pryce, and directed by Roger Spottiswoode. Renowned composer David Arnold (STARGATE, DIE ANOTHER DAY, THE WORLD IS NOT ENOUGH) unleashes a triumphant score -- his acclaimed debut in the James Bond canon. It’s a breathtaking and sophisticated epic work that propels Bond through an exciting globe-spanning adventure teaming with action, dramatic intrigue and romance. Arnold brings a contemporary edge to Bond, expertly melding orchestra with electronics in robust fashion, but he simultaneously preserves and honors the series’ classic musical legacy, often bringing it thrillingly front and center. 

Remastered and expanded with a treasure trove of previously unreleased music, this deluxe 2-CD set showcases Arnold’s legendary score as well as the movie’s opening and closing songs, “Tomorrow Never Dies” performed by Sheryl Crow and “Surrender” performed by k.d. lang, along with additional bonus music featuring alternate score cues and the previously unreleased source cues “It Had To Be You” performed by Simon Greenaway and “Adrift” and “Shaken But Not Stirred” performed by Simon Greenway and Sacha Collisson. Also here, a never-before-released alternate opening for “Surrender”! Produced by David Arnold and Neil S. Bulk, and mastered by Doug Schwartz, from original stereo digital tapes provided by MGM, this special release is limited to 5000 units and features exclusive, in-depth liner notes by writer Tim Greiving, which include new comments from the composer. The sharp art design is by Dan Goldwasser. 

TRACK LISTING:
 
DISC 1

SCORE PRESENTATION
1. White Knight† 8:28 
2. Backseat Pilot*† 1:41 
3. Tomorrow Never Dies (Performed By Sheryl Crow) 4:50
4. The Sinking Of The Devonshire (Extended Version)** 7:22 
5. MI6*† / Launch The Fleet*† 1:34
6. Company Car (Extended Version)**† 3:35 
7. You Have A Phone Call, Mr. Bond* 1:02 
8. Station Break 3:29
9. Carver And Paris* 1:06 
10. Paris And Bond (Film Version)** 1:56 
11. The Last Goodbye 1:34 
12. Hamburg Break In 2:52
13. Hamburg Break Out 1:24 
14. Printing Press Fight* 1:22 
15. Escape To Hotel*† 2:28 
16. Doctor Kaufman 2:27
17. *-3-Send 1:15 
18. Backseat Driver (Film Version)**† 4:35 
19. Okinawa* / HALO Jump* 2:25
20. Underwater Discovery 3:37 
21. Vietnam 1:36
22. Banner Escape* 1:10 
23. Bike Chase† 6:43
24. Bike Shop Fight (Film Version)** 2:32
TOTAL DISC 1 TIME: 1:11:41
 
DISC 2
SCORE PRESENTATION CONTINUED
1. Ha Long Bay 2:32 
2. Boarding The Stealth† 4:57 
3. Grenade* 1:39 
4. A Tricky Spot For 007** 3:49
5. Stealth Shoot Out*† 3:33 
6. Carver Gets It*† 2:53 
7. All In A Day’s Work† 5:08 
8. Surrender (Performed By k.d. lang) 3:56
TOTAL SCORE TIME: 1:40:20
 
ADDITIONAL MUSIC
9. White Knight (Original Version)**† 8:37 
10. Backseat Pilot (Original Version)*† 2:20
11. The Sinking Of The Devonshire (Original Version)** 5:37 
12. Company Car† 3:06
13. Shaken But Not Stirred (Simon Greenaway / Sacha Collisson)* 3:27
14. It Had To Be You (Performed By Simon Greenaway)* 2:03 
15. Adrift (Simon Greenaway / Sacha Collisson)* 3:58
16. Paris And Bond 1:56 
17. The Last Goodbye (Alternate Version)* 1:30 
18. Printing Press Fight (Film Opening)* 1:10
19. Backseat Driver† 4:35 
20. Banner Escape (Film Mix)* 1:10 
21. Bike Shop Fight 2:42
22. Surrender (Alternate Version) (Performed By k.d. lang)** 3:53
TOTAL ADDITIONAL MUSIC TIME: 46:26
 
TOTAL DISC 2 TIME: 1:15:12
 
* Previously unreleased
** Contains previously unreleased material
† Contains “James Bond Theme” written by Monty Norman
 
TOTAL ALBUM TIME: 2:26:53
 
https://www.facebook.com/lalalandrecords/posts/pfbid037YLgniHaqPgAqsQ2LZV8gjj8ouWA2joLgkUrrcyB5hdv2LumKMtNJxRu5dAJviXzl

I'll put it this way... If I am ever in the position where I'm swimming for my life to attempt to board a submerging Nazi Submarine, I wouldn't want the Jurassic Park theme to get me there.
 
I love that the theme is played to people on screen literally cheering and punching the air.  I don't think all those Arab diggers would get off their butts if Indy rode his horse by them without the theme.

Dare you to write out all 100

For the opening percussion, the film version takes the cake. But the rest? I have to say the album version. There's a certain oomph in that performance that the film version lacks.

Ugh, that was such a hideous edit....
 
In HP1, I find it weird that part of "The Library Scene" was overlayed with "The Chess Board".
 
On the other hand, "The Return Home" being tracked into "The Ways of the Force" was immensely satisfying to me.

A lot

I agree, Yates was what drove the movies down.

I mean, it was written as a children's score (for a children's movie). It's very whimsical in nature, and I can see how it might be overbearing for some. But for its intent, I think it does its job well.

Dude.

Dude.

Dude.

But more JW music is better to have. ESB did it right, have him score it all, then figure out where it's actually needed!