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Best Cues over 5:00 Minutes.


Ollie

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Prologue - The Artist Who Did Not Want To Paint (12:27) - The Agony And The Ecstasy - Jerry Goldsmith

Prepare For Battle / Victory For Us (11:12) - Timeline - Jerry Goldsmith

Adventure On Earth (15:09) - E.T. Original Album - John Williams

Battle In The Mutara Nebula (8:05)- Star Trek II - James Horner

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Jaws - "Sea Attack Number One"

Close Encounters of the Third Kind - "The Visitors / 'Bye' / End Titles: The Special Edition"

The Adventures of Robin Hood - "The Battle - The Duel - The Victory"

Raiders of the Lost Ark - "Desert Chase"

The Bride of Frankenstein - "The Creation"

Superman: The Movie - "The Big Rescue"

Star Trek: The Motion Picture - "The Enterprise"

Vertigo - "Farewell and The Tower"

Star Wars - "The Battle of Yavin"

Star Trek II: The Wrath of Khan - "Genesis Countdown"

Star Trek III: The Search for Spock - "Stealing the Enterprise"

Goldfinger - "Dawn Raid on Fort Knox"

On Her Majesty's Secret Service - "This Never Happened to the Other Feller"

Outland - "Hot Water" (haven't got the CD with me, not sure if this is over 5 minutes)

And many others.

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Journey to The Island - Jurassic Park

Confrontion With Count Dooku And Finale - Star Wars: The Attack Of The Clones

Battle Of Hoth - Star Wars: The Empire Strikes Back

Balin's Tomb - Lord Of the Rings: The Fellowship Of The Ring (Complete)

Your Hands Are Cold - Pride And Prejudice

Something like that.

Colin Thomson

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It's Only Gold/End Credit - Cutthroat Island

The Battle/To Dawg's Ship/Morgan Battles Dawg/Dawg's Demise/The Triumph - Cutthroat Island

The Battle of Endor I - RotJ

The Battle of Yavin - Star Wars

Journey to the Island - Jurassic Park

ReEntry and Splashdown - Apollo 13

Epilouge/End Title - Star Trek II

Love Pledge and the Arena - AotC

The Quidditch Match - SS

The Invasion - 1941

The Mouth of Sauron - RotK CR

Indy's Very First Adventure - LC

The Flying Sequence - S:TM

The Ultimate War - Hook

The Patriot

The Necklace, Return, Finale - Vertigo

The Reunion - AI

The Journey to the Grey Havens - RotK CR

Carriage Chase - Cutthroat Island

Incredits - The Incredibles

The Breaking of the Fellowship - FotR

Learning the Ropes - CMIYC

Pianos - Serenada Scharzwhatever

Main Title/The Klingon Battle - ST:TMP

Wheel of Fortune - DMC

Imperial Attack - SW

End Credits - Far and Away

The Rebel Fleet/End Title - ESB

Where Is the Horse and the Rider? - TTT

Summon the Heroes

Hymn to the Fallen - SPR

Jack Sparrow - DMC

all the other ones you guys mentioned

And many, many, many more....

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"Rebel Fleet and End Title" - Empire Strikes Back

"Remembering Childhood" - Hook

"The Visitors / Bye / End Title" - Close Encounters

Far too many to name.

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Outland - "Hot Water" (haven't got the CD with me, not sure if this is over 5 minutes)

Sorry, it's only 4:52, thus making your entire post null and void. Please try again next time.

Neil - who likes "The Battle in the Mines / The Balrog" from Rosenman's Lord of the Rings score and "The Treatment", "The Hologram" and "End of a Dream" from Total Recall and "Klingon Battle" and "The Enterprise" and "The Force Field" from Star Trek - The Motion Picture and "Desert Chase" from Raiders of the Lost Ark and "Futile Escape" from Aliens and "Gillian's Escape" from The Fury and "The Fortress of Solitude" from Superman - The Movie and a ton of others.

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"End Credits" from Indiana Jones and the Last Crusade

"The Enterprise" from The Motion Picture

"Stealing the Enterprise" from The Search for Spock (Thanks, Prokofiev!)

"The Incredits" from The Incredibles

"Sanctuary!" from The Hunchback of Notre Dame

"Destruction of Xizor's Palace" from Shadows of the Empire

And of course, there are a ton more I just can't think of at the moment.

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Some which haven't been mentioned yet (unless I missed them):

Belly of the Steel Beast (Last Crusade)

Rescue From Cloud City/Hyperspace (ESB)

The Fortress of Solitude (Superman)

Gillian's Escape (The Fury)

Visitor in San Diego (The Lost World)

The Attack (Suite from The Blue Max)

The Hijacking (Air Force One)

First Flight/Final Flight (Night Crossing)

The Hunt (POTA)

Twisted Abduction (Poltergeist)

The Final Game (Rudy)

Overture (Supergirl)

End of a Dream (Total Recall)

Mona Lisa Overdrive (The Matrix Reloaded)

Toccata and Dreamscapes (Final Fantasy)

Il Triello (The Good, the Bad and the Ugly)

The Legend of the Pianist (The Legend of 1900)

Pruit Igoe (Koyaanisqatsi)

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So?

These may or may not have been mentioned (I'm not reading the entire thread):

Osgiliath Invaded (Rotk CR)

Shelob the Great (Rotk CR)

Born on the Fourth of July (Bo4J - from greatest hits)

Harry's Wondrous World (HP:PS)

Mischief Managed (HP:PoA)

Final & End Credits (ToD)

Swimming (Water Horse)

The Hand of Fate Part 1 (Signs)

That Next Place (Meet Joe Black)

Brooks Was Here (Shawshank) ... really hard to find Newman cues over 5 mins...

Blizzard Suite (Blizzard)

The Battle (Cutthroat)

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You know 5 mins for me is about the limit for an interesting JW cue. I have figured for me the ideal length is 4'30'' especially for concert arrangements.

However the following are great IMO, despite their length:

1) Journey to the Island

2) Theme from Sabrina

3) T-rex Rescue and Finale

4) Farewell Neverland

5) Harry's Wondrous World

6) Making the List

7) The Banquet (concert arr.)

8) The Day We Fight Back (good one John :lol:)

9) Theme from The Patriot

10)The Journey to the Hanamachi (I love shakuhachi)

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A pretty damned good cue over 5 mins., imHo, would be "Parting Ways" off of the Lost Vol. 1 cd. Very emotional stuff there, considering what is going on during the show at the time.

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The Mecha World - John Williams (A.I.)

Hymn To The Fallen - John Williams (Saving Private Ryan)

Theme From Angela's Ashes - John Williams (Angela's Ashes)

Burn It All - Hans Zimmer (Backdraft)

End Credits - James Newton Howard (Big Trouble)

Synchrotone - Hans Zimmer (Black Hawk Down)

Leave No Man Behind - Hans Zimmer (Black Hawk Down)

Black Sunday Suite - John Williams (Black Sunday)

Tangiers - John Powell (The Bourne Ultimatum)

Turning The Tide - James Newton Howard (Charlie Wilson's War)

Roll Tide - Hans Zimmer (Crimson Tide)

The Citrine Cross - Hans Zimmer (The Da Vinci Code)

Humvee Chase - Harry Gregson-Williams (Deja Vu)

Main Title & Storm Sequence - John Williams (Dracula)

Driving - Hans Zimmer (Driving Miss Daisy)

Too Many Notes - Not Enough Rests - Hans Zimmer (Drop Zone)

'A Fistful Of Dollars' Suite - Ennio Morricone (A Fistful Of Dollars)

The Battle - Hans Zimmer (Gladiator)

The Gladiator Waltz - Hans Zimmer (Gladiator)

Il Triello - Ennio Morricone (The Good, The Bad And The Ugly)

Fun Food Storm - John Powell (Happy Feet)

Mischief Managed! - John Williams (Harry Potter & The Prisoner Of Azkaban)

The Incredits - Michael Giacchino (The Incredibles)

End Creditouilles - Michael Giacchino (Ratatouille)

The Party - James Newton Howard (Lady In The Water)

Promentory - Trevor Jones (The Last Of The Mohicans)

Drive Away (End Title) - Thomas Newman (A Series Of Unfortunate Events)

King Of Pride Rock - Hans Zimmer (The Lion King)

Khazad-Dum - Howard Shore (The Fellowship Of The Ring)

Oceanic 815 - Michael Giacchino (Lost)

The End - Harry Gregson-Williams (Man On Fire)

Minority Report - John Williams (Minority Report)

Suite From Once Upon A Time In America - Ennio Morricone (Once Upon A Time In America)

The Patriot - John Williams (The Patriot)

At Wit's End - Hans Zimmer (At World's End)

Jack Sparrow - Hans Zimmer (Dead Man's Chest)

The Kraken - Hans Zimmer (Dead Man's Chest)

Wheel Of Fortune - Hans Zimmer (Dead Man's Chest)

Mother Africa - Hans Zimmer (The Power Of One)

Chariot Race - Hans Zimmer (The Prince Of Egypt)

Revolver - Ennio Morricone (Revolver)

The Well - Hans Zimmer (The Ring)

Basically the entire The Rock score by Hans Zimmer

The Hand Of Fate Part 1 - James Newton Howard (Signs)

End Titles - James Newton Howard (Snow Falling On Cedars)

Run Free - Hans Zimmer (Spirit: Stallion Of The Cimarron)

Love Theme From Superman - John Williams (Superman: The Movie)

The Jablonsky Variations On A Theme By HZ/Cameroon Border Post - Hans Zimmer (Tears Of The Sun)

Journey To The Line - Hans Zimmer (The Thin Red Line)

Prayers - John Powell (United 93)

The End - John Powell (United 93)

Ben Takes The Stage/Dan's Burden - Marco Beltrami (3:10 To Yuma)

What Are You Asking Me? - James Newton Howard (The Village)

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"The Zeppelin" - The Rocketeer

"Rocketeer to the Rescue/End Credits" - The Rocketeer (okay, almost every track on The Rocketeer)

"The Battle of Yavin" - Star Wars

"The Battle of Hoth" - The Empire Strikes Back

"The Riddle Solved/End Credits" - Young Sherlock Holmes

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Aren't a lot of those tracks made up of cues from all over, not the cues themselves actually being long? I mean, I don't know, I just got that impression. I personally was also speaking of the quality of said long cues.

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No, a suite is a cue compiled from other cues. Zimmer's long tracks are legit unless it's a suite or an end credits piece. And if you meant quality, first you should of said that, and second it doesn't matter because everyone has an opinion of what quality is.

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No, a suite is a cue compiled from other cues. Zimmer's long tracks are legit unless it's a suite or an end credits piece.

Yeah, I guess you could call it a suite. Okay, so they are tracks that were originally scored that way. Gotcha.

And if you meant quality, first you should of said that, and second it doesn't matter because everyone has an opinion of what quality is.

Uh, yeah, that's why I posted it...it was my opinion... :rolleyes:

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The only ones I can think of currently...

Death Is The Road To Awe - The Fountain - Clint Mansell

Hand Of Fate Pt.1 - Signs - James Newton Howard

The Farewell Scene - Nixon - John Williams

Carbon Freeze/Darth Vader's Trap/Departure Of Boba Fett - Empire Strikes Back - John Williams

Debriefing - MGS3 : Snake Eater - Harry Gregson-Williams

Visitor In San Diego - The Lost World - John Williams

I wish I could put Becoming A Geisha but it's 8 seconds to short:(

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If you put together Moving Things Along and Anakin's Dark Deeds with the unreleased music in the middle (and at the end of course) you get one very satisfying near 10 minute sequence.

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Ah, yes. I would say that was among the best of Williams's--and really Lucas's also--acheivements in the prequel trilogy. It's a fine sequence, both in a musical sense and a cinematic sense.

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