Edmilson

He was dating his now-wife, they got engaged/married in 2013.

"Sources had told us that Hans Zimmer was seen entering the EON offices. Apparently, the Academy Award winner composer had been lobbying for his Remote Control composers to score the upcoming James Bond blockbuster No Time to Die.
 
He said to the producers that he will arrange his own version of the iconic James Bond Theme and be one of the collaborators on the theme song, to be performed by Pharrell Williams, while most of the score will be composed and arranged by Benjamin Wallfisch, Steve Mazzarro, Andrew Kawczynski, Lorne Balfe and Junkie XL, although they will be credited as "Additional Composers". 

Is it April 1st?

Here is the cover and tracklist of the official OST, as revealed by Film Music Reporter:
 

 
1. A Hidden Life (2:50)
2. Israel in Egypt, HWV 54, Part I, No. 16 ‘Chorus: And Believed The Lord’ – Handel (4:25)
3. Surrounded by Walls (2:53)
4. Return (2:41)
5. Indoctrination (2:12)
6. Morality in Darkness (3:13)
7. Love and Suffering (7:44)
8. Tabula Rasa: II. Silentium – Handel (15:46)
9. Hope (2:30)
10. Descent (6:25)
11. Czech Suite in D Major, Op. 39: I. Allegro Moderato – Dvorak (3:54)
12. Kleines Requiem für eine Polka, Op. 66: IV. Adagio Cantabile – Gorecki (6:25)
13. Knotted (3:39)
14. There Will Be No Mysteries (4:42)
 
Yeah, it is EXACTLY the same program of the FYC, which is a bummer, I was hoping maybe the OST would have a few unreleased tracks that the FYC didn't have. But maybe this is pretty much everything JNH recorded?

Here is the cover and tracklist of the official OST, as revealed by Film Music Reporter:
 

 
1. A Hidden Life (2:50)
2. Israel in Egypt, HWV 54, Part I, No. 16 ‘Chorus: And Believed The Lord’ – Handel (4:25)
3. Surrounded by Walls (2:53)
4. Return (2:41)
5. Indoctrination (2:12)
6. Morality in Darkness (3:13)
7. Love and Suffering (7:44)
8. Tabula Rasa: II. Silentium – Handel (15:46)
9. Hope (2:30)
10. Descent (6:25)
11. Czech Suite in D Major, Op. 39: I. Allegro Moderato – Dvorak (3:54)
12. Kleines Requiem für eine Polka, Op. 66: IV. Adagio Cantabile – Gorecki (6:25)
13. Knotted (3:39)
14. There Will Be No Mysteries (4:42)
 
Yeah, it is EXACTLY the same program of the FYC, which is a bummer, I was hoping maybe the OST would have a few unreleased tracks that the FYC didn't have. But maybe this is pretty much everything JNH recorded?

This score is probably even harder to rip properly than average, it's mixed low as hell, usually buried completely.

Yeah, right. Because as a film music fan, the first guy you think about when a new Star Wars film is announced, is "Fuck yes, Nathan Johnson!" 
 
That interviewer is bs-ing something fierce. 

I watched the preview for the Ford Dog Movie and the computer animation does look quite atrocious.

I assumed it was related to the upcoming BluRay release. The show twitter account wouldn’t have anything to do with a book that is never going to be released anyway. 

My favorite performance of Holdo's theme is not on Holdo's Resolve, but on this track, when the character is introduced. The noble horns reminded me a little of Shore's LOTR scores, specially the Gondor material:
 
 

Or The Good German over Babel, which is one of the more embarrassing winners and should have been disqualified, anyway, and Notes on a Scandal, Pan's Labyrinth, and The Queen weren't the stiffest competition in the world. Painless.

It was a pretty great year, I like all of those scores (although I personally would replace Goldenthal's Interview for James Horner's Legends of the Fall). But, for me, Newman's Shawshank deserved the Oscar that year, it is simply one of my favorite scores of all time.

This is a controversial opinion, but for me Newman should have won in 94 for The Shawshank Redemption. I like The Lion King, and of course the music is tremendously popular, but I love Shawshank's score even more.
 
Zimmer, on the other hand, should've won in 98, either for The Thin Red Line or The Prince of Egypt (which I like more than Lion King), or even both!

I don't think so. I listened to the recording session leak two or three times, and I still think it's a very dull score, although there are some cool unreleased material, like the complete Jungle Chase, specifically the early version of 5M40 Ugh, Vines. 

My favorite performance of Holdo's theme is not on Holdo's Resolve, but on this track, when the character is introduced. The noble horns reminded me a little of Shore's LOTR scores, specially the Gondor material:
 
 

Geez, are you guys seriously overthinking a small and innofensive joke on a Disney movie? No wonder the MCU has so many haters down here.

He put the names of a lot of people who worked on the film into cue names in reels 5, 6, and 7
 
 
http://filmcues.blogspot.com/2016/05/indiana-jones-and-kingdom-of-crystal.html

So probably a reference to all the hard work Michael Kahn had to do to create a coherent action scene with all the ridiculous material he had on hands.

I don't think so. I listened to the recording session leak two or three times, and I still think it's a very dull score, although there are some cool unreleased material, like the complete Jungle Chase, specifically the early version of 5M40 Ugh, Vines. 

YES!  Amazing cue.  Should have been on the OST!

And then it moves into the most different MotR rendition yet!

I love the music for when the Supremacy and the rest of the First Order fleet appears when the Resistance thinks they've escaped.  Fantastic version of Kylo's theme, and I love the small rhythmic motif right after that.  Last Jedi is brimming over with interesting little rhythmic motifs that never develop into anything.  As I've listened to the score many times over the past couple years, it's those small things that really add to the overall texture I've developed an appreciation for.
 
 

True story: The actual title of 5M40 is "Mike Kahn Cooks". 
 
"Ugh, Vines" is a title some fan made up

Technically we did... years ago.