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scallenger

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Posts posted by scallenger

  1. I still read that track name us "Furries". ;)

     

    3 minutes ago, Richard Penna said:

    I'm least desiring an expansion of the third as the album plays really well, but there's no way I'm going to turn down a hat trick of HTTYD complete scores. Plus two of the extra tracks on the FYC are really nice, and as mentioned, there's some action cue missing.

     

    YES! That missing action cue before the big battle is honestly a highlight for me, so having that on CD officially alone would make that worth it. I am sure there must be interesting demos, maybe even actual alternates too that we may not know about?

  2. Huh! Really surprised it is honestly still in print at 3,000 units. Maybe that is why they are doing the bundle. And maybe that is also why this release is only 2,000 units. I think maybe the first one still hasn't sold out because, if I recall, the FYC has everything on it (and lossless copies came up). For this film the FYC was only ever in MP3 and lacked the film versions of "Where No One Goes".

  3. It's funny how Powell's Dragon scores have grown on me in nearly the same way every time. With the first score for some reason it didn't connect with me right away... but over a short time it became my favorite score of that year. Same with the second score... I was initially disappointed and preferred the first score but over a short period of time I loved it even more! Then the third... "oh, it was alright but I still vastly prefer the second score", yet while I STILL may prefer the second score overall, the third one has seriously creeped up on me for being potentially even better. I think he certainly improved on his orchestrations, and the new themes are great and powerful.

     

    It's just interesting to me that his Dragon scores were all like that to me. Usually scores either connect with me right away or they never really do. So I wonder what, for me at least, has a disconnect at first but then over time somehow beckons me to revisit then fall in love with it for all time?

     

    NOTE: The Jonsi songs for me are easily ranked in this order, however: 1) Where No One Goes [Gee, I wonder why?], 2) Together From Afar [A very close second, it resonates with me.], 3) Sticks And Stones [A distant third; fluff, but good fluff.]. Btw, I will always love that they got the guy who did the amazing Hoppípolla song that I was blown away by years prior when it was used in a trailer for the "Planet Earth" documentary series.

  4. I wrote an article about this, haha. ;)

     

    https://jurassicoutpost.com/empire-reveals-new-jurassic-world-dominion-atrociraptor-image-details

     

    I like the idea of having vicious Raptors back in the film, but I think it's funny how the director makes it sound like something that is new. It's how they used to be in these films! LOL. Before anyone asks, yes, Atrociraptor is a real dinosaur despite its amusing name.

     

    I comment how the image looks like something out of a James Bond movie, complete with a closing quip: "Do you think there’s just No Time To Die for Owen in this image, or is it an atrocity?". Yeah. I'm proud of that line. ;)

  5. Yeppp. That was why I had to ask! It's kind of like how "Adventures Of Han" was left off the Deluxe Edition of "Solo"; I felt something similar could have happened here. Btw this is what he said "yes" to:

     

    Quote

    So excited for the deluxe edition! One if my favorite scores of all time! Question: Will it include the film versions of "Where No One Goes"? I love the fun exciting extension to the ending of the version in the opening of the film, and also the instrumental intro leading into the end credits version!

     

    I may have been a bit wordy, I was tired but excited, haha. ;)

     

    I think another reason why I felt they may not be included is because essentially to be "complete" you'd have to have a whopping THREE versions: the two used in the film and the album version. I think if a composer less interested in this kind of release had been involved, or same with the label, they would have just stuck with the album version. Now, if he does end up omitting the album version, I wouldn't be surprised or miffed at all since we of course already have it.

     

    Basically the album version is the song as heard in the opening of the film (sans some extra instrumental flourishes from the film mix, if I am not mistaken) but without the exciting orchestral ending when Toothless crashes. The album's version of the ending however is also heard in the end credits version.

     

    But who knows, perhaps the album version may still be included, which would be nice!

  6. Ahh I see. Well that is still good the score finally clicked with you! I feel like it is more of mood-setter than something more in your face with its themes, like ID4. I mean, it has some nice themes in it, but you're right that they don't really stick with you like some of his other scores. But I don't know what it is, the score just has this intense life to it, nearly all the way through; it's a wild good time.

  7. This is part of my holy trinity of David Arnold scores (tied with ID4 and The World Is Not Enough). I am glad you finally gave it a listen! It's often too buried by SFX in the film and heavily edited at times to have been properly appreciated without listening to it on its own (that, and many people hate this film or don't like it enough to ever re-watch and be reminded of how good the music in it is). Why it never got a proper album release (beyond a promo) until LLL first released the complete score, I have no idea. I also "upgraded" to this BuySoundtrax version years ago for the additional alternates and the unreleased promo album (which I believe has its own alternate for a track in there as well); giving me nostalgia from having found the promo in watery 128k MP3s on Napster back in the old internet days haha. His selections for the promo album were really good choices, but the complete score has some incredible additional tracks throughout, making the complete score clearly the best way to listen despite its girth.

     

    Yeah it is curious Arnold made the score so percussion heavy, and given it came out the year after Lost World I think you are right in assuming he was inspired by the same choice haha. Arnold uses percussion in similarly intense ways at times (like that bit where it escalates with the brass right before the "Taxi Chase" begins? holy crap!). It's an AMAZING score to drive to, by the way.

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