The Official La-La Land Records Thread

[Ollie 1,059]

If/when the prequels are released, it won't be thru LaLaLand, FSM etc etc.

Sony will release it themselves, or whatever label holds the rights at the time, as a mainstream release.

[Wojo 2,453]

Oooh, goodie, maybe Concord will pick them up!!!!!!!!!

[Richard Penna 3,696]

I don't understand what the hold up is really. No reuse fees and nothing to restore from tapes. Just needs to be put on a CD.

I fail to see what anyone loses. Except maybe Williams and his sanity when he realises his precious listening experience has been shattered.

[Ollie 1,059]

Well the "blame" can probably be placed with Lucas and Williams.

I'm sure Williams feels the current albums are good enough. After the fiasco with TPM:UE, well that was just a mess.

And I know people here do not want to hear this but the prequel scores aren't as popular with the public as the original trilogy was and still is.

[Diego 21]

I think there are several factors holding up the prequels scores:

1. CD sales as a whole are low, not to mention that the UE is rumored to have sold poorly. And even without re-issue fees it's still expensive to master, mix and produce an album, it really isn't as simple as some people make it sound.

2. The oldest prequel is just 10 years old, which is not that long time when it comes to re-issuing scores and it has already been given 2 different releases, ROTS is not even 5 years old (how much did we have to wait for expanded OT and Indy for example)

3. Lucasfilm right now is on kid mode with the huge success of the cartoon and the toys selling pretty well, I think they might consider scores after the success of the Clone Wars has gone and they have to rely on older SW fans to make money.

4. I doubt the average SW fan cares too much about complete prequel scores, it's not like with ROTJ that only had a 45 minute LP back in the day with some very notorious missing music ("Dark Side Beckons"). And yeah, I know some of you will say that the unreleased music from the prequels is as good and as important as stuff like "Dark Side Beckons" but really is not.

I still think they will happen one day, it's Lucasfilm and Star Wars afterall, if the Vader toaster or the R2 laundry basket are any indication it's that they like to milk SW as much as they can. As long as there's a profit to be made, they'll make the scores, the question is then, will complete prequel scores be profitable? I think so, although they wouldn't be mega-sellers at all.

[John Crichton 4]

Oooh, goodie, maybe Concord will pick them up!!!!!!!!!

Should I start the Star Wars Prequel Pitch Correction Thread now?

[Charlie Brigden 7]

4. I doubt the average SW fan cares too much about complete prequel scores, it's not like with ROTJ that only had a 45 minute LP back in the day with some very notorious missing music ("Dark Side Beckons"). And yeah, I know some of you will say that the unreleased music from the prequels is as good and as important as stuff like "Dark Side Beckons" but really is not.

As good? Well, "The Dark Side Beckons" is already on a ridiculous pedestal anyway, so it would be hard to top that. But as important? Sure. "I Am The Senate" immediately disproves that. The shortened "Lament". No "Padme's Visit". Half of the duel missing. And that's just ROTS.

As for the average SW fan, well I've heard and read a lot from them, and the general consensus seems to be that they all want complete prequel scores as much as we do. Just a five-minute read at the Jedi Council will tell you that.

[Unlucky Bastard 7,782]

They'd be content with a release of every existing alternate of "Duel of the Fates".

[Diego 21]

The average SW fan doesn't even know much of "I Am the Senate" since it was pretty much cut into pieces in the film. The missing piece of Lament is not very long, so again most people won't notice (10 or so SW freaks on a SW forum don't count, the mayor part of the profit wouldn't come from them). Maybe I've just seen different forums but most "normal" SW fans seem pretty happy with their Imperial Marches, Battle of the Heroes, Duel of the Fate, etc.

Again, this is not like Jedi that was pretty much just unreleased music if you take into consideration that of the 45 minute LP, a big part were concert pieces. If the average fan cares so much, why did the UE sold poorly? And no, I don't think they mind the music is all screwed up, in fact, from what I've read, some SW fans prefer it that way, because, "it's just like the movie".

They will happen, I'm pretty sure, but come on, ROTS isn't even 5 years old, we just have to be patient.

[Wojo 2,453]

I don't know why the UE sold so poorly. Word of mouth on forums like this certainly kept the soundtrack buffs away, but this wasn't released by an online label. It was a mass released product found in stores. Maybe only the die hard soundtrack collectors buy the expensive sets, but do all soundtrack buyers frequent sites like this? I don't think so. Did the average joe feel that his one disc TPM was enough, and an unattractive package with 30+ tracks per disc seem too intimidating?

It was released too soon after the release of the single disc OST, but I don't know if that had an effect. The Lord of the Rings Complete Recordings were more expensive and were also released soon after the single disc versions, but these were very hard to find and sold very well.

I think the prequel scores will be released in their entirety. Unfortunately I do not think it will be within Williams' lifetime.

[Ollie 1,059]

I don't know why the UE sold so poorly. Word of mouth on forums like this certainly kept the soundtrack buffs away, but this wasn't released by an online label. It was a mass released product found in stores. Maybe only the die hard soundtrack collectors buy the expensive sets, but do all soundtrack buyers frequent sites like this? I don't think so. Did the average joe feel that his one disc TPM was enough, and an unattractive package with 30+ tracks per disc seem too intimidating?

It was released too soon after the release of the single disc OST, but I don't know if that had an effect. The Lord of the Rings Complete Recordings were more expensive and were also released soon after the single disc versions, but these were very hard to find and sold very well.

I think the prequel scores will be released in their entirety. Unfortunately I do not think it will be within Williams' lifetime.

Actually the LOTR complete scores began 2 years after ROTK. So it was 4 years after FOTR that the first one was released. TPM:UE came out 15 or so months after the original album did and there was some speculation among a few in the business that it was too soon.

I don't have the sales figures but it's obvious the LOTR original albums sold well and Howard Shore, as well as PJ, was a force behind getting the complete recordings out there.

Williams doesn't feel the same way.

[Diego 21]

Maybe it was too soon, but they were losing money due to the bootleg that was around at the same time.

[Ollie 1,059]

But that's not possible. There's no way uploaded files to the internet could affect sales of an album.

People here don't subscribe to that theory, it's blaspemy I tell you. The utter notion is absurd.

Yes that was a heavy dose of sarcasm.

[Wojo 2,453]

There are many companies who own the rights to soundtracks that have decent boots circulating, and we don't see these companies rushing to tap that market with proper release.

The TPM UE was a greedy venture at best. A half-assed rushed product from a company who thought that "every note from the movie" was what the fans wanted.

If the TPM DVD had had an isolated score track, the same musical product with no UE album release, I think the fans would have been happier.

[DigitalfreakNYC 59]

The Fugitive Arrived from MovieMusic today, yay! Now I can get rid of the craptacular sounding boot.

I apologize if this was already answered or if we're not allowed to discuss this but does the 2CD have everything that was on the first release and the bootleg? I just want to make sure I can get rid of both now

[Trent B 337]

The Fugitive Arrived from MovieMusic today, yay! :cool: Now I can get rid of the craptacular sounding boot.

I apologize if this was already answered or if we're not allowed to discuss this but does the 2CD have everything that was on the first release and the bootleg? I just want to make sure I can get rid of both now :cool:

Yes it does and even more so. The boot wasn't complete.

[Delorean90 42]

There are many companies who own the rights to soundtracks that have decent boots circulating, and we don't see these companies rushing to tap that market with proper release.

The TPM UE was a greedy venture at best. A half-assed rushed product from a company who thought that "every note from the movie" was what the fans wanted.

If the TPM DVD had had an isolated score track, the same musical product with no UE album release, I think the fans would have been happier.

And a cue richer, with the film version of "Augie's Great Municipal Band." Talk about insult to injury.

[Trent B 337]

Ya it's funny how they made all the cues on the TPM U.E. their film version counter parts except "Augie's Great Municipal Band", I wonder what prompted them to make that one the album version...

[DigitalfreakNYC 59]

The Fugitive Arrived from MovieMusic today, yay! Now I can get rid of the craptacular sounding boot.

I apologize if this was already answered or if we're not allowed to discuss this but does the 2CD have everything that was on the first release and the bootleg? I just want to make sure I can get rid of both now

Yes it does and even more so. The boot wasn't complete.

Thank you very much. Does the same thing go for Innerspace and Back To The Future? I'd love to toss those boots out as well.

[Ollie 1,059]

Yes with BTTF and Innerspace, in fact LaLaLand's release has even more music than any previous version ever had.

The only difference is the mix on the cue "Optic Nerve", the original album's title was "Enviromental Adjust". The synth pulse beats are somewhat mixed out of the second half of the cue on the LaLaLand album.

Some people at FSM did raise issue.

[Trent B 337]

Back To The Future is definitely a must. The DeLorean boot that had been floating around for ages was far from complete. In fact that boot used some alternate cues for a few things.

[DigitalfreakNYC 59]

Back To The Future is definitely a must. The DeLorean boot that had been floating around for ages was far from complete. In fact that boot used some alternate cues for a few things.

Are those alternate cues available on the official release?

[Jay 37,376]

Yes, he meant cues from CD2 of the official Intrada release.

[Trent B 337]

Not sure if anyone else caught this on FSM but in the "Days Of Our Lives Thread" over there, this is something of interesting to note that MV wrote about their, major MAJOR release dates.

3/23, 4/20, 5/4, 7/20 and 11/30

He also said there are other good stuff coming out this year from them too but those specific dates mentioned will be something big on each date.

[Frank Vincent 234]

La-La Land has just revealed two new limited edition releases to be released on Tuesday, Feb 9, 2010 at Noon PST.

They are:

THE FLASH - 2 cd set featuring the best music from the DC Comics/Warner Bros television show. Music by Shirley Walker, theme by Danny Elfman. Produced by Ford A. Thaxton. Mastered by James Nelson and Liner Notes by Randall Larson. Features over 2 HOURS of some of the best music written for television in recent memory! If you loved Ms Walker's work on Batman and Superman you will love this!

LIMITED EDITION of 3000 units

$26.98

CONFESSION - haunting, lush score by Ryan Shore from the Religious Thriller film starring Chris Pine (Star Trek). The first 100 copies will be autographed by composer Ryan Shore. As always, it's based on a first come first served basis.

Limited Edition of 1000 units.

$19.98

[Ollie 1,059]

Hmmm, The Flash may be worth checking out. The theme is on Music for a Darkened Theater Vol. II. I thought it was pretty good.

[Jay 37,376]

Oh cool! I guess that settles it; My next moviemusic order will the Black Sunday, Players, and The Flash!

[Diego 21]

You know what Jason? I'm going to make the exact same order!

[Jay 37,376]

Nice!

Do they offer $1 for orders going into Mexico?

[Diego 21]

Sadly no, and even if they did, at that price and knowing the mexican post service, it would most likely get lost.

Hmmm, The Flash may be worth checking out. The theme is on Music for a Darkened Theater Vol. II. I thought it was pretty good.

Oh yeah, the theme is good if a bit too much like Batman's.

Hopefully this means LaLaLand will release more DC stuff, I really, really want at least two more volumes of Batman: TAS, however it seems this was supposed to come out before the Batman CD so the deal was made before this whole "Warner wants to release stuff on its own label" thing.

[John Crichton 4]

Still no Farscape Vol. 4?! Grrr.....

[Jay 37,376]

THE FLASH: LIMITED EDITION

THE FLASH: LIMITED EDITION (2CD-SET) LLLCD 1101

Music by Shirley Walker Theme by Danny Elfman

Limited Edition of 3000 Units

NOW SHIPPING

RETAIL PRICE: $26.98

ORDER "THE FLASH: LIMITED EDITION (2CD-SET)" Feb 9th at www.lalalandrecords.com

NEW RELEASE SPECIAL!!! Order THE FLASH: LIMITED EDITION (2CD-SET) at www.lalalandrecords.com and get CONFESSION: LIMITED EDITION at a special sale price of $14.98. For a limited time.

World Premiere release of the score to the 1990/1991 Warner Bros./DC Comics television series THE FLASH, starring John Wesley Shipp and Amanda Pays. Building off of Danny Elfman's rousing theme, acclaimed composer Shirley Walker (BATMAN: THE ANIMATED SERIES, SUPERMAN: THE ANIMATED SERIES, WILLARD, TURBULENCE, FINAL DESTINATION) composes and conducts an exhilarating orchestral super-hero score that chronicles the thrilling adventures of one of DC Comics' most beloved superheroes, THE FLASH. Produced by Ford A. Thaxton and mastered by James Nelson, this two-disc release features over 2HRS of astounding music and includes in-depth liner notes by Randall D. Larson. This is a limited edition of 3000 Units.

TRACK LISTING:

DISC ONE

01. Main Title Theme† (Danny Elfman) 1:32

PILOT

02. The Flash – Pilot Main Title Theme / Street Danger† 2:44

03. Explosion 1:46

04. Dark Rider Den / Rick Dies 2:18

05. Meeting Tina / Treadmill 2:08

06. Riders Embarrass Police 1:29

07. Track Running Test 1:18

08. Barry's Brother† 3:53

09. Funeral / Father & Son 1:20

10. First Flash Attack† 4:34

11. Tina Meets Iris / Iris Comes Over 2:32

12. The Flash Toys With Riders 1:26

13. Barry's Breakdown 1:26

14. Invasion / The Fighting Starts 2:32

15. The Flash Joins The Fight† 1:34

16. Pike Beats The Flash / Flash Beats Pike 8:28

17. Barry & Tina / Barry & Sean† 1:05

18. THE FLASH: Pilot End Credits† 1:03

CAPTAIN COLD

19. Hot Spell 0:43

20. Solid Stiffs / Bomb Squad / The Cold Hand Of Death 2:57

21. Snow Dome / Iced Stiff† / Hypothermia 3:11

22. No Witnesses 0:43

23. The Ice Man Cometh / The Frozen Bus & Frozen Cops /

The Big Chill† / Julio, THE FLASH? 2:07

THE TRICKSTER

24. Car Phone Call / Megan In Distress 2:34

25. The Flash Saves Megan 1:35

26. Hypertoss And Turn / Not Too Tired For Hyperlove /

Tricky Escape 3:11

27. Skitoid Trickster 1:21

28. Gag Me With A Flash† 1:03

29. The Lounge Lizard† 2:33

30. Barry Gets Hung Up 3:28

31. Murph The Flash† 0:27

32. The Real Flash† 0:55

33. Baked You A Cake / Flash Struggles† / That's All Folks††† 2:33

34. The Flash Shot Down 1:18

35. THE FLASH: End Credits† (Danny Elfman) 1:01

CD ONE Total Time: 77:05

DISC TWO

01. Main Title Theme (w. FX)† (Danny Elfman) 1:32

WATCHING THE DETECTIVE

02. Megan Lockhart, P.I. 1:43

03. Fire / Rescue / Megan's Theme 1:55

04. Lounge Lizard / Man Behind The Mask 1:41

05. Star Labs Van / The Lock / Megan Installs Camera 1:45

06. Casino / Everybody Wins 1:05

07. Nice PJ's /Get It† / Take Out Megan Lockhart 1:39

08. Campaign Worker† / Watch For Radiation 1:39

09. The Fire Bug† / Megan Gets Caught† /

Flash To The Rescue† / Secret Lives 3:01

10. That's All For Now 0:49

GHOST IN THE MACHINE

11. At The Stroke Of Twelve 4:39

12. It's About Time 0:27

13. The Ghost Show† / Nightshade 1:45

14. Special Bulletin / Get On With The Show† 2:14

15. Flash Meets The Nightshade 1:14

16. On Line / Just A Memory / Wired 3:02

17. The Flash Gets Programmed / Don't Touch That Dial /

Nightshade Hangs Up His Gun 3:20

DONE WITH MIRRORS

18. Beautiful Battery / Barry Gets Kissed / She's Got The Touch 2:55

19. Two Bit Town / Urban Cowboy 2:38

20. Crystal Caper / No Smoke, No Fire 1:44

21. Double Jeopardy 3:08

22. Mothers, Got To Love' Em / Anything But The Mime 0:56

FAST FORWARD

23. Back To The Future† 2:56

24. Pike City / Where Did You Get That Red Suit?† /

Barry Finds Tina / Cops From Hell 5:15

25. Maximum Power / On The Move / Flash, The Legend† 2:31

26. The Flash Returns† / I'm Back† 2:47

27. Back Through Time† / Pike's Confession / Words To Live By 4:25

TRIAL OF THE TRICKSTER

28. Center City Crime 1:52

29. When You Care Enough / The Trickster Bear 2:14

30. Clark Toys/ Bigger Kicks / Prank 2:45

31. The Merry-Go-Round Broke Down†† 0:18

32. Flash, The Executioner† / The Great Trickster Escapemobile /

Exploding Cars† 4:07

33. Padded Cell / Home Of The Flash 1:08

34. THE FLASH: End Credits (w. FX)† (Danny Elfman) 1:01

CD TWO Total Time: 77:09

† Contains THE FLASH theme by Danny Elfman,

†† Written by Dave Franklin and Cliff Friend

††† - Music by Carl Stalling, published by Warner Bros. Inc. ASCAP

CONFESSION: LIMITED EDITION

CONFESSION: LIMITED EDITION LLLCD 1119

Music by Ryan Shore

Limited Edition of 1000 Units

NOW SHIPPING

RETAIL PRICE: $19.98

ORDER "CONFESSION: LIMITED EDITION" Feb 9th at www.lalalandrecords.com and get your CD autographed by composer Ryan Shore at no additional charge. Autographs are while supplies last and are not guaranteed. For a limited time.

Presenting the original motion picture score to the feature film drama CONFESSION, starring Chris Pine (STAR TREK '09), Peter Greene and Bruce Davidson, and directed by Jonathan Meyers. Accomplished composer Ryan Shore (PRIME, HEADSPACE, NUMB, CABIN FEVER 2) fashions a hauntingly beautiful orchestral score that skillfully weaves together all the complex emotions and themes inherent in this thoughtful drama, which deals with faith, loyalty, love and murder. Produced by Ryan Shore, this is a special limited edition of 1000 Units. CD booklet contains exclusive liner notes from the composer and director.

TRACK LISTING

1. Philosophy (1:37)

2. Luther Flees (:38)

3. Bicycle (1:11)

4. Dining Hall (2:25)

5. Guilt (1:19)

6. Bennet's Confession (:50)

7. Luther Kills Bennet (3:18)

8. Aftermath (4:02)

9. Luther's Confession (2:49)

10. Kelly's Rosary (1:23)

11. Rain (:43)

12. Priest Interrogation (1:17)

13. Father Abbot (1:06)

14. Kelly's Flashback (3:45)

15. The Bloody Robe (:50)

16. Choice (1:14)

17. Promise (1:24)

18. Escape (1:18)

19. Luther Shoots Robbie (2:52)

20. Choose (3:21)

21. Requiem (1:21)

22. Confession (1:45)

23. Sacred (2:01)

Total Time: 42:28

[Jay 37,376]

Ordering links with samples are now live

http://www.lalalandrecords.com/Flash.html

http://www.lalalandrecords.com/Confession.html

Also Mask Of The Phantasm is temporarily reduced to $14.98

http://www.lalalandrecords.com/BatManMOTP.html

[Ollie 1,059]

Just FYI, LaLaLands release of Akira Ifukube's score to Godzilla is going to be deleted from their catalogue on March 31st, 2010. Less than 200 remain. Info can be found on their main page.

http://www.lalalandrecords.com/Godzilla.html

If you haven't picked this one up yet and are interested I would recommend you grab it.

[Kendal_Ozzel 36]

I just ordered Mercenaries, since it's only $4.98 and there's less than 75 copies left.

[Andy 4,147]

Just FYI, LaLaLands release of Akira Ifukube's score to Godzilla is going to be deleted from their catalogue on March 31st, 2010. Less than 200 remain. Info can be found on their main page.

http://www.lalalandrecords.com/Godzilla.html

If you haven't picked this one up yet and are interested I would recommend you grab it.

Mark, I'll have you know I ordered it based pretty much on your hearty endorsement of the score. Do you happen to know if this release had an numbered edition size?

[Ollie 1,059]

No it wasn't a limited edition, there is no mention on the CD or liner notes. Since it was sold in regular stores, I saw copies in Best Buy, Barnes & Noble and Fryes to name a few, I'm guessing LaLaLand had either an unlimited pressing, a set limit that was larger than 3000 or a contract with Toho for a certain period to distribute.

Toho is pretty strict with their licensing and copyrights when it comes to Godzilla.

I'm sure you will enjoy it. I would also recommend, if you haven't seen the film, to get a copy of the Classic Media release of the original version to see how Ifukube's music works within the film. It's a somewhat different way of scoring compared to American composers.

[Andy 4,147]

Just added it to my netflix.

It's a somewhat different way of scoring compared to American composers.

Different in what way? Care to elaborate?

[John Crichton 4]

Just FYI, LaLaLands release of Akira Ifukube's score to Godzilla is going to be deleted from their catalogue on March 31st, 2010. Less than 200 remain. Info can be found on their main page.

http://www.lalalandrecords.com/Godzilla.html

If you haven't picked this one up yet and are interested I would recommend you grab it.

I'd better grab it then.

[Wojo 2,453]

I want to buy it as well, and I liked the clips of Nate and Hayes. I'm on the fence about The Flash. I really like Shirley Walker's work for Batman TAS, but I haven't decided if it's because I like Shirley Walker or because I like Batman.

I'll wait and see what Intrada's releases are before I make any commitments.

[Ollie 1,059]

Different in what way? Care to elaborate?

Ifukube would use mostly motifs and themes as set pieces, John Barry would be be the closest example I could think of. There wasn't a lot of "Mickey Mousing" in Ifukube's work. Part of it had to do with the short time period he was allotted. He may have had 2 weeks to 5 days to compose and orchestrate a score.

For some people this can become a tad bit repetitive to listen too, although Ifukube stated in interviews that he never intended for his music to be heard outside of the films they were composed for.

Here is an interview with Ifukube that gives some insight, he even mentions having some of John Williams' recordings, although he doesn't go into detail.

http://www.historyvortex.org/InterviewAkiraIfukube.html

I would recommend seeking out some of his concert works if you get a chance.

[Andy 4,147]

Cool interview. How do you pronounce his name?

[Ollie 1,059]

There was a link at FSM that had the correct pronunciation of composer's names but I can't find it.

Forgive me for not using the correct symbols but it sounds similar to this: Akeera If-ookoobay

[Koray Savas 2,251]

I've always pronounced it E-foo-koob

[Jay 37,376]

BATTLESTAR GALACTICA: THE PLAN / RAZOR

BATTLESTAR GALACTICA: THE PLAN / RAZOR LLLCD 1125

Music by Bear McCreary

NOW SHIPPING

RETAIL PRICE: $15.98

ORDER "BATTLESTAR GALACTICA: THE PLAN / RAZOR" Feb 23th at www.lalalandrecords.com and get your CD autographed by composer Bear McCreary at no additional charge. Autographs are while supplies last and are not guaranteed.

Bear McCreary's BATTLESTAR GALACTICA music lives on with this all-new, premiere release of his exceptional scores to the GALACTICA feature-length TV events THE PLAN and RAZOR. Both of these television films, based on the hit series, play a crucial role in fleshing out the key backstory in this now-classic, dramatic sci-fi saga. Composer Bear McCreary relishes the creative challenges both films present, expanding his riveting GALACTICA musical arsenal in new and exciting directions. This special soundtrack presentation features the scores to 2009's sensational THE PLAN, directed by Edward James Olmos, and 2007's acclaimed RAZOR, both of which are available now on DVD in stores everywhere. CD features an exclusive live performance track.

TRACK LISTING:

1. Apocalypse (Theme from "The Plan") - From "The Plan" 4:06

Featuring Raya Yarbrough, vocals

Lyrics Traditional, Music by Bear McCreary

2. Razor Main Title - From "Razor" 2:13

3. Arriving at Pegasus - From "Razor" 2:27

4. The Plan Main Title - From "The Plan" 4:33

5. Attack on the Scorpion Shipyards - From "Razor" 3:37

6. Apocalypse, Pt. I - From "The Plan" 6:36

7. Apocalypse, Pt. II - From "The Plan" 2:35

8. Pegasus Aftermath - From "Razor" 4:09

9. Kendra's Memories - From "Razor" 2:43

10. Mayhem on the Colonies - From "The Plan" 3:28

11. Civilian Standoff on the Scylla - From "Razor" 2:56

12. Husker in Combat - From "Razor" 1:54

Contains "Theme from "Battlestar Galactica"

by Stu Phillips and Glen A. Larson

Adapted and Arranged by Bear McCreary

13. Major Kendra Shaw From "Razor" 5:03

14. Cavil Kills and Cavil Spares From "The Plan" 2:12

Featuring Raya Yarbrough, vocals

15. The Hybrid Awaits From "Razor" 2:43

16. Kendra and the Hybrid From "Razor" 6:06

17. Princes of the Universe From "The Plan" 3:56

18. Starbuck's Destiny From "Razor" 0:39

19. Apocalypse (Theme from "The Plan") 6:24

[bonus Live Version]

Performed by The Battlestar Galactica Orchestra

TOTAL RUNNING TIME 68:39

To celebrate our release of BSG: THE PLAN / RAZOR we are offering Bear McCreary's CAPRICA at www.lalalandrecords.com at a special sale price of $9.98. For a limited time.

DAYS OF OUR LIVES (2CD-SET)

DAYS OF OUR LIVES (2CD-SET) LLLCD 1123

Music by Ken Corday and D. Brent Nelson

NOW SHIPPING

RETAIL PRICE: $21.98

ORDER "DAYS OF OUR LIVES (2CD-SET)" Feb 23th at www.lalalandrecords.com and get your CD autographed by composers Ken Corday and D. Brent Nelson at no additional charge. Autographs are while supplies last and are not guaranteed. For a limited time.

Presenting the music score from the legendary NBC daytime soap opera DAYS OF OUR LIVES. This new 2 CD-SET chronicles the very best musical moments from this famed and beloved series drama, featuring dynamic tracks from the show that capture all of the saga's romance, suspense, drama, thrills and passion. Fans will love the signature themes tied to their favorite DAYS characters (John Black, Colleen Brady, John & Marlena, Stephano Dimera, and many more) as well as the famed main title theme. Series composers Ken Corday and D. Brent Nelson envelope the listener in a unique musical experience that will thrill DAYS devotees and delight music fans of all stripes. An expertly crafted, emotional keepsake from a television landmark.

Disc I:

1. Theme from "Days of our Lives" (:35)

2. An Everlasting Love (2:36)

3. Discovery (1:04)

4. Who Is John Black? (1:07)

5. Trying to Remember (2:40)

6. Veil of Sadness (1:46)

7. A Place Called Home (2:07)

8. The Promise (1:54)

9. Office Affair (1:47)

10. The Love Cage (1:39)

11. Desire (2:09)

12. Shadowplay (1:44)

13. Fever Pitch (1:52)

14. In the Heat of the Night (1:37)

15. First Kiss (1:47)

16. Innocence (1:34)

17. Broken Heart (2:15)

18. John & Marlena (2:18)

19. Theme for a Princess (3:02)

20. Skyline (2:15)

21. Smokey Jazz Club (1:01)

22. Patch (1:46)

23. May I Have This Dance? (1:56)

24. On Bended Knee (2:54)

25. Lay Beside Me (1:48)

26. Colleen & Santo (1:48)

27. Sunset Lullaby (2:16)

28. For We Shall Meet Again (1:59)

Disc II:

1. Hitman (1:31)

2. The Attack (:42)

3. Execution (:20)

4. Stan's Revenge (1:01)

5. Addictions & Lies (1:40)

6. Slow Suicide (2:25)

7. Lethal Injection / Paralyzed (1:33)

8. Watching You (:41)

9. Kiss of Death (1:23)

10. The Manipulation of EJ Dimera (1:17)

11. Blaze (1:36)

12. The Choice (1:00)

13. Reminiscence (1:45)

14. The Return of Stefano Dimera (1:05)

15. Searching for Colleen Brady (1:45)

16. After Dark (1:59)

17. Premonition of Evil (2:25)

18. Break In (1:05)

19. The Morgue (1:21)

20. A Way Out (:39)

21. The Ticking Time Bomb (1:51)

22. Run Like Hell (1:38)

23. The Search Begins (2:20)

24. Fear in the Night (2:20)

25. In the Presence of a Killer (:41)

26. Salem Stalker's Revenge (:50)

27. On the Run (1:46)

28. Something is Going On (1:32)

29. Mysterious Stan (1:49)

30. Into the Night (1:52)

31. Trapped (:28)

32. Hostage (1:06)

33. An Unplanned Escape (1:40)

Total Running Time: 100:22

LOVE HAPPENS

LOVE HAPPENS LLLCD 1124

Music by Christopher Young

NOW SHIPPING

RETAIL PRICE: $15.98

ORDER "LOVE HAPPENS" Feb 23th at www.lalalandrecords.com and get your CD autographed by composer Christopher Young at no additional charge. Autographs are while supplies last and are not guaranteed. For a limited time.

Presenting the original motion picture music score to the Universal Pictures feature film LOVE HAPPENS, starring Aaron Eckhart (THE DARK KNIGHT, THANK YOU FOR SMOKING) and Jennifer Aniston (FRIENDS, MARLEY & ME, THE BREAK-UP). Acclaimed composer Christopher Young (SPIDER-MAN 3, ROUNDERS, DRAG ME TO HELL, CREATION, SPECIES) fashions a breathtakingly beautiful orchestral score that tugs at the heart as effectively as it delights the ear, chronicling the unlikely, but ultimately undeniable romance that blossoms between the film's two charismatic leads.

TRACK LISTING:

1. Love Happens (3:18)

2. Kaleidoscope Christmas (2:18)

3. A World In The Three Colors (2:18)

4. It's MMM... Good (1:48)

5. Crystal Flowers (2:12)

6. Walk The Talk (1:30)

7. Around Or Through? (3:55)

8. Past Isn't (3:34)

9. Joy Within Each Thought (1:56)

10. Groove E (1:31)

11. Each Decorated Ditch (2:43)

12. Vodka Logic (3:41)

13. Mind Noise (4:20)

14. Cinnamon Life (2:44)

15. We're A-OK (2:44)

16. Love Happened (6:02)

BONUS TRACKS

17. Baggage Blister Hoedown (1:53)

18. A Consonant Cry (3:04)

19. A Dissonant Discourse (2:57)

20. Why The Hell Am I In Heaven? (2:38)

21. Not Really Postlude (3:18)

22. Freud Who? (1:52)

23. Fast Toward The Eye (Of Lorelei) (3:49)

Total Running Time: 67:03

Battlestar Galactica: The Plan / Razor

Days Of Our Lives

Love Happens

You can also get Caprica for $9.98, Batman Mask Of The Phantasm for $14.98, Godzilla for $4.98, Terror Tract for $4.98, and Stealing Time for $1.98 while supplies last.

http://www.lalalandrecords.com

[John Crichton 4]

Days of our Lives? Seriously, Days of our Lives?

Normally I won't disparage a release as I know there's always someone out there that wants it, but...Days of our Lives?

If you read these boards LaLa- Farscape. Volume 4. Make it happen.

[Trent B 337]

I thought I read on FSM that there was a Days Of Our Lives score released a few year ago and it was a big hit, so La-La Land thought why not. Personally I don't think this will sell well, if it does I'll eat my own words...but ya I know I won't be buying a "Days Of Our Lives" music. I'd much rather have music from the recent show "Jericho".

[Richard Penna 3,696]

I'm surprised there hasn't been a promo for Jericho (think there's a DVD rip floating around, but I don't go for those). I don't remember much music from it, but it definitely worked well.

[Ollie 1,059]

Days of our Lives? Seriously, Days of our Lives?

Normally I won't disparage a release as I know there's always someone out there that wants it, but...Days of our Lives?

If you read these boards LaLa- Farscape. Volume 4. Make it happen.

I know it's a somewhat odd title but I believe previous similar releases have done well.

I will say that most of the labels have their fingers on the pulse of what people want and what will sell. Every once and awhile they will misfire on a title or underestimate the demand.

[artyjeffrey 20]

Am I the only one who thinks that music from The Flash could have easily been tracked/reused in the Batman Animated episodes had they needed it, and no one would have known the difference? Really, it feels like I'm listening to what could have been passed off as "Batman: The Animated Series" volume 2.

Eh, Batman, Dick Tracy, The Flash... they all feel the same to me.