Jurassic Shark 12,079 Posted October 28, 2019 Share Posted October 28, 2019 On a 2K or 4K screen, bluray is of course notably better. Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted October 28, 2019 Share Posted October 28, 2019 My copy arrived! Josh500 and redishere 2 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,079 Posted October 28, 2019 Share Posted October 28, 2019 That print on the disc looks quite bad. Link to comment Share on other sites More sharing options...
The Five Tones 302 Posted October 28, 2019 Share Posted October 28, 2019 On 10/25/2019 at 10:35 PM, The Five Tones said: The restored OST edit of "A New Beginning" doesn't sound great by comparison; I can hear a bit of degradation there and it's obviously not a remix, so I'll probably hold onto the full audio rip of that track from the 2002 CD I did a couple more A-B comparisons of the 2002 and 2019 versions of "A New Beginning" - I'm not an audiophile, just iMac audio w good Sennheiser phones alternating w a Denon sound system. I'm walking back my earlier comment above; what I thought was degradation is more likely instrument noise or vibrato interference, maybe too much gain on the strings, that is equally present in both versions. So, the 2019 doesn't appear to me to be an attempt at improvement and that might be by intention/requirement, but it's no worse than 2002. I'm sure it sounds better in 24/192 if it was scanned that way, but I'm not likely to hear that any time soon. Fwiw, it's a glorious cue and I've always adored that string tutti, so JW. Link to comment Share on other sites More sharing options...
Josh500 1,615 Posted October 28, 2019 Share Posted October 28, 2019 2 hours ago, Arpy said: My copy arrived! Great pics! Thank you! I'll post some pictures too, but I haven't opened this up yet. 😂 Arpy 1 Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted October 28, 2019 Share Posted October 28, 2019 2 hours ago, Jurassic Shark said: That print on the disc looks quite bad. It's half my bad photo and half the lighting. Plus, I've noticed prints on CDs vary in quality, but I don't really care much for that anymore, just as long as it plays/reads fine! Josh500 1 Link to comment Share on other sites More sharing options...
Josh500 1,615 Posted October 28, 2019 Share Posted October 28, 2019 7 minutes ago, Arpy said: It's half my bad photo and half the lighting. Plus, I've noticed prints on CDs vary in quality, but I don't really care much for that anymore, just as long as it plays/reads fine! Gotta be honest, I don't much care for the CDs anymore. Broken teeth, broken cases, scratched CDs, creased booklets... Who cares? The main thing is that the music plays fine. Link to comment Share on other sites More sharing options...
mstrox 6,651 Posted October 28, 2019 Share Posted October 28, 2019 I broke and ordered this over the weekend, along with Elfman's Mission: Impossible. Didn't want to find myself in a holding pattern waiting for them to come back in stock, so I bit the bullet and spent the money. Link to comment Share on other sites More sharing options...
Jay 37,367 Posted October 28, 2019 Share Posted October 28, 2019 Definitely worth it in both cases! Link to comment Share on other sites More sharing options...
mstrox 6,651 Posted October 28, 2019 Share Posted October 28, 2019 Just need to save my bucks for Intrada's Howard the Duck and I'll be caught up on the "must haves" Link to comment Share on other sites More sharing options...
Jay 37,367 Posted October 28, 2019 Share Posted October 28, 2019 Oh man I dunno. I was wowwed by the samples but after listening to the whole thing it leave a lot to be desired IMO Link to comment Share on other sites More sharing options...
mstrox 6,651 Posted October 28, 2019 Share Posted October 28, 2019 I'm sure it doesn't work great in a C&C, tbh, but most things don't for me. My preferred presentation will likely be the third disc. Link to comment Share on other sites More sharing options...
The Five Tones 302 Posted October 28, 2019 Share Posted October 28, 2019 Btw, the mix of A New Beginning in "Minority Report" (the original source material of the cue?) *does* sound better, at least to my ears... I should probably take a break from hearing it, though. Also, the liner notes state: "'On the Run' begins with a tense, slithering line for strings and vibraphone." It's clearly marimba that is audible, which was an instrumental colour JW used again that year in Zam the Assassin and of course the opening of CMIYC. Vibes may have been played/recorded, perhaps with soft mallets, but if so they are covered and not identifiable as being present. Link to comment Share on other sites More sharing options...
Marian Schedenig 8,193 Posted October 28, 2019 Share Posted October 28, 2019 12 hours ago, Arpy said: I recently put on a series I had on DVD, because I bought it back in the day, and it was extremely noticeable just how different it was - grainy, blurry, lacking definition etc. The resolution/picture quality is one thing. But one of DVD's (and earlier formats') biggest fault hat was finally fixed by Blu-ray has always been the lack of 24 Hz playback. You had a choice between NTSC (3:2 pull down, i.e. very jerky pans) or PAL (4% speedup) - provided what you wanted to see was available in both formats and you had a choice at all. Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted October 29, 2019 Share Posted October 29, 2019 Had a quick listen through today, and it sounds ace, like it was recorded yesterday. On the Run or 'Everybody Runs' on the OST is such a phenomenal cue! The way the tremelo strings become agitated as those synth voices begin to emerge is one of my favourite examples of Williams expressing a sense of impending danger or distress, underscore which is so on-point and detailed. Then, as Anderton jumps from car to car, there's this sprightly action passage that sparks up which is the highlight of the cue, restating itself as the character makes another jump. I don't know how to describe it, it sounds surprisingly modern and equal parts suspense and adventure. The one thing I miss from the Everybody Runs track is how Williams presents it on the album (stitching it with another cue from elsewhere in the score presumably) so that the action culminates in a stinger-like moment where the orchestra and synth clenches on for this protracted, heart-stoppping period - it definitely makes for a more satisfying conclusion to the cue. The Five Tones 1 Link to comment Share on other sites More sharing options...
Jay 37,367 Posted October 29, 2019 Share Posted October 29, 2019 On the original album, he segued 3M1 Anderton On The Run into 2M2 Agatha Springs Forward (skipping the opening 31 seconds of that cue) to create "Everybody Runs". On the new release, 2M2 is the first part of "Agatha and the Containment Center" (where it's combined with 2M4A Containment Center), while 3M1 is in it's own track titled "On The Run". Arpy 1 Link to comment Share on other sites More sharing options...
Popular Post Jay 37,367 Posted October 29, 2019 Popular Post Share Posted October 29, 2019 I decided to whip up a quick breakdown of how each album was assembled. OST: 1 Minority Report (6:29) 8M2 End Credits 2 "Can You See?" (2:12) 0:00-1:02 = 1M1 The Crime 1:02-end = 7M1 Run !!! 3 Pre-Crime To The Rescue (5:48) 0:00-1:59 = 1M6 Stopping The Crime [edited at 1:29 (0:30 removed) and 1:59 (1:52 removed)] 1:59-end = 1M6 Pt 2 Stopping The Crime 4 Sean And Lara (4:46) 0:00-1:05 = 1M9R Image Of Sean (Revised) 1:05-3:07 = 1M9 Image Of Sean [final 0:40 removed] 3:07-end = 4M5 The Swimming Pool Scene [opening 2:17 removed] 5 Spyders (4:33) 0:00-2:28 = 5M2 Robotic Spiders 2:28-end = 5M3 In The Tub 6 The Greenhouse Effect (5:09) 4M1 The Greenhouse Scene 7 Eye-Dentiscan (4:48) 0:00-3:18 = 5M4 Saving The Eyeball [with the vocals placed at a different spot than in the film/LLL] 3:18-3:55 = 6MA The Man In The Window [ending missing] 3:55-end = 2M6A Elevator Confrontation [fades out early] 8 Everybody Runs! (3:10) 0:00-2:18 = 3M1 Anderton On The Run 2:18-end = 2M2 Agatha Springs Forward [opening 0:31 removed] 9 Sean's Theme (1:57) 8M1 Alt Piano Version 10 Anderton's Great Escape (6:47) 0:00-2:33 = 3M4 Anderton's Escape [with drum kit / electronics overlay for the first 15 seconds only] 2:33-end = 3M5 Conveyor Belt 11 Dr. Eddie And Miss Van Eych (3:08) 4M3 Dr. Eddie and Miss Van Eyck [fades out early] 12 Visions Of Anne Lively (3:27) 0:00-1:12 = 5M8 Agatha Sees All (beginning) [edited at 1:12 (0:47 removed)] 1:12-2:26 = 2M5 Annie Lively [final minute missing] 2:26-end = 5M8 Agatha Sees All (end) [vocals mixed distantly compared to the film/LLL] 13 Leo Crow... The Confrontation (5:55) 6M1 Crow's Hotel Room 14 "Sean" by Agatha (4:59) 0:00-1:54 = 6M3 Remembering Sean (beginning) [edited at 0:45 (0:09 removed)] 1:54-3:24 = 6M3 Insert 3:24-end = 6M3 Remembering Sean (end) 15 Psychic Truth And Finale (7:10) 0:00-3:43 = 7M6 Confronting Lamar [edited at 1:48 (0:05 removed)] 3:43-end = 7M7 Thought Transference And Finale 16 A New Beginning (3:29) A repeat of 8M2 End Credits (3:30-end only), with a loop inserted from 2:26-2:52 (repeating 1:19-1:45) LLL: 1-01 The Crime 1M1 The Crime 1-02 Creating The Red Balls 1M2 Creating The Red Balls 1-03 Pre-Crime To The Rescue (Part 1) 1M6 Stopping The Crime 1-04 Pre-Crime To The Rescue (Part 2) 1M6 Pt 2 Stopping The Crime 1-05 Images Of Sean 0:00-1:08 = 1M9R Image Of Sean (Revised) 1:08-end = 1M9 Image Of Sean 1-06 Presenting The Precogs 2M1 Presenting the Precogs 1-07 Agatha and The Containment Center 0:00-1:22 = 2M2 Agatha Springs Forward 1:22-end = 2M4A Containment Center 1-08 First Vision Of Anne Lively 2M5 Annie Lively 1-09 Suspicion 2M3 Witwer Snooping 1-10 The Elevator and The Collage 2M6A Elevator Confrontation 2M6B Schubert Collage 1-11 On The Run 3M1 Anderton On The Run 1-12 Anderton Escapes 0:00-1:26 = 3M3 Don't Run John 1:26-end = 3M4 Anderton's Escape [without the drum kit / electronics overlay at all] 1-13 The Conveyer Belt 3M5 Conveyor Belt 1-14 The Greenhouse Effect (Extended Version) 4M1 The Greenhouse Scene 1-15 The Operating Room 4M2 Dr. Eddie's Operating Room 1-16 Dr. Eddie And Miss Van Eyck 4M3 Dr. Eddie and Miss Van Eyck 1-17 The Swimming Pool 4M5 The Swimming Pool Scene 1-18 Deploying The Spyders 5M2 Robotic Spiders 1-19 Freezing Water 5M3 In The Tub 1-20 Saving The Eye 5M4 Saving The Eyeball 1-21 How Much Time Have We Got? 5M5 How Much Time Have We Got? 1-22 Another Vision 5M8 Agatha Sees All 1-23 The Man In The Window 6MA The Man In The Window 1-24 Leo Crow...The Confrontation 6M1 Crow's Hotel Room 1-25 The Revelation 6M2 Last Scene With Crow 2-01 "Sean" By Agatha (Extended Version) 0:00-2:03 = 6M3 Remembering Sean (beginning) 2:03-3:33 = 6M3 Insert 3:33-end = 6M3 Remembering Sean (end) 2-02 Run! 7M1 Run !!! 2-03 Anderton In Halo 7M2 Anderton In Halo 2-04 I Never Said She Drowned 7M3 I Never Said She Drowned 2-05 Confronting Lamar 7M6 Confronting Lamar 2-06 Thought Transference And Finale 7M7 Thought Transference And Finale 2-07 A New Beginning (Film Version) 8M1 A New Beginning 2-08 Sean's Theme 8M1 Alt Piano Version 2-09 Minority Report 8M2 End Credits 2-10 Pre-Crime Commercial Pre-Crime Commercial (Source) 2-11 The Crime (Alternate) 0:00-0:15 = the film version opening of the cue 0:15-end = 1M1 The Crime (end) 2-12 The Collage (Alternate) 0:00-0:30 = an alternate opening 0:30-end = 2M6B Schubert Collage (end) 2-13 Anderton Escapes (Alternate Segment) 3M4 Anderton's Escape [with the drum kit / electronics overlay over the whole cue] 2-14 Freezing Water (Alternate) 0:00-0:35 = the film version opening of the cue 0:35-end = 5M3 In The Tub (end) 2-15 The Man In The Window (Alternate) 6MA The Man In The Window (the version used in the film) 2-16 "Sean" By Agatha (Alternate) 6M3 Remembering Sean 2-17 A New Beginning A repeat of 8M2 End Credits (3:30-end only), with a loop inserted from 2:26-2:52 (repeating 1:19-1:45) Disco Stu, Smeltington, The Five Tones and 5 others 4 4 Link to comment Share on other sites More sharing options...
Popular Post Amer 2,110 Posted October 29, 2019 Popular Post Share Posted October 29, 2019 My copy of MINORITY REPORT also arrived today along with the other Tom Cruise release (Mission Impossible). Super Thanks to MV Gerhard for taking my order on phone and shipping it urgent 3 day shipping to my aunts house in New York. She was to catch a flight to Pakistan in that time span and miraculously the package arrived just in time. Also a bunch of other stuff came as well. So I saved some serious International shipping charges. MV Gerhard is a great guy. Recognized me immediately and even said I was one their favorite customers. Now that's real awesome too. mstrox, The Five Tones, Chewy and 2 others 5 Link to comment Share on other sites More sharing options...
rough cut 1,714 Posted October 29, 2019 Share Posted October 29, 2019 On 10/27/2019 at 3:16 PM, Jay said: What I read was that they applied a bleach bypass filter for the theatrical release which was present on the initial DVD release, but then they made a new 4K master in 2009 that didn't do that, and that master was used for the Blu Ray. Seems like a pretty big difference. Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted October 29, 2019 Author Share Posted October 29, 2019 It looks so much better without the sickly greenish tint. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted October 29, 2019 Share Posted October 29, 2019 I've always thought it was more blue. I remember looking through the THX blue filter glasses and thinking everything looked like Minority Report. Link to comment Share on other sites More sharing options...
Jay 37,367 Posted October 29, 2019 Share Posted October 29, 2019 So some people prefer the theatrical/DVD coloring, and some people prefer the Blu Ray coloring? Which will Spielberg go with next time it's remastered? Hmmm Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted October 29, 2019 Share Posted October 29, 2019 Either way, it looks ugly! Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted October 29, 2019 Author Share Posted October 29, 2019 Yeah I guess it is more blue-ish. And no, the film is not ugly! Link to comment Share on other sites More sharing options...
The Five Tones 302 Posted October 29, 2019 Share Posted October 29, 2019 3 hours ago, Jay said: I decided to whip up a quick breakdown of how each album was assembled. Thanks for your work as always Jay. Related, not surprisingly given both expansions came out this year, I'm hearing the two passages below (1:22 and 0:55) colliding together while I'm running around at work. Something about where he pitches those wandering chromatic unison lines while throwing in asymmetrical accents: Arpy and iamleyeti 2 Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted October 29, 2019 Share Posted October 29, 2019 I thought I was the only one who heard similarities to Superman. The eyeball track reminds me of March of the Villains. The Five Tones 1 Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted October 29, 2019 Share Posted October 29, 2019 4 hours ago, Jay said: 8 Everybody Runs! (3:10) 0:00-2:18 = 3M1 Anderton On The Run 2:18-end = 2M2 Agatha Springs Forward [opening 0:31 removed] That might be one of the most flawless segues of all time. You don't even hear it, when you know that it's there. I like the idea to put the original cues in the main program instead of the film versions which often represent a compromise between the director, the cutter and the composer. That was the one thing that bothered me with the Harry Potter set. The superior and better integrated originals where dumped in the bonus section (Lupin's Transformation and Saving Buckbeak). Link to comment Share on other sites More sharing options...
Jay 37,367 Posted October 29, 2019 Share Posted October 29, 2019 33 minutes ago, Brundlefly said: That might be one of the most flawless segues of all time. You don't even hear it, when you know that it's there. To each their own; I find it to be a pretty poorly done edit/segue. Quote I like the idea to put the original cues in the main program instead of the film versions which often represent a compromise between the director, the cutter and the composer. Yea, totally! I thought it was interesting here that for the two cues Spielberg had Williams significantly rewrite - the opening minute of Image of Sean and the middle minute-and-a-half of Remembering Sean - MM put the revisions into the main program, and, in fact, both already had their revisions included in the OST. But for the other cues where the revisions were more ordinary - 3 drum pounds instead of the original more intricate opening of The Crime, slightly different percussion opening to In The Tub - we got those in the bonus tracks and Williams' original intentions in the main program. I like that. (For Schubert Collage and The Man In The Window the differences are so slight it doesn't matter to me which version went where) Quote That was the one thing that bothered me with the Harry Potter set. The superior and better integrated originals where dumped in the bonus section (Lupin's Transformation and Saving Buckbeak). You really think so? I much prefer the version of Lupin's Tranformation with the General Grievous-esque pouding drums ending and I'm glad that's in the main program and the original pizzacato ending is relegated to the bonus tracks For Saving Buckbeak you're talking about the two different endings for the bats right? I think I again prefer the main program version over the bonus track version With HPCOS I do prefer the killer originally intended ending of Petrified Colin heard in the bonus tracks over the main program / film version though for sure Holko and redishere 2 Link to comment Share on other sites More sharing options...
Richard Penna 3,692 Posted October 29, 2019 Share Posted October 29, 2019 58 minutes ago, Brundlefly said: I like the idea to put the original cues in the main program instead of the film versions which often represent a compromise between the director, the cutter and the composer. That was the one thing that bothered me with the Harry Potter set. The superior and better integrated originals where dumped in the bonus section (Lupin's Transformation and Saving Buckbeak). Ah, I'm the opposite to you. As long as 'film version' doesn't just mean edited/tracked/looped, i.e. it's a different recording or composition, I think the film version should always be in the main program, and any initial versions should be bonus tracks. For me, a release ceases to be 'the score' when you're hearing a notably different composition than what's in the film. redishere 1 Link to comment Share on other sites More sharing options...
Faleel 5,350 Posted October 29, 2019 Share Posted October 29, 2019 8 minutes ago, Richard Penna said: Ah, I'm the opposite to you. As long as 'film version' doesn't just mean edited/tracked/looped, i.e. it's a different recording or composition, I think the film version should always be in the main program, and any initial versions should be bonus tracks. For me, a release ceases to be 'the score' when you're hearing a notably different composition than what's in the film. It really creates problems when the film version is really just a combo of a original and revised version (like Skateboard Chase from BTTF etc. ) Link to comment Share on other sites More sharing options...
Richard Penna 3,692 Posted October 29, 2019 Share Posted October 29, 2019 True, and really, it's not something to get hung up on. As long as the revised version is there somewhere, it doesn't really matter what order it's in. Interesting that Brundlefly considers film versions as 'compromise' versions between the composer, director, etc. While it may by definition not be the composer's preferred way to score the moment, it's still what ended up in the film. And this is where it largely comes down to individual approaches to soundtracks - if I buy a score, I want to hear at least the composition on which the music in the film was based (allowing for editing/looping, etc, and while preferred, it doesn't have to be the exact recording). An extreme non-compliant example would be CMIYC, which according to the analysis on JWFan is filled with re-recordings that don't match the film. In that case, you're not actually buying the score . Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted October 29, 2019 Share Posted October 29, 2019 There's also a bit during those first night Superman tracks that sounds like Anderton's Escape. Link to comment Share on other sites More sharing options...
redishere 697 Posted October 29, 2019 Share Posted October 29, 2019 In the continuous mixes I made for HP3 I edited most film versions and original cues together (Saving Buckbeak for example has the original ending followed by the bats cue, while for Lupin’s Transformation I put the percussion ending first, then the pizzicato part). Not the slickest editing in the world, but it works for me ‘cause I like every version. Plus, it’s not like they didn’t put alternates in the same track in the boxset. Link to comment Share on other sites More sharing options...
Richard Penna 3,692 Posted October 29, 2019 Share Posted October 29, 2019 I've done that on occasion too, most recently with an alternate ending to an end credits cue where only the last 15 seconds or so were different. redishere 1 Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted October 30, 2019 Share Posted October 30, 2019 3 hours ago, Jay said: You really think so? I much prefer the version of Lupin's Tranformation with the General Grievous-esque pouding drums ending and I'm glad that's in the main program and the original pizzacato ending is relegated to the bonus tracks For Saving Buckbeak you're talking about the two different endings for the bats right? I think I again prefer the main program version over the bonus track version You have to admit that the film version of Lupin's Transformation is much less original and less in line with the rest of the score. In addition to that, we've got a pretty obvious tempo change and the weird overlay in the first half of the track. That is enough inconvenience for me to yield the floor to the original version. The film version of Saving Buckbeak also has a noticeable tempo change, but the main problem here is the editing flub on the LLL set. Too bad the track is connected to the two preceding cues, so that you cannot just swap it out. Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted October 30, 2019 Share Posted October 30, 2019 Yes, not only does the overlay sound jarring, it's slightly off from the true film version. Such a weird editing decision they made to shoehorn the theme in. It sounds gorgeous without the overlay. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted October 30, 2019 Share Posted October 30, 2019 Why do we refer to these sets as 2CD, 3CD, 4CD etc. Why not call it a 2 Disc Expanded Edition. It just sounds cooler. Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted October 30, 2019 Share Posted October 30, 2019 Two Disc Complete Score *minus redundant, inconsequential 6-second insert Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted October 30, 2019 Share Posted October 30, 2019 * 2 CD Expanded Archival Definitive Edition *ducks, looks around... where's Thor? Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted October 30, 2019 Share Posted October 30, 2019 *2 Disc Link to comment Share on other sites More sharing options...
Arpy 4,145 Posted October 30, 2019 Share Posted October 30, 2019 *Discount 3-Disc, 2-Disc Deluxe Standard Edition Link to comment Share on other sites More sharing options...
The Five Tones 302 Posted October 30, 2019 Share Posted October 30, 2019 Double Trouble Longbox Edition (Ships With Free 12" Wand) 4 hours ago, Gruesome Son of a Bitch said: The eyeball track reminds me of March of the Villains. It's totally there. Anne Lively also feels so ANH gothic just after the voice, with the brooding horns and bass. Almost a jarring callback in a postmodern score. 2 hours ago, Richard Penna said: And this is where it largely comes down to individual approaches to soundtracks - if I buy a score, I want to hear at least the composition on which the music in the film was based (allowing for editing/looping, etc, and while preferred, it doesn't have to be the exact recording). An extreme non-compliant example would be CMIYC, which according to the analysis on JWFan is filled with re-recordings that don't match the film. In that case, you're not actually buying the score . Exactly. I'd generally always prefer the film version over a rerecord which can sometimes lose some of the narrative encoded from the film, and the tension of the scoring session. It's not that it has to be one way or another, but what is most interesting musically... for me, anyway. I always liked the delayed crash cymbal/bass accent in the LP version of "E.T. Alone" ("Abandoned and Pursued") for example, because it worked better as an answer to the peak in the brass melody than playing simultaneously with it. At least JW seemed to think so. Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted October 30, 2019 Share Posted October 30, 2019 Duz this soundtrack have a good theme song? Link to comment Share on other sites More sharing options...
King Mark 3,631 Posted October 30, 2019 Share Posted October 30, 2019 My neighbor delivered it to me today because the mailman put it in the wrong mail box Gruesome Son of a Bitch and Chewy 2 Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted October 30, 2019 Share Posted October 30, 2019 The garbage truck skipped my bin today. Gruesome Son of a Bitch 1 Link to comment Share on other sites More sharing options...
Chewy 2,391 Posted October 30, 2019 Share Posted October 30, 2019 4 hours ago, King Mark said: My neighbor delivered it to me today because the mailman put it in the wrong mail box Now it's time for you to update your avatar! Link to comment Share on other sites More sharing options...
Josh500 1,615 Posted October 30, 2019 Share Posted October 30, 2019 4 hours ago, King Mark said: My neighbor delivered it to me today because the mailman put it in the wrong mail box What if the neighbour wasn't a good guy and decided to keep it for himself? Is the mailman to blame or the neighbour!? Link to comment Share on other sites More sharing options...
Jurassic Shark 12,079 Posted October 30, 2019 Share Posted October 30, 2019 Probably the dog. Link to comment Share on other sites More sharing options...
Josh500 1,615 Posted October 30, 2019 Share Posted October 30, 2019 I remember one time my package with some books didn't come. I waited and waited. Turns out the mailman (or the post) delivered it to the wrong apartment, and the guy living there just forgot all about it... Link to comment Share on other sites More sharing options...
redishere 697 Posted October 30, 2019 Share Posted October 30, 2019 One time I found a (fragile) envelope I was waiting for in precarious balance on my fence. A few days later, when I placed my order for the HP Collection, I started sweating. Josh500 1 Link to comment Share on other sites More sharing options...
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