Not Mr. Big 4,639 Posted February 13, 2014 Share Posted February 13, 2014 I wonder why they didn't just release the music as it was before it was re-edited? Was the original music not yet pieced together or something? Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 13, 2014 Share Posted February 13, 2014 It was easier to present film edits and they didn't have to go all the trouble of actually re-conceptualizing a decent complete score release. The smell of easy money was overwhelming to Sony I guess. So basically someone got excited at Sony at the prospect of getting a release out, didn't do any research or think things through but just proceeded to slap music onto a CD without much thought and then they were angered and baffled that public didn't like their half-hearted attempt and after refused to try again and improve on their product. Link to comment Share on other sites More sharing options...
Not Mr. Big 4,639 Posted February 13, 2014 Share Posted February 13, 2014 It was better than nothing I guess. Any set that provides tracks like Anakin is Free and The Tide Turns has some merit. Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 13, 2014 Share Posted February 13, 2014 It was better than nothing I guess. Any set that provides tracks like Anakin is Free and The Tide Turns has some merit.Yes indeed but I do sometimes wonder at the work ethic or professional pride of these people and how it all flies out of the window to make money. Of course sometimes it is just bad luck and having to make compromises and doing a lot of complicated deals with multiple parties to have the music released in the first place and not always in the form you might have initially envisaged for it. But there is a world of difference between a small specialty label and one of these mega giants of the industry.Oh and back to the topic. I also voted for Johnny in ColonneSonore's awards. To me Williams' The Book Thief is geuinely still some of the most hauntingly beautiful and touching music written in this day and age of Hollywood. Link to comment Share on other sites More sharing options...
Joni Wiljami 1,206 Posted February 13, 2014 Share Posted February 13, 2014 "Grazie per aver votato!"One vote more for the Gravity.Just kidding, my vote was and always will be, Priceless. Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted February 14, 2014 Share Posted February 14, 2014 It was better than nothing I guess. Any set that provides tracks like Anakin is Free and The Tide Turns has some merit.Yes indeed but I do sometimes wonder at the work ethic or professional pride of these people and how it all flies out of the window to make money. Of course sometimes it is just bad luck and having to make compromises and doing a lot of complicated deals with multiple parties to have the music released in the first place and not always in the form you might have initially envisaged for it. But there is a world of difference between a small specialty label and one of these mega giants of the industry.Oh and back to the topic. I also voted for Johnny in ColonneSonore's awards. To me Williams' The Book Thief is geuinely still some of the most hauntingly beautiful and touching music written in this day and age of Hollywood.There's a difference between ignorance and greed. If you tell someone who isn't into film scores that you want a complete release of all the music in the film, the isolated score they release fits that bill. Then when you insult and criticize that lack of understanding they reply with a "Fuck off." No release for you! Link to comment Share on other sites More sharing options...
Not Mr. Big 4,639 Posted February 14, 2014 Share Posted February 14, 2014 I agree. I'm not sure what the letter was intended to accomplish, other than venting. Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 14, 2014 Share Posted February 14, 2014 It was better than nothing I guess. Any set that provides tracks like Anakin is Free and The Tide Turns has some merit.Yes indeed but I do sometimes wonder at the work ethic or professional pride of these people and how it all flies out of the window to make money. Of course sometimes it is just bad luck and having to make compromises and doing a lot of complicated deals with multiple parties to have the music released in the first place and not always in the form you might have initially envisaged for it. But there is a world of difference between a small specialty label and one of these mega giants of the industry.Oh and back to the topic. I also voted for Johnny in ColonneSonore's awards. To me Williams' The Book Thief is geuinely still some of the most hauntingly beautiful and touching music written in this day and age of Hollywood.There's a difference between ignorance and greed. If you tell someone who isn't into film scores that you want a complete release of all the music in the film, the isolated score they release fits that bill. Then when you insult and criticize that lack of understanding they reply with a "Fuck off." No release for you!Oh absolutely there is a difference but Ultimate Edition to me at least seems to be more motivated by greed and chance to earn an easy buck than love of the music. But who actually knows. Perhaps it was a much more difficult and complex situation than that. I am all for pointing out faults and giving feedback if something isn't succesful or well done in your opinion when products are concerned, soundtrack releases included. You don't necessarily have to do it in a internet troll type of tirade which only will upset and anger the recipient party. Diplomacy earns better results. And it is a shame ignorant people make these release decisions and furthermore are helped down the line by staff of equally ignorant people. Undoubtedly SW soundtrack release is a mass market product aimed at millions of prospective buyers and not just niche collectors but you don't have to treat the people like ignorant rubes and offer subpar products. And wouldn't you rather do a good job you can be proud of instead of shoddy work slapped together without proper research into the thing you are producing? Link to comment Share on other sites More sharing options...
JohnnyD 1,223 Posted February 14, 2014 Share Posted February 14, 2014 Incanus, you are definitely on point. There was never any supervision by someone who had in-depth knowledge of the music or the Maestro. In fact, the Ultimate Edition does not even provide a quality or accurate listening experience. Then again, John Williams was not involved with this presentation of his music, so that is part of why the finished product is, well, not very good. Link to comment Share on other sites More sharing options...
Jay 37,364 Posted February 14, 2014 Share Posted February 14, 2014 Well hopefully it will all be rectified next year, I'm hoping the release of a new Star Wars movie will cause Lucasfilm to want to put out new 2CD sets of all 6 previous films Incanus 1 Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 14, 2014 Share Posted February 14, 2014 Well hopefully it will all be rectified next year, I'm hoping the release of a new Star Wars movie will cause Lucasfilm to want to put out new 2CD sets of all 6 previous filmsIt would be a perfect excuse to revisit all 6 scores and do a completely new release for all this music! Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted February 14, 2014 Share Posted February 14, 2014 A few years ago, Lukas Kendall spoke in a quite candid manner what happened more or less with the Episode I UE: that 2CD Phantom Menace was something of a fiasco...Lucasfilm only did it because the tracks had gotten out there somehow (I forget how) and thought they were giving the collectors what they wanted by using the edited stems as conformed to the movie (with a million edits). They were quite taken aback by all the negative cricitism -- "what's the problem, it's exactly every note as heard in the film?" I remember explaining to one of the executives the subtleties involved and by the time I finished the attitude I heard was along the lines of "to hell with these people." Well hopefully it will all be rectified next year, I'm hoping the release of a new Star Wars movie will cause Lucasfilm to want to put out new 2CD sets of all 6 previous films As much as LFL controls the rights and ownership over the music, any marketing/licensing decision related to Star Wars is now in the hands of the Walt Disney Company. I'm confident though that there will be new music releases in some form down the line. Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 14, 2014 Share Posted February 14, 2014 A few years ago, Lukas Kendall spoke in a quite candid manner what happened more or less with the Episode I UE:that 2CD Phantom Menace was something of a fiasco...Lucasfilm only did it because the tracks had gotten out there somehow (I forget how) and thought they were giving the collectors what they wanted by using the edited stems as conformed to the movie (with a million edits). They were quite taken aback by all the negative cricitism -- "what's the problem, it's exactly every note as heard in the film?" I remember explaining to one of the executives the subtleties involved and by the time I finished the attitude I heard was along the lines of "to hell with these people."Funny how their "crisis management" blew so badly in their faces and when they had done a bad job and gotten a lot of negative feedback they decided film music fans were too much of a bother and weirdos. Ah the wonderful executive attitudes. And let's be honest, we are a very OCD and finicky bunch of people who are very very hard to please. Ludwig 1 Link to comment Share on other sites More sharing options...
JohnnyD 1,223 Posted February 14, 2014 Share Posted February 14, 2014 It is not that (in most people), it is just the principle of having the music as composed and conducted by the Maestro released in a definitive package. In the case of Star Wars (and much of John Williams's music in other projects), it is very important. Link to comment Share on other sites More sharing options...
Popular Post Luke Skywalker 1,795 Posted February 17, 2014 Popular Post Share Posted February 17, 2014 Back on topic, i finally had the opportunity to watch the film with my girlfriend.I must say, being spoiler free more or less, not being read the book, it was one of the most emotional movies i have seen in recent years. Truly, Williams music enhaces the feelings a great deal without being overly bombastic or dramatic, as he is being critisized lately.A very nice little story extremely well scored.My girlfriend spent half the movie in tears and she mentioned the music was what emotionally connected with her. My male pride ( ) only let me be misty eyed and throat sore at key moments, but i couldnt help thinking how good the music was the whole film. For me it was a rare case, because having only listened to the OST i thought it was 'just' a nice and correct Williams work, but after seeing the film it really is much more than that.We saw ET the following day, and reinstated (after seeing John Williams again in the credits), that the music help a lot and JW is the man On the contrary when i saw 12 years a slave, it left me totally cold, and i think it was because the mediocre score, and the music was badly spotted (too many unremarkable or unscored moments)I really hope Williams wins the oscar for this. He has not won the BAFTA...so i fear the worst but who knows.... he won for geisha and didnt win the oscar... maybe this time the contrary will happen... Joni Wiljami, Jonesy, TownerFan and 2 others 5 Link to comment Share on other sites More sharing options...
Richard Penna 3,690 Posted February 17, 2014 Share Posted February 17, 2014 Funny how their "crisis management" blew so badly in their faces and when they had done a bad job and gotten a lot of negative feedback they decided film music fans were too much of a bother and weirdos. Ah the wonderful executive attitudes. And let's be honest, we are a very OCD and finicky bunch of people who are very very hard to please. Seems to me that they thought releasing the music stem was a very cheap way of making some more money from SW/JW fans.Then they find out it's not as simple as that, and that some 'album producing' is needed. A short-sighted executive would easily be miffed by this I'd certainly consider a 2-CD intended release for RotS. Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted February 17, 2014 Share Posted February 17, 2014 On the contrary when i saw 12 years a slave, it left me totally cold, and i think it was because the mediocre score, and the music was badly spotted (too many unremarkable or unscored moments)Oh please! Link to comment Share on other sites More sharing options...
Joni Wiljami 1,206 Posted February 17, 2014 Share Posted February 17, 2014 On the contrary when i saw 12 years a slave, it left me totally cold, and i think it was because the mediocre score, and the music was badly spotted (too many unremarkable or unscored moments)Oh Yes!!My male pride ( ) only let me be misty eyed and throat sore at key moments I always cry like a baby, can't help it. That's why I prefer to go there alone. Link to comment Share on other sites More sharing options...
filmmusic 1,829 Posted February 17, 2014 Share Posted February 17, 2014 Well hopefully it will all be rectified next year, I'm hoping the release of a new Star Wars movie will cause Lucasfilm to want to put out new 2CD sets of all 6 previous filmsWell, I'm hoping for a release of the Original unaltered trilogy in Bluray first! Link to comment Share on other sites More sharing options...
Jay 37,364 Posted February 18, 2014 Share Posted February 18, 2014 I dunno if that will happen before Fox loses their distribution rights to Star Wars Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted February 18, 2014 Share Posted February 18, 2014 I dunno if that will happen before Fox loses their distribution rights to Star WarsFox has distribution rights to the original 1977 Star Wars in perpetuity in all media worldwide.http://www.hollywoodreporter.com/news/tangled-rights-could-tie-up-384541IMO, a release of the "unaltered" original trilogy is more unlikely than ever. Link to comment Share on other sites More sharing options...
Jay 37,364 Posted February 18, 2014 Share Posted February 18, 2014 Exactly. Link to comment Share on other sites More sharing options...
indy4 155 Posted February 20, 2014 Share Posted February 20, 2014 Check out my analysis of The Book Thief score, on FSMO:http://www.filmscoremonthly.com/fsmonline/story.cfm?maID=4529&issueID=110 Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted February 25, 2014 Share Posted February 25, 2014 "Grazie per aver votato!"One vote more for the Gravity.Just kidding, my vote was and always will be, Priceless.Thanks!A reminder to all fellows here: voting will be closed this Sunday, so vote now if you want to see your favorite composers win! http://www.colonnesonore.net/sondaggi/http://www.colonnesonore.net/news/comunicati-stampa/2938-colonnesonorenet-awards-2013-edition.html Link to comment Share on other sites More sharing options...
Mari 279 Posted February 26, 2014 Share Posted February 26, 2014 A reminder to all fellows here: voting will be closed this Sunday, so vote now if you want to see your favorite composers win! Thanks, Maurizio! Guess who received my vote? Also, congratulations to John Williams on the Saturn Awards nomination for The Book Thief!Best Music:Danny Elfman – “Oz The Great and Powerful”Frank Ilfman – “Big Bad Wolves”Howard Shore – “The Hobbit: The Desolation of Smaug”Brian Tyler – “Iron Man 3″Brian Tyler – “Now You See Me”John Williams – “The Book Thief”The Book Thief also received nominations in the following categories:Best Action/Adventure Film:“The Book Thief”“Fast & Furious 6″“Jack Ryan: Shadow Recruit”“The Lone Ranger”“Lone Survivor”“Rush”Best Supporting Actress:Scarlett Johansson – “Her”Nicole Kidman – “Stoker”Melissa Leo – “PrisonersEvangeline Lily – “The Hobbit: The Desolation of Smaug”Jena Malone – “The Hunger Games: Catching Fire”Emily Watson – ‘The Book Thief”Best Performance by a Younger Actor:Asa Butterfield – “Ender’s Game”Chloe Grace Moretz – “Carrie”Sophie Nelisse – “The Book Thief”Saoirse Ronan – “How I Live Now”Ty Simpkins – “Iron Man 3″Dylan Sprayberry – “Man of Steel”source TownerFan 1 Link to comment Share on other sites More sharing options...
indy4 155 Posted February 26, 2014 Share Posted February 26, 2014 Lol, Book Thief is action/adventure? Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 26, 2014 Share Posted February 26, 2014 Lol, Book Thief is action/adventure?It has very slight fantasy elements like Death doing the narration but it isn't exactly action/adventure. But Williams gets nominations in most unusual awards and categories. Link to comment Share on other sites More sharing options...
Not Mr. Big 4,639 Posted February 26, 2014 Share Posted February 26, 2014 Lol, Book Thief is action/adventure?Death is the greatest adventure. Incanus 1 Link to comment Share on other sites More sharing options...
Muad'Dib 1,802 Posted February 27, 2014 Share Posted February 27, 2014 Here's a little article I found online which's called When Will Williams Win a Sixth?It presents nothing exactly new to us, but it does contain two nice pictures: One from the Book Thief sessions and the other from the backstage when Johnny won the Golden Globe for Geisha.It also has a downloadable sheet music from The Book Thief. The cue itself is "One Small Fact".http://thefilmexperience.net/blog/2014/2/25/5-days-til-oscar-when-will-john-williams-win-a-sixth.html Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted February 28, 2014 Share Posted February 28, 2014 A reminder to all fellows here: voting will be closed this Sunday, so vote now if you want to see your favorite composers win! Thanks, Maurizio! Guess who received my vote? Thank you for your vote, Mari! Hope many other JWfans will follow you Link to comment Share on other sites More sharing options...
crumbs 14,316 Posted March 1, 2014 Share Posted March 1, 2014 Does anyone have the chronological order of the OST? Max Lives seems to be out of place for scene that should have score at that point of the movie... Link to comment Share on other sites More sharing options...
BloodBoal 7,538 Posted March 1, 2014 Share Posted March 1, 2014 Link to comment Share on other sites More sharing options...
King Mark 3,631 Posted March 4, 2014 Share Posted March 4, 2014 I must say I've listened to this album a lot more than I initially thoughtIn the end I like the main theme better than Angela's Ashes even if they are similar Link to comment Share on other sites More sharing options...
Luke Skywalker 1,795 Posted March 4, 2014 Share Posted March 4, 2014 but it has less gravity... Link to comment Share on other sites More sharing options...
Richard Penna 3,690 Posted March 4, 2014 Share Posted March 4, 2014 I must say I've listened to this album a lot more than I initially thoughtIn the end I like the main theme better than Angela's Ashes even if they are similarQuite the opposite - it just feels like a ripped-off theme to me. Link to comment Share on other sites More sharing options...
Sharkissimo 1,973 Posted March 4, 2014 Share Posted March 4, 2014 I must say I've listened to this album a lot more than I initially thoughtIn the end I like the main theme better than Angela's Ashes even if they are similarQuite the opposite - it just feels like a ripped-off theme to me.It's not ripping off if it's the same composer. Link to comment Share on other sites More sharing options...
KK 3,307 Posted March 4, 2014 Share Posted March 4, 2014 Shall we say it feels like a "Hornered"-off theme then? I prefer the original Angela's Ashes theme. The Book Thief's theme is nice, but something about its structure feels just a wee bit mechanical....I don't know, I could be grasping at straws here. But I still like it though. Link to comment Share on other sites More sharing options...
Luke Skywalker 1,795 Posted March 5, 2014 Share Posted March 5, 2014 it's not horner at all. It has a similar passage, as is some parts of the structure, but that's it. Link to comment Share on other sites More sharing options...
KK 3,307 Posted March 5, 2014 Share Posted March 5, 2014 I was kidding, that's all. Since the term "ripped off" was used in reference to something previously existing in the said composer's oeuvre, I just likened the situation to our favourite "recycler". It wasn't a serious allegation. Link to comment Share on other sites More sharing options...
Tom 4,658 Posted March 5, 2014 Share Posted March 5, 2014 Even if the first theme is similar to others I cannot think of a real similarity of the second Visitor theme to any previous Williams work. Moreover, that theme is simply stunning, particularly in the concert version. It truly is achingly beautiful. Link to comment Share on other sites More sharing options...
crocodile 8,013 Posted March 5, 2014 Share Posted March 5, 2014 I must say I've listened to this album a lot more than I initially thoughtIn the end I like the main theme better than Angela's Ashes even if they are similarYeah, it is more formidable than meets the eye. The autumnal contemplative Williams is something that one starts to appreciate more over time.Karol Link to comment Share on other sites More sharing options...
Muad'Dib 1,802 Posted March 11, 2014 Share Posted March 11, 2014 Is this new? It features a little bit of footage from the sessions:http://www.movieweb.com/news/the-book-thief-john-williams-featurette-exclusive Link to comment Share on other sites More sharing options...
Jonesy 55 Posted April 18, 2014 Share Posted April 18, 2014 The FYC promo is available on this site:http://www.fox.co.uk/bafta/thebookthief/soundtrack/ Link to comment Share on other sites More sharing options...
Hlao-roo 389 Posted April 18, 2014 Share Posted April 18, 2014 This score is JW comfort food. Love it. Link to comment Share on other sites More sharing options...
Jay 37,364 Posted April 18, 2014 Share Posted April 18, 2014 The FYC promo is available on this site:http://www.fox.co.uk/bafta/thebookthief/soundtrack/Wow! Very cool. Link to comment Share on other sites More sharing options...
Popular Post Jay 37,364 Posted July 24, 2014 Popular Post Share Posted July 24, 2014 Doug Fake of Intrada says7/22/14 It took me some eight months to catch up with the rest of the movie music world but last night I finally watched The Book Thief. No spoilers so read on. I knew John Williams' Oscar-nominated score from the album, of course. But not how well it might work with the images and story. How well it might meet the visions of the director. Underline, enhance the heartfelt playing by lead Sophie Nélisse. Which, all of the above, it did beautifully. I think the score is a masterpiece - in the classic sense. The picture was bigger than I had expected. Visuals, scale, subject matter. Emotionally overwhelming at times. WWII, Nazi Germany, life in turmoil, homes displaced, Jews in hiding, loved ones disappearing, men, boys going off to war... and books banned, burned. How difficult for one young girl who desires to read, to learn, to understand these events. And Williams wrote straight to the heart of the story, not the world at war around young Liesel. I must admit it is a little worrisome thinking about scoring pictures the way Williams scores them is now becoming a thing of the past. Not in the usual "they don't make 'em like they used to" sense because most of the technological developments in picture making seem to have been good ideas. Editing has become more efficient. Space ships now look real. Battles look more intense. I don't know, something like that anyway. But music, at least in a picture like The Book Thief should be timeless, emotional, real. Perhaps it should even be written that way, with paper and pencil. I look back through the centuries of music done by masters with pen and paper and know the fruits of their labor are indeed timeless, emotional, real. Ralph Vaughan Williams symphonies resonate today just as they did a century ago. That sort of thing. In the Blu-ray extras there is a feature on Williams and he states to the camera that this old-fashioned method is how he works. Were I composing music for movies I'd be saying "I'll have whatever she's having." Translation: I'd be doing whatever it is that Williams does. But I digress. My desire to have richer contemporary soundtrack experiences lately gets in the way sometimes. This was a wordy way of saying I thought the music was more than just an important part of the movie Brian Percival was putting on the screen. It was a layer of it, a part of the collaborative effort that results in a good movie. Were there a method of creating national treasures out of movie composers, I reckon John Williams should be just that.http://www.intrada.net/phpBB2/viewtopic.php?f=2&t=6297 Once, Smeltington and Joni Wiljami 3 Link to comment Share on other sites More sharing options...
Joni Wiljami 1,206 Posted July 26, 2014 Share Posted July 26, 2014 I just got this, ordered it on March. Fast delivery amazon, thanks. But I got 0.01 pound refund for the delay. Great.Good thing is that I've upgraded to 60" Plasma lately so the film looked awesome. And sounded too, one of the few films, you have to cry during the opening menu. The music is just stunning.I think the film will be a classic, the time now is not ready for the films like this.It is the most beautifully scored film in 30 years and it instantly got the position in my top 10 JW score list.Didn't get much love in this site but that is not a surprise since this forum is a joke. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted July 26, 2014 Share Posted July 26, 2014 I was so bored with it. I'm sorry, hornist. Now you know how I feel whenever I see these fucking people dismissing Always, which is one of Williams' best scores. Link to comment Share on other sites More sharing options...
pete 907 Posted July 27, 2014 Share Posted July 27, 2014 Learning to play "The Visitor" (the theme that starts the OST) on piano has really helped me to appreciate the score more. It's just so expertly crafted.I still haven't seen the whole film though. I read the book a few months ago and caught half the movie a few weeks ago on a flight back from the US before falling asleep (not because of the movie). Link to comment Share on other sites More sharing options...
King Mark 3,631 Posted July 27, 2014 Share Posted July 27, 2014 Last 15 minutes of The Book Thief really did a number on me emotionally .Took me a few hours to recoverThis happens very rarely to me. Only a few Video game cut scenes have had the same impact in recent years Link to comment Share on other sites More sharing options...
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