Jump to content

Which do you prefer? "Across the Stars" or "Rey's Theme"?


Josh500

Which do you prefer? "Across the Stars" or "Rey's Theme"?  

61 members have voted

  1. 1. Which do you prefer? "Across the Stars" or "Rey's Theme"?

    • "Across the Stars"
      23
    • "Rey's Theme"
      38


Recommended Posts

1 hour ago, Damien F said:

The problem I have with Across The Stars is not the music itself, but rather it accompanies probably the worst written romance in cinema history. That's obviously not JW fault though. He was scoring the idea of the Anakin/Padme relationship rather than how it actually transpired onscreen.

 

Look at my original post. The very first thing I wrote. :lol:;)

Link to comment
Share on other sites

OP's question is a difficult one to answer, because he is asking to compare themes that sound completely different and serve two different purposes. For instance, even if you say that Rey's Theme is better, that doesn't mean you could use it in place of Across the Stars, and vice versa. I can't find an objective way to judge these themes against one another, and I think the better way would be to compare the whole soundtracks of the two Episodes, because that's a comparison you could make more easily.

If that's the case, then, in my opinion, AotC soundtrack is superior to TFA soundtrack.

Link to comment
Share on other sites

1 minute ago, Biodome said:

OP's question is a difficult one to answer, because he is asking to compare themes that sound completely different and serve two different purposes. For instance, even if you say that Rey's Theme is better, that doesn't mean you could use it in place of Across the Stars, and vice versa. I can't find an objective way to judge these themes against one another, and I think the better way would be to compare the whole soundtracks of the two Episodes, because that's a comparison you could make more easily.

If that's the case, then, in my opinion, AotC soundtrack is superior to TFA soundtrack.

 

You're overthinking it. I'm simply asking which theme you like better.

 

It's more emotional than intellectual. Listen to both themes back to back, then ask yourself, Which has a greater impact on me?

Link to comment
Share on other sites

Both Rey's Theme and Across the Stars are thematically rich and musically seamless. Both demonstrate JW's deft touch with writing complex themes. I think Rey's Theme is a little more impressive because of how seamlessly its multiple components are employed throughout the piece but Across the Stars is on a grander scale and that full, epic sound is very satisfying. The construction of the piece is a little more predictable than Rey's Theme but that's ok. 

Link to comment
Share on other sites

On 17/12/2016 at 2:39 AM, artguy360 said:

The two are so different, it's hard to compare. Across the Stars is so grand and melodramatic. Its a huge theme for a great, tragic love story that never materialized on film. Rey's Theme seems smaller and leaner. Its various components have a kind of utility to them, like they are sewn closer to the film than the grandiose love theme that flies above the film. I don't know if any of that makes sense.

Can't wait to see how JW develops this theme for Episode VIII! 

 

I really hope we get a definitive Concert Version a la Across The Stars.

Link to comment
Share on other sites

Hmm, considering that the most memorable rendition of this theme is found in the end credits, but not in this track....

 

I dunno. It doesn't seem like a concert piece on a par with Across the Stars, Duel of the Fates, The Imperial March, Yoda's Theme, etc.

Link to comment
Share on other sites

13 minutes ago, Josh500 said:

Hmm, considering that the most memorable rendition of this theme is found in the end credits, but not in this track....

 

I dunno. It doesn't seem like a concert piece on a par with Across the Stars, Duel of the Fates, The Imperial March, Yoda's Theme, etc.

 

I don't really understand the argument that because it's not as good as his others or even the best version he wrote, that means it's not the definitive arrangement. It's called "Rey's Theme"! :P It's clearly a self-contained piece, includes all the key components, and he's been performing it all over the place this year. 

 

I actually also prefer both of the end credits statements, but I dunno. Yoda's Theme is different in the ESB credits too, there are probably people who prefer listening to that uptempo. 

Link to comment
Share on other sites

Nah, the track "Yoda's Theme" captures Yoda's character better; that arrangement would have been to slow for the end credits medley methinks, and the version he arranged for the medley is brilliant but less exciting as a standalone listen probably

Link to comment
Share on other sites

The main theme can be a bit cloying depending on my mood, but I actually prefer the bridge section of the "Love Theme from Attack of the Clones" to "Rey's Theme". That part is especially amazing where it suddenly becomes ominous and uncertain.

Link to comment
Share on other sites

4 minutes ago, Selina Kyle said:

The main theme can be a bit cloying depending on my mood, but I actually prefer the bridge section of the "Love Theme from Attack of the Clones" to "Rey's Theme". That part is especially amazing where it suddenly becomes ominous and uncertain.

 

Imo, "Across the Stars" is one of JW's masterpieces in the latter part of his career (since 2000).

Link to comment
Share on other sites

The concert arrangement of Across The Stars is brilliant, as it only focuses on the lovey aspects of the theme in the beginning for delving into its dark b section and bridge and stuff which is cool.  Though, I love where he takes it in the end credits cue for AOTC even more

Link to comment
Share on other sites

8 minutes ago, Jay said:

The concert arrangement of Across The Stars is brilliant, as it only focuses on the lovey aspects of the theme in the beginning for delving into its dark b section and bridge and stuff which is cool.  Though, I love where he takes it in the end credits cue for AOTC even more

 

The segue from The Imperial March to Across the Stars is one of the most impressive feats. Heartbreaking and chilling.

Link to comment
Share on other sites

4 minutes ago, Not Mr. Big said:

I still can't tell the difference between the two AtS arrangements.  

 

The end credits and the theme arrangement track?  Are you kidding?

 

 

 

3 minutes ago, Josh500 said:

 

The segue from The Imperial March to Across the Stars is one of the most impressive feats. Heartbreaking and chilling.

 

That's the finale of the film, i'm talking about the end credits specifically

Link to comment
Share on other sites

Well then you can tell them apart!

The main part that just covers the romantic theme is literally the same bars of music used both times

Link to comment
Share on other sites

I've always wondered about the use of the harpsichord in the version found in the end credits (gives you a slightly mediaeval feel). Why wasn't this used in the track "Across the Stars" too?

 

I always got the feeling that JW couldn't quite decide which fit better... just harps, or harps doubled with harpsichord. So he just decided to include both versions.

 

You know anything about this, Jay?

Link to comment
Share on other sites

He wrote and recorded the end credits first, then starting working on the separate concert arrangement track.  Peter Gelb from Sony Music was involved in trying to make it as commercial as possible and it went through 3-4 versions before they settled on what we got on CD.

Link to comment
Share on other sites

4 minutes ago, Jay said:

He wrote and recorded the end credits first, then starting working on the separate concert arrangement track.  Peter Gelb from Sony Music was involved in trying to make it as commercial as possible and it went through 3-4 versions before they settled on what we got on CD.

 

Hopefully one day we'll get to hear the other versions as well, when the Complete Star Wars - Attack of the Clones is released. 

 

(Hopefully by LLL, hopefully done by Matessino.)

Link to comment
Share on other sites

There's not a chance the specialty labels will get to do the SW scores, they will surely be put out on Disney's own record label.  And the label doesn't matter as long as Matessino is producing (Other than the loss of Jim Titus)

Link to comment
Share on other sites

3 hours ago, Jay said:

There's not a chance the specialty labels will get to do the SW scores, they will surely be put out on Disney's own record label.  And the label doesn't matter as long as Matessino is producing (Other than the loss of Jim Titus)

 

Yeah, a Matessino produced 6 (or maybe 9?) CD boxset of the Star Wars prequels would be a dream come true.

 

But I can wait. Right now I'm still waiting and excited for the Jurassic Park John Williams boxset.

Link to comment
Share on other sites

For me it's Rey's Theme, and I agree with the sentiment that "Across the Stars" is a bit too one-dimensional (it is still gorgeous music, nonetheless). Wherever John Williams takes Rey's theme next I cannot wait to experience; just with the end credits arrangement its enormous potential was made very clear for when JW decides to fully unleash it.

Link to comment
Share on other sites

From a musical construction point, it has to be Across the Stars. I think out of all of Williams' love themes, there is something so despairing about this theme, something troubling and very unsettling. Yet it is absolutely gorgeous and sweeping and epic.

 

It has the feel of a ruined great life or a ruined great romance. Something that once was great that was corrupted.

 

The piece also is so beautifully constructed, it builds and builds into these euphoric statements and then we get the despairing bridge section. Finally ends with a tragic subdued solo.

 

As a stand alone piece, it has great value. 

Link to comment
Share on other sites

6 hours ago, Incanus said:

Across the Stars in classic Williams fashion comes slowly together in the course of the film, the different parts emerging from different aspects of the romance. The pure love theme (the A part), the troubled darker forbidden aspect (the B part) and the turbulent menacing section, the grim horns and the repeating weaving string figures, that ties into Anakin's fall, the love being one of the prime movers in this (the C part). While Lucas deals with this in a way akin to a cheap romance novel in the film, Williams distills these three elements into his theme in a very succint way. He has spoken of Lucas writing archetypes that he finds inspirational or easy to relate to and I think in this case he really outdid the director and composed an archetypical tortured love theme.

Well said! 

 

It's the archetypal Romeo and Juliet type love theme. Deep, unconditional love overshadowed by despairing and unforgiving tragedy. The whole theme is like a stab to the heart....

 

JW is a master at evoking these visceral emotions, and the LSO plays every single note to its full effect.

Link to comment
Share on other sites

12 hours ago, Josh500 said:

Nice performance! 

 

It's the only one I ever attended so I can't say if it's great or just average. But it sounded wonderful to me. (Same for duel of the fate by the way)

Link to comment
Share on other sites

On 21/12/2016 at 1:55 PM, toothless said:

 

It's the only one I ever attended so I can't say if it's great or just average. But it sounded wonderful to me. (Same for duel of the fate by the way)

 

There are several performances of "Across the Stars" and other JW pieces on YouTube, both by professional and amateur orchestras. 

 

This is one of the better ones. I also love the one played by the Prague Philharmonic. 

Link to comment
Share on other sites

  • 2 weeks later...

I'd love to know the reasoning behind the concert version of Across the Stars replacing the end credits version Williams specifically wrote for, you know, the end credits. That always irritated me.

 

Best video I could find:

 

Link to comment
Share on other sites

6 hours ago, crumbs said:

I'd love to know the reasoning behind the concert version of Across the Stars replacing the end credits version Williams specifically wrote for, you know, the end credits. That always irritated me.

 

 

It was probably considered too cerebral or imaginative to function as a closer for the film? Perhaps pandering to SW fanboys who heard the music video and they were afraid they'd be like "hey that's not the proper version I heard!"

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.