80sFan

Interesting article
 
https://slate.com/culture/2023/12/home-alone-orchestra-live-concert-2023.html

Interesting article
 
https://slate.com/culture/2023/12/home-alone-orchestra-live-concert-2023.html

Interesting article
 
https://slate.com/culture/2023/12/home-alone-orchestra-live-concert-2023.html

I’ve seen covers by vocal groups before, but this is the first time I’ve seen one where there is a single voice per instrument.
 
 
I sing the ENTIRE orchestra in The Indiana Jones Theme
https://www.youtube.com/watch?v=3q6iSaCg3kg

I’ve seen covers by vocal groups before, but this is the first time I’ve seen one where there is a single voice per instrument.
 
 
I sing the ENTIRE orchestra in The Indiana Jones Theme
https://www.youtube.com/watch?v=3q6iSaCg3kg

Ahsoka's Composers on Evolving Her Musical Journey
 
https://gizmodo.com/ahsoka-interview-kevin-deana-sean-kiner-star-wars-1850896936

Ahsoka's Composers on Evolving Her Musical Journey
 
https://gizmodo.com/ahsoka-interview-kevin-deana-sean-kiner-star-wars-1850896936

Love this - thanks for posting!

Not quite sure where to put this, but it looks like the CD is not the only thing missing teeth... (from Quito, Ecuador) 
 

Not quite sure where to put this, but it looks like the CD is not the only thing missing teeth... (from Quito, Ecuador) 
 

Not quite sure where to put this, but it looks like the CD is not the only thing missing teeth... (from Quito, Ecuador) 
 

Not quite sure where to put this, but it looks like the CD is not the only thing missing teeth... (from Quito, Ecuador) 
 

Not quite sure where to put this, but it looks like the CD is not the only thing missing teeth... (from Quito, Ecuador) 
 

Not quite sure where to put this, but it looks like the CD is not the only thing missing teeth... (from Quito, Ecuador) 
 

This is great (as the previous parts). I really enjoyed learning about a TV show I had never heard of before, several I had heard of but never heard the music, as well as Gilligan's Island (brings back memories hearing it as a kid).
 
Nice work!

This is great (as the previous parts). I really enjoyed learning about a TV show I had never heard of before, several I had heard of but never heard the music, as well as Gilligan's Island (brings back memories hearing it as a kid).
 
Nice work!

I can finally contribute to this thread! I don’t follow this Instagram page, but it popped up because I like videos of dachshunds frequently, and this popped up just now, but please enjoy. make sure your sound is on https://www.instagram.com/reel/CloRuTPLwwg/?igshid=YmMyMTA2M2Y=

To be honest, the only score I program the Fox Fanfare before is this one…
(still not sure what I like about it but I seem to play it fairly often)
 
-------------------------------------------------------------------
Lukas Kendall
...but John Williams actually did arrange and record this version of the classic Alfred Newman "20th Century Fox Fanfare with CinemaScope Extension"—for the 1964 Arabian themed farce John Goldfarb, Please Come Home! (The studio said, "Absolutely not!")
 
https://www.youtube.com/watch?v=HFfEf-ClIbE
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Has anyone else heard of this new arrangement?
 
 
https://jarijuhanikallio.wordpress.com/2023/01/30/from-symphonic-beethoven-to-john-williams-with-emanuel-ax-leonidas-kavakos-and-yo-yo-ma/
 
What, one might ask, could steal the show after two such inspired performances of Beethoven. In this case, the answer was none other than John Williams, whose iconic Theme from Schindler’s List (1993) was heard as a profoundly captivating encore. Commissioned by the trio over a phone call with the composer, Williams’s pristine arrangement focuses on the prayer-like intimacy of the music, while retaining emotional subtlety of the original orchestral score.

Has anyone else heard of this new arrangement?
 
 
https://jarijuhanikallio.wordpress.com/2023/01/30/from-symphonic-beethoven-to-john-williams-with-emanuel-ax-leonidas-kavakos-and-yo-yo-ma/
 
What, one might ask, could steal the show after two such inspired performances of Beethoven. In this case, the answer was none other than John Williams, whose iconic Theme from Schindler’s List (1993) was heard as a profoundly captivating encore. Commissioned by the trio over a phone call with the composer, Williams’s pristine arrangement focuses on the prayer-like intimacy of the music, while retaining emotional subtlety of the original orchestral score.

Has anyone else heard of this new arrangement?
 
 
https://jarijuhanikallio.wordpress.com/2023/01/30/from-symphonic-beethoven-to-john-williams-with-emanuel-ax-leonidas-kavakos-and-yo-yo-ma/
 
What, one might ask, could steal the show after two such inspired performances of Beethoven. In this case, the answer was none other than John Williams, whose iconic Theme from Schindler’s List (1993) was heard as a profoundly captivating encore. Commissioned by the trio over a phone call with the composer, Williams’s pristine arrangement focuses on the prayer-like intimacy of the music, while retaining emotional subtlety of the original orchestral score.

Has anyone else heard of this new arrangement?
 
 
https://jarijuhanikallio.wordpress.com/2023/01/30/from-symphonic-beethoven-to-john-williams-with-emanuel-ax-leonidas-kavakos-and-yo-yo-ma/
 
What, one might ask, could steal the show after two such inspired performances of Beethoven. In this case, the answer was none other than John Williams, whose iconic Theme from Schindler’s List (1993) was heard as a profoundly captivating encore. Commissioned by the trio over a phone call with the composer, Williams’s pristine arrangement focuses on the prayer-like intimacy of the music, while retaining emotional subtlety of the original orchestral score.

Has anyone else heard of this new arrangement?
 
 
https://jarijuhanikallio.wordpress.com/2023/01/30/from-symphonic-beethoven-to-john-williams-with-emanuel-ax-leonidas-kavakos-and-yo-yo-ma/
 
What, one might ask, could steal the show after two such inspired performances of Beethoven. In this case, the answer was none other than John Williams, whose iconic Theme from Schindler’s List (1993) was heard as a profoundly captivating encore. Commissioned by the trio over a phone call with the composer, Williams’s pristine arrangement focuses on the prayer-like intimacy of the music, while retaining emotional subtlety of the original orchestral score.