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Loert

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Posts posted by Loert

  1. I adore A.I., but I made myself a 51-minute mix and listen to that. Don't think I can sit through the entire score and get the same enjoyment.

     

    In terms of (supposedly) great scores, I struggle with LotR, Conan the Barbarian, and La La Land. I will say no more.

  2. 15 minutes ago, filmmusic said:

     

    Oh believe me, I've read all the wikipedia pages and I'm still confused!

     

    Spoiler

    While watching, my interpretation was that it's fundamentally a conflict between an artificial setting (the school) and the natural world, that conflict being symbolized by the "rift" in time and space, as well as the parents withdrawing their girls from the school and the subsequent suicides. Then I found out from reading around that one of the major themes is the colonisation of Australian land, which makes sense. I think the whole thing about the girls turning into crabs is almost incidental, almost like the author just decided to come up with the craziest explanation in order to drive home that there actually is no explanation that makes sense.

     

  3. Picnic at Hanging Rock (1975). Watched it for the second time. The first time I saw it was around 7 years ago, when I understood very little of the story, though the film did leave an impression on me (particularly the haunting ascent music). So I was hoping to understand some more this time round...with little luck. There's a subtle discontinuity about the whole film that makes it very dream-like. The sudden shifts in location, the deep sense that something is not right...from that point of view it's very well done. But other than that I still struggle to make heads or tails of it. Maybe that's the point. I feel like I need to visit a Freud or a Jung and ask them what the film means.

  4. If you mean "theme" as in a melody that is re-used throughout the score, I don't think I could ever give a favourite, however the first theme that came to mind was the A.I. Theme, which I really adore. But I also really love the Slave Children's Crusade theme (its rendition in the ToD end credits is perhaps my favourite section in any JW score).

     

    If you mean "theme" as in a title theme/track, I would probably go for either The Towering Inferno titles, or The 1941 March.

  5. Here is something I've been working on. It was originally intended as an exercise to get back into composing after at least a year of not doing anything. But I decided to publish it in the end. The idea was to pretend that I was writing a track for an Elder Scrolls game. I hope you like it!

     

     

    (Btw the fact that I used the same inspiration as @TheAvengerButton above is purely coincidental! We obviously just share similar tastes. :wink:)

  6. OK, if we're talking about the composer as a person, then I can't say there's anyone in the film music world I used to "like" but now "dislike". But I have certainly fallen out with some people's output. I think the big one for me is Hans Zimmer. He was my entry-point into film music ("Up is Down" from POTC 3 was one of my first loves). But I'm not such a huge fan of his latest work. I was listening to Dune the other day, and aside from the opening track which I found quite exhilirating, the rest left me cold. But because of his 90s/00s output I'm (still) convinced he is a musical genius.

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