Gruesome Son of a Bitch 6,488 Posted February 17, 2018 Share Posted February 17, 2018 Star Trek V: The Final Frontier Link to comment Share on other sites More sharing options...
James 119 Posted February 17, 2018 Share Posted February 17, 2018 Five Europeans and one American. Tomorrow Never Dies (1997) - David Arnold Bram Stoker's Dracula (1992) - Wojciech Kilar Mary Shelley's Frankenstein (1994) - Patrick Doyle Amistad (1997) - John Williams Arrival (2016) - Johánn Johánnsson Black Panther (2018) - Ludwin Goränsson Link to comment Share on other sites More sharing options...
Kasey Kockroach 2,344 Posted February 17, 2018 Share Posted February 17, 2018 Mighty Joe Young- James Horner: Middle to lower shelf Horner score salvaged by one of my personal favorites cues in general, Windsong. Cinderella- Patrick Doyle: I remember nothing about the movie except being captivated by the score (the first time I had ever heard of this composer) to the point of rushing out and buying the CD as fast as I could. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 17, 2018 Share Posted February 17, 2018 5 minutes ago, kaseykockroach said: Mighty Joe Young- James Horner: Middle to lower shelf Horner score salvaged by one of my personal favorites cues in general, Windsong. All the big composers contributed a trendy "African" score in the 90s. I don't know what the hell the vocals are saying in this one, but it just sounds like typical Horner vocal melodies adapted into Afrikan. It's not as cheesy as Williams' choir yelling "Africa!!" Link to comment Share on other sites More sharing options...
Kasey Kockroach 2,344 Posted February 17, 2018 Share Posted February 17, 2018 And Goldsmith did two! I admittedly have a soft spot for those kind of scores, when done well enough at least. I know they're 'a dime a dozen' sort of fares but I just like that kind of sound. Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,550 Posted February 17, 2018 Share Posted February 17, 2018 22 minutes ago, Philippe Roaché said: All the big composers contributed a trendy "African" score in the 90s. I don't know what the hell the vocals are saying in this one, but it just sounds like typical Horner vocal melodies adapted into Afrikan. It's not as cheesy as Williams' choir yelling "Africa!!" Its "Afrikaans". Link to comment Share on other sites More sharing options...
James 119 Posted February 17, 2018 Share Posted February 17, 2018 59 minutes ago, kaseykockroach said: And Goldsmith did two! Horner also did "Bopha!". Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 18, 2018 Share Posted February 18, 2018 The Lost World: Jurassic Park Titanic Desert island scores. Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted February 18, 2018 Share Posted February 18, 2018 The Land Before Time. As symphonic as Horner ever got, really. The melodies and structures are absolutely sublime. Blows me away every time I hear it, especially The Great Migration and that rather Sibelius-esque melody in the brass a couple of minutes in. crocodile 1 Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 18, 2018 Share Posted February 18, 2018 Great dynamic range. I like how the album is structured forcing you to listen through long tracks. Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted February 18, 2018 Share Posted February 18, 2018 Just now, Philippe Roaché said: Great dynamic range. I like how the album is structured forcing you to listen through long tracks. Not merely long tracks. Symphonic movements, really, all working together in an overall dramatic arc. Quite brilliant. Gruesome Son of a Bitch 1 Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 18, 2018 Share Posted February 18, 2018 It's a masterpiece. Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted February 18, 2018 Share Posted February 18, 2018 22 minutes ago, Steve McQueen said: Not merely long tracks. Symphonic movements, really, all working together in an overall dramatic arc. Quite brilliant. See? That's what I'm talking about. That's how OST albums should be! But no, everyone else insists film score soundtracks need to be 60-odd 30-second tracks dumped on CD with no thought behind arrangement. Horner knew what he was doing. SteveMc 1 Link to comment Share on other sites More sharing options...
MedigoScan 324 Posted February 18, 2018 Share Posted February 18, 2018 Some people just want to listen to music the way it was in the movie. And saying its either long tracks or 30 second tracks is exaggeration to support your own opinion. Both types of albums have their own positives. Taikomochi 1 Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 18, 2018 Share Posted February 18, 2018 The Great Train Robbery - Jerry Goldsmith Michael Crichton wanted to create a victorian period piece...or, in his own words, "My dream was that the historical world was going to be lovingly recreated, and then I was going to shoot French Connection inside it" in this story about a master criminal who plans to steal a shipment of gold from a moving train. After the icy, acidic 'Coma', this was his second call for Goldsmith (and the third Sean Connery movie Goldsmith was attached to, an actor increasingly dear to his heart), and as it turned out, probably their most lasting collaboration. For the rogue-ish tone, Goldsmith used the same sleight-of-hand as the movie's characters in that he turned to the buoyant russian idiom of Sergej Prokoviev instead of whatever tudorian lark might have seemed appropriate. The result is easily one of Goldsmith's most endearing and memorable themes, a powerhouse main theme built on the composer's characteristic brass riffs anchoring a blitheful string waltz courtesy of old Sergej (basically written for a helicopter shot of a speeding train). The tempo he requests from the National Philharmonic Orchestra is breathtaking and was never matched again by later recordings. The light tone, supported by harpsichord, is mostly kept save for a few more ominous moments like 'Street Attack', recalling 'Alien' of all things. Apart from the expected virtuosity with which Goldsmith handles another new facet of his musical persona - probably the closest to Williams preferred mode of expression around that time - it's again a showcase for economy: a 64-piece orchestra, its sections at times almost handled soloistically, is more than enough to project either pomp or winks to the audience. The idiom was later reused by the composer in a comparably leaden style in his own 90's outings, 'Dennis The Menace' and 'Mom and Dad Save the World'. Naïve Old Fart 1 Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 18, 2018 Share Posted February 18, 2018 12 hours ago, kaseykockroach said: Mighty Joe Young- James Horner: Middle to lower shelf Horner score salvaged by one of my personal favorites cues in general, Windsong. It's actually above his more pretentious *big* drama scores of the period as far as colour and variety goes (and certainly miles above the asinine Titanic). Windsong is imho the most cheesy ingredient. Link to comment Share on other sites More sharing options...
crocodile 8,017 Posted February 18, 2018 Share Posted February 18, 2018 I think @Incanus goes into anaphylactic shock as soon as the Windsong comes on. Speaking of Mikko, I'm having a bit of a Rozsa mixtape on this morning. Karol Incanus 1 Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 18, 2018 Share Posted February 18, 2018 On 17.2.2018 at 2:29 AM, crocodile said: Black Panther by Ludwig Goransson. Giving it a second more careful listen which does reveal more themes and detail. I'm liking this more and more. It does sounds like something. It proves that Creed from the same composer was no accident. This fella knows what he's doing. The score might perhaps lack what you'd call a main superhero theme but it's stylistic choices are compelling enough for me not to be bored. One of the main is more a percussive idea and feels more like a ritualistic chant (and it is used in that context as well). That in itself is a big thing because the film is 96 minutes long and I'm not sure whether that isn't the entire score (must be very close to complete). The orchestral writing is strong and focused and the vocal material is also very inspired (both solo and choral). 100 minutes is surely elephantine but in between there's a delicate little plant that might grow to something stronger. Especially for dumb Marvel movies. The percussive element flip-flops between the pleasing world music beats of 'Power of One', 'Dinosaur' and 'Blood Diamond' (it's not distinctive enough to approach something like 'Ghost and the Darkness', the next level). But in tandem with the occasionally pleasing underscore that at times even recalls #typical film music, ca. Outbreak it's sure is another sign of better times ahead. Oh, and who could hate a score making extensive use of Horner's danger motif? It's like carrying the torch. Link to comment Share on other sites More sharing options...
crocodile 8,017 Posted February 18, 2018 Share Posted February 18, 2018 1 minute ago, publicist said: 100 minutes is surely elephantine but in between there's a delicate little plant that might grow to something stronger. Especially for dumb Marvel movies. The percussive element flip-flops between the pleasing world music beats of 'Power of One', 'Dinosaur' and 'Blood Diamond' (it's not distinctive enough to approach something like 'Ghost and the Darkness', the next level). But in tandem with the occasionally pleasing underscore that at times even recalls #typical film music, ca. Outbreak it's sure is another sign of better times ahead. Oh, and who could hate a score making extensive use of Horner's danger motif? It's like carrying the torch. That's it he's just done Avatar 2! Karol Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 18, 2018 Share Posted February 18, 2018 With Cameron's tempo, he might be fossilized by then. Link to comment Share on other sites More sharing options...
crocodile 8,017 Posted February 18, 2018 Share Posted February 18, 2018 Oh my god, it's still 3 years until it actually premieres. Karol Link to comment Share on other sites More sharing options...
Popular Post Gruesome Son of a Bitch 6,488 Posted February 18, 2018 Popular Post Share Posted February 18, 2018 2 hours ago, publicist said: the asinine Titanic publicist, SteveMc, Holko and 1 other 2 2 Link to comment Share on other sites More sharing options...
Sir Hilary Bray 235 Posted February 18, 2018 Share Posted February 18, 2018 having watched the movie Friday, revisited Logan's Run. Personally one of my favourite Goldsmith's from the opening to tracks like "On the Circuit", "Assignment" ("Question? No one has been renewed?"), "Terminated in Cathedral" (the steady build to when Francis fires on the runner) and the triumphant "The Sun". Marian Schedenig 1 Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 18, 2018 Share Posted February 18, 2018 M Squad by Count Basie, Stanley Wilson and others including Johnny Williams Checkmate by Johnny Williams 7 hours ago, crocodile said: I think @Incanus goes into anaphylactic shock as soon as the Windsong comes on. Speaking of Mikko, I'm having a bit of a Rozsa mixtape on this morning. Karol Yeah I am not a big fan of the Windsong or the main theme. Some of the action material however is quite decent. dtw42 and Bespin 2 Link to comment Share on other sites More sharing options...
Bespin 8,484 Posted February 18, 2018 Share Posted February 18, 2018 Oh, Jazzy mode! Why not?John Williams - 60's Smooth Pop Jazz Link to comment Share on other sites More sharing options...
dtw42 61 Posted February 18, 2018 Share Posted February 18, 2018 Nixon, and then Monsignor. Bespin 1 Link to comment Share on other sites More sharing options...
Koray Savas 2,251 Posted February 19, 2018 Share Posted February 19, 2018 @Incanus What keeps your returning to MOH Frontline and Airborne over the other entries? Is it the more solemn tone? If I listen to one I find it hard not to just go through the whole set of them. Brilliant music, those scores. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 19, 2018 Share Posted February 19, 2018 Titanic: 20th Anniversary Edition The Lost World: Jurassic Park complete score These expanded versions are not a privilege, they're a gift. And you use them for the good of mankind. 1997 was a hell of a year. The Goonies Unlucky Bastard 1 Link to comment Share on other sites More sharing options...
Fancyarcher 350 Posted February 19, 2018 Share Posted February 19, 2018 Black Panther by Ludwig Gorannson - Nice mix of African music, orchestral themes, and funky music. A combination that never feels out of place. Like most modern albums, at times it runs a bit long, but there's a lot of good constant energy and it's got a lot of personality to boot. Good stuff. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 19, 2018 Share Posted February 19, 2018 Batman (1989) OST (music by a dearly missed Danny Elfman) Link to comment Share on other sites More sharing options...
The Illustrious Jerry 3,356 Posted February 19, 2018 Share Posted February 19, 2018 Listened to Planet Earth II. Good score for a good BBC docuseries. Still not even close to Fenton's original though. That's always been a favourite of mine. Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 19, 2018 Share Posted February 19, 2018 4 hours ago, Koray Savas said: @Incanus What keeps your returning to MOH Frontline and Airborne over the other entries? Is it the more solemn tone? If I listen to one I find it hard not to just go through the whole set of them. Brilliant music, those scores. The two earlier scores are wonderful too but for some reason the later ones receive more listens, especially Frontline. To me it is the best of the four Giacchino scores, most well rounded listening experience and musical arc and contains the best combination of action and emotional pieces. It also feels somehow more unified than the two previous entries. Airborne on the other hand is very relentless and heavy hitting experience action-wise so when the mood hits me I usually go for it for my quick MOH adrenaline fix. Koray Savas 1 Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,550 Posted February 19, 2018 Share Posted February 19, 2018 11 hours ago, dtw42 said: Nixon, and then Monsignor. That's an odd pairing, but it works, somehow. Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted February 19, 2018 Share Posted February 19, 2018 6 hours ago, Philippe Roaché said: Titanic: 20th Anniversary Edition The Lost World: Jurassic Park complete score These expanded versions are not a privilege, they're a gift. And you use them for the good of mankind. 1997 was a hell of a year. The Goonies 1997 was the year I visited the cinema the most, a total of 16 movies. I've never topped that figure. Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 19, 2018 Share Posted February 19, 2018 The Magnificent Seven by Elmer Bernstein: A classic. The re-recording by James Sedares and the Phoenix Symphony Orchestra is quite excellent and the Hallelujah Trail Overture is a nice bonus at the end of the disc. Seven Years in Tibet by John Williams: As gorgeous as ever. dtw42 1 Link to comment Share on other sites More sharing options...
KK 3,307 Posted February 19, 2018 Share Posted February 19, 2018 Black Panther by Ludwig Goransson Some real good stuff here. A nice cocktail of Power of One and The Lion King meets your usual modern blockbuster fare. It might not boast the most memorable themes, but it makes up for it in its sheer energy and colour. Gorannsson uses talking drums, African percussive elements and various ethnic chants (one for the female warriors being particularly effective) to great effect. There is even some decent woodwind writing here, with the occasional Horner-esque contouring. As for the danger motif, it's fun hearing it against an 808. The action music is not always great, but there are some real moments here, especially when he amps up the 90s style Zimmer melodrama (think "Ancestral Plane"). A shorter album would probably serve the score well. In the end, it's probably the most distinctive Marvel, or even mainstream blockbuster score in some time. Goransson is clearly someone to look out for. Black Gold by James Horner This is just really solid film scoring. Nothing, from themes to action material, is particularly new or special. But given that I haven't played some good ol' Horner in some time, the craft and apparent sensibilities of an older generation composer here really hit me. I miss the guy. crocodile and Not Mr. Big 2 Link to comment Share on other sites More sharing options...
Kasey Kockroach 2,344 Posted February 19, 2018 Share Posted February 19, 2018 https://youtu.be/4L6I_c022qs "One of my favorite Horner listening sessions is We're Back: A Dinosaur's Story" is a sentence I wish I could type and still retain some dignity. Ah well. It's a bouncy, playful old thing with classic James Horner sentimentality squeezed in here and there. Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 19, 2018 Share Posted February 19, 2018 Some of it is quite dissonant (Grand Demon Parade) though apparently it's one of those Don Davis things. PS: Quartet has just released Georges Delerue's achingly beautiful 'Platoon' score - before he got rejected in favour of Barber's Adagio for Strings - and you can hear his version of this famous piece in the main titles. There's more dissonant stuff, too, but basically it's a soothing sorrowful affair from the master of such things. Blends well with the holy 1989 triumvirate of BOTFJ, Casualties of War and Glory. Link to comment Share on other sites More sharing options...
Kasey Kockroach 2,344 Posted February 19, 2018 Share Posted February 19, 2018 LOVE "Grand Demon Parade". It pretty much lives up to that cue title. I just love me some of that there Horner cartoon goodness. Link to comment Share on other sites More sharing options...
crocodile 8,017 Posted February 19, 2018 Share Posted February 19, 2018 30 minutes ago, publicist said: Some of it is quite dissonant (Grand Demon Parade) though apparently it's one of those Don Davis things. PS: Quartet has just released Georges Delerue's achingly beautiful 'Platoon' score - before he got rejected in favour of Barber's Adagio for Strings - and you can hear his version of this famous piece in the main titles. There's more dissonant stuff, too, but basically it's a soothing sorrowful affair from the master of such things. Blends well with the holy 1989 triumvirate of BOTFJ, Casualties of War and Glory. I'm not so sure about that one. Barber's piece is something I can't listen to anymore. Kaorl Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 19, 2018 Share Posted February 19, 2018 So? Link to comment Share on other sites More sharing options...
crocodile 8,017 Posted February 19, 2018 Share Posted February 19, 2018 The score is largely based on it. Karol Link to comment Share on other sites More sharing options...
SteveMc 2,674 Posted February 19, 2018 Share Posted February 19, 2018 1 hour ago, kaseykockroach said: "One of my favorite Horner listening sessions is We're Back: A Dinosaur's Story" is a sentence I wish I could type and still retain some dignity. Ah well. It's a bouncy, playful old thing with classic James Horner sentimentality squeezed in here and there. The melody featured below may very well be Horner's most purely beautiful. Horner's cartoon scores do indeed contain some of his most joyful, heartfelt work. Link to comment Share on other sites More sharing options...
publicist 4,643 Posted February 19, 2018 Share Posted February 19, 2018 23 minutes ago, crocodile said: The score is largely based on it. Nah, Delerue's adagio stand well on its own feet. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 19, 2018 Share Posted February 19, 2018 1 hour ago, kaseykockroach said: We're Back: A Dinosaur's Story I prefer We're Going to America: A Titanic Story. Kasey Kockroach 1 Link to comment Share on other sites More sharing options...
Kasey Kockroach 2,344 Posted February 19, 2018 Share Posted February 19, 2018 46 minutes ago, Steve McQueen said: The melody featured below may very well be Horner's most purely beautiful. Horner's cartoon scores do indeed contain some of his most joyful, heartfelt work. Agreed. This is one of my pallet-cleansing scores, when I just want to listen to some Horner for the sake of it rather than the big favorites. Ya'll can have Lameheart or Legends of the Dull, Horner cartoon music is my tea. I think he's even better than Williams or Goldsmith in that aspect. Link to comment Share on other sites More sharing options...
The Illustrious Jerry 3,356 Posted February 19, 2018 Share Posted February 19, 2018 WALL-E by Thomas Newman Not only my favourite Pixar score but also my favourite Newman score. Link to comment Share on other sites More sharing options...
Gruesome Son of a Bitch 6,488 Posted February 20, 2018 Share Posted February 20, 2018 Harry Potter and the Goblet of Fire It's alright. Link to comment Share on other sites More sharing options...
Unlucky Bastard 7,782 Posted February 20, 2018 Share Posted February 20, 2018 It wasn't too bad. A bit aimless and meandering but it's sort of okay. Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted February 20, 2018 Share Posted February 20, 2018 Medal of Honor by Michael Giacchino Medal of Honor Underground by Michael Giacchino Abzû by Austin Wintory Link to comment Share on other sites More sharing options...
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