Hans Zimmer and Nick-Glennie Smith's THE ROCK (1996) - NEW! 2023 Intrada 2-CD edition

[Jay 37,369]

 

Coming later next week. 2-CD set. More details next week.

 

https://www.facebook.com/groups/95015405220/permalink/10168374430795221/

[DangerMotif 1,038]

Not the most exciting score to release 

[Jay 37,369]

If anybody has ever wondered who composed what on this score, the website hans-zimmer.com has the answer

 

Spoiler

1m01 Opening (3:54) Hans Zimmer, Nick Glennie-Smith
1m02 Naval Weapons Depot (4:17) Hans Zimmer, Nick Glennie-Smith
2m03 Baby Gas (2:26) Harry Gregson-Williams
2m04A Romance #1 (0:19) Hans Zimmer, Nick Glennie-Smith
2m05 Tour's Over Bob (3:29) Nick Glennie-Smith, Don Harper, Steven Stern
3m06 Hummel Speech - Alcatraz Reopened (2:25) Hans Zimmer, Nick Glennie-Smith
3m06A Hummel's Demands To Pentagon (1:21) Hans Zimmer, Nick Glennie-Smith
3m07A Possible Romantic Cue (0:46) Hans Zimmer, Nick Glennie-Smith
3m08 Mason Montage (1:24) Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
4m09 San Francisco Montage (1:17) Hans Zimmer, Nick Glennie-Smith, Russ Landau
4m09A Interrogation (1:02) Nick Glennie-Smith, Steven Stern
4m10 Quarter (0:41) Nick Glennie-Smith, Steven Stern
4m11 Window Crash - Fairmont (2:07) Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
5m13-14 Haircut - Escape: The Chase!! (8:22) Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
6m15 Goodspeed Tracks Jade (0:49) Harry Gregson-Williams
6m15A Jade (1:59) Nick Glennie-Smith
6m16 Blueprints (1:06) Nick Glennie-Smith, Harry Gregson-Williams
7m17 Hummel - SEALs (7:14) Hans Zimmer, Nick Glennie-Smith
7m17 END INSERT Hummel - SEALs (Insert) (1:56)  Hans Zimmer, Nick Glennie-Smith 

8m18 Mason Into Furnace - SEALs Tunnel (1:14) Nick Glennie-Smith, Don Harper
8m18A SEAL Attack (3:32) Hans Zimmer, Nick Glennie-Smith, Steven Stern
8m18A REDO v1 SEAL Attack (Alternate I) (1:37) Hans Zimmer, Nick Glennie-Smith
8m18A REDO v2 SEAL Attack (Alternate II) (1:31) Hans Zimmer, Nick Glennie-Smith

8m18B SEAL Attack 2nd Half (4:52) Hans Zimmer, Nick Glennie-Smith
9m18C Aftermath (0:49) Harry Gregson-Williams
9m19 Bombs (3:43) Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
9m20 The Morgue (1:52) Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
10m21 PT1 Indiana Jones - Fight With Marines Pt 1 (2:12) Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
10m21 PT2 Indiana Jones - Fight With Marines Pt 2 (4:12) Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
11m22 Hostage - Goodspeed Captured (5:35) Hans Zimmer, Nick Glennie-Smith
11m23 Plasma Bomb Is Ready (0:51) Nick Glennie-Smith, Harry Gregson-Williams
12m24 PT1 Hammer Head Pt 1 (4:10) Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
12m24 PT2 Hammer Head Pt 2 (1:54) Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
12m25 President's Lament (1:57) Hans Zimmer, Nick Glennie-Smith
13m26A Mission's Over - Final Attack - Finale Pt 1 (5:28) Hans Zimmer, Nick Glennie-Smith
13m26B PT1 Mission's Over - Final Attack - Finale Pt 2 (3:07) Hans Zimmer, Nick Glennie-Smith
13m26B PT2 Mission's Over - Final Attack - Finale Pt 3 (2:26) Hans Zimmer, Nick Glennie-Smith
13m26C PT1 Mission's Over - Final Attack - Finale Pt 4 (2:37) Hans Zimmer, Nick Glennie-Smith
13m26C PT2 Mission's Over - Final Attack - Finale Pt 5 (3:24) Hans Zimmer, Nick Glennie-Smith
15m27 Fort Walton, Kansas (1:37) Hans Zimmer, Nick Glennie-Smith
15m27 ALT Fort Walton, Kansas (Alternate) (1:40) Hans Zimmer, Nick Glennie-Smith
Suite Demo Idea - Action Theme (2:42) Nick Glennie-Smith
Suite Demo Idea - Main Theme - Gentle (1:59) Nick Glennie-Smith
Suite Demo Idea - Pastorale (1:25) Nick Glennie-Smith
Suite Demo Idea - Main Theme - More Developped And BIG (2:27) Nick Glennie-Smith
Suite Demo Idea - Portent Theme To Noble Theme (2:47) Nick Glennie-Smith
Suite Demo Idea - Mystery To Love Theme To Bell Theme (3:35) Nick Glennie-Smith
Suite Demo Idea - In The Dark Place (2:04) Nick Glennie-Smith
Suite Demo Idea - Theme That Builds (1:25) Nick Glennie-Smith
Suite Demo Idea - Theme That Builds With Groove (1:50) Nick Glennie-Smith
Suite Demo Idea - A Simple Victory (2:51) Nick Glennie-Smith
Suite Demo Idea - Guitar Study (1:53) Nick Glennie-Smith

 

https://hans-zimmer.com/discography/104/project/2046

 

On that same page, Stéphane Humez provides more details into the scoring process, in two posts from March 2023:

 

Mmmh I read a lot of things. I won't pretend I have the full truth even though I know Hans & Nick very well. (Also, the cue slates presented above are the official ones, so is the cuesheet).

 

But here's what I can tell. Nick was hired to score it (thanks to Hans but also his previous work for Bruckheimer/Bay on Bad Boys with Mancina probably helped). Actually, HGW was going to help Nick even before Hans had to jump in. NGS/Bay/Bruckheimer was just not a great combination (those ever-changing-last-minute-rework type of blockbusters are very much under heavy pressure, especially with Bay at the helm) and there was a lot of music to write in a very short amount of time (what's new lol). So they were sold on the general style Nick was developing, but I guess not much on his themes.

 

So Hans jumped in, probably with no time to develop any suites, so he started scoring to picture. He did write the theme/cue "8m18B SEAL Attack 2nd Half" which became the main theme & the opening title later. He did write "3m06 Hummel Speech - Alcatraz Reopened" as well, and from what he remembered he had a hand in most cues in the end. But Hans joined Nick and they absolutely worked together, that's why it's very hybrid and sounds like both of them. "15m27 Fort Walton, Kansas" is probably very much both of them. Nick still had some of the themes himself, like "6m15A Jade" or most of what ended up in "1m02 Naval Weapons Depot" or "2m05 Tour's Over Bob". But things like "11m22 Hostage - Goodspeed Captured" or "7m17 Hummel - SEALs" are the other big "Hans" things I believe. What's funny is there always was an urban legend about JNH helping, especially since he was thanked in the booklet. From what I know, Hans/MV helped James on Waterworld (his tech guru Bob Daspit helped with lots of sounds & samples), in return while rushing The Rock Hans asked James if he could shamelessly rip him off :). And parts of 7m17 do sound a lot like JNH. So who really knows ?

 

In the team that was assembled to meet the deadline, Don Harper was initially supposed to have a bigger role than Harry, but jumped ship in the middle so Harry  had to redo most of his work, that's why very little of what Don did ended in the score (best example is the Chase, which was Don's assignment, but Harry had to redo a million times). Harry handled pretty much most of the core of the electro/action of the movie (as you can see in the cuesheet), and wrote small motifs (like "2m03 Baby Gas").

 

Steven Stern (RIP) was trying to patch up written cues with electronics & more ambient material. For Russ Landau, he wasn't supposed to be there at all and had no connection with Media Ventures, but back then he had the same agent as Hans so he came in very late during rush hour to help arrange, ended up arranging "4m09 San Francisco Montage".

 

If I take the OST edit of "The Chase", I'd say the first 2:42 min are Nick & Don. After that, it jumps to HGW arranging a HZ/NGS theme (3:10, the "heroic John Mason theme"), then arranging Nick's "main" theme (4:56).

 

But it's mostly suspicions too...

 

The funny thing is it was such a mess that when attributing cuesheet, they didn't even bother with proportions (how much was composed by whom). They split all cues equally between everyone credited. Like, for the Chase, it's 25% for the 4 composers. For cues written by 3, it's 33,33% each, for cues written by 2, it's 50%... I guess it was too complicated in such a short amount of time to actually analyse it !

 

And he also just posted this:

 

So Roger just announced it, 2 CDs coming next week at Intrada. I produced the album for them and I'll have a few things to explain in a few days when full details are out...

[Raiders of the SoundtrArk 2,433]

Finally! Probably one of my favourite Zimmer score, can't wait to get this one

[Jay 37,369]

18 minutes ago, DangerMotif said:

Not the most exciting score to release 

 

It's my favorite Hans Zimmer score.

[Edmilson 7,466]

Cool!

 

I didn't used to be a huge fan of Zimmer's 90s action scores (for me his Golden Age started in 1998 and ended in 2007), but I hope this expansion will change my mind!

[Thor 7,508]

One of my top 50 favourite scores of all time, and my second-favourite Zimmer score. A masterpiece through and through, right in the middle of his Golden Age (which IMO lasted between 1989 and 2003). Such a reference point now, and such a great recruiter for new, young film music fans at the time.

[Jurassic Shark 12,079]

It's one of Zimmer's finest, probably because much of it was written by other composers.

[Richard Penna 3,694]

Should be exactly my thing but Thor invaded my head long ago - I find the whole score far too loud and annoying.

 

The four sections I think are really good are the San Fran chase, the rocket sequence at the end, the beautiful 'Jade' cue, and the Fort Walton bit. A nice, compact summation of the score's ideas plus a couple, of minor incidental cues I liked when watching the film.

 

(although which one of them thought putting The Chase *after* the Fort Walton wrap-up on the album was a good idea? Doesn't make any musical or narrative sense)

[Edmilson 7,466]

2 hours ago, Jay said:

Spoiler

Suite Demo Idea - Main Theme - More Developped And BIG (2:27) Nick Glennie-Smith
Suite Demo Idea - Portent Theme To Noble Theme (2:47) Nick Glennie-Smith
Suite Demo Idea - Mystery To Love Theme To Bell Theme (3:35) Nick Glennie-Smith
Suite Demo Idea - Theme That Builds (1:25) Nick Glennie-Smith
Suite Demo Idea - Theme That Builds With Groove (1:50) Nick Glennie-Smith

 

 

Some of these suite names are amazing! They're probably NGS's original ideas that Bruckheimer disliked, right?

[A. A. Ron 1,742]

Can't say I agree that this is a top Zimmer score, but I certainly like it well enough to purchase. Bring it on!

[Jurassic Shark 12,079]

It's a top NGS score.

[Tallguy 3,398]

Very cool.

 

Not that this will be expanded, but Fort Walton: Kansas is one of my favorite ANYTHINGS.

[JTN 2,030]

Great news. And hopefully CRIMSON TIDE will follow, which is my favorite 90s HZ & Co. score.

[Tallguy 3,398]

6 minutes ago, JTW said:

Great news. And hopefully CRIMSON TIDE will follow, which is my favorite 90s HZ & Co. score.

 

I try not to do the "That's great, but when will / what I really want". But yeah, this.

[Bellosh 3,419]

absolutely loved this movie when i was younger.  haven't watched it in ages, but it might feel right to collect this one since I am so fond of the film.  I tend to do with scores I don't particularly "love" or listen to much, but just to have a COMPLETE edition is so nice.

[Laserschwert 475]

One of the soundtracks that's littered with short riffs and phrases that I'd wish were turned into whole themes (like Gladiator, which luckily did that with Pirates of the Caribbean).

[Romão 2,274]

As much as I find this particular motif very cheesy, I can't help feeling pumped whenever I listen to it. It just tickles that pop-ish part of my brain:

 

 

[mstrox 6,651]

I’ll never pretend that The Rock is good, but it activates my lizard brain.  All the same, I’m likely to stick to the OST.

[LSH 969]

I'm excited by this.

[A. A. Ron 1,742]

6 hours ago, JTW said:

Great news. And hopefully CRIMSON TIDE will follow, which is my favorite 90s HZ & Co. score.

Absolutely. Also Backdraft.

[Laserschwert 475]

One of the snippets I wish there was more of (2:44 and 4:00 and earlier at 1:38). I guess this could have become something longer.

 

 

[Tallguy 3,398]

I had a feeling that that would be the parts you were talking about. The Chase is such a rousing finish to the CD. It almost plays like a bonus track. I have no idea how this score will work chronologically.

 

I haven't seen the film since 1996. So I realize I have very little context for this score in the film.

[Jurassic Shark 12,079]

I might get this, as it was a guilty pleasure after watching the film in theatres 27 years ago.

[MedigoScan 324]

Ah then you have seen the legendary deleted scenes of Nicholas Cage shooting the airbag and the cockroaches bleeding profusely.

Dont tell me IMDB has lied to me about those.

[Jurassic Shark 12,079]

I really can't remember the film in such detail. I'm sure @Jay remembers it if he saw the film in theatres!

[Brónach 1,302]

dated and cheesy but fun. not guilty at all.

[Jurassic Shark 12,079]

I don't find it that dated. And it's way better than Crimson Tide.

[JTN 2,030]

3 minutes ago, Jurassic Shark said:

I don't find it that dated. And it's way better than Crimson Tide.

Absolutely not. CRIMSON TIDE imho is far superior. Film as well. 

[Thor 7,508]

I love both almost equally. THE ROCK is my no. 2 Zimmer and CRIMSON TIDE my no. 3. But one could also have them share a space, since they're so similar, stylistically (the zenith of power anthems). That would actually be great, because I could then "free up" a space in my top 20.

[Jurassic Shark 12,079]

40 minutes ago, JTW said:

Absolutely not. CRIMSON TIDE imho is far superior. Film as well. 

 

The Rock is much more fun, both film and score.

 

I remember I was disappointed that the OST didn't have more occurences of the cool theme at 4:00, as it was used more in the movie.

 

 

[Tallguy 3,398]

36 minutes ago, Thor said:

I love both almost equally. THE ROCK is my no. 2 Zimmer and CRIMSON TIDE my no. 3. But one could also have them share a space, since they're so similar, stylistically (the zenith of power anthems). That would actually be great, because I could then "free up" a space in my top 20.

 

Just as I tend to put Horner's Battle Beyond the Stars / Wrath of Khan / Krull in the same bucket I usually group Point of No Return / Crimson Tide / The Rock together. It was Zimmer's "And now I own Hollywood" phase from beginning to end.

[Thor 7,508]

3 minutes ago, Tallguy said:

 

Just as I tend to put Horner's Battle Beyond the Stars / Wrath of Khan / Krull in the same bucket I usually group Point of No Return / Crimson Tide / The Rock together. It was Zimmer's "And now I own Hollywood" phase from beginning to end.

 

POINT OF NO RETURN was an interesting thing to include in that context. To me, that epitomizes a rather different kind of Zimmer. Not the power anthem, but the blissful, ethereal, almost pop-infused scores he did so well in the early 90s. I would personally place that more alongside GREEN CARD, REGARDING HENRY, that kind of stuff.

[Jay 37,369]

Yea, Drop Zone is the third score of the Drop Zone / Crimson Tide / The Rock trilogy

[Tallguy 3,398]

20 minutes ago, Thor said:

 

POINT OF NO RETURN was an interesting thing to include in that context. To me, that epitomizes a rather different kind of Zimmer. Not the power anthem, but the blissful, ethereal, almost pop-infused scores he did so well in the early 90s. I would personally place that more alongside GREEN CARD, REGARDING HENRY, that kind of stuff.

 

It still shares a lot of DNA with Crimson Tide. You can't get from Point to The Rock without stopping at Crimson Tide.

 

1 minute ago, Jay said:

Yea, Drop Zone is the third score of the Drop Zone / Crimson Tide / The Rock trilogy

 

Fair enough. I'm not familiar with that one.

[Jay 37,369]

Check it out!
 

 

[JTN 2,030]

1 hour ago, Jurassic Shark said:

The Rock is much more fun, both film and score.

It may be more fun, but CRIMSON TIDE is a much better film and score. 

[Jay 37,369]

2 hours ago, Jurassic Shark said:

I really can't remember the film in such detail. I'm sure @Jay remembers it if he saw the film in theatres!

 

I don't believe I saw The Rock until it hit DVD.  I can't remember for sure though

[Thor 7,508]

23 minutes ago, Tallguy said:

It still shares a lot of DNA with Crimson Tide. You can't get from Point to The Rock without stopping at Crimson Tide.

 

It's all an evolution, I suppose. But in terms of Zimmer's power anthem 'chronology', I put it like this:

 

BLACK RAIN --> DAYS OF THUNDER --> BACKDRAFT --> K2 (sorta) --> THE LION KING --> DROP ZONE --> CRIMSON TIDE --> BROKEN ARROW --> THE ROCK --> THE PEACEMAKER --> GLADIATOR --> MISSION: IMPOSSIBLE 2 --> THE LAST SAMURAI (starting to die now) --> PIRATES OF THE CARIBBEAN (its last gasp for air). After that, John Powell more or less redefines the whole thing with his first JASON BOURNE score. Even if there are post-Bourne power anthem "latecomers", like subsequent PIRATES movies or things like KING ARTHUR.

[Jurassic Shark 12,079]

4 minutes ago, JTW said:

It may be more fun, and is a much better film and score. 

 

Fixed.

[Edmilson 7,466]

Probably my favorite Zimmer power anthem:

 

 

This one is great as well:

 

 

[Thor 7,508]

Both great, Edmilson!

[Stark 316]

One of the great 90’s action scores, very excited for this. Honestly a little surprised it fit on 2 CDs, though.

[Richard Penna 3,694]

Actually that bit surprised me a little too, but if they're not including the OST assembly then as long as the full score plus alternates is under 2 1/2 hours then two CDs would be fine. Same goes for Gladiator actually.

[Jay 37,369]

The full score plus all the alternates we know about would easily fit on two discs.  Who knows how many additional alternates could exist though, and there was also a ton of demos recorded.  I'm sure they'll curate to the most important stuff.  And there was nothing different about the OST takes or versions compared to what's in the film or anything, so no reason to include it

[Stark 316]

1 hour ago, Jay said:

The full score plus all the alternates we know about would easily fit on two discs.  Who knows how many additional alternates could exist though, and there was also a ton of demos recorded.  I'm sure they'll curate to the most important stuff.  And there was nothing different about the OST takes or versions compared to what's in the film or anything, so no reason to include it

Tell that to Danny Elfman!

[mstrox 6,651]

Who?

[Jay 37,369]

 

 

CD 1 THE SCORE
01. Opening–Naval Weapons Depot (8:07)
02. Baby Gas (2:28)
03. Romance I–Tour’s Over Bob (3:46)
04. Hummel Speech/Alcatraz Reopened (2:25)
05. Hummel’s Demands To Pentagon (1:21)
06. Possible Romantic Cue (0:46)
07. Mason Montage (1:26)
08. San Francisco Montage (1:17)
09. Interrogation–Quarter (1:28)
10. Window Crash/Fairmont (2:07)
11. Haircut/Escape: The Chase!! (8:21)
12. Goodspeed Tracks Jade (0:50)
13. Jade (1:58)
14. Blueprints (1:05)
15. Hummel/SEALs (7:14)
16. Mason Into Furnace/SEALs Tunnel–SEAL Attack (9:24)
17. Aftermath (0:51)
18. Bombs (3:43)
19. The Morgue (1:45)
20. Indiana Jones/Fight With Marines (6:17)
CD 1 Total Time: 66:49

CD 2 THE SCORE (continued)
01. Hostage/Goodspeed Captured (5:35)
02. Plasma Bomb Is Ready (0:52)
03. Hammer Head (6:02)
04. President’s Lament (1:59)
05. Mission’s Over/Final Attack/Finale (16:19)
06. Fort Walton, Kansas (1:39)
07. End Titles (Hummel / SEALs) (2:14)

THE EXTRAS

08. SEAL Attack (Alternate Segment) (1:34)
09. Fort Walton, Kansas (Alternate) (1:37)
10. Main Theme Idea (Nick’s Demo Sketch) (2:36)
11. Hummel Speech–Alcatraz Reopened (Demo Version) (2:24)
12. Haircut / Escape: The Chase!! (Demo Version 1) (3:37)
13. Haircut / Escape: The Chase!! (Demo Version 2) (8:04)
14. Haircut / Escape: The Chase!! (Demo Version 3) (8:16)
15. Naval Weapons Depot (Rock Mix) (4:17)
CD 2 Total Time: 67:12

 

 

 

 

 

Roger:

 

INTRADA Announces!

THE ROCK

Composed and Produced by NICK GLENNIE-SMITH, HANS ZIMMER and HARRY GREGSON-WILLIAMS

INTRADA ISC 491

Intrada presents the long in-demand expanded edition of one of Michael Bay's most beloved films—Hollywood Pictures' The Rock. To score this solid action tale set on San Francisco's famous Alcatraz island, the filmmakers turned to Nick Glennie-Smith, Hans Zimmer and Harry Gregson-Williams. Given Glennie-Smith's past experiences with both producer Jerry Bruckheimer and Bay, he stepped into the role of lead composer. The result was a strikingly popular score with such a distinctive theme that for years after it would appear in trailers and be heard by millions around the world. But many would not realize they were hearing The Rock. It is a score that features a unique blend of action bravado undercut with a touch of melancholy. As first presented, the main theme represents the tragedy of combat and loss, but when flipped morphs into an heroic anthem. Even with both Glennie-Smith and Zimmer on board, however, the workload proved greater than expected. Enter Harry Gregson-Williams, who was just down the hall. Gregson-Williams was initially brought on as an “additional” composer. As the film’s postproduction schedule became more and more frenetic, his involvement continued to grow.

 

For this 2-CD set, Intrada features the complete score in film order, plus our usual section of "extras" that includes alternates and demos. The alternates showcase a very different tone from one version to another and provide an enlightening glimpse into the score's evolution. This new edition features some two hours and 15 minutes of music and is an iconic example of '90s action scoring at its peak.

 

The story revolves around Francis X. Hummel (Ed Harris), a rogue brigadier general who enlists a group of Marines to take hostages on Alcatraz and hold them for ransom while they threaten the San Francisco area with VX rockets. Their goal is to secure funds to help pay back the families of soldiers killed in covert U.S. government operations. The government enlists the help of Stanley Goodspeed (Nicolas Cage), a chemical weapons expert FBI agent. They also turn to John Mason (Sean Connery), a political prisoner and former MI6 agent who is the only person known to have escaped from Alcatraz. Goodspeed and Mason, led by a team of US Navy SEALs, attempt to infiltrate Alcatraz and neutralize the threat while rescuing the hostages.

Intrada ISC 491
Retail Price: $31.99
Barcode: 7 20258 54910 5
Ships week of 10/2

For track listing and sound samples visit the The Rock soundtrackoundtrack page.

 

https://www.facebook.com/groups/95015405220/posts/10168389866025221/

 

 

 

 

Doug:

Nick Glennie-Smith, Hans Zimmer and Harry Gregson-Williams
Label: Intrada Special Collection Volume ISC 491
Film Date: 1996
Album Date: 2023
Time: 134:01
Tracks: 35

Knockout '90s action score gets expanded premiere! One of the higher request expansions we have received over the years has finally made it across the finish line! Michael Bay directs, Don Simpson and Jerry Bruckheimer produce for Hollywood Pictures. Sean Connery heads the cast, with Nicolas Cage, Ed Harris, Michael Biehn, William Forsythe supporting. 1996 action classic was a smash box-office hit and dynamic, powerhouse scoring by Nick Glennie-Smith and Hans Zimmer with Harry Greyson-Williams getting in some musical licks was a major ingredient in the film’s success.

 

Trend-setting score features pulsating rhythms to drive action forward, with chopping melodic motifs above that became musical staples in numerous subsequent action movie trailers for years. There is melancholy as well in select moments, but action is keynote. Elements of military heroism and terrorism meld as armed take-over of Alcatraz prison complex known as “The Rock” by rogue group of Marines. San Francisco is the target of deadly VX rockets unless financial demands are met. Navy SEALS infiltrate and counter-attack and dense, aggressive music keeps pace.

 

Expanded 2-CD release, courtesy of Hollywood Pictures and Disney was assembled and produced by Stephane Humez with mastering by Maxime Marion. Intrada presentation features the complete score in film order plus a wealth of alternates and demos, providing an aural insight into the preparations of this scoring classic. Two hours and fifteen minutes of music that defined the '90s and onwards.

 

Full cue assembly details, dramatic packaging designed by Kay Marshall and informative booklet notes by Kaya Savas complete this exciting 2-CD set. Nick Glennie-Smith, Hans Zimmer, Harry Greyson-Williams compose. Nick Glennie-Smith, Bruce Fowler, Don Harper share in conducting duties. Intrada Special Collection 2-CD set available while quantities and interest remain!
 

https://store.intrada.com/s.nl/it.A/id.12880/.f

[JTN 2,030]

7 hours ago, Jay said:

Harry Greyson-Williams

 

[Demondm810 399]

Looking forward to this one and ordered it last night-  This was the first not Lion King Zimmer album I purchased.  I remember it wasn't easy to find and had to go to one of those specialty music stores that don't exist anymore.  The samples sound really well mastered. Wish we got a new album cover, but maybe someone will do a great custom!