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When did Spielberg stop making movies for the fans and start making them for the art critics, movie critics, and awards shows? Indy IV was meant to be for the fans, but it got perverted by post 1997 George Lucas. Was it Schindler's List? Granted, that one was a huge success in every sense of the word, and I'm sure the people who love it do so for good reason. But did SS develop get the idea he could put his name on anything and it would become a critical success, even at the expense of being a financial one? I see movies like AI, Munich, Amistad, WOTW, and The Terminal and just wonder.

of those only War of the Worlds was a blockbuster, the other films were bombs at the US boxoffice.

Since SPR he's only had 3 films that were very successful and one marginally successful, the rest did poorly.

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Of course no one bothers to look at the budgets of the current films.

$230 to $317 are nice numbers in the 70's & 80's when your budgets are $7 to $40.

But when they start running $70, $134, $185......well eventually someone is going to say something. The economy just gave it a little boost.

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A 132 million dollar profit is still a BO success (I'm talking about Indy 4 here), and let's not forget that that's not even including foreign grosses, where KotCS actually beat out TDK. Spielberg is still a BO success in recent years, just not as much as he used to be (which, as mentioned early, is partially about the economy, partially because of his modern turn towards more artistic films that may not satisfy his usual popcorn crowd, and partially because his films aren't liked quite as much as they used to).

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When did Spielberg stop making movies for the fans and start making them for the art critics, movie critics, and awards shows? Indy IV was meant to be for the fans, but it got perverted by post 1997 George Lucas.

Spielberg could have done better, but he seemed to lose interest after the Yale shoot.

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BTW, Lincoln isn't dead yet:

So now Paramount is deciding whether it wants to make Lincoln. The decider is Brad Grey—the man the DreamWorks team treated for a long time as a mortal enemy. Paramount already passed on Lincoln a couple of years ago, citing the size of the budget. Since then, Spielberg has trimmed the cost to about $50 million. Still, this doesn't seem like an easy call: The Lincoln movie—an earnest 19th-century drama—calls to mind one of Spielberg's least commercially successful films, Amistad.
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When did Spielberg stop making movies for the fans and start making them for the art critics, movie critics, and awards shows? Indy IV was meant to be for the fans, but it got perverted by post 1997 George Lucas. Was it Schindler's List? Granted, that one was a huge success in every sense of the word, and I'm sure the people who love it do so for good reason. But did SS develop get the idea he could put his name on anything and it would become a critical success, even at the expense of being a financial one? I see movies like AI, Munich, Amistad, WOTW, and The Terminal and just wonder.

Get over yourself, Indy IV aside, Spielberg has never made movies for the fans. That's... arrogant presumption.

Also, this is the dumbest reaction to a news story in a while. That article basically says 'Hollywood is facing the credit crunch,' not 'Spielberg no longer has any clout.' Which I think has more bearing on the studios than Spielberg, and hopefully will put an end to the current excesses of the industry.

I think comparing it with his earlier successes is a bit unfair, as the scope has changed. Back then, films like RAIDERS, E.T. and JAWS were actual event films that did not come along that often, where nowadays we have big budget films opening every week. Not to mention, as people have said, SS now gravitates towards more personal, smaller kinds of films (excepting stuff like WOTW) and historical dramas, which are never going to do particularly well as opposed to films like IRON MAN and TRANSFORMERS or even SCARY MOVIE 5. That has nothing to do with Spielberg, it's just how the movie-going public is.

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Munich is an emotional powerhouse of a score.

Woo hoo! 3 Munich fans on the board:

Jeshopk

Koray

Merkel

You bet. Fantastic score

And I'm totally with Peio on this one. Sigh...

Count me in on this one. As a matter of fact, I prefer Williams' recent serious projects (which are either good or very good) to his recent popcorn output.

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I always thought Steven Spielberg made those "personal" films because he wanted to make them.

Very good answer, Nick. That a young kid like you can put people like wojo in their place is promising.

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glad to know he's not got the clout he used to.

YAY! how cool.

And what if interstellar is cancelled because of this very thing? You will be happy that spielberg cannot make his way as he could in the past?

This is sad news. Even if the score had not been great (why wouldnt it, BTW), one or two cues could be excellent material.

And that just means one more dry year Williams-score wise :/

And yes spielberg has lost it... He made the 2nd top world-wide grosser movie last year.

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The link Joey posted IS NOT a confirmation that Lincoln won't be made, but just a commentary about the fact the film could not be made. That's a very different thing. So, better you read closely before slanting anyone or anything.

As for the fact that there are people here who wants to decide what is better for Spielberg's and Williams' careers, well, I just make a big laugh out loud of their nonsensical posts. It's perfectly fine to dislike or even loathe anything JW and Spielberg do, but there are people here who just want to demolish everything just to bring bad feelings out of other people here and make them clash.

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And yes spielberg has lost it... He made the 2nd top world-wide grosser movie last year.

Riding on the coattails of an established franchise.

Let's see, he produced 'Transformers', a huge hit everyone seemed to find atrocious, then he directed 'Indiana Jones 4' which not too many people found that hot, either, despite high grosses.

Gaining audience empathy was one of Spielberg's biggest talents once...now he stumbles through warmed up comic films and literal remakes with producers like Bruckheimer running circles around him. Wasn't 'Gladiator' the last really influential and trendsetting film initiated by him?

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Munich is an emotional powerhouse of a score.

Woo hoo! 3 Munich fans on the board:

Jeshopk

Koray

Merkel

You bet. Fantastic score

And I'm totally with Peio on this one. Sigh...

Count me in on this one. As a matter of fact, I prefer Williams' recent serious projects (which are either good or very good) to his recent popcorn output.

Count me in too - I have stuck up for this score on many occasions.

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(Update: A knowledgeable source told me on Wednesday that Paramount has passed on Lincoln.)

We should probably wait for a clearer statement before reporting this as final news though.

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Whoa whoa whoa whoaaaaa! Let's stop throwing $185 million profit around kids! If you don't know Hollywood accounting don't go there.

Let's do an example: Speaking in happy movie box office language The Dark Knight churned out a profit. A BIG profit. It made $1bn worldwide.

But you see happy movie box office language is sort of like saying "Being run over by an 18-wheeler doesn't hurt."

Financially speaking, after foreign printing,foreign shipping, foreign advertising, foreign currency exchange, foreign localization, taxes, tariffs, loans, and contractual pay outs (in the USA theater chains don't turn much/any profit off movies, this is why we have concessions. Abroad, theater chains make upwards of 60% of whatever the movie makes at their chain), and so on The Dark Knight brought in about $440 million for Time Warner. $440 million. That's it.

And I haven't even sliced out the budget yet and US marketing yet.

The quarter in which The Dark Knight came out was a NET LOSS of profit for Time Warner. The Dark Knight was a small source of profit, but financially speaking, the highest grossing movie of this decade is...well small fries.

Generally speaking, box office gross is completely useless money financially speaking, because the margins for films these days are always upwards of 100%. This means that the effective cost of making movies is GREATER than the movie's income.

It's home video and television and merchandising that actually turn viable profits in the movie business. And let's face it, no one is going to go out and buy an Abe Lincoln action figure.

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Might be more financially sound to get creative with movies by making them for no more than $100 million, or someone stingy like me, for no more than $75 million. If the blockbusters make the same amount that a hit like The Dark Knight made last year, then Hollywood will be swimming in money, with more to eventually play around with. Enough with these over-priced $250 million money drains.

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One of these days some studio is going to look at Steven and say, "you know Steve you're making hits but we're not seeing the same returns. The studio feels we need to step in and make some changes to your film. Dump Williams and get some more contemporary hip composer and then here are some other changes...." etc etc etc

That is why I say what I say.

Frankly I'd rather see Spileberg take the reigns and direct a summer "B" film like Transformers.

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Well he supposedly got the budget down to $50 million but will the return still be high enough?

This could turn out to be a blessing though, maybe Hollywood will start looking harder at how they are spending their money and start putting a better effort into finding material to make.

Or it could go the opposite way and they start churning out more crap that makes a quick buck.

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This could turn out to be a blessing though, maybe Hollywood will start looking harder at how they are spending their money and start putting a better effort into finding material to make.

Hehe, that's a perfect world, read on.

Might be more financially sound to get creative with movies by making them for no more than $100 million, or someone stingy like me, for no more than $75 million. If the blockbusters make the same amount that a hit like The Dark Knight made last year, then Hollywood will be swimming in money, with more to eventually play around with. Enough with these over-priced $250 million money drains.

And you'd be completely right. And you know what? Right now as you stand discussing this topic with me, you could be one of the top number crunchers/analysts/advisers for the big movie studios. You're at least on par if not way ahead of them right now.

About three years down the road, the big movie studios are going to throw millions of dollars at some survey and they'll go "Hmmm it turns out the audience likes these smaller movies more! And they seem more cost effective!" "And by golly, you know what? There's word that some Columbus fella' just found India!"

I don't know if any of you have ever worked with a corporation but you know away from the mothership/headquarters, so a local branch of one. There's an old saying, that to the people at HQ, America still hasn't been discovered. It's just a fact of the corporate world. The people at the center don't generally get it. They have the bigger picture figured out, but at the cost of their practical sense. It's a part of life, the bigger a perspective you get, the more of the details escape you.

The heads of the regional theater chains (owned BY the studios) have been telling the movie studios smaller movies are more profitable for the last 10 years. Hell even George Lucas, the man who started the blockbuster fest has said that. But to them, we're still starting the Renaissance. Soon Isabella will give Columbus his ships though!

You just wait, in a couple of years they'll throw some research money and all of a sudden find out smaller movies are more profitable.

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between the cost of production and the cost of marketing KOTCS returned a loss, that is true.

Oh and despite the title change, LINCOLN is DEAD.

Paramount, thy name is John Wilkes Booth.

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Luke you're clueless in your response.

I'm talking about my thread title being changed

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Maybe you can answer this Blume, is it true KOTCS took a loss as far as domestic box office goes?

I don't know specific domestic information, but the movie was a small loss worldwide (including US+Canada, so there's your domestic)....so I can only imagine the domestic would also be a loss/break even. I do know that is doing fairly strong in home video, so it should bring in another $20-$30 million there, which may or may not mean they might turn a small profit from the overall project.

I do know that merchandising for Crystal Skull was sub-par.

Basically the theater side of movies has become...a big advertisement for home entertainment. It's just marketing for the DVD/Blu-Ray now days. That's where the movies break even/turn their profits.

To give you an idea how unprofitable theatrical releases tend to be...Viacom's profit turners in order of best to least:

1. Advertising

2. Rock Band

3. Home Entertainment

-

-

-

nth. Theatrical releases

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What you wrote isn't news but sheer lurid tabloidism.

It's not about being among my favorites or the people's favorites. A new score by John Williams will be always better than nothing.

no its news, if the film is dead, thats news. And if Spielbergs clout is reduced that too is news.

Interesting notions on journalism. If your criteria was more popular, I might as well give up my job and move to a farm in Iowa.

Also, what movies would you prefer Spielberg to make, Joe?

One of these days some studio is going to look at Steven and say, "you know Steve you're making hits but we're not seeing the same returns. The studio feels we need to step in and make some changes to your film. Dump Williams and get some more contemporary hip composer and then here are some other changes...." etc etc etc

Spielberg, the man that sticks by the expensive decision of editing a film without a computer, dropping Williams out of studio pressure?

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Tom, if Spielberg's clout is diminished, how is that not news, and if Lincoln isn't being made isn't that also news.

I'd rather SS make Interstellar. I'd rather he stick to more lighter movies and let other directors make serious stuff. As I've said repeatedly the Lincoln story just isn't that interesting to me. If he ends up making it, I will see it once, and find it to be like his other serious films, seriously flawed.

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Tom, if Spielberg's clout is diminished, how is that not news, and if Lincoln isn't being made isn't that also news.

I'd rather SS make Interstellar. I'd rather he stick to more lighter movies and let other directors make serious stuff. As I've said repeatedly the Lincoln story just isn't that interesting to me. If he ends up making it, I will see it once, and find it to be like his other serious films, seriously flawed.

I dont know where your hopes lie, but interstellar is not going to be popcork Raiders. Its going to be like AI, Minority report, War of the Worlds, etc.

Popcorn movie with some drama and things to think about.

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Luke, I liked MR and WotW, remember. Neil and I are two of WotW's biggest supporters on this board.

and look at Peiter's thread Raiders of the Lost Ark, Ricard was the one who corrected it, I figure he or Marc changed this one.

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You do know studios have stepped in and taken the films out of directors hands before, making changes at their will.

This is Spielberg we're talking about. Even in the sci-fi scenario of the industry not respecting him anymore where couldn't even get distribution for films he would (cause he could) finance himself, there are many things to change about his filmmaking style before touching the scores. I mean, of all the worries.

Tom, if Spielberg's clout is diminished, how is that not news, and if Lincoln isn't being made isn't that also news.

Well, what you quoted as news were not facts, and they were not contrasted with several sources -- they were the conclusions of an analysis from an economic website (especially the subjective assessment as "Spielberg's clout is diminished"). Which is a well-written article, but nowhere does it use the forcefulness you employed in your announcements of the news. If the delivery doesn't affect the information you announce, I don't even know why there's a media industry.

I'd rather SS make Interstellar. I'd rather he stick to more lighter movies and let other directors make serious stuff. As I've said repeatedly the Lincoln story just isn't that interesting to me. If he ends up making it, I will see it once, and find it to be like his other serious films, seriously flawed.

I see. But you got War of the Worlds and Indy IV already.

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Tom, if Spielberg's clout is diminished, how is that not news, and if Lincoln isn't being made isn't that also news.

I'd rather SS make Interstellar. I'd rather he stick to more lighter movies and let other directors make serious stuff. As I've said repeatedly the Lincoln story just isn't that interesting to me. If he ends up making it, I will see it once, and find it to be like his other serious films, seriously flawed.

How the hell is 'losing his clout' news? That's your opinion of Spielberg's output.

Although I do happen to agree with it. Spielberg is one of the few artists whose earlier work I enjoy far, far more. The more I watch Indy 4, the worse it gets.

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Spielberg's maturation as a filmaker is both good and bad. In one sense it's allowed him to tackle subject matters he never would have done early in his career but it's also taken some of the fun out of him as well.

When I hear him say he could never make CE3K today because he allowed Neary to leave his family or when he removes guns and replaces them with radios I thank the film gods that he made those films when he did.

If he were to do Jaws today the Alex Kitner sequence may have never been filmed.

This is Spielberg we're talking about. Even in the sci-fi scenario of the industry not respecting him anymore where couldn't even get distribution for films he would (cause he could) finance himself, there are many things to change about his filmmaking style before touching the scores. I mean, of all the worries.

I somehow get the feeling you really don't understand the point I'm making.

When a film is deemed by the studios to be in need of some possible changes, the score is usually the first thing to get replaced. This isn't some made up idea, it's been discussed by people who know far more than I do about making films.

My biggest fear is that one day Spielberg will be in that situation, it's happened to other worthy directors. And studio heads will prevail with imposing changes on a film he is making or take the film out of his hands.

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I get your point, but I still maintain that nobody forces changes into a Spielberg film (unless Lucas is producing), and that's not going to change anytime soon.

Spielberg's maturation as a filmaker is both good and bad. In one sense it's allowed him to tackle subject matters he never would have done early in his career but it's also taken some of the fun out of him as well.

When I hear him say he could never make CE3K today because he allowed Neary to leave his family or when he removes guns and replaces them with radios I thank the film gods that he made those films when he did.

If he were to do Jaws today the Alex Kitner sequence may have never been filmed.

You can add the "shooting the swordsman" gag from Raiders to the list. Yeah, what you say here is totally true. However, I don't think that change is a tragedy at all - we used to get one type of movie from him and now we're getting a fresh new angle without anyone taking the previous movies away from us. Sounds great to me.

This also applies to Joe's signature.

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Tom, if Spielberg's clout is diminished, how is that not news, and if Lincoln isn't being made isn't that also news.

I'd rather SS make Interstellar. I'd rather he stick to more lighter movies and let other directors make serious stuff. As I've said repeatedly the Lincoln story just isn't that interesting to me. If he ends up making it, I will see it once, and find it to be like his other serious films, seriously flawed.

How the hell is 'losing his clout' news? That's your opinion of Spielberg's output.

Although I do happen to agree with it. Spielberg is one of the few artists whose earlier work I enjoy far, far more. The more I watch Indy 4, the worse it gets.

oh your right, the once most successful and powerful director in the world not being the most powerful anymore isn't news, no.... :|

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I get your point, but I still maintain that nobody forces changes into a Spielberg film (unless Lucas is producing), and that's not going to change anytime soon.

And I hope that continues, his relationship with Williams is something I treasure.

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oh your right, the once most successful and powerful director in the world not being the most powerful anymore isn't news, no.... :P

You got that assesment from somebody's opinion in an economic magazine. You said he had "diminished his clout", without ever describing what position you were comparing the present to. Or without even saying why this happened, or how long was it likely to remain diminished. Very few people can truthfully measure Spielberg's clout (for, how do you, in fact, measure a clout?). What you posted was your interpretation of somebody's analysis. Only hard facts are news.

I could easily post this list that Entertainment Weekly published this week, where Spielberg is named "the most talented, in-demand filmmaker behind the camera today" as pass it off as news with as much validity as your original announcement

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of those only War of the Worlds was a blockbuster, the other films were bombs at the US boxoffice.

Since SPR he's only had 3 films that were very successful and one marginally successful, the rest did poorly.

box office isn't everything

I'd rather SS make Interstellar. I'd rather he stick to more lighter movies and let other directors make serious stuff. As I've said repeatedly the Lincoln story just isn't that interesting to me. If he ends up making it, I will see it once, and find it to be like his other serious films, seriously flawed.

Please explain how Schindler's List, Amistad, Munch and Saving Private Ryan are seriously flawed? Did you see the same versions of those movies I saw?

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Indeed.

Opinion vs fact again Joey. Or do we need to repeat that class?

you're being obtuse arn't you? If the man can't get it done then its news, not opinion. The mere fact that he had to go begging is a sign of his diminish clout. If anyone else had said it you'd be in complete agreement but because I said it....

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If the man can't get it done then its news, not opinion.

Correct.

The mere fact that he had to go begging is a sign of his diminish clout.

Opinion.

If anyone else had said it you'd be in complete agreement but because I said it....

Incorrect fact.

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