blondheim 1,157 Posted July 20, 2022 Share Posted July 20, 2022 4 hours ago, Andy said: Whether it was Ron Howard or James Horner or whoever, I can’t recall ever hearing source music used in such fashion. The credits could’ve just as easily have begun with Willow’s theme, but they don’t. So it elevates the Nelwyn music for me. Off the topic of my head, The Dark Crystal in '82 Just like it, in fact Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Andy 4,147 Posted July 21, 2022 Share Posted July 21, 2022 Interesting! It's definitely a matter of preference I suppose. Hey, I thought of another. Dawn of the Dead's End Credits use the famous "The Gonk" library music, used as mall muzak source in the film. But just imagine if at the end of Star Wars, they got their medals, iris out, Directed by George Lucas comes up to the Cantina Band. Or imagine the end of Jaws with Brody and Hooper swimming ashore to the Joplin Rag. 1977 and Jay 2 Link to comment Share on other sites More sharing options...
WampaRat 1,105 Posted July 24, 2022 Share Posted July 24, 2022 After really getting to sit with this release for a while, I’m very interested to see what material (if any) James Newton Howard will adapt into his score for the Willow series. There’s at least a handful of motifs from Horner’s score that would still be relevant to this new story I bet. But I won’t get my hopes up too much. These days it’s usually a token statement of a main theme and studios think that should do it. But Howard seems like a more thoughtful composer and I feel he’d do a bit more than a passing reference. Either way, Howard in “fantasy mode” is always something to look forward to. Edmilson 1 Link to comment Share on other sites More sharing options...
Amer 2,119 Posted July 28, 2022 Share Posted July 28, 2022 Still havent recieved my set. Its been nearly a month. I was one of those who managed to get my order out right out in the first batch before they ran out. Apparently mine and bunch of others order have either been stuck in a log jam somewhere in LA. The [USPS] are not even updating the tracking info. Anyone else facing a similar issues- specially overseas customers? I asked Intrada's Jeff Johnson and he told me to wait for another week and then they will send the replacement order. Link to comment Share on other sites More sharing options...
Indianagirl 298 Posted July 28, 2022 Share Posted July 28, 2022 I got mine pretty quick. But with the mail today anything can happen. Hopefully you get yours this week. Amer 1 Link to comment Share on other sites More sharing options...
mrbellamy 6,298 Posted July 28, 2022 Share Posted July 28, 2022 JD crtz, Spoiler Xri Spoiler Link to comment Share on other sites More sharing options...
blondheim 1,157 Posted July 29, 2022 Share Posted July 29, 2022 1 hour ago, mrbellamy said: JD crtz, Reveal hidden contents Xri Reveal hidden contents Toddler? Link to comment Share on other sites More sharing options...
Edmilson 7,474 Posted July 29, 2022 Share Posted July 29, 2022 Or a cat. 1977 1 Link to comment Share on other sites More sharing options...
Jay 37,378 Posted July 29, 2022 Author Share Posted July 29, 2022 This is still one of my favorite releases of the year. What a score! WampaRat 1 Link to comment Share on other sites More sharing options...
mrbellamy 6,298 Posted July 30, 2022 Share Posted July 30, 2022 Lolol truly have no idea how I posted that Link to comment Share on other sites More sharing options...
Popular Post Miz 139 Posted July 30, 2022 Popular Post Share Posted July 30, 2022 I gave this a deep listen while walking over the coastal mountains of Wales to a 5000-year-old stone circle. Totally fell in love with this score, more than when I got it first as a kid. The sound quality is an improvement for me because as a teenager I listened to a CD on a whatever-stereo, and ripped it in 128kbs because I didn't know any better. Now the instrumentation and detail is leaping out at me, and the new material draws out important parts of the musical development. I'm sure this is Horner's best score - I'm not saying he peaked early, much fantastic work was to come, but the craftmanship at work is astounding. Thematic inventiveness, development, contrast (between short/long, hard/soft etc.). Rich orchestration, strong percussion and exotic instruments deployed with subtlety and force. Excellent spotting, dramatic instincts and carrying or lifting the imagery beyond its hokey origins (much like Star Wars and other classics). And it was clearly temped with obvious sources, and much like Star Wars and other classics (even take The Incredibles), Horner pulled together a coherent and valid whole from the sound-parts. You can also hear the influences of other contemporary successes of his (Aliens, Wrath of Khan) during a part of his career where he was leaning into new territory - it's great to hear the now-tired villain motif as it was new. Like a great Williams or Powell score, it has a ton of notes! Basically it's more melodically driven than many similar scores. The performances of orchestra and solos are strong and heartfelt. And yes that source music is punchy and fun too. This makes me want to watch Willow again, as it's really a score that outshines is source, and makes for a great 'story listen' too. Andy, Edmilson, Tom Guernsey and 4 others 7 Link to comment Share on other sites More sharing options...
Popular Post WampaRat 1,105 Posted July 30, 2022 Popular Post Share Posted July 30, 2022 5 hours ago, Miz said: I gave this a deep listen while walking over the coastal mountains of Wales to a 5000-year-old stone circle. Totally fell in love with this score, more than when I got it first as a kid. The sound quality is an improvement for me because as a teenager I listened to a CD on a whatever-stereo, and ripped it in 128kbs because I didn't know any better. Now the instrumentation and detail is leaping out at me, and the new material draws out important parts of the musical development. I'm sure this is Horner's best score - I'm not saying he peaked early, much fantastic work was to come, but the craftmanship at work is astounding. Thematic inventiveness, development, contrast (between short/long, hard/soft etc.). Rich orchestration, strong percussion and exotic instruments deployed with subtlety and force. Excellent spotting, dramatic instincts and carrying or lifting the imagery beyond its hokey origins (much like Star Wars and other classics). And it was clearly temped with obvious sources, and much like Star Wars and other classics (even take The Incredibles), Horner pulled together a coherent and valid whole from the sound-parts. You can also hear the influences of other contemporary successes of his (Aliens, Wrath of Khan) during a part of his career where he was leaning into new territory - it's great to hear the now-tired villain motif as it was new. Like a great Williams or Powell score, it has a ton of notes! Basically it's more melodically driven than many similar scores. The performances of orchestra and solos are strong and heartfelt. And yes that source music is punchy and fun too. This makes me want to watch Willow again, as it's really a score that outshines is source, and makes for a great 'story listen' too. What cool circumstances to listen to this magnificent score! I too was thinking about the temp music and classical music inspiration for this score.Frankly I would LOVE for more modern film composers to be inspired/borrow/steal from the greats the way Horner did. Jay, Andy and Edmilson 3 Link to comment Share on other sites More sharing options...
Edmilson 7,474 Posted July 30, 2022 Share Posted July 30, 2022 10 minutes ago, WampaRat said: Frankly I would LOVE for more modern film composers to be inspired/borrow/steal from the greats the way Horner did. That would be a nice change, instead of borrowing and stealing from the same 7 or 8 scores (TDK, Inception, Bourne, Fury Road, etc) like it happens all the time these days. Andy and Yavar Moradi 2 Link to comment Share on other sites More sharing options...
danbeck 123 Posted July 31, 2022 Share Posted July 31, 2022 On 28/7/2022 at 3:40 AM, Amer said: Still havent recieved my set. Its been nearly a month. I was one of those who managed to get my order out right out in the first batch before they ran out. Apparently mine and bunch of others order have either been stuck in a log jam somewhere in LA. The [USPS] are not even updating the tracking info. Anyone else facing a similar issues- specially overseas customers? I asked Intrada's Jeff Johnson and he told me to wait for another week and then they will send the replacement order. Mine is in the same situation. Day one purchase and shipped quickly. But tracking indicates that package is still ‘waiting acceptance’ at LA… Amer 1 Link to comment Share on other sites More sharing options...
WampaRat 1,105 Posted July 31, 2022 Share Posted July 31, 2022 1 hour ago, Edmilson said: That would be a nice change, instead of borrowing and stealing from the same 7 or 8 scores (TDK, Inception, Bourne, Fury Road, etc) like it happens all the time these days. I believe further back on this thread someone mentioned that a lot of films scores tend to be a watered down “photocopy of a photocopy of a photocopy” of some breakthrough score lol. A great comparison I’d say! Yavar Moradi and Andy 2 Link to comment Share on other sites More sharing options...
Andy 4,147 Posted July 31, 2022 Share Posted July 31, 2022 That was @Tom Guernsey And yes, he phrased it so well I’m stealing it. Tom Guernsey and WampaRat 1 1 Link to comment Share on other sites More sharing options...
WampaRat 1,105 Posted July 31, 2022 Share Posted July 31, 2022 Seriously, could you imagine listening to some new action score today and say something like “Dang! This guys lifting a ton from Prokofiev!”? btw- Christopher Willis could be that guy (not that he’s lifting directly from past composers) but he’s a fantastic film composer who you can tell has a deep knowledge of classical music. I’d love for him to score a summer blockbuster! Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Edmilson 7,474 Posted July 31, 2022 Share Posted July 31, 2022 Film composers a few years ago: "I'm well-versed in classical music and I'm inspired by the Great Ones, specially the Russian masters" Film composers these days: "I'm well-versed in popular scores from blockbuster movies and I'm inspired by the 'great ones', specially Hans Zimmer and Junkie XL". Yavar Moradi, GerateWohl, Andy and 1 other 2 2 Link to comment Share on other sites More sharing options...
HunterTech 994 Posted July 31, 2022 Share Posted July 31, 2022 I was gonna refrain from saying this earlier due to the "no shit" vibes it gave, but I swear it feels like you people forget film composers are just following orders a lot of the time. And don't even begin to get into how better it was even 15 years ago, because there's always been mediocrity in every era, and we're only picking out the stuff that made even just a slight impression then. Something like Moon Knight wouldn't have been possible in the 2010s, yet I'm supposed to think things are even more dire now. Actually sample new things for frickin once if you supposedly have the industry all figured out by now. Yavar Moradi and WampaRat 2 Link to comment Share on other sites More sharing options...
Popular Post publicist 4,643 Posted July 31, 2022 Popular Post Share Posted July 31, 2022 5 hours ago, HunterTech said: I was gonna refrain from saying this earlier due to the "no shit" vibes it gave, but I swear it feels like you people forget film composers are just following orders a lot of the time. This is half-true and half omitting the (more bitter) truth behind it: you don't even need educated composers for the most of the 'content' scored these days. And as time goes by, this generational exchange is happening. And i'm not just talking about JunkieXL. I listened carefully through whatever i watched on Prime, Disney+, or Netflix when i still had it, and especially in the genres that used to soak music up like a sponge, i. e. historical or period dramas, 90% or more of it was just chords. It may have lots of electronic layering, to make it sound more impressive, but in a purely musical sense, the harmonization and counterpoint is kindergarten-level. Before-mentioned guys like Challis, Gordon or even a Laura Karpman are certainly exceptions to the rule, but i believe the 'only following orders' mantra less and less. Even established guys like Giacchino, who can turn out a conceptually decent score like Batman (god knows how many months that took him) only use a very basic musical lingua and get by just by sounding like old film music. WampaRat, ragoz350 and blondheim 3 Link to comment Share on other sites More sharing options...
Tom Guernsey 2,287 Posted July 31, 2022 Share Posted July 31, 2022 9 hours ago, Andy said: That was @Tom Guernsey And yes, he phrased it so well I’m stealing it. Hopefully someone else will steal it and steal it and steal until what I said was that I like 7 hours ago, HunterTech said: I was gonna refrain from saying this earlier due to the "no shit" vibes it gave, but I swear it feels like you people forget film composers are just following orders a lot of the time. And don't even begin to get into how better it was even 15 years ago, because there's always been mediocrity in every era, and we're only picking out the stuff that made even just a slight impression then. Something like Moon Knight wouldn't have been possible in the 2010s, yet I'm supposed to think things are even more dire now. Actually sample new things for frickin once if you supposedly have the industry all figured out by now. I take your point but by way of a recent example, my understanding is that George Lucas wanted to plaster classical music onto Star Wars but was persuaded (not sure if it was by Steven Spielberg or JW or whomever) that an original score in that idiom would be much better and hence JW leaned on the classics but bringing his own style and original material to create something iconic. Now I’m not saying George Lucas is/was a massive fan of classic music (I have no idea) but clearly knew enough that a score in a neo-romantic idiom would work and provide the kind of sweeping fantasy tone he wanted in amongst all the space ships and lightsabers etc. Fast forward to Obi-Wan and the director’s/producers’ frame of reference was only far enough back to know that an original JW theme would be a good idea (plus, I imagine, the marketing spin they could attach to it) but musically their only real frame of reference appeared to be modern tv scoring, and not even the super high end of that. For example, I’m on season 6 of Game of Thrones and am increasingly enjoying the music. Sure it’s not super technically complex a lot of the time, but it still has the right kind of feel and is massively more interesting than most of the Obi-Wan music and Djawadi doesn’t have a treasure chest of JW themes to draw on. Before it gets too off topic, someone on Facebook posted this oddly timely 1995 interview with James Horner from the LA Times when he was scoring Casper: https://www.latimes.com/archives/la-xpm-1995-02-13-ca-31547-story.html Interesting that even in 1995 he was getting less respect from the orchestras (or so it seems) than some of his elder peers. But his comments on references to the classics are particularly apt. WampaRat and ragoz350 2 Link to comment Share on other sites More sharing options...
SyncMan 314 Posted July 31, 2022 Share Posted July 31, 2022 I am thinking that in order for a movie with a classical/romanticism-type orchestral score to get released today, these following key production people, outside of the director, have to sign-off on it: The person paying for the entire film’s budget—most likely the executive producer. The distributor who has to sell the film with that type of music to those who will be showing it—theatres, TV stations, streaming platforms, etc. Take the film, ‘Legend’ (1985), for example. The film was made independently but it needed the resources of major film-studios to get the film seen by the public. The production company delivered a version of the film that featured a lush, Debussy-like orchestral score by Jerry Goldsmith. The first theatrical cut with that score was released in Europe by distributor, 20th Century-Fox, however, things changed when the film was prepped for release in the USA. The film’s distributor for that territory—Universal Pictures—decided that the film would appeal to younger viewers (the film's lead actor--Tom Cruise--was a rising star at that time for that audience) by trashing the lush, Debussy-like orchestral score and replacing it with a New-Age, electronic-infused score from Tangerine Dream. In the end, the film failed theatrically in the USA, anyway. So, it may take the combined forces of a production company and a distributor who both share a taste of films from the late 1970's through the 1980's to bring film music back to that lush-orchestral style of writing by using it on a film that is going to be a bit hit. Yavar Moradi and WampaRat 2 Link to comment Share on other sites More sharing options...
crocodile 8,020 Posted August 19, 2022 Share Posted August 19, 2022 I have been listening to this a lot since it came out. Such a wonderful score. I do hope that we get to hear a fully complete release of this one day. But, to be honest, I am more than satisfied with what we got and the presentation is fine as is. Horner’s ultimate magnum opus indeed. Karol Link to comment Share on other sites More sharing options...
Holko 9,532 Posted September 10, 2022 Share Posted September 10, 2022 Well, I had to listen to this multiple times to convince myself to order it. Then I waited around to order it. Now I have it. AND I LOVE IT. Iso score for this and its more bombastic older brother incoming! Smeltington 1 Link to comment Share on other sites More sharing options...
Jay 37,378 Posted September 10, 2022 Author Share Posted September 10, 2022 4 minutes ago, Holko said: its more bombastic older brother ? Krull? Link to comment Share on other sites More sharing options...
Holko 9,532 Posted September 10, 2022 Share Posted September 10, 2022 yep Link to comment Share on other sites More sharing options...
Jay 37,378 Posted September 14, 2022 Author Share Posted September 14, 2022 I took the shrinkwrap off my copy this morning and am listening now. Holy hell what a goddamn great score this is, I love it!! ...But man, I can't get behind integrating "The Newlyns" into the score program where they are. Just completely stops everything dead in its tracks for 5 minutes after the perfect 10 minute opener, then the score finally resumes. Not a fan of having the Willow's Theme track in the middle either, especially since its just an edit of the end credits music. But other than those minor issues, what a great, great, great release this is! I'm loving the entire score here, every single track. Will finally dig into the liner notes later! Trope and A. A. Ron 2 Link to comment Share on other sites More sharing options...
Demondm810 399 Posted September 14, 2022 Share Posted September 14, 2022 Agreed, definitely altered the program once I ripped it to my digital library. Link to comment Share on other sites More sharing options...
Trope 527 Posted September 14, 2022 Share Posted September 14, 2022 7 minutes ago, Jay said: I'm loving the entire score here, every single track. The one track I have an issue with is the opening of "The Island", where I feel the synthetic chimes are mixed WAY too loudly compared to the surrounding material. But the orchestral writing and thematic interplay is top notch. I'm amazed it took so long to get a complete (or NEAR complete) release of a score which is so highly regarded among film music fans and collectors. This music makes me want to continue exploring much more of 80s Horner - I have just started listening through his Trek scores, and like Willow I'm super impressed with how he handles the orchestra with such ease (considering how young he was at the time), and the level of detail in the writing. Perhaps it was the fantasy/sci-fi genre that allowed for such complex and bombastic music, but as someone more familiar with his 90s-2000s output, no scores jump to mind that have the same level of orchestral flair and freneticism as the ones I am discovering right now. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Jay 37,378 Posted September 14, 2022 Author Share Posted September 14, 2022 I can understand that about that cue ("Magic Wand"), yea. I don't mind it that much, but probably would if it went on for much longer. I think The Rocketeer from 1991, and maybe Apollo 13 from 1995 harken back the most to his 80s grandeur, but overall yes, his 90s-2000 work doesn't have anything quite like Willow, Krull, and the Treks overall, sure. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Holko 9,532 Posted September 14, 2022 Share Posted September 14, 2022 25 minutes ago, Jay said: ...But man, I can't get behind integrating "The Newlyns" into the score program where they are. Just completely stops everything dead in its tracks for 5 minutes after the perfect 10 minute opener, then the score finally resumes. The two main problems I have are the length, especially with the second one being less interesting, and the volume being so relatively high after such a soft couple of minutes at the end of the first track. I ended up bringing it down, adding a slight fadein, and used the second one as an overlay (at half the volume) for the second half of the first one, makes it feel richer. 29 minutes ago, Jay said: Not a fan of having the Willow's Theme track in the middle either, especially since its just an edit of the end credits music. Actually while listening this time, I finally felt like it was a pretty decent intermission, though it could be edited better. Still I removed it from my "edit". I changed nothing else, it's all really well assembled, OOC placements and joineries and very very very slight edits included. Link to comment Share on other sites More sharing options...
Jay 37,378 Posted September 14, 2022 Author Share Posted September 14, 2022 Yea, now that my brain knows its just an edit of the end credits, the rough 1986-era analog edits REALLY stand out MM would have re-created the edits from the end credits file with modern digital editing Link to comment Share on other sites More sharing options...
Holko 9,532 Posted September 14, 2022 Share Posted September 14, 2022 Not even the quality of the edits, but the ideas behind them, like going back into the swashbuckler theme for just one statement immediately after Willow's theme already closes it so ubersatisfyingly. Link to comment Share on other sites More sharing options...
Jay 37,378 Posted September 14, 2022 Author Share Posted September 14, 2022 Yea, that is weird. I wonder if this edit was turned into published sheet music that was performed in concerts? Link to comment Share on other sites More sharing options...
Demondm810 399 Posted September 14, 2022 Share Posted September 14, 2022 Didn't Kunzel record it for one of his movie compilations? Link to comment Share on other sites More sharing options...
Jay 37,378 Posted September 14, 2022 Author Share Posted September 14, 2022 Here's Kunzel's Willow track: That synth choir at the end is... something Link to comment Share on other sites More sharing options...
Bespin 8,484 Posted October 4, 2022 Share Posted October 4, 2022 On 06/07/2022 at 2:11 PM, Luke Skywalker said: I haven't seen this mentioned it here nor in FSM forums...but i can't believe people dont hear it as how nitpicky are (we all) sometimes. The track "Sled ride" has i think some pitch-speed issues, specially more noticeable at the 6:28 mark to end. This segment is partially present on the samples on the web site... I didnt' notice it at first but now everytime i hear the score i hear it more, i feel it is almost unlistenable. Is this a mastering error? it does not comply with the description "mastered from original digital stereo mixes made by Shawn Murphy at the scoring sessions and beautifully preserved by engineer Simon Rhodes" Can this be manually corrected like the Temple of doom tracks from the concord set? I think you are getting fooled by the intention of the music to suggest that things are "speeding up". Link to comment Share on other sites More sharing options...
Luke Skywalker 1,796 Posted October 4, 2022 Share Posted October 4, 2022 You mean it is a performance intentional sound and not deteriorated tapes? that would be great, even if it sounds weird for me Link to comment Share on other sites More sharing options...
Bespin 8,484 Posted October 4, 2022 Share Posted October 4, 2022 Well it's made to sound weird. Link to comment Share on other sites More sharing options...
publicist 4,643 Posted October 5, 2022 Share Posted October 5, 2022 Gee, over the years there were so many supposed heinous sound crimes uncovered by the FSM ear police and what does it usually amount to? Private opinions by laymen. Thank god they don't know how to use Twitter. crocodile 1 Link to comment Share on other sites More sharing options...
Popular Post Jay 37,378 Posted May 19, 2023 Author Popular Post Share Posted May 19, 2023 This is now on streaming / digital download platforms via Disney Records https://music.youtube.com/playlist?list=OLAK5uy_ll43Qfw8OhJFdR3VFCp2D-0MmP4Vtx6P0&feature=share https://music.apple.com/us/album/willow-original-motion-picture-soundtrack/1687004799 https://open.spotify.com/album/5p8w9Iq0ek329LSx9g7N0t?si=II0XqdVLS-2qul8adrSXCQ https://tidal.com/browse/album/294508992 https://www.qobuz.com/us-en/album/willow-james-horner/upqv5675dabtc https://us.7digital.com/artist/james-horner/release/willow-original-motion-picture-soundtrack-29915273 Brando, enderdrag64, crocodile and 6 others 7 2 Link to comment Share on other sites More sharing options...
Smeltington 1,441 Posted May 19, 2023 Share Posted May 19, 2023 Wow! Lossless for $17.49! I'm buying it. The future is here baby! Link to comment Share on other sites More sharing options...
crumbs 14,319 Posted May 19, 2023 Share Posted May 19, 2023 Interesting, so Intrada didn't even get 12 months of exclusivity on their own label. I wish this could happen for the Indy or Star Wars scores. Farmed out to Intrada for physical releases for a year, then Disney Records get the streaming rights thereafter. Everyone wins right? Brando 1 Link to comment Share on other sites More sharing options...
Trope 527 Posted August 20, 2023 Share Posted August 20, 2023 First time listening through this masterpiece of a score with headphones on and volume turned up decently loud, and I noticed faint hints of dialogue/some other audio from about 1:40 into "Willow Captured". Does anybody know how or why this is present in this track? enderdrag64 and Chewy 2 Link to comment Share on other sites More sharing options...
Holko 9,532 Posted August 20, 2023 Share Posted August 20, 2023 Huh. In the movie those higher pitched tiny guys are talking at that part so it's not impossible. Something can definitely be heard at max volume, you're not crazy. Link to comment Share on other sites More sharing options...
Luke Skywalker 1,796 Posted August 20, 2023 Share Posted August 20, 2023 Would have they sued film stems? That would explain the wobbly sound in the snow sled ride just like in the film… Link to comment Share on other sites More sharing options...
Popular Post ThePenitentMan1 744 Posted August 21, 2023 Popular Post Share Posted August 21, 2023 4 hours ago, Luke Skywalker said: Would have they sued film stems? That would explain the wobbly sound in the snow sled ride just like in the film… I don't see why they'd go to court over it, but I suppose it would be possible. Luke Skywalker, Brando, Trope and 2 others 5 Link to comment Share on other sites More sharing options...
Trope 527 Posted August 21, 2023 Share Posted August 21, 2023 10 hours ago, Holko said: Something can definitely be heard at max volume, you're not crazy. Observable by spectrogram, too! I promise I'm not hearing voices that aren't there! Link to comment Share on other sites More sharing options...
Holko 9,532 Posted August 21, 2023 Share Posted August 21, 2023 Maybe we could ask @Chris Malone for some inside scoop? Were maybe film stems and AI voice removal used for Willow cues? If it is, it's still impressive and unnoticeable for most listeners at normal volumes. Or maybe it's simply just stage noise coming through in this quiet section. Link to comment Share on other sites More sharing options...
1977 1,743 Posted August 21, 2023 Share Posted August 21, 2023 That's such a pity. I haven't listened through headphones yet but 95% of my listening happens this way. Now I'm dreading it. If only film music recordings were all properly catalogued, backed up and preserved. enderdrag64 and ThePenitentMan1 2 Link to comment Share on other sites More sharing options...
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