The Official La-La Land Records Thread

[JTN 2,036]

8 hours ago, DangerMotif said:

LLL has had a pretty weak run since Black Friday

Easier on the wallet. Last year was incredible. 

4 minutes ago, JTWfan77 said:

 

Not sure if this is the case, but could it be that M:I uses less players and more synthetic stuff and it is less costly to issue more of it?

Music is music, even if it’s Balfe. 

Every John Williams OST should be released on 2 CDs and every note he wrote and recorded for the film should be released.
(Mostly) the same people purchase the OSTs and the expanded releases after all, why omit half of the score from the OST if they will release it later as an expanded edition? 

There should only be one release for every score, the OST, that’s released at the same time as the film and has all the music the composer wrote. 

[1977 1,743]

10 minutes ago, JTW said:

Music is music, even if it’s Balfe. 

 

Yes but don't all the players have to get compensated per the running time of the album? So less players equals less cost to issue, therefore more music can be released?

[Richard Penna 3,694]

17 hours ago, Edmilson said:

For fuck's sake, we live in a world where Lorne Balfe scores get nearly complete releases while John Williams scores have over a half of it missing. Why can't it be the opposite? Because of Williams' strictly adherence to the so called listening experience (which would be better if there was a least 15 more minutes of music)?

 

You've both made a reasonable rant and provided your own answer in the same sentence 

 

These complaints are all justified, but they are written in an sense that is implicitly blaming 'the system', but it's no more complicated than Williams not wanting to release his complete score. It's not a reason to get pissed off at Balfe.

 

1 hour ago, JTW said:

Every John Williams OST should be released on 2 CDs and every note he wrote and recorded for the film should be released.
(Mostly) the same people purchase the OSTs and the expanded releases after all, why omit half of the score from the OST if they will release it later as an expanded edition? 

There should only be one release for every score, the OST, that’s released at the same time as the film and has all the music the composer wrote. 

 

You're not going to find many composers who agree with you there. Even Powell who is supporting lots of expansions, wants us to wait a few years before giving us more music.

 

Now I agree to an extent - I think that if the composer wishes, there should be two concurrent releases: an album arranged however they want, and a complete score containing everything recorded. No delays, no 'time to enjoy the experience' - the listener gets to decide when and if they want to hear more music.

[JTN 2,036]

2 hours ago, JTWfan77 said:

So less players equals less cost to issue

Someone posted a video of Balfe showing only the percussion section of his score to the latest M:I. More people were banging on the bongos than there are players altogether on the Indy

score.  

[Jurassic Shark 12,082]

They were probably CGI.

[A. A. Ron 1,742]

4 hours ago, bollemanneke said:

Wait, I'm confused. ARe you saying they have the rights to sell X copies, but pull the plug before they have sold all of them? Why would you do that? Why not just wait until people show interest and then press more?

Yes. They obtained the license to press 6,000 copies of the Star Trek TOS box, but they only made and sold 4,000 of them. Now they’re apparently taking the music from the box set and breaking it up into smaller, more affordable sets. I don’t know if that will sell better for them, but they clearly think it’s worth shot.

[Yavar Moradi 2,599]

20 hours ago, A. A. Ron said:

Now I may have been thinking of the 50th Anniversary Lost in Space set when I called the Original Series box a bust, but it still took them 7 years to pull the plug on TOS and they only sold 2/3 as many units as they had the rights to press.

You are definitely thinking of the Lost in Space set, which struggled to sell out of a much lower number (and at a lower price), and was discounted 50% off before they finally got rid of it. This led to subsequent Irwin Allen box sets only being 3-4 discs instead of more comprehensive sets, and those generally seem to have done much better for LLL.

 

You’re missing some of the context of that post from MV, I think. I’m pretty sure he was responding to people who were complaining they’d missed the TOS set, and he pointed out that LLL licensed 6000 copies based on the response they’d received (actual people signing up with their email addresses to express interest) from when they announced the box was being worked on, and that even though they pressed fewer sets than the people who expressed interest, they only sold 2/3 of that number. He was responding to people who were telling him he should have pressed more.

 

That said, MV has still said the TOS box is one of LLL’s most successful releases of all time. When it was put up for ordering it became LLL’s best sales day ever up to that point (not too surprising considering the price point I suppose). And 4000 copies is a shocking sales number for such a pricey soundtrack item, IMO. That’s more than most of their 4CD Star Trek sets are even pressed at, and Star Trek sells great for them in general.

 

Yavar

 

 

[Raiders of the SoundtrArk 2,433]

STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL ONE: LIMITED EDITION (2-CD SET)
LLCD 1622
Music by Alexander Courage and Fred Steiner
Limited Edition of 1701 Units
RETAIL PRICE: $29.98

STARTS SHIPPING JULY 5

Order yours at www.lalalandrecords.com starting July 5 at 12 noon (pst)

La-La Land Records and CBS Studios proudly present STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL. 1, the first in a series of limited edition CD releases that showcase original score from the landmark sci-fi television series STAR TREK (1966-1969). Containing music originally from our long out-of-print 2012 Original Series Box Set, these exciting volumes utilize the same restored master as that acclaimed release, but feature new packaging by Dan Goldwasser, along with brand new, exclusive liner notes by film music writer and Trek historian, Jeff Bond. This ground-breaking, iconic music, from one of television’s most acclaimed and beloved series, is now again available for fans everywhere!

Vol 1 of the 1701 Collection focuses on the Trek TOS music of renowned composers Alexander Courage and Fred Steiner, containing original music from the classic episodes THE MAN TRAP, THE NAKED TIME, CHARLIE X, MUDD’S WOMEN, THE CORBOMITE MANEUVER, BALANCE OF TERROR, WHAT ARE LITTLE GIRLS MADE OF? and THE CITY ON THE EDGE OF FOREVER, along with MAIN and END TITLES. Produced by Lukas Kendall, Neil S. Bulk and Jeff Bond, restored by Chris Malone and mastered by Doug Schwartz, this limited edition 2-CD release of 1701 units, as well as forthcoming volumes of this series, illustrate how the original Trek series scores not only teem with action, adventure and drama, but how they are also infused with deep emotion and the greatness of the human spirit. Such characteristics have kept these richly orchestrated tracks vital and relevant decades beyond their original recording.

 

TRACK LISTING:

DISC 1
The Man Trap
Music Composed and Conducted by
ALEXANDER COURAGE
Episode #6, Recorded 8/19/66 • Aired #1, 9/8/66
Total Time: 34:21
1. Main Title (electric violin version) 0:50
2. Small Planet Visit /
The Changeling M10/M11 3:27
3. Episode Titles / Genuine Affection M12/M13 1:00
4. First Goner / Salty Cat / Dressing Down M14–21/M22/M23 1:52
5. Circle One / Monitor Gizzard / Down Again / Grey to Greene
M24/M25/M26/M31 3:16
6. Salt Chaser M32 1:34
7. Noisy Plant M33 1:06
8. At First Sight / Pill Tosser M34/M35–41 2:52
9. Nancy Schmancy M42 1:54
10. The Unreal McCoy M43 2:02
11. Top Security / Lazer Dazer / Dodo Girl M44/M45–51/M52 4:03
12. Conference M53 4:47
13. Dead Crater / Last of the Last M54/M61 4:13
14. Warp One* M62 0:44
15. Trailer (“The Man Trap”) 1:03

The Naked Time
Music Composed and Conducted by
ALEXANDER COURAGE
Episode #7, Recorded 8/31/66 • Aired #4, 9/29/66
Total Time: 33:55
16. Brass Monkeys* / Out of Glove M10/M11 2:58
17. Breaking Planet* / Sweaty Palm / Itchy Hand M12/M13/M14 1:21
18. Joe Berserk M21 3:02
19. Pulled Down* / It Spreads M22/M23 1:12
20. Joe Goes / Sulu Finks Out M24/M31 1:01
21. Up the Rebels / D’Artagnan-san M32/M33 3:09
22. Banana Farm M34 2:11
23. Out of Control / Lurch Time / Punchy Kid M41/M42/M43 1:49
24. Party Time M44 1:35
25. Medicine Girl / Hot Skin M45–51/M52 4:30
26. Off the Cloud M53 1:06
27. Captain’s Wig M54–61 4:02
28. The Big Go* M62 2:42
29. Time Reverse* / Future Risk and End Title* M63/M64 1:46
30. Trailer (“Mudd’s Women”) 1:02
31. End Title* (electric violin version) 0:46
Total Disc Time: 70:09

DISC 2
Charlie X
Music Composed and Conducted by
FRED STEINER
Episode #8, Recorded 8/29/66 • Aired #2, 9/15/66
Total Time: 23:44
1. Main Title* (cello version, arr./cond. Steiner) 0:51
2. Space Orbit† / Charlie X / That’s a Girl M10/M11+M11S/M12+M12 chimes 1:20
3. Kirk’s Command / Charlie’s Mystery / Charlie’s Gift
M13/M14+M14S/M15–20 3:03
4. Card Tricks M22 1:40
5. Zap the Antares / Kirk Is Worried M23+M23S/M24 0:47
6. Kirk’s Command #2 / Chess Game M31/M32+M32S 1:33
7. Charlie’s Yen M33 1:05
8. Kirk Puzzled M34 0:51
9. Zap Sam / Zap the Pistol M41/M42 1:37
10. Standoff M43 1:12
11. Kirk Waits / Charlie in Control M44/M45 1:08
12. Charlie’s Mad M51 1:10
13. Zap Janice M52 0:56
14. Zap the Cap M53 1:33
15. Zap the Spaceship M54 1:26
16. Zap the Broad / Charlie’s Friend M55/M61 2:02
17. Goodbye Charlie / Finale† M62/M63 1:50
† Based on a Theme by Alexander Courage

Mudd’s Women
Music Composed and Conducted by
FRED STEINER
Episode #4, Recorded 9/7/66 • Aired #6, 10/13/66
Total Time: 22:01
18. Distant Spaceship / Hint of Danger M11/M12 0:55
19. Still in Danger / Meet Mr. Mudd / Three Venuses M13/M14/M15 1:58
20. Venus Walks / Hello Girls M16/M21 1:29
21. Venus Aboard / Exit Mr. Mudd/ Venus Aboard #2 / Strange Glances /
The Last Crystal / Mudd Laffs M22/M23/M24/M24A/M31/M32 2:50
22. Hello Ruth M33 1:03
23. Eve to Magda / Mudd Plan / Mudd’s Perfi dy M34–41/M42/M43 1:07
24. The Venus Drug / Dwindling Power M44/M45 3:03
25. Planet Rigel M51 0:43
26. Space Radio M52 2:46
27. Planet Rigel #2 / Eve Is Out M53/M54 1:20
28. Eve Cooks/Eve Is Tired / Pretty Eve M55/M56–61/M62 3:06
29. Mudd’s Farewell / Back in Orbit† M63/M64 1:20
† Based on a Theme by Alexander Courage

The Corbomite Maneuver
Music Composed and Conducted by FRED STEINER
Episode #3, Recorded 9/20/66 • Aired #10, 11/10/66
Total Time: 7:12
30. Space Cube / Condition Alert M12/M13 1:22
31. Quiet Cube / Radiation M12A/M23A 1:11
32. Cube Radiation M23 1:20
33. Fesarius / Fesarius Approaches M31/M31A 2:06
34. Hideous Balok M33 0:27
35. Baby Balok M61A 0:35

Balance of Terror
Music Composed and Conducted by FRED STEINER
Episode #9, Recorded 9/20/66 • Aired #14, 12/15/66
Total Time: 5:35
36. The Enterprise / In the Chapel† M11/M11A 1:23
37. Romulan Agitato 9MB 0:58
38. Romulan B.G. 9MC 0:41
39. Romulan Theme M22 0:56
40. Theme From STAR TREK* / Romulan Warship / Romulan Theme 9MA pt
4/M31/M22A tk 3 0:56
41. Romulan Centurion M43 0:32
† Contains “Long, Long Ago” by Thomas Haynes Baly and “Bridal Chorus” by
Richard Wagner

What Are Little Girls Made Of?
Music Composed and Conducted by FRED STEINER
Episode #10, Recorded 9/20/66 • Aired #7, 10/20/66
Total Time: 7:18
42. Big Ruk M17A/M17/M17B 0:56
43. Meet Andrea / Android Kirk M22/M22A/M42 1:11
44. Ruk Protect / Ruk Attacks M43/M43A 3:18
45. Ruk Attacks / Enter Andrea M43AB/M54 1:47

The City on the Edge of Forever
Music Composed and Conducted by
FRED STEINER
Interpolating “Goodnight, Sweetheart”
by Jimmy Campbell, Reginald Connelly and Ray Noble
Episode #28, Recorded 3/24/67 • Aired #28, 4/6/67
Total Time: 9:42
46. New York 1930 M26–30,M26–30B 1:38
47. Edith’s Theme† M33 1:25
48. Edith Suspects† M43 1:21
49. Goodnight, Sweetheart (vocal)† M44 1:28
50. Edith’s Fate† / Edith Must Die M47/M47A 1:16
51. Edith’s Vision† M51 0:46
52. Edith Falls† M61 0:55
53. Edith’s Death† M65 0:38
† Contains “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly
and Ray Noble,
published by Campbell, Connelly Inc. and EMI Robbins Catalog Inc. (ASCAP).

54. End Title* (cello version, arr./cond. Steiner) 0:45
55. Desilu I.D. (Wilbur Hatch) 0:05
Total Disc Time: 77:56

* Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and
Gene Roddenberry

This is a CD format release.

 

HOT FUZZ: EXPANDED LIMITED EDITION (2-CD SET)
LLLCD 1621
Music by David Arnold
Limited Edition of 1500 Units
RETAIL PRICE: $29.98

STARTS SHIPPING JULY 5

Order yours at www.lalalandrecords.com starting July 5 at 12 noon pst.

La-La Land Records and Universal Pictures proudly present HOT FUZZ: EXPANDED EDITION, a 2-CD remastered, limited edition presentation of renowned composer David Arnold’s (SHAUN OF THE DEAD, THE WORLD’S END, TOMORROW NEVER DIES) original motion picture score to the 2007 cult action/comedy HOT FUZZ, starring Simon Pegg, Nick Frost and Jim Broadbent, and directed by Edgar Wright. The second film in the now legendary “Three Flavours Cornetto” film trilogy (SHAUN OF THE DEAD, HOT FUZZ, THE WORLD’S END), called for an exciting score to support the action/comedy exploits of mismatched cop duo Nicholas Angel (Pegg) and Danny Butterman (Fost) – and boy, did composer David Arnold ever deliver! The composer’s expert blend of rock, synth, samples and live orchestra is a high-octane musical blast of action and emotion, teeming with infectious thematic material and pulse-pounding thrills. Expanded across two CDs, with a total running time of over 93 minutes, this remastered, deluxe presentation is greatly expanded beyond any previous soundtrack release, featuring a bounty of previously unreleased music. The assembly also includes three unique tracks that were specially created for the soundtrack’s 2017 LP release. Produced by Dan Goldwasser and mastered by Doug Schwartz, this limited edition release of 1500 units features exclusive, in-depth liner notes are by writer Jeff Bond (with new interview comments from the composer) and sharp art design is by Dan Goldwasser.

TRACK LISTING:

DISC 1
1. Theme from Hot Fuzz (Album Suite) 3:38
2. Ask the Bosses / Final Bluff Call / Girlfriend Goodbye / Hotel Room /
Hoodies in Street 4:30
3. Underage Drinking / Leaving the Pub / Plaque / Car Reversal / Jogging
With Skinner / Empty Cell 2:21
4. Neighbourhood Watch 1:58
5. Village Personnel / Nick to Skinner’s Office 0:51
6. Skinner’s Speech / Chasing Peter 3:28
7. That Was Brilliant / Notes at the Roadside 0:53
8. Sting to Romeo and Juliet / Post-Play Pub Banter / Champagne Murders
/ Wake Up Call / Nick Takes Charge at the Scene of the Accident 2:40
9. Trip to the Farm / Unexploded Bomb / Moving Arms 0:58
10. Why I Became a Cop 1:12
11. Skinner Toasts the Deceased / Reveal of the Merchant Killer 1:00
12. Choosing a DVD 1:15
13. Toasting Merchant / Investigating Merchant’s Death 2:49
14. Air Rifle / Meeting Messenger by the Church / Inspired Demise of Tim
/ Frank Organizes Detectives 3:48
15. Standing in the Rain / Danny and Nick Make Up 2:23
16. Miss Tiller’s Murder and Chase / Nick Swears a Lot 5:24
17. Flashback of Murders Explained 3:36
18. Surveillance Tapes / One Killer 2:07
19. Nick Goes Home Alone / Nick Fights Killer 1:54
20. Flashback of Murders Explained / Nick Goes to the Castle 2:17
TOTAL DISC TIME: 49:37

DISC 2
1. Nick Arrests the Village 6:38
2. Nick in Boot and Drive Away 2:35
3. Hillside Fight 1:06
4. Nick on Horse 1:55
5. Village Shootout / Pub Shootout 8:01
6. Fight With Lurch / Trolley Charge / Screaming Lady 3:37
7. Stacker Fight / Car Chase / Model Village Fight 6:00
8. Arrests and Danny Shot 2:08
9. Cemetery 1:41
10. Village Idiots (Album Suite) 4:54
11. Hotels, and Killers (Album Suite) 3:22
12. Murder, Murder, Murder (Album Suite) 2:03
TOTAL DISC TIME: 44:16
TOTAL ALBUM TIME 93:53

This is a CD format release

 

And there's a discount on all Trek set and Arnold score

[Holko 9,529]

Huh, so this kind of is a best of TOS like I mentioned before?

[Raiders of the SoundtrArk 2,433]

The first disc is disc 2 from the Boxset, and the second one is disc 3 plus the 9 first track of disc 5

[bollemanneke 3,349]

Why is Hot Fuzz called extended instead of expanded?

[crumbs 14,318]

17 minutes ago, bollemanneke said:

Why is Hot Fuzz called extended instead of expanded?

 

The cover art definitely says Expanded Edition, so there might be a typo somewhere.

[Tallguy 3,401]

This is a tidy little two disc set. The Steiner scores are the ones I listen to the most these days.

 

I know contracts are contracts and all. But the GNP record of The Cage / Where No Man Has Gone Before just doesn't hold a candle to Disc One of the Box Set. Back when you could get this music on the streamers that was the exception as well. It will most likely be the same for Amok Time / The Doomsday Machine. Interesting that there is some kind of loophole for The Naked Time and presumably Shore Leave.

 

I assume that all of the library re-recordings of the various episode music will not be on these discs, but who knows? I don't know how you would present it. The fact that they took City on the Edge of Forever off of Disc Five doesn't give me hope.

 

I was about to say "I can't imagine that they wouldn't present Courage's season two library cues someplace" but this would be the third time they showed up on disc. The Box, the 50th anniversary set, and now something in these editions? I mean they absolutely should but I could see justification for giving them a miss.

 

I mean, I've got mine with the box. I'm just looking out for the rest of you.

[Naïve Old Fart 9,551]

6 hours ago, bollemanneke said:

Why is Hot Fuzz called extended instead of expanded?

 

Extended? Exschpended!

You are not a Communist, you are a Marxist Leninist? What is the difference?

[Jurassic Shark 12,082]

9 hours ago, May the Force be with You said:

TRACK LISTING:

DISC 1
The Man Trap
Music Composed and Conducted by
ALEXANDER COURAGE
Episode #6, Recorded 8/19/66 • Aired #1, 9/8/66
Total Time: 34:21
1. Main Title (electric violin version) 0:50
2. Small Planet Visit /
The Changeling M10/M11 3:27
3. Episode Titles / Genuine Affection M12/M13 1:00
4. First Goner / Salty Cat / Dressing Down M14–21/M22/M23 1:52
5. Circle One / Monitor Gizzard / Down Again / Grey to Greene
M24/M25/M26/M31 3:16
6. Salt Chaser M32 1:34
7. Noisy Plant M33 1:06
8. At First Sight / Pill Tosser M34/M35–41 2:52
9. Nancy Schmancy M42 1:54
10. The Unreal McCoy M43 2:02
11. Top Security / Lazer Dazer / Dodo Girl M44/M45–51/M52 4:03
12. Conference M53 4:47
13. Dead Crater / Last of the Last M54/M61 4:13
14. Warp One* M62 0:44
15. Trailer (“The Man Trap”) 1:03

The Naked Time
Music Composed and Conducted by
ALEXANDER COURAGE
Episode #7, Recorded 8/31/66 • Aired #4, 9/29/66
Total Time: 33:55
16. Brass Monkeys* / Out of Glove M10/M11 2:58
17. Breaking Planet* / Sweaty Palm / Itchy Hand M12/M13/M14 1:21
18. Joe Berserk M21 3:02
19. Pulled Down* / It Spreads M22/M23 1:12
20. Joe Goes / Sulu Finks Out M24/M31 1:01
21. Up the Rebels / D’Artagnan-san M32/M33 3:09
22. Banana Farm M34 2:11
23. Out of Control / Lurch Time / Punchy Kid M41/M42/M43 1:49
24. Party Time M44 1:35
25. Medicine Girl / Hot Skin M45–51/M52 4:30
26. Off the Cloud M53 1:06
27. Captain’s Wig M54–61 4:02
28. The Big Go* M62 2:42
29. Time Reverse* / Future Risk and End Title* M63/M64 1:46
30. Trailer (“Mudd’s Women”) 1:02
31. End Title* (electric violin version) 0:46
Total Disc Time: 70:09

DISC 2
Charlie X
Music Composed and Conducted by
FRED STEINER
Episode #8, Recorded 8/29/66 • Aired #2, 9/15/66
Total Time: 23:44
1. Main Title* (cello version, arr./cond. Steiner) 0:51
2. Space Orbit† / Charlie X / That’s a Girl M10/M11+M11S/M12+M12 chimes 1:20
3. Kirk’s Command / Charlie’s Mystery / Charlie’s Gift
M13/M14+M14S/M15–20 3:03
4. Card Tricks M22 1:40
5. Zap the Antares / Kirk Is Worried M23+M23S/M24 0:47
6. Kirk’s Command #2 / Chess Game M31/M32+M32S 1:33
7. Charlie’s Yen M33 1:05
8. Kirk Puzzled M34 0:51
9. Zap Sam / Zap the Pistol M41/M42 1:37
10. Standoff M43 1:12
11. Kirk Waits / Charlie in Control M44/M45 1:08
12. Charlie’s Mad M51 1:10
13. Zap Janice M52 0:56
14. Zap the Cap M53 1:33
15. Zap the Spaceship M54 1:26
16. Zap the Broad / Charlie’s Friend M55/M61 2:02
17. Goodbye Charlie / Finale† M62/M63 1:50
† Based on a Theme by Alexander Courage

Mudd’s Women
Music Composed and Conducted by
FRED STEINER
Episode #4, Recorded 9/7/66 • Aired #6, 10/13/66
Total Time: 22:01
18. Distant Spaceship / Hint of Danger M11/M12 0:55
19. Still in Danger / Meet Mr. Mudd / Three Venuses M13/M14/M15 1:58
20. Venus Walks / Hello Girls M16/M21 1:29
21. Venus Aboard / Exit Mr. Mudd/ Venus Aboard #2 / Strange Glances /
The Last Crystal / Mudd Laffs M22/M23/M24/M24A/M31/M32 2:50
22. Hello Ruth M33 1:03
23. Eve to Magda / Mudd Plan / Mudd’s Perfi dy M34–41/M42/M43 1:07
24. The Venus Drug / Dwindling Power M44/M45 3:03
25. Planet Rigel M51 0:43
26. Space Radio M52 2:46
27. Planet Rigel #2 / Eve Is Out M53/M54 1:20
28. Eve Cooks/Eve Is Tired / Pretty Eve M55/M56–61/M62 3:06
29. Mudd’s Farewell / Back in Orbit† M63/M64 1:20
† Based on a Theme by Alexander Courage

The Corbomite Maneuver
Music Composed and Conducted by FRED STEINER
Episode #3, Recorded 9/20/66 • Aired #10, 11/10/66
Total Time: 7:12
30. Space Cube / Condition Alert M12/M13 1:22
31. Quiet Cube / Radiation M12A/M23A 1:11
32. Cube Radiation M23 1:20
33. Fesarius / Fesarius Approaches M31/M31A 2:06
34. Hideous Balok M33 0:27
35. Baby Balok M61A 0:35

Balance of Terror
Music Composed and Conducted by FRED STEINER
Episode #9, Recorded 9/20/66 • Aired #14, 12/15/66
Total Time: 5:35
36. The Enterprise / In the Chapel† M11/M11A 1:23
37. Romulan Agitato 9MB 0:58
38. Romulan B.G. 9MC 0:41
39. Romulan Theme M22 0:56
40. Theme From STAR TREK* / Romulan Warship / Romulan Theme 9MA pt
4/M31/M22A tk 3 0:56
41. Romulan Centurion M43 0:32
† Contains “Long, Long Ago” by Thomas Haynes Baly and “Bridal Chorus” by
Richard Wagner

What Are Little Girls Made Of?
Music Composed and Conducted by FRED STEINER
Episode #10, Recorded 9/20/66 • Aired #7, 10/20/66
Total Time: 7:18
42. Big Ruk M17A/M17/M17B 0:56
43. Meet Andrea / Android Kirk M22/M22A/M42 1:11
44. Ruk Protect / Ruk Attacks M43/M43A 3:18
45. Ruk Attacks / Enter Andrea M43AB/M54 1:47

The City on the Edge of Forever
Music Composed and Conducted by
FRED STEINER
Interpolating “Goodnight, Sweetheart”
by Jimmy Campbell, Reginald Connelly and Ray Noble
Episode #28, Recorded 3/24/67 • Aired #28, 4/6/67
Total Time: 9:42
46. New York 1930 M26–30,M26–30B 1:38
47. Edith’s Theme† M33 1:25
48. Edith Suspects† M43 1:21
49. Goodnight, Sweetheart (vocal)† M44 1:28
50. Edith’s Fate† / Edith Must Die M47/M47A 1:16
51. Edith’s Vision† M51 0:46
52. Edith Falls† M61 0:55
53. Edith’s Death† M65 0:38
† Contains “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly
and Ray Noble,
published by Campbell, Connelly Inc. and EMI Robbins Catalog Inc. (ASCAP).

54. End Title* (cello version, arr./cond. Steiner) 0:45
55. Desilu I.D. (Wilbur Hatch) 0:05
Total Disc Time: 77:56

* Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and
Gene Roddenberry

This is a CD format release.

 

HOT FUZZ: EXPANDED LIMITED EDITION (2-CD SET)
LLLCD 1621
Music by David Arnold
Limited Edition of 1500 Units
RETAIL PRICE: $29.98

STARTS SHIPPING JULY 5

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La-La Land Records and Universal Pictures proudly present HOT FUZZ: EXPANDED EDITION, a 2-CD remastered, limited edition presentation of renowned composer David Arnold’s (SHAUN OF THE DEAD, THE WORLD’S END, TOMORROW NEVER DIES) original motion picture score to the 2007 cult action/comedy HOT FUZZ, starring Simon Pegg, Nick Frost and Jim Broadbent, and directed by Edgar Wright. The second film in the now legendary “Three Flavours Cornetto” film trilogy (SHAUN OF THE DEAD, HOT FUZZ, THE WORLD’S END), called for an exciting score to support the action/comedy exploits of mismatched cop duo Nicholas Angel (Pegg) and Danny Butterman (Fost) – and boy, did composer David Arnold ever deliver! The composer’s expert blend of rock, synth, samples and live orchestra is a high-octane musical blast of action and emotion, teeming with infectious thematic material and pulse-pounding thrills. Expanded across two CDs, with a total running time of over 93 minutes, this remastered, deluxe presentation is greatly expanded beyond any previous soundtrack release, featuring a bounty of previously unreleased music. The assembly also includes three unique tracks that were specially created for the soundtrack’s 2017 LP release. Produced by Dan Goldwasser and mastered by Doug Schwartz, this limited edition release of 1500 units features exclusive, in-depth liner notes are by writer Jeff Bond (with new interview comments from the composer) and sharp art design is by Dan Goldwasser.

TRACK LISTING:

DISC 1
1. Theme from Hot Fuzz (Album Suite) 3:38
2. Ask the Bosses / Final Bluff Call / Girlfriend Goodbye / Hotel Room /
Hoodies in Street 4:30
3. Underage Drinking / Leaving the Pub / Plaque / Car Reversal / Jogging
With Skinner / Empty Cell 2:21
4. Neighbourhood Watch 1:58
5. Village Personnel / Nick to Skinner’s Office 0:51
6. Skinner’s Speech / Chasing Peter 3:28
7. That Was Brilliant / Notes at the Roadside 0:53
8. Sting to Romeo and Juliet / Post-Play Pub Banter / Champagne Murders
/ Wake Up Call / Nick Takes Charge at the Scene of the Accident 2:40
9. Trip to the Farm / Unexploded Bomb / Moving Arms 0:58
10. Why I Became a Cop 1:12
11. Skinner Toasts the Deceased / Reveal of the Merchant Killer 1:00
12. Choosing a DVD 1:15
13. Toasting Merchant / Investigating Merchant’s Death 2:49
14. Air Rifle / Meeting Messenger by the Church / Inspired Demise of Tim
/ Frank Organizes Detectives 3:48
15. Standing in the Rain / Danny and Nick Make Up 2:23
16. Miss Tiller’s Murder and Chase / Nick Swears a Lot 5:24
17. Flashback of Murders Explained 3:36
18. Surveillance Tapes / One Killer 2:07
19. Nick Goes Home Alone / Nick Fights Killer 1:54
20. Flashback of Murders Explained / Nick Goes to the Castle 2:17
TOTAL DISC TIME: 49:37

DISC 2
1. Nick Arrests the Village 6:38
2. Nick in Boot and Drive Away 2:35
3. Hillside Fight 1:06
4. Nick on Horse 1:55
5. Village Shootout / Pub Shootout 8:01
6. Fight With Lurch / Trolley Charge / Screaming Lady 3:37
7. Stacker Fight / Car Chase / Model Village Fight 6:00
8. Arrests and Danny Shot 2:08
9. Cemetery 1:41
10. Village Idiots (Album Suite) 4:54
11. Hotels, and Killers (Album Suite) 3:22
12. Murder, Murder, Murder (Album Suite) 2:03
TOTAL DISC TIME: 44:16
TOTAL ALBUM TIME 93:53

This is a CD format release

 

The soundtrack should have included this.

 

 

[crocodile 8,018]

I actually like the look of that TOS set. Might get this at some point. Haven't got a single album from the show.

 

Karol

[Andy 4,141]

If you have any connection or affinity for Classic Star Trek, I can’t recommend them enough. As a long time fan, I’m amazed how much new stuff I’m discovering . These keep rewarding the listener. 

[Yavar Moradi 2,599]

I posted this at FSM:

Quote

One question is whether all the library cues will be included this time around… maybe the original season 1 ones by Mullendore and season 2 ones by Courage? But if they wanted to condense to 7 2CD volumes, maybe some of the season 1 cues rerecorded in later seasons might be omitted…

 

And MV replied,

Quote

For the ST TOS series, we do not have the rights to the GNP licensed titles (The Cage/Where No Man Has Gone Before/Amok Time/Doomsday Machine...a few others I believe). We intend on doing 6 volumes released over the course of the next year...every other month, give or take. All the library cues will be included.

 

Alas that some of the series' best music won't be included in this series (especially Doomsday Machine, my favorite Trek TV score out of any of the series). But it makes sense, since GNP Crescendo owns perpetuity rights and they'd probably really have to jack up the price on those volumes, if they could even work out another deal with them.

 

Yavar

 

[MrJosh 892]

More expanded David Arnold, yes please!

[Jurassic Shark 12,082]

53 minutes ago, Yavar Moradi said:

GNP Crescendo

 

Are they still issuing new albums?

[Yavar Moradi 2,599]

4 hours ago, Jurassic Shark said:

Are they still issuing new albums?

If you mean of film music, not since their expansion of McCarthy’s “Encounter at Farpoint” (also held by them in perpetuity) apparently had disappointing sales. A shame… this old FSM thread of mine might interest you:

https://www.filmscoremonthly.com/board/posts.cfm?threadID=92692&forumID=1&archive=0

 

Yavar

[ThePenitentMan1 744]

6 hours ago, Yavar Moradi said:

I posted this at FSM:

 

And MV replied,

 

Alas that some of the series' best music won't be included in this series (especially Doomsday Machine, my favorite Trek TV score out of any of the series). But it makes sense, since GNP Crescendo owns perpetuity rights and they'd probably really have to jack up the price on those volumes, if they could even work out another deal with them.

 

Yavar

 

 

Is there any music ommitted from the Doomsday Machine/Amok Time GNP release?

[Faleel 5,359]

5 minutes ago, ThePenitentMan1 said:

 

Is there any music ommitted from the Doomsday Machine/Amok Time GNP release?

Yes. for example, some cool fanfares for Amok.

[Archive Collection 214]

19 hours ago, May the Force be with You said:

David Arnold’s (SHAUN OF THE DEAD, THE WORLD’S END, TOMORROW NEVER DIES)

Arnold didn’t score Shaun of the Dead…?

[Naïve Old Fart 9,551]

13 hours ago, Jurassic Shark said:

 

The soundtrack should have included this.

 

 

 

It should have included "Sgt. Rock (Is Going To Help Me)".

[Raiders of the SoundtrArk 2,433]

4 hours ago, Archive Collection said:

Arnold didn’t score Shaun of the Dead…?

No he didn't, must be a typo from LLL (except if there's a rejected score from him, in which case I definitly want to hear it)

[enderdrag64 624]

 

On 05/07/2023 at 4:37 AM, May the Force be with You said:

The first disc is disc 2 from the Boxset, and the second one is disc 3 plus the 9 first track of disc 5

I do feel that is a little bit of a missed opportunity that it's a straight reissue, I wish the cues that were combined on the set would be made available separate

[mstrox 6,651]

I think the only way to do this is the straight reissue.  You stand the chance of making a lot of nerds real mad if you release a product that is in some way better or even just different than the million dollar boxset they bought from you a few years ago

[Yavar Moradi 2,599]

11 hours ago, ThePenitentMan1 said:

Is there any music ommitted from the Doomsday Machine/Amok Time GNP release?

 

There is music omitted from ALL of those old GNP Crescendo Trek releases (multiple series). There's not a single one that was complete. Also, they didn't have first generation sources to use so they sound a lot worse. Also, they applied a fake stereo effect to the mono source they had which made it sound even worse than it should have at the time!

 

Yavar

[bollemanneke 3,349]

1 hour ago, mstrox said:

I think the only way to do this is the straight reissue.  You stand the chance of making a lot of nerds real mad if you release a product that is in some way better or even just different than the million dollar boxset they bought from you a few years ago

Yeah, they'd better not do a better Schindler's List on Black Friday.

[enderdrag64 624]

2 hours ago, mstrox said:

I think the only way to do this is the straight reissue.  You stand the chance of making a lot of nerds real mad if you release a product that is in some way better or even just different than the million dollar boxset they bought from you a few years ago

I mean it'd be better if the box set had had them separate, but it didn't, and so I'd rather get the clean openings/endings now than not at all 

38 minutes ago, Yavar Moradi said:

 

There is music omitted from ALL of those old GNP Crescendo Trek releases (multiple series). There's not a single one that was complete. Also, they didn't have first generation sources to use so they sound a lot worse. Also, they applied a fake stereo effect to the mono source they had which made it sound even worse than it should have at the time!

 

Yavar

Is it possible to undo the fake stereo effect by mixing back down to mono?

[Yavar Moradi 2,599]

28 minutes ago, enderdrag64 said:

Is it possible to undo the fake stereo effect by mixing back down to mono?

 

Not to my knowledge. (My understanding is that fake stereo is essentially achieved by making a copy of the mono audio and putting it slightly out of phase/alignment with the original... which is why it sounds like shit.) And even if it could be effectively done, it still wouldn't sound as good as the LLL. Why go to that trouble?

 

Anyhow here are some details from FSM about missing music on the original GNP Crescendo discs:

https://filmscoremonthly.com/board/posts.cfm?threadID=151607&forumID=1&archive=0

DaveM on "The Cage":

Quote

I only have the "The Cage / WNMHGB" crescendo CD out of the three and I compared it to the LLL Version:

Missing Cues:
The Cage
-M45: Long Look (~0:17)
WNMHGB
-M11: Beyond The Pale (~0:55)
-M23: The Patient (~0:58)
-M31: Some Corpse (2:21)
-M32/41/42/43: Decision / Playtime / Megalomania / Stronger and Stronger (~2:58)
-M52 Strangle by Wire (~0:37)
-M61/62/63: Power Mad / Situation Grave / Epilogue (6:09)
~14 Minutes

The Main Titles from "The Cage" have an extended ending, while the GNP version fades out before the second harp glissando. Maybe other cues are also extended.

and here the quality difference
Main Title from The Cage: GNP fist, than LLL
https://drive.google.com/file/d/1uLnL9xpDS5svDmyjklc1Dz18k4M6v04F/view?usp=sharing

 

Scott McOldsmith with a less comprehensive comment about "Where No Man Has Gone Before":

Quote

The GNP release of Where No Man Has Gone Before was one of the most crushingly disappointing experiences of my young soundtrack listening life. Being a massive Trekkie and wanting the fight music so badly, I was gutted when I played the LP and it went from "Instant Paradise" to "End Title." That is probably the most glaring omission of any of the GNP Trek TV series releases.

 

LordDalek re: missing music from GNP TOS Vols. 2 & 3 (though it seems they might not have gotten a perpetuity rights agreement on Vol. 3):

Quote

VOLUME II --
The Doomsday Machine

Distress Signal (M12)/Ship Search (M13) (-:57)
The Dead Ship (M14) (-:19)
Gaining Speed (M24) (-:24)
No Casualties (M31) (-:15)
The Approaching Killer (M33A) (-:54)*

Amok Time

Enterprise (M11) (-:15)
Log (M14A) (-:26)
Deep Thought (M15) (-:21)
Prognosis (M21) (-:07)
The Big Question (M22) (-:08)
Message From T-Pring (M23) (-1:29)
Vulcan Biology (M24) (-1:14)
Pon Farr (M24A) (-2:11)
War Sash (M42) (-:46)
To The Death (M44) (-1:46)
Vulcan Logic (M53-60A) (-1:39)

*on the Lalaland release The New Commander cross fades into this. That is not present on the Crescendo

VOLUME III --
Shore Leave

Tiger (M33A) (-:42)
Costume (M33B) (-:24)
Birds (M34) (-:11)
Samurai (M34A) (-:27)
Dummy (M43) (-:31)
Like Real (M44) (-:25)
Strafing (M55-60A) (-:14)
2nd Samurai (M55-60B) (-1:20)

The Naked Time

Out of Glove (M11) (-1:29)
Breaking Planet (M12) (-:32)
Itchy Palm (M13) (-:29)
Sweating Hand (M14) (-:19)
Pulled Down (M22) (-:30)
It Spreads (M23) (-:42)
Joe Goes (M24) (-:19)
Up The Rebels (M32) (-2:01)

 

And here are the extra details about this new six volume series, which MV gave in the opening post of that thread:

Quote

Since our announcement we have received numerous questions about our new ST TOS line of cds. So, to make things simple for those who want to be in the know here are some answers to those numerous questions.

Q: How many volumes will this be?

A: Six Volumes...a total of 12 CDs

Q: How often will these volumes come out?

A: We plan on releasing one Volume every other month for the next year...although, things may occur beyond our control, so it could take a little longer.

Q: Will everything from the 15 cd BOX SET be released in this series?

A: NO. Absent will be some vocal tracks (didn't want to deal with clearances again) and all the GNP controlled music from episodes THE CAGE/WHERE NO MAN HAS GONE BEFORE/AMOK TIME/DOOMSDAY MACHINE)

Q: Will GNP be releasing the episodes they control separately?

A: I have no idea. I hope they one day.

Q: Anything new on these Volumes?

A: All new liner notes by Jeff Bond...some quotes and such carried over from the Box Set. Also, new artwork presentation by Dan Goldwasser at Warm Butter Designs.

Q: Will these new volumes contain stereo masters?

A. No, sadly those masters are lost to the ages. However, we have combined all the elements we have previously released in the Box set as well as the 50th Anniversary Collection (now sold out) to present to fans the best possible listening experience.

Q: Will you be reissuing the box set in the future?

A: No. We have no plans to ever do a 15-cd bot set again. It was a fantastic seller for the most part and a successful endeavor, but it was an incredibly pricey project that would cost even more money today due to increased fees in publishing and manufacturing. So, if you have that amazing set cherish it because there is only 4000+ units in existence.

Q: Do you plan to revisit other Trek shows like TNG and DS9 in the future?

A: You never know what tomorrow may bring. If there is a call for future volumes, then of course we would be honored to answer it.

If you have any more questions regarding STAR TREK ONLY please feel free to ask away in this thread. If you start asking questions in this thread about other properties other than TREK I will personally banish you to Ceti Alpha V. 

LLAP

MV

 

 

Yavar

[Faleel 5,359]

@Yavar Moradi The Haas effect is only one method of fake stereo, I believe there are others.

 

The opening of Naked Time on the GNP is a tad bit more atmospheric than on the box IIRC.

[Smeltington 1,441]

How much was the box set when they first released it?

[Slitherjump 6]

31 minutes ago, Smeltington said:

How much was the box set when they first released it?

$225

[Smeltington 1,441]

For 15 discs that sounds pretty reasonable.

[Yavar Moradi 2,599]

45 minutes ago, Smeltington said:

For 15 discs that sounds pretty reasonable.

It was pricey but especially reasonable considering they had to pay GNP in addition to Paramount/CBS. I suspect it would have been under $200 otherwise, like all previous big film music box sets from the specialty labels had been (so setting aside the crazy $500 Burton/Elfman box). I think the Varese Herrmann at Fox box was the most expensive before that, at $199.98.

 

Yavar

[Andy 4,141]

I don’t even remember how I afforded it when I bought it. It might have been on sale, because I don’t recall paying that much. 
 

Whatever the case, it was worth every penny. 

[Yavar Moradi 2,599]

It did go on sale once or twice, so you lucked out! I bought it a while after it was released but not while it was on sale.

 

Yavar

[Bryant Burnette 654]

16 hours ago, Slitherjump said:

$225

 

Worth every penny.

[Yavar Moradi 2,599]

22 hours ago, Signals said:

@Yavar Moradi The Haas effect is only one method of fake stereo, I believe there are others.

 

The opening of Naked Time on the GNP is a tad bit more atmospheric than on the box IIRC.

 

You're welcome to prefer it, but I don't think the GNP Crescendo fake stereo effect was particularly sophisticated.

Yavar

[TheScoreKeeper 0]

I'm noticing that LLLCD-1620 is missing from the Discogs page for La-La Land Records. In fact, there's no trace of that catalog number on the LLL site either. Is this because a project got canceled, or simply that it hasn't been released yet?

 

[Once 605]

On 6/7/2023 at 6:07 AM, Archive Collection said:

Arnold didn’t score Shaun of the Dead…?

Nor did he score The World’s End…

[Jay 37,372]

5 hours ago, TheScoreKeeper said:

I'm noticing that LLLCD-1620 is missing from the Discogs page for La-La Land Records. In fact, there's no trace of that catalog number on the LLL site either. Is this because a project got canceled, or simply that it hasn't been released yet?

 

 

It isn't out yet. 

 

You didn't notice that 1606 isn't out yet either? 

[TheScoreKeeper 0]

2 hours ago, Jay said:

 

It isn't out yet. 

 

You didn't notice that 1606 isn't out yet either? 

 

I did notice. As well as LLLCD 1010.

I just assumed that catalog numbers got released in order.

[Jay 37,372]

Nope, they get released when they are approved and pressed!

 

LLLCD 1010 was reserved for Bubba Ho Tep, which was canceled.  Since their catalog began with 1000 instead of 1001, their numbers still represent how many CD titles they've released, with the exception of the Star Trek box set being 1701 and reissues sometimes getting new catalog numbers and sometimes not.

[Tallguy 3,401]

10 hours ago, Jay said:

LLLCD 1010 was reserved for Bubba Ho Tep, which was canceled.

 

What?!? Damn!

[TheScoreKeeper 0]

On 22/07/2023 at 11:26 AM, Jay said:

Nope, they get released when they are approved and pressed!

 

LLLCD 1010 was reserved for Bubba Ho Tep, which was canceled.  Since their catalog began with 1000 instead of 1001, their numbers still represent how many CD titles they've released, with the exception of the Star Trek box set being 1701 and reissues sometimes getting new catalog numbers and sometimes not.

 

Very interesting! I noticed that with the Disaster Movie boxed set, also. The catalog jumped a few numbers after that one came out.

 

Anyway, thanks for the information! I love LLLR.

[Yavar Moradi 2,599]

That’s because the Disaster Box was three catalogue numbers, for the three separately licensed (and then bundled together) releases within.

 

But their catalogue numbers aren’t usually sequential in terms of release.

 

Yavar

[Jay 37,372]

Catalog numbers get assigned at the point in the process where finished artwork needs to be sent out for approval. 

 

There's no way to predict from there when things will actually get approved, printed, pressed, and released, so they'll never come out in order. Intrada's don't either.