Popular Post TownerFan 4,983 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 A new interview with JW was published yesterdat on the Sunday edition of German newspaper Die Welt. Anyone able to provide even a rough translation in English? here's a better scan: Will, Ricard, rough cut and 3 others 2 1 1 2 Link to comment Share on other sites More sharing options...
Thor 7,504 Posted March 8, 2021 Share Posted March 8, 2021 Cool! It's a little small to read properly, but it's mostly the standard questions and replies, from what I can glean. If I had the time and a better scan, I might be able to translate. Link to comment Share on other sites More sharing options...
Holko 9,526 Posted March 8, 2021 Share Posted March 8, 2021 The better scan is included right there. You just have to zoom in. Link to comment Share on other sites More sharing options...
Thor 7,504 Posted March 8, 2021 Share Posted March 8, 2021 I tried, but can't zoom in long enough. It's still relatively small. Link to comment Share on other sites More sharing options...
Holko 9,526 Posted March 8, 2021 Share Posted March 8, 2021 Try right click - view image, then ctrl+scroll. I can remember just enough German to tell that yes, these are not the most new and original questions, but little enough that I'd miss words that change the meaning of a sentence from agreement to denial or something, so I'll leave it to others. Jurassic Shark 1 Link to comment Share on other sites More sharing options...
Popular Post crumbs 14,316 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 Here's the result using OCR + proofreading + Google Translate. Part 1: -------------------- As the most famous living film composer, five-time Oscar winner John Williams is a legend. In seven decades he has written more than 100 mostly opulent film music scores - old-fashioned hand-sketched. He received the Oscar five times and was nominated 52 times. He will be 90 years old next year. He is very grounded in conversations, humble and eloquent. WELT AM SONNTAO: My nine-year-old niece Emma is currently in a total Star Wars frenzy. Would you have ever thought that it would last so long and still infect children today? JOHN WILLIAMS: No. At the premiere in 1977 it was more for the older ones. In the meantime it has become an empire with more than 40 years of film history. Does that strike back musically? Which Star Wars character and theme is closest to you? Of course, Darth Vader and his Imperial March. I was really very happy with that, even if this music has long since taken on a life of its own. As a contrast, I also like the Yoda theme very much, diminished B flat major, that is very simple, almost floating and clear, just like this small, worldly and yet powerful father figure. Film music has to be simple and graphic, then it is best combined with a memorable image. But don't you mind if you compose very complex music and it is then absorbed by the intoxication of the images? It's my job to instrumentally support this intoxication and make it even more enjoyable. Preferably with catchy themes that can be grasped immediately despite the distraction. Why didn't you become a classical composer? The training in Los Angeles with Mario Castelnuovo-Tedesco, who emigrated from Italy, and at the New York Juilliard School with the legendary professor Rosina Lhévinne were there. Above all, both have always encouraged me to go my own way. Rosina saw something in me, that's why she accepted me into her class. There were people like Van Cliburn and Gary Graffman who would later become great piano virtuosos. I was a mediocre pianist. Still, you've come back to film. Why? I had to earn money, I had a wife and children. And in the film business, where my father worked as a drummer in the studio orchestras, I was at home very early. I felt comfortable there as a pianist. You had to be quick, I learned that while watching television in my first years. Who else have you seen from the old guard of film composers? Especially Franx Waxman, Alfred Newman and Bernard Herrmann, you have very generously shared your experiences and advice with me young hopper. Benny was the one who always encouraged me to write my own music. Of course we are only little lights against Bach, Beethoven or Brahms. And of course also against God the Father Wagner, who taught us the leitmotif. Incidentally, I heard my first ring in Hamburg. How Wagner had looked today through the music jungle of the still unfinished Star Wars saga? At Herrmann, of course, I also experienced how stubbornness can ruin your career. As a film composer you have to serve, almost everything is somehow a compromise. There is no John Williams bonus there? No. In Hollywood, history matters little. And at the beginning there is always an almost finished film and blank sheet music. Then time is money. The industry is merciless, you have to function. Which I can obviously do very well. Til today. In any case, I have not yet rejected any score. Do you still have an overview of what you've composed? Not really, I don't hear that all the time. And if something newly invented sounds familiar, can you look it up in a catalog of motifs? Not at all. I am not a composer of paperwork like Beethoven. It just flows. And sometimes I also notice that while it's good, it can get better. The title theme of Schindler's List, for example, was only the third one that convinced me, but I also included the other two in the score. A film that penetrates into the gas chamber. Isn't that something you swallow as a composer? Of course, but precisely because of this delicate situation, it is of course also quite a technical challenge. And how do you put a hungry great white shark to music? With a two-tone bass ostinato that gives a plastic monster danger. Cerebral Cortex, rough cut, Loert and 7 others 4 6 Link to comment Share on other sites More sharing options...
Popular Post Gurkensalat 340 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 Some interesting tidbits: - The new violin concerto is finished and lies with Mutter with whom he is now discussing small changes - he does not have the time to "tell a story through music" with his scores; he composes very close to the pictures and cuts. - if he had stayed in classical composing, he would have developed further in the direction of Edgar Varese, more percussive. Now he describes himself as "more polystylistic" with his concert compositions - he does not tell, for which movie he would have liked to compose the music; nor does he tell his opinion about modern film scoring :-) Bilbo, Will, Holko and 2 others 4 1 Link to comment Share on other sites More sharing options...
MaxTheHouseelf 324 Posted March 8, 2021 Share Posted March 8, 2021 6 minutes ago, Gurkensalat said: nor does he tell his opinion about modern film scoring :-) Savage! Link to comment Share on other sites More sharing options...
Popular Post Holko 9,526 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 8 minutes ago, Gurkensalat said: he does not have the time to "tell a story through music" with his scores And still he does it impeccably! Bilbo, Will and Edmilson 3 Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,533 Posted March 8, 2021 Share Posted March 8, 2021 "...I've not yet rejected any score". Yeah, right. SUPERMAN II, anyone? tmarps 1 Link to comment Share on other sites More sharing options...
Holko 9,526 Posted March 8, 2021 Share Posted March 8, 2021 Google Translate+grammar=disaster. I think that's more like "no score I've written has been rejected yet". GerateWohl and crumbs 2 Link to comment Share on other sites More sharing options...
Popular Post crumbs 14,316 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 Part 2: -------------------- In your early years in Hollywood Studios, you must have met André Previn? Sure, that was a clever guy, three years older than me, he came from Berlin, very talented. It was through him that I met his then wife Anne-Sophie Mutter much later. You sure, she collects contemporary composers, immediately asked for a piece? Clear. And if it's only ten bars, she said. I waved it off because I was so busy back then. But then a beautifully wrapped package came from Munich for Christmas. There were German Christmas cookies in there. From her! Baked it yourself? Not that, but very tasty and loving. And then, as a thank you, I sent her the piece Markings for solo violin, strings and harp, at least 132 bars. And that's how our CD project Across the Stars came about, and I even arrived at the Vienna Philharmonic with her at my tender age. How was it? I was very little. The Golden Hall in the Vienna Musikverein really has a tremendous aura. I am still a regular at the wonderful Symphony Hall in Boston and at the open-air Shed in Tanglewood, where I was chief conductor of the Boston Pops Orchestra, the Light Classics Formation of the Boston Symphony Orchestra, for 13 years. So I had a certain security, but also a lump in my throat, but the Viennese were incredibly professional and very kind. And I quickly realized that their day-to-day work as an opera orchestra also made them very flexible and had to be able to accompany them. They are really as responsive and stylistically versatile as a film orchestra. You even wrote her a violin concerto after all, right? Yes, Anne-Sophie already has it and we are in close contact about a few changes. If all goes well, we'll be premiering it in Tanglewood in July. Do you actually like conducting? Yes, I slipped into that, too, very pragmatically. I wouldn't have believed myself capable of doing it myself, but then someone got sick and I was asked to step in because they apparently thought I was fit for it. The nice thing about it is. that - since film is always a work in progress - I stick with my music right through to the end, convey it directly and communicate my intentions. That is very satisfying. And it can also be raised to a classic professional level, which I was relieved to see when I was asked in the late 1970s if I could take on the sick Arthur Fiedler in Boston. This even turned into a permanent job that I really enjoyed because I could really interpret repertoire. And then the demand for my own works grew more and more, so I was able to keep in touch with them. Have you ever cried in the cinema? No not true. Does it make a difference whether you compose for a blockbuster or for Netflix? No, because it always has to fit, both to the topic and to the format. I've also written very quiet, little orchestrated music for big films. Do film scores tell a secret plot? Usually not. there is no time for this in production. I really only depend on the picture, the tempo, the editing sequence, and above all try to find a rhythm and a balance for each film. This is very important. Are you satisfied with the distribution of your absolute music? Things are still difficult. If I hadn't ended up with the film, I would have continued to compose more percussively, in the direction of Edgar Varèse. That's how I became more polystylistic. My first violin concerto, which I composed as a memento for my first wife, is performed every now and then. But what do you think is what is played the most? The tuba, of course, and the bassoon concerto, there isn't much competition. Is there a film whose music you would have liked to have composed? Some, but which ones, I won't tell you. Neither do what I think of today's type of film music. But I'll tell you a film that I really wanted to write the music for and then did: Rob Marshall’s “Memoirs of a Geisha”. What would a Corona film sound like? Fortunately, I haven't thought about that yet. But when that happens, I'm sure I'll be ready for it too. din_zav, Jay, TownerFan and 5 others 2 6 Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,533 Posted March 8, 2021 Share Posted March 8, 2021 Ah! In that case, apologies, etc. This whole transcript reads like the notes for the original CD release of HEIDI. Link to comment Share on other sites More sharing options...
Popular Post Fabulin 3,513 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 Of course a typical German ass journalist asked why "hasn't he" become a classical composer, which Williams dodged by saying that Lhevinne and Tedesco both pushed him to pave his own way. Williams called himself a mediocre pianist (in the Lhevinne class ) Williams said that he (and others, here Waxman, Herrmann, Newman) are just little candles / lights next to Bach, Beethoven, or Brahms. The Schnidler's List theme as we know it was the third one he wrote for the film. Mutter hasn't baked the cookies herself. Williams said that his concert works struggle to be performed, and that his first VC is performed now and then, but the most popular are the tuba nad the bassoon, which simply have little competition. And finally, he expressed readiness to write for film some more. Will, Holko and Once 3 Link to comment Share on other sites More sharing options...
Popular Post crumbs 14,316 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 It looks like part of the interview got cropped off underneath the photo. I could only find this low res version via their online portal: Holko, Fabulin, BrotherSound and 6 others 1 8 Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted March 8, 2021 Author Share Posted March 8, 2021 You had me for a minute, crumbs! Anyway, thanks so much for taking the chore of manually translating this! Much appreciated. Some nice comments from JW here. crumbs 1 Link to comment Share on other sites More sharing options...
BB-8 3,478 Posted March 8, 2021 Share Posted March 8, 2021 There seems to be a new interview with JW in the German press: https://slippedisc.com/2021/03/john-williams-darth-vader-is-my-best/ Link to comment Share on other sites More sharing options...
Thor 7,504 Posted March 8, 2021 Share Posted March 8, 2021 Ha, ha....well done, crumbs! Link to comment Share on other sites More sharing options...
The Dark Trilogy 39 Posted March 8, 2021 Share Posted March 8, 2021 26 minutes ago, crumbs said: It looks like part of the interview got cropped off underneath the photo. I could only find this low res version via their online portal: Is John Williams joking or real? He was asked about new releases of his older works in near future. He said he just approved a 30 disc set of Star Wars, 15 CDs of Indiana Jones and 4 discs from Hook inclusive the abandoned Musical which he had recorded completely but told nobody before. And he approved the score to Sugarland Expres, The Rare Breed and Story of a Woman because he find it not too bad. And a new expansion from Heartbeeps, which he compares with Beethoven 5th. I think he is joking. EDIT: Never mind. Good take crumbs! Link to comment Share on other sites More sharing options...
crumbs 14,316 Posted March 8, 2021 Share Posted March 8, 2021 13 minutes ago, ckappes said: He said he just approved a 30 disc set of Star Wars, 15 CDs of Indiana Jones and 4 discs from Hook inclusive the abandoned Musical which he had recorded completely but told nobody before. And he approved the score to Sugarland Expres, The Rare Breed and Story of a Woman because he find it not too bad. And a new expansion from Heartbeeps, which he compares with Beethoven 5th. I think he is joking. I'm sure he's dead serious! Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted March 8, 2021 Author Popular Post Share Posted March 8, 2021 I found particularly interesting the comment on Herrmann and how being stubborn can ruin your career (especially considering the friendship between them). I think one of Williams' true skills as a Hollywood craftsman is that miraculous balance of always being adaptable and versatile enough to satisfy his employers while keeping his integrity (both artistic and human) well intact. This is something that isn't usually recognized enough. Btw, the interview is now online too, but it's behind a paywall: https://www.welt.de/kultur/plus227230129/Komponist-John-Williams-Natuerlich-ist-mir-Darth-Vader-am-naechsten.html Once, crumbs and crlbrg 3 Link to comment Share on other sites More sharing options...
Not Mr. Big 4,639 Posted March 8, 2021 Share Posted March 8, 2021 2 hours ago, crumbs said: Baked it yourself? Not that, but very tasty and loving. Williams didn't baked it himself?? crumbs 1 Link to comment Share on other sites More sharing options...
GerateWohl 4,370 Posted March 8, 2021 Share Posted March 8, 2021 Crumbs, you got me. I was really excited to read that part. Link to comment Share on other sites More sharing options...
crumbs 14,316 Posted March 8, 2021 Share Posted March 8, 2021 Hehe, sorry @GerateWohl We can always dream, maybe those things will come true someday... GerateWohl 1 Link to comment Share on other sites More sharing options...
Jay 37,364 Posted March 8, 2021 Share Posted March 8, 2021 4 hours ago, Thor said: Cool! It's a little small to read properly, 4 hours ago, Holko said: The better scan is included right there. You just have to zoom in. 4 hours ago, Thor said: I tried, but can't zoom in long enough. It's still relatively small. On this forum, you have to click on a picture one to get the larger version, THEN CLICK ON IT AGAIN to get the fully-full-sized version in its own tab, that you can then zoom into all you want. Remember: Two clicks! Link to comment Share on other sites More sharing options...
ChrisAfonso 186 Posted March 8, 2021 Share Posted March 8, 2021 Great interview! But of course when it comes to minute details, caution is advised in taking everything verbatim... like him calling Wagner "God the Father", which crumbs has translated from the article's "Gottvater", which itself seems to be a mistranslation on the journalist's part of "Godfather", which means something slightly different Gurkensalat 1 Link to comment Share on other sites More sharing options...
Jay 37,364 Posted March 8, 2021 Share Posted March 8, 2021 This magazine should release the original words John actually said! GerateWohl and Once 2 Link to comment Share on other sites More sharing options...
Marian Schedenig 8,193 Posted March 8, 2021 Share Posted March 8, 2021 At least half of the answers in that interview (not counting crumbs' little addendum) don't really sound like Williams to me. And not just like very liberal translations into German either. More like they interviewed him and then took the gist of his answers and wrote their own original German version. Which makes me wonder how much we can trust the few new insights that are not part of his usual set of answers. Miguel Andrade 1 Link to comment Share on other sites More sharing options...
MaxTheHouseelf 324 Posted March 8, 2021 Share Posted March 8, 2021 9 minutes ago, Marian Schedenig said: At least half of the answers in that interview (not counting crumbs' little addendum) don't really sound like Williams to me. And not just like very liberal translations into German either. More like they interviewed him and then took the gist of his answers and wrote their own original German version. Which makes me wonder how much we can trust the few new insights that are not part of his usual set of answers. Something about this translation is really weird and amateurish. What about "With a two-tone bass ostinato that gives a plastic monster danger." WTF is plastic monster danger? Is that a thing? Link to comment Share on other sites More sharing options...
Thor 7,504 Posted March 8, 2021 Share Posted March 8, 2021 6 minutes ago, MaxTheHouseelf said: Something about this translation is really weird and amateurish. What about "With a two-tone bass ostinato that gives a plastic monster danger." WTF is plastic monster danger? Is that a thing? That's Google Translate for you. You will always get bizarre phrasings. Link to comment Share on other sites More sharing options...
Marian Schedenig 8,193 Posted March 8, 2021 Share Posted March 8, 2021 8 minutes ago, MaxTheHouseelf said: Something about this translation is really weird and amateurish. What about "With a two-tone bass ostinato that gives a plastic monster danger." WTF is plastic monster danger? Is that a thing? The German sentence checks out as a sentence. But it doesn't strike me as something William would say in response to a question about writing music for gas chamber scenes. Link to comment Share on other sites More sharing options...
Holko 9,526 Posted March 8, 2021 Share Posted March 8, 2021 8 minutes ago, MaxTheHouseelf said: WTF is plastic monster danger? Is that a thing? No, danger is the object of that sentence, so the motof gives danger to the plastic monster. Makes a sometimes kinda weak prop scary. It's comprehensible even if not perfect. Link to comment Share on other sites More sharing options...
Not Mr. Big 4,639 Posted March 8, 2021 Share Posted March 8, 2021 2 minutes ago, Thor said: That's Google Translate for you. You will always get bizarre phrasings. Google Translate is often hit or missed Link to comment Share on other sites More sharing options...
GerateWohl 4,370 Posted March 8, 2021 Share Posted March 8, 2021 39 minutes ago, Marian Schedenig said: At least half of the answers in that interview (not counting crumbs' little addendum) don't really sound like Williams to me. And not just like very liberal translations into German either. More like they interviewed him and then took the gist of his answers and wrote their own original German version. Which makes me wonder how much we can trust the few new insights that are not part of his usual set of answers. This is what I thought as well, when I read the interview. 16 minutes ago, Thor said: That's Google Translate for you. You will always get bizarre phrasings. But that applies to the German text as well. I hope Die Welt didn't use Google translate. Link to comment Share on other sites More sharing options...
Popular Post Jurassic Shark 12,076 Posted March 8, 2021 Popular Post Share Posted March 8, 2021 4 hours ago, Gurkensalat said: nor does he tell his opinion about modern film scoring :-) I reckon he doesn't want to be attacked by HanZ on Facebook. TheUlyssesian, MikeH and crocodile 3 Link to comment Share on other sites More sharing options...
MaxTheHouseelf 324 Posted March 8, 2021 Share Posted March 8, 2021 15 minutes ago, Thor said: That's Google Translate for you. You will always get bizarre phrasings. The german sentence makes no sense either. I thought the translation by @crumbs was already pretty accurate, but the german translation itself is not right. 16 minutes ago, Holko said: No, danger is the object of that sentence, so the motof gives danger to the plastic monster. Makes a sometimes kinda weak prop scary. It's comprehensible even if not perfect. I understand what is meant but it's still phrased weirdly. 18 minutes ago, Marian Schedenig said: The German sentence checks out as a sentence. But it doesn't strike me as something William would say in response to a question about writing music for gas chamber scenes. Yeah, the transition makes no sense. Link to comment Share on other sites More sharing options...
Darth Mulder 154 Posted March 8, 2021 Share Posted March 8, 2021 It's very odd interview. Williams seems to be unusual honest. Despite he did not say opinion on contemporary film music. I'm curious about that. Link to comment Share on other sites More sharing options...
mrbellamy 6,287 Posted March 8, 2021 Share Posted March 8, 2021 Online translation does have a habit of making people sound extremely blunt and matter-of-fact so I wouldn't read much into the unusual honesty. Link to comment Share on other sites More sharing options...
JohnnyD 1,223 Posted March 9, 2021 Share Posted March 9, 2021 What a great interview! Link to comment Share on other sites More sharing options...
Steve 593 Posted March 9, 2021 Share Posted March 9, 2021 11 hours ago, Darth Mulder said: It's very odd interview. Williams seems to be unusual honest. Despite he did not say opinion on contemporary film music. I'm curious about that. Well, no answer is actually an answer. I'm quite sure he doesn't like it. Otherwise he would have said things like "Oh, I enjoy a lot of it. Especially....". On the other hand, he doesn't watch movies and doesn't listen to music much. How can he have an opinion about something he hasn't heard? Jurassic Shark 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,076 Posted March 9, 2021 Share Posted March 9, 2021 I'm surprised none of the German speaking people here have provided a proper translation. It it had been in Norwegian, I would have shared translation duties with @Thor and gotten it done in half an hour. Holko 1 Link to comment Share on other sites More sharing options...
Steve 593 Posted March 9, 2021 Share Posted March 9, 2021 7 minutes ago, Jurassic Shark said: I'm surprised none of the German speaking people here have provided a proper translation. It it had been in Norwegian, I would have shared translation duties with @Thor and gotten it done in half an hour. I can proof-read it later today. Jurassic Shark 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,076 Posted March 9, 2021 Share Posted March 9, 2021 19 hours ago, Fabulin said: Mutter hasn't baked the cookies herself. WHAT? Link to comment Share on other sites More sharing options...
BB-8 3,478 Posted March 9, 2021 Share Posted March 9, 2021 12 minutes ago, Jurassic Shark said: WHAT? No real cookies-> arrangements by William Ross. Fabulin, MikeH and Jurassic Shark 2 1 Link to comment Share on other sites More sharing options...
MaxTheHouseelf 324 Posted March 9, 2021 Share Posted March 9, 2021 2 hours ago, Jurassic Shark said: I'm surprised none of the German speaking people here have provided a proper translation. It it had been in Norwegian, I would have shared translation duties with @Thor and gotten it done in half an hour. I actually started it yesterday, but as I saw @crumbstranslation, which was much more fluently written and better in terms of grammar than mine, I didn't go on with it. So it's already pretty accurate I'd say and you definitley understand all the important stuff. There are some small things like 21 hours ago, crumbs said: Have you ever cried in the cinema? No not true. ... that would be something like "No, not really." or 22 hours ago, crumbs said: Still, you've come back to film. Why? I had to earn money, I had a wife and children. And in the film business, where my father worked as a drummer in the studio orchestras, I was at home very early. I felt comfortable there as a pianist. You had to be quick, I learned that while watching television in my first years. I think he wants to say something like..."I learned that in my first years working in the Film/TV industry." But overall its pretty good. crumbs and Jurassic Shark 2 Link to comment Share on other sites More sharing options...
crumbs 14,316 Posted March 9, 2021 Share Posted March 9, 2021 3 hours ago, Steve said: Well, no answer is actually an answer. I'm quite sure he doesn't like it. Otherwise he would have said things like "Oh, I enjoy a lot of it. Especially....". Yeah, I found that an odd response as well. Especially when he previously gushed about the way younger composers are experimenting with "electronics," discovering new textures, all these things he doesn't know how to do. I'm sure he also once cited Out of Africa as a film he wishes he'd scored. I'd say it's just Williams being polite and not wanting to make ripples in the industry. He's been around Hollywood long enough to play the game. He usually conveys what he's thinking through subtext, instead of outwardly stating things (ie. his constant public jabs at TFA's loud SFX, or the way he gushes about Abrams as a person in interviews vs ASM revealing his private dismay at how the last score was utterly butchered). One thing that never changes is his love of the symphony orchestra, the virtuosity they can only achieve when playing together. It's not hard to guess what he thinks of modern film scores which rely on samples, record musicians via striping, then assemble scores in ProTools and process them to sound like SFX more than instruments. He made an impassioned plea back in 2019 about the way 'modern institutions were under threat,' citing the symphony orchestra as an endangered species (or words to that effect). Once 1 Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted March 9, 2021 Author Share Posted March 9, 2021 https://www.welt.de/kultur/plus227230129/Komponist-John-Williams-Natuerlich-ist-mir-Darth-Vader-am-naechsten.html The online version is behind a paywall, but from what we can get, it seems longer. The printed version was likely condensed. Anyone from Germany with an account there able to check? Thanks in advance! Link to comment Share on other sites More sharing options...
GerateWohl 4,370 Posted March 9, 2021 Share Posted March 9, 2021 2 hours ago, Jurassic Shark said: I'm surprised none of the German speaking people here have provided a proper translation. It it had been in Norwegian, I would have shared translation duties with @Thor and gotten it done in half an hour. I must appologize. I was the whole day off yesterday and I harldy managed to read the interview myself. And I saw the efforts made by the others, so I thought that point is covered. Jurassic Shark 1 Link to comment Share on other sites More sharing options...
Fabulin 3,513 Posted March 9, 2021 Share Posted March 9, 2021 . BB-8 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,076 Posted March 9, 2021 Share Posted March 9, 2021 32 minutes ago, GerateWohl said: I must appologize. I was the whole day off yesterday and I harldy managed to read the interview myself. And I saw the efforts made by the others, so I thought that point is covered. No need to apologize. As someone else pointed out, it's all about the small details which could change the meaning of an answer if not translated correctly. Link to comment Share on other sites More sharing options...
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