Popular Post TownerFan 4,983 Posted June 10, 2021 Author Popular Post Share Posted June 10, 2021 Quote NEW 'LEGACY CONVERATIONS' EPISODE! John Williams is the film composer who, more than any other, was able to inherit the great tradition of the Golden Age of Hollywood’s film music by such composers as Max Steiner, Erich Wolfgang Korngold, Alfred Newman, Bernard Herrmann, and revive it for modern audiences. Author STEVEN C. SMITH and composer & conductor WILLIAM STROMBERG discuss the lineage that connects John Williams to the great tradition of the Golden Age of Hollywood’s film music, especially to composers like Max Steiner and Bernard Herrmann. In this long, engaging conversation, Steven and Bill talk and reflect about Steiner and Herrmann as towering figures in the history of film music and how these composers' work reverberates, albeit in different and subtle ways, in the music of John Williams and his approach to movie scoring in films like Jaws, Raiders of the Lost Ark and Jurassic Park. Steven C. Smith is an Emmy Award-nominated producer and the author of two major biographies on film composers: A Heart at Fire's Center: The Life and Music of Bernard Herrmann and Music by Max Steiner: The Epic Life of Hollywood's Most Influential Composer. Both are considered essential works of film music study and history. William Stromberg is a composer, orchestrator and conductor working in the film music industry since decades. Together with his creative partner John W. Morgan, he reconstructed and conducted award-winning premiere complete recordings of many historic film scores by Max Steiner, Erich Wolfgang Korngold, Bernard Herrmann, Dimitri Tiomkin and many others. https://thelegacyofjohnwilliams.com/2021/06/10/steven-c-smith-william-stromberg-podcast/ I hope you'll like this. It's a fun, engaging conversation with two of the most authoritative and knowledgeable people I know about film music. At the link above you can also read a short essay I wrote to contextualize things even further. GerateWohl, crumbs, BrotherSound and 7 others 6 2 2 Link to comment Share on other sites More sharing options...
Popular Post Chewy 2,391 Posted June 21, 2021 Popular Post Share Posted June 21, 2021 @TownerFan Yes! Can't wait for that!! Bayesian, MrJosh, Romão and 9 others 11 1 Link to comment Share on other sites More sharing options...
Jay 37,367 Posted June 21, 2021 Share Posted June 21, 2021 Woohoo! Yavar Moradi and TownerFan 1 1 Link to comment Share on other sites More sharing options...
crumbs 14,317 Posted June 22, 2021 Share Posted June 22, 2021 Always my favourite guest! Cannot wait! TownerFan and Chewy 1 1 Link to comment Share on other sites More sharing options...
bollemanneke 3,349 Posted June 22, 2021 Share Posted June 22, 2021 Same, but that means no July releases I'm guessing... Link to comment Share on other sites More sharing options...
Jay 37,367 Posted June 22, 2021 Share Posted June 22, 2021 What do you mean? Link to comment Share on other sites More sharing options...
Dr. Rick 1,157 Posted June 22, 2021 Share Posted June 22, 2021 5 hours ago, bollemanneke said: Same, but that means no July releases I'm guessing... I don't think that would be a factor for future upcoming releases in the near future. If anything, it will allow more time to be spent discussing just two releases vs 3-4 on the interview. Quality vs quantity! bollemanneke 1 Link to comment Share on other sites More sharing options...
bollemanneke 3,349 Posted June 22, 2021 Share Posted June 22, 2021 27 minutes ago, Jay said: What do you mean? I meant that releasing this interview now might mean we won't be getting any other JW expansions soon. Link to comment Share on other sites More sharing options...
Jay 37,367 Posted June 22, 2021 Share Posted June 22, 2021 Oh I understand you now Link to comment Share on other sites More sharing options...
JohnnyD 1,223 Posted June 22, 2021 Share Posted June 22, 2021 9 hours ago, bollemanneke said: I meant that releasing this interview now might mean we won't be getting any other JW expansions soon. I don’t think so. The year is not over yet. Link to comment Share on other sites More sharing options...
crumbs 14,317 Posted June 23, 2021 Share Posted June 23, 2021 Didn't Intrada have Williams on their list? I think basically every other composer who was on that list is accounted for. Link to comment Share on other sites More sharing options...
Popular Post Jay 37,367 Posted June 23, 2021 Popular Post Share Posted June 23, 2021 They had Williams, Elfman, Poledouris, and Zimmer on the list and none of those have been revealed yet! crlbrg, Yavar Moradi and BrotherSound 2 1 Link to comment Share on other sites More sharing options...
JohnnyD 1,223 Posted June 23, 2021 Share Posted June 23, 2021 Plus, this year marks the anniversary of a few films scored by the Maestro, so... we'll see. Link to comment Share on other sites More sharing options...
Faleel 5,350 Posted June 23, 2021 Share Posted June 23, 2021 48 minutes ago, crumbs said: Didn't Intrada have Williams on their list? I think basically every other composer who was on that list is accounted for. Watch it be Solo deluxe on CD (yes I know its more Powell than Williams, its a joke) Link to comment Share on other sites More sharing options...
Popular Post Jay 37,367 Posted June 24, 2021 Popular Post Share Posted June 24, 2021 On 6/21/2021 at 2:54 PM, Chewy said: @TownerFan Yes! Can't wait for that!! My podcast app just picked up this episode! It's here! https://thelegacyofjohnwilliams.com/2021/06/24/mike-matessino-always-images-podcast/ GerateWohl, Falstaft, Yavar Moradi and 7 others 5 5 Link to comment Share on other sites More sharing options...
Chewy 2,391 Posted June 24, 2021 Share Posted June 24, 2021 Oh I am going to love those 90 minutes Thank you for this @TownerFan! TownerFan and BrotherSound 1 1 Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted June 24, 2021 Author Popular Post Share Posted June 24, 2021 You guys are now faster than me Hope you will enjoy this long-awaited episode! Falstaft, bollemanneke, crlbrg and 6 others 6 3 Link to comment Share on other sites More sharing options...
GerateWohl 4,370 Posted June 24, 2021 Share Posted June 24, 2021 2 hours ago, TownerFan said: You guys are now faster than me Hope you will enjoy this long-awaited episode! Yes! Thank you. By the way, when you were talking about the sound and the mood of the score and the way electronics are used I was wondering why noone mentioned Stepmom. Because that is for me the score where I see the most similarities to Always. TownerFan 1 Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted June 24, 2021 Share Posted June 24, 2021 2 hours ago, TownerFan said: You guys are now faster than me Hope you will enjoy this long-awaited episode! Another great episode Maurizio! Very interesting discussion and it's nice to hear Williams fans just exchanging views and opinions on his music as well as offering great insights. TownerFan and Yavar Moradi 1 1 Link to comment Share on other sites More sharing options...
Popular Post Jay 37,367 Posted June 24, 2021 Popular Post Share Posted June 24, 2021 It was a pleasure to listen to this wonderful conversation while running errands today. Great work from all three parties I can post more specific comments later Anyone on the fence about buying the new Images and/or Always, this podcast episode is full of long clips from both albums that might help you make your decision Jurassic Shark, Chewy, crlbrg and 5 others 7 1 Link to comment Share on other sites More sharing options...
Popular Post Chewy 2,391 Posted June 24, 2021 Popular Post Share Posted June 24, 2021 Great conversation indeed! Tim Burden saying at the end "before we move away from Always..." makes me think you guys then talked about a third thing that isn't announced yet. Exciting! TownerFan, Holko, crumbs and 4 others 2 4 1 Link to comment Share on other sites More sharing options...
crumbs 14,317 Posted June 25, 2021 Share Posted June 25, 2021 6 hours ago, Chewy said: Great conversation indeed! Tim Burden saying at the end "before we move away from Always..." makes me think you guys then talked about a third thing that isn't announced yet. Exciting! Yeah I thought it was curious there wasn't the regular goodbye at the end. Seems like the conversation continued but wasn't included... Great podcast though! Nice to hear Titus getting some love for his amazing artwork. TownerFan and Chewy 1 1 Link to comment Share on other sites More sharing options...
Dr. Know 326 Posted June 25, 2021 Share Posted June 25, 2021 Wow, that clip from ALWAYS at around the 45 minute mark sounds incredible ("Saying Goodbye") Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Incanus 5,715 Posted June 25, 2021 Share Posted June 25, 2021 I loved the discussion on Williams' use of electronics. Although he is considered this big writer of orchestral music, his film scores contain quite a bit of electronic enhancement. Very rarely it becomes the "gimmick" though or the dominating sound in his scores and Williams never went the Goldsmith route of actually taking time to learn to use these "electronic sound sources" as he likes to put it. I remember in one 1999 interview regarding the Phantom Menace score Williams makes mention, how he usually uses the electronics to enhance the actual orchestral sound, augmenting the woodwinds or strings or other sections of the orchestra. In this case he was making a point that the Star Wars scores are 99 % pure orchestra but there are some electronic elements here and there. If you listen to his music this does apply to a lot of the electronic elements in it. And as he isn't proficient to create these pads, using samples etc. himself, he relies on his close collaborators to achieve what he wants and he trusts them to come up with the required sound. It would be interesting to know, how closely he works with e.g. Randy Kerber, Ralph Grierson and others to create these sounds and does he have a hands on approach where he listens to their creations and either accepts or rejects them or does he really give them entirely free reign to come up what he describes in broad terms. I can't on the top of my head remember if Grierson made mention of this in his interview with you Maurizio. Sometimes of course Williams wants to achieve a colour or the effect he can't get from the orchestral instruments and then the synthesizers come into play but again they do not often blatantly call attention to themselves. A good example is The Lost World where Williams used descriptors like animal sounds which translates into hollow synthetic moans that very well blend into the orchestral writing and enhance e.g. the appearance of the raptors and the demise of Ludlow. They are there but are not necessarily showcased on top of the writing. Some exceptions do exist, with a few examples off the top of my head, the music for heaven in Always, parts of Presumed Innocent and large portions of Heartbeeps (perhaps the most blatant use of synths in any Williams score) and something like the heartbeat assassination motif from Munich. Jay 1 Link to comment Share on other sites More sharing options...
Popular Post WampaRat 1,105 Posted June 25, 2021 Popular Post Share Posted June 25, 2021 Fantastic conversation as usual! Never heard the bit about Images being used in the temp track for Jaws. Makes perfect sense though. I feel like if the score for Images was attached to some “prestige” or art house thriller drama today (like “Girl with the Dragon Tattoo” or something), it would sound just as contemporary and effective. Im sure it would be lauded and get heeps of awards I bet. It’s a shame studios/filmmakers/powers-at-be today just brand Williams as a “traditional romantic score” composer guy. Jay, Yavar Moradi and Once 3 Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted July 26, 2021 Author Popular Post Share Posted July 26, 2021 Quote NEW "L.A. STUDIO LEGENDS" EPISODE! His sublime cello playing graced hundreds of film soundtracks, including many scores by Maestro John Williams. Cellist extraordinaire STEPHEN ERDODY is a true studio legend among Hollywood musicians. In this conversation, Steve talks in-depth about his distinguished career as Hollywood’s preferred principal cello and his many collaborations with John Williams on such scores as ANGELA'S ASHES, A.I. ARTIFICIAL INTELLIGENCE, MUNICH, WAR HORSE and many others, offering his own deep thoughts and reflections about the uniqueness of Maestro Williams’ music and the role of the cello in his scores, telling many stories and anecdotes from decades of recording sessions with him. https://thelegacyofjohnwilliams.com/2021/07/26/stephen-erdody-podcast/ I'm honoured to have another legendary LA musician joining the podcast. I hope you all enjoy! Martinland, Chewy, crlbrg and 4 others 4 3 Link to comment Share on other sites More sharing options...
crocodile 8,017 Posted July 26, 2021 Share Posted July 26, 2021 Is this the guy who played a cello duet with Yo-Yo Ma in As the Water? Karol Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted July 26, 2021 Author Popular Post Share Posted July 26, 2021 24 minutes ago, crocodile said: Is this the guy who played a cello duet with Yo-Yo Ma in As the Water? Yes, and he talks about that session during the conversation crocodile, Falstaft, crumbs and 2 others 5 Link to comment Share on other sites More sharing options...
Popular Post Remco 685 Posted July 26, 2021 Popular Post Share Posted July 26, 2021 Amazing as always, thank you so much. How great to have it confirmed that Williams himself actually played the Rey’s theme quote at the TROS climax. mrbellamy, TownerFan, Falstaft and 3 others 5 1 Link to comment Share on other sites More sharing options...
Jay 37,367 Posted July 26, 2021 Share Posted July 26, 2021 20 minutes ago, Remco said: Williams himself actually played the Rey’s theme quote at the TROS climax. Link to comment Share on other sites More sharing options...
ricsim88 244 Posted July 27, 2021 Share Posted July 27, 2021 Fantastic conversation Maurizio! If it wasn’t 10:00PM I would have picked up the 🎺 and go play through With Malice Towards None…so motivating. Also very cool to hear about the different spots where JW himself is performing the piano solos. Looking forward to the next one. TownerFan and crlbrg 1 1 Link to comment Share on other sites More sharing options...
artguy360 1,843 Posted July 27, 2021 Share Posted July 27, 2021 Great episode! I love these conversations with amazing studio musicians. BTW, if anyone is interested you can actually watch JW play his bit in TROS in the short featurette in him. Pretty sure it's available on YouTube. Daisy Ridley is standing right over his shoulder as he plays. TownerFan 1 Link to comment Share on other sites More sharing options...
Remco 685 Posted July 27, 2021 Share Posted July 27, 2021 That's right. I always assumed he was just demonstrating the theme to Daisy there, because the orchestra doesn't play. I guess they overdubbed it, which makes sense given the piano stands out a lot in the mix. TownerFan 1 Link to comment Share on other sites More sharing options...
crumbs 14,317 Posted July 27, 2021 Share Posted July 27, 2021 3 hours ago, Remco said: That's right. I always assumed he was just demonstrating the theme to Daisy there, because the orchestra doesn't play. I guess they overdubbed it, which makes sense given the piano stands out a lot in the mix. It's definitely overdubbed. Very obvious if you inspect the spectograms. TownerFan and Remco 2 Link to comment Share on other sites More sharing options...
Popular Post Fabulin 3,513 Posted July 27, 2021 Popular Post Share Posted July 27, 2021 46 minutes ago, crumbs said: It's definitely overdubbed. Very obvious if you inspect the spectograms. It's great. The Force itself, AKA John Williams, intervenes. TownerFan, crumbs and Remco 3 Link to comment Share on other sites More sharing options...
crumbs 14,317 Posted July 27, 2021 Share Posted July 27, 2021 Yes, one of the few instances of score in the film that actually stands out. Thanks, JJ. TownerFan 1 Link to comment Share on other sites More sharing options...
Popular Post Incanus 5,715 Posted July 28, 2021 Popular Post Share Posted July 28, 2021 The Stephen Erdody interview was so terrific and his passion and enthusiasm for music in general and John Williams in particular was a joy to hear. I loved the whole lengthy musings on the Elegy, which is indeed one of Williams' finest pieces. I had no idea Angela's Ashes was his first job with Williams as the 1st chair cello and his reminiscences on the sessions were a special treat (it is perhaps my favourite John Williams score and Erdody's work along with all the other soloists is fantastic). While it has been talked about over the years somewhat, these legacy discussions have really made it clear how much a musician's musician John Williams is. There is so much genuine affection and appreciation from the studio musicians, conductors and musicians from symphony orchestras toward the Maestro and it is noteworthy how these people quite independently from each other always return to the point how wonderful human being is behind this wonderful music. While Williams is revered for his humanity, humbleness, artistry and musical genius, most seem to be inspired to be both better musicians and human beings because they have been associated with him and that is another legacy of John Williams. Once, TownerFan, Remco and 1 other 3 1 Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted September 25, 2021 Author Popular Post Share Posted September 25, 2021 Quote The Legacy Conversations Video Series - Episode 2: The Film Music of John Williams: Reviving Hollywood's Classical Style: A Conversation With EMILIO AUDISSINO Hosted by Maurizio Caschetto and Tim Burden Featuring Special Guest Frank Lehman, music theorist and associate professor of music at Tufts University and author of Hollywood Harmony and The Complete Catalogue of the Musical Themes of Star Wars Distinguished author Emilio Audissino talks about his acclaimed book The Film Music of John Williams: Reviving Hollywood's Classical Style, the first and only monograph book in English language dedicated to the music of Maestro John Williams, now updated and revised in a newly published second edition from University of Wisconsin Press. In this conversation, Audissino talks about the process that brought him to write a book on John Williams and the specific angle he chose, focusing on the composer's revival of Hollywood's classical symphonic style through the film scores of such movies as Jaws, Star Wars and Raiders of the Lost Ark, adding his own thoughts on the burgeoning study work on John Williams' music by academic professors and researchers across the globe that happened in the last few years. Audissino also talks about updating the second edition with a new chapter dedicated to the film/music analysis of Williams' gothic score for Dracula (1979). Joining the conversation is music theorist Frank Lehman, another distinguished scholar who devoted a lot of his field work to the music of Maestro Williams. Hope you all enjoy this! BrotherSound, ConorPower, Jay and 4 others 5 2 Link to comment Share on other sites More sharing options...
ConorPower 148 Posted September 25, 2021 Share Posted September 25, 2021 Such a wonderful conversation. I devoured Emilio’s newest edition. The Dracula chapter was stellar, hoping his analysis of The Fury isn’t too far off. 🤞🏼 mahler3 1 Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted November 16, 2021 Author Popular Post Share Posted November 16, 2021 Quote You heard his marvelous piano playing thousands of film scores by the greatest film composers, including many by John Williams. Pianist and keyboardist Mike Lang is a true icon among studio musicians and performed also with an impressive amount of music legends. For John Williams, he performed piano and keyboards on more than 30 films over the span of five decades, starting with THE POSEIDON ADVENTURE and CINDERELLA LIBERTY all the way through CLOSE ENCOUNTERS, INDIANA JONES, HOOK, ROSEWOOD, CATCH ME IF YOU CAN, THE FORCE AWAKENS and THE BFG. In this wide-ranging, fun conversation, Mike sits down with The Legacy of John Williams to talk about his unparalleled career as one of the most sought-after studio players in LA, offering his own unique insight about Williams’ musicianship, the Maestro’s skills as pianist and the evolution of his career, while pondering also on the life as a studio musician and its unique aspects and idiosincracies. He also talks about some of the specific solos he performed for John Williams, including the one heard in Steven Spielberg’s Hook. https://thelegacyofjohnwilliams.com/2021/11/16/mike-lang-podcast This is a lovely one. Mike is a truly gifted musicians and a wonderful, generous guy. He shared an incredible amount of insight about his work with John Williams and his life as a studio player. Hope you'll enjoy this! mahler3, Yavar Moradi, BrotherSound and 3 others 2 1 3 Link to comment Share on other sites More sharing options...
Popular Post Jay 37,367 Posted December 3, 2021 Popular Post Share Posted December 3, 2021 Maurizio's latest podcast with Tim Burdern and Mike Matessino, covering Fiddler on the Roof, is here! https://thelegacyofjohnwilliams.com/2021/12/03/fiddler-on-the-roof-podcast-pt1/ artguy360, ConorPower, TownerFan and 5 others 3 1 4 Link to comment Share on other sites More sharing options...
Popular Post Bryant Burnette 654 Posted December 6, 2021 Popular Post Share Posted December 6, 2021 What a terrific interview! These podcasts are pure gold. mahler3, TownerFan, Once and 2 others 3 2 Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted December 10, 2021 Author Popular Post Share Posted December 10, 2021 Quote NEW 'LEGACY CONVERSATIONS' EPISODE: REMEMBERING ALEXANDER 'SANDY' COURAGE With Special Guest Renata Pompelli, stepdaughter of Alexander Courage Featuring Soundtrack Producer Mike Matessino Hosted by Maurizio Caschetto and Tim Burden Among the collaborators who worked with John Williams during his long and distinguished career, Alexander Courage (1919-2008) certainly holds a very special place. Composer, arranger, orchestrator and conductor of rare skill and incredible bravura, "Sandy" Courage (as affectionately by his family and closest friends) is considered one of the best and most revered musicians who ever worked in Hollywood at least since the 1940s. John Williams often spoke of Courage's importance as an arranger and orchestrator for the great MGM musicals of the 1950s, comparing him to great arrangers like Robert Russell Bennett and Conrad Salinger for his uncanny ability in creating a unique orchestral sound. We're very honoured to have Alexander Courage's stepdaugher Renata Pompelli as a special guest of The Legacy of John Williams podcast to honour and celebrate Sandy's memory and legacy on the day of his 102nd birthday (December 10). In this conversation, Renata shares many personal memories of Alexander Courage, both as a man and as a musician, offering an intimate, caring and lovely portrait of one of Hollywood's true (and perhaps lesser-known) musical geniuses, including his long-standing friendship and working relationship with John Williams. https://thelegacyofjohnwilliams.com/2021/12/10/legacy-conversations-alexander-courage/ I hope you'll take some time to listen to this. We're very proud at how it turned out. ConorPower, Bryant Burnette, crumbs and 6 others 6 2 1 Link to comment Share on other sites More sharing options...
Disco Stu 15,495 Posted December 11, 2021 Share Posted December 11, 2021 16 hours ago, TownerFan said: https://thelegacyofjohnwilliams.com/2021/12/10/legacy-conversations-alexander-courage/ I hope you'll take some time to listen to this. We're very proud at how it turned out. This was such a lovely listen. Thank you! I’ve been fascinated by the career and work of Courage, as well as Angela Morley, ever since I started noticing their names pop up in so many Boston Pops album liner notes. TownerFan 1 Link to comment Share on other sites More sharing options...
Popular Post bollemanneke 3,349 Posted January 9, 2022 Popular Post Share Posted January 9, 2022 Listening to the Louise Di Tulllio episode. Love the remarks about the flute being joy in War Horse. And then hearing that solo... it's the first time I heard so much joy in it. What an amazing blog. TownerFan, crumbs, Once and 1 other 3 1 Link to comment Share on other sites More sharing options...
TownerFan 4,983 Posted January 10, 2022 Author Share Posted January 10, 2022 I think she actually meant Joey (i.e. the horse), but what you said makes a lot of sense nonetheless. Thanks for the nice words. Link to comment Share on other sites More sharing options...
12-Mile Reef 123 Posted January 10, 2022 Share Posted January 10, 2022 13 hours ago, bollemanneke said: Listening to the Louise Di Tulllio episode. Love the remarks about the flute being joy in War Horse. And then hearing that solo... it's the first time I heard so much joy in it. What an amazing blog. Coincidentally I also caught up on this episode yesterday, a wonderful conversation! TownerFan 1 Link to comment Share on other sites More sharing options...
crumbs 14,317 Posted January 10, 2022 Share Posted January 10, 2022 That was a great episode indeed, one of my favourites so far! Link to comment Share on other sites More sharing options...
bollemanneke 3,349 Posted January 10, 2022 Share Posted January 10, 2022 Oh damn, Joey... Okay, listening with one ear might not work anymore. Link to comment Share on other sites More sharing options...
Popular Post TownerFan 4,983 Posted January 30, 2022 Author Popular Post Share Posted January 30, 2022 Posted it on the Leslie Bricusse thread, but perhaps it’s wise to post it here too: Quote NEW PODCAST EPISODE! LEGACY CONVERSATIONS: REMEMBERING LESLIE BRICUSSE Composer, lyricist, librettist Leslie Bricusse (1931-2021) is one of the most talented and versatile musicians who worked in movies and musical theatre in the second half of the 20th century. His gift both for melody and catchy lyrics kept his works popular throughout the decades. Bricusse is well known to fans and admirers of John Williams for their collaborations on such pivotal and successful projects as SUPERMAN, HOME ALONE and HOOK, but also for the film musical GOODBYE, MR. CHIPS, for which Williams did a magnificent work of adaptation, arrangement and orchestration of Bricusse’s lovely song score. Leslie Bricusse passed away suddenly last October at the age 90 and today, on what would have been his 91st birthday, we tribute his memory and his artistic achievements with this podcast episode featuring Film Music Producer and Historian Mike Matessino, who worked on several restorations of Bricusse’s scores and was also a personal friend, offering an in-depth overview of Leslie’s career, his most important works and his collaborations with John Williams. https://thelegacyofjohnwilliams.com/2022/01/29/remembering-leslie-bricusse/ I hope you’ll save some time to listen to this. I know it’s a very long episode, but it’s absolutely worth. It’s a lovely tribute to Bricusse’s legacy and another great film music history masterclass from Mike Matessino. To tease you even more, I will say you’ll hear a couple exclusive music excerpts weaved in during the talk, kindly provided by Mike. Amer, GerateWohl, Once and 7 others 6 2 2 Link to comment Share on other sites More sharing options...
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