Naïve Old Fart 9,676 Posted November 30, 2019 Share Posted November 30, 2019 3 hours ago, Gruesome Son of a Bitch said: It's too long but it has a cool Steve McQueen role. Best line: "Oh, shit." When he said that, and when I saw it, for the first time, the whole cinema erupted in laughter. It's the funniest line. The best line is: "What do they call it, when you kill people?". MikeH 1 Link to comment Share on other sites More sharing options...
The Five Tones 302 Posted November 30, 2019 Share Posted November 30, 2019 8 hours ago, Þekþiþm said: Assuming they haven't succumbed to CD rot by then. Playability seems to depend on when I bought them and who manufactured. German ECMs I bought 30 years ago play fine. Universal I bought 15-20 years ago when they came out, usually pop/R&B/electronic are often glitchy now near the end of the program. The FSMs seem fine, I imported them only a few years ago. Kinda nostalgic about 'em as they kickstarted me getting into JW again (I ordered FSM Poseidon over dialup in '99!) after spending much of the 90s on the sidelines except for things like Five Sacred Trees (LLL has really helped me get into that score period properly). I'll probably just sell the 2010 Poseidon, they all went back in the bin for now anyway. Link to comment Share on other sites More sharing options...
Popular Post Jay 37,474 Posted November 30, 2019 Popular Post Share Posted November 30, 2019 7 hours ago, phbart said: That's right, I think it was from there. I loved those interviews here. In here, it seems that more direct questions were asked, and his answers were more detailed also. Podcasts are too long and filled with generic questions, and the details we want to know about a specific release are buried somewhere in the hours long audio. When I first started interviewing Mike for JWfan, there wasn't a lot of film score podcasts really, and text interviews were the primary way for him to dole out more info than could fit in booklets. Over the years, his podcast appearances have skyrocketed, and I think that's a very good thing, as the conversational flow is good and hearing him tell the stories is more engaging than just reading them. This has resulted in me having to change my tactic with the text interviews, they really are more like you say a detail-oriented wrap-up, since the major stories for each release have already been told. So while I may miss out on the big sexy stories, I honestly quite enjoy delving deep into the weeds on the small, nerdier details of releases, especially since those kinds of things would be too boring to include in a podcast, but work great in text form. I look forward to doing another wrap-up if possible; Since our last one, the JW releases that Mike has worked on include Close Encounters, Cowboys, Dracula, Saving Private Ryan, Harry Potter, Land of the Giants, Superman, Monsignor, Minority Report, and the Disaster trilogy! WOW! Quote But anyway, I think it's important that fresh digital transfers of tapes are made for a new release, if they are in proper conditions. From the Decca release to the Intrada one it's 15 years apart. I believe there weren't many advances in analog tape machines that allow for a significant better transfer, but DACs certainly are way more advanced. It kinds of bothers me little when I read that a previous digital transfer was used for a release, like the 2008 FSM Superman (where a transfer from 2000 was used) and the 2016 LLL Jurassic Park (that used the 2013 transfers). I prefer when it's 100% MM supervised, from the transfer to the mastering... but that's probably my OCD speaking. I also am not sure what the improvements in the actual scanning technology were between the 2000 scan for the film and Decca and the later scan for the 2015 Intrada, for sure the biggest cause for the final sound difference there is all the tools he had to work with the transfers, and not the creation if them. The biggest change on the scanning side of things seems to always be when you can dig up an earlier element than had ever been used before, which is what resulted in the new mix for CE3K and Superman among others. And yup, if Mike can be supervise the transfer as well as everything else things would be better. He'd always ask for 192khz for example, and studios might not deliver that on their own if left to their own decisions. Holko, Amer, Dr. Rick and 4 others 7 Link to comment Share on other sites More sharing options...
ciarlese 252 Posted November 30, 2019 Share Posted November 30, 2019 Great news, just one month after I have paid £50 on ebay to buy the LLL Poseidon cd 😅 Jurassic Shark and Yavar Moradi 2 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted November 30, 2019 Share Posted November 30, 2019 Sucker! Link to comment Share on other sites More sharing options...
Amer 2,136 Posted December 1, 2019 Share Posted December 1, 2019 The only other 70's Williams Title missing in my collection after this set is THE EIGER SANCTION. Any one remember that? Link to comment Share on other sites More sharing options...
Josh500 1,615 Posted December 1, 2019 Share Posted December 1, 2019 7 hours ago, Amer said: The only other 70's Williams Title missing in my collection after this set is THE EIGER SANCTION. Any one remember that? I do have the OST album. I bought it a few years ago for around 100 Euros. I don't regret the purchase. Amer 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 1, 2019 Share Posted December 1, 2019 Sucker! Link to comment Share on other sites More sharing options...
Naïve Old Fart 9,676 Posted December 1, 2019 Share Posted December 1, 2019 THE EIGER SANCTION is a fine score. It's also an important score, as it closes the first chapter of JW's career. 1 minute ago, Jurassic Shark said: Sucker! Uncool, bro. We don't criticize JWfaners' choice of buying material...especially when it's JW. Josh500 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 1, 2019 Share Posted December 1, 2019 Oh, I forgot this: Link to comment Share on other sites More sharing options...
lairdo 727 Posted December 1, 2019 Share Posted December 1, 2019 1 hour ago, Naïve Old Fart said: THE EIGER SANCTION is a fine score. It's also an important score, as it closes the first chapter of JW's career. I have this as well (I was lucky to get it when it was first released). I did not find the movie all that compelling (other than the climbing footage), but I will watch it again since I just watched the three disaster movies (total coincidence to the scores releasing!). I loved the Trevanian novels (upon which the move is based) when I was in high school. In fact, there is a sequel to this story called the Loo Saction, and I suppose if Eiger had done better, Eastwood would have made Loo Section too. The movie did make back its costs though, so who really knows. I will listen to the Williams score again this morning as I too had forgotten it, and I like the thinking about this as part of wrapping up this period of his scoring career. I might put Missouri Breaks into this period too (despite it overlapping time wise with Jaws). I think Midway & Black Sunday belong in the Jaws-forward period. The Five Tones and Amer 2 Link to comment Share on other sites More sharing options...
Popular Post The Five Tones 302 Posted December 1, 2019 Popular Post Share Posted December 1, 2019 There's no question Jaws is a demarcation point, though Star Wars even more so. The films in between feel transitional. I actually hear Jaws and Black Sunday as belonging to the disaster period stylistically. Family Plot looks back to the comedies and ahead to CE3K, etc. Midway is primarily interesting for starting the run of marches. Style periods are very interesting to discuss but the boundaries are fluid, IRS tax returns notwithstanding. And because I didn't chime in about it above, the TI main title belongs on any JW best of playlist. One of the strongest examples of him coming into his own voice to that point. Can anyone recall a 70s era LP rerecord of JW's themes (and perhaps other composers') that included Earthquake and TI? I remember only that it was an American orchestra and the hi-hats were quite prominent compared to the OST. Was a library copy and my memory of playing it is from 1981-82, so not razor sharp. Smeltington, Amer and Ricard 3 Link to comment Share on other sites More sharing options...
Popular Post Bespin 8,500 Posted December 1, 2019 Popular Post Share Posted December 1, 2019 It's funny to talk about the "disaster period". I started mine about 2-3 years ago and I'm still in it! GlastoEls, A. A. Ron, That_Bloke and 1 other 2 2 Link to comment Share on other sites More sharing options...
Omen II 1,236 Posted December 1, 2019 Share Posted December 1, 2019 16 minutes ago, The Five Tones said: Can anyone recall a 70s era LP rerecord of JW's themes (and perhaps other composers') that included Earthquake and TI? I remember only that it was an American orchestra and the hi-hats were quite prominent compared to the OST. Was a library copy and my memory of playing it is from 1981-82, so not razor sharp. Might you be thinking of the Disaster Movie Suite conducted by Henry Mancini and featuring a suite from Earthquake, The Towering Inferno and Jaws? It was an English orchestra (the LSO) but Hank was an American conductor, of course. There is a thread about the album here. The Five Tones 1 Link to comment Share on other sites More sharing options...
Wojo 2,453 Posted December 1, 2019 Share Posted December 1, 2019 33 minutes ago, Bespin said: It's funny to talk about the "disaster period". I started mine about 2-3 years ago and I'm still in it! I thought a disaster period was when a woman wears white pants without a pad. Link to comment Share on other sites More sharing options...
Bellosh 3,484 Posted December 1, 2019 Share Posted December 1, 2019 cringey boomer humor. Edmilson and Bespin 2 Link to comment Share on other sites More sharing options...
The Five Tones 302 Posted December 1, 2019 Share Posted December 1, 2019 50 minutes ago, Omen II said: 1 hour ago, The Five Tones said: Can anyone recall a 70s era LP rerecord of JW's themes (and perhaps other composers') that included Earthquake and TI? I remember only that it was an American orchestra and the hi-hats were quite prominent compared to the OST. Was a library copy and my memory of playing it is from 1981-82, so not razor sharp. Might you be thinking of the Disaster Movie Suite conducted by Henry Mancini and featuring a suite from Earthquake, The Towering Inferno and Jaws? It was an English orchestra (the LSO) but Hank was an American conductor, of course. There is a thread about the album here. Thanks, that's gotta be it! Link to comment Share on other sites More sharing options...
Popular Post MikeH 768 Posted December 1, 2019 Popular Post Share Posted December 1, 2019 2 hours ago, The Five Tones said: There's no question Jaws is a demarcation point, though Star Wars even more so. The films in between feel transitional. I actually hear Jaws and Black Sunday as belonging to the disaster period stylistically. Family Plot looks back to the comedies and ahead to CE3K, etc. Midway is primarily interesting for starting the run of marches. Style periods are very interesting to discuss but the boundaries are fluid, IRS tax returns notwithstanding. And because I didn't chime in about it above, the TI main title belongs on any JW best of playlist. One of the strongest examples of him coming into his own voice to that point. Agreed! It is very fascinating to discuss JW’s transitional period. For me Jaws has a timeless quality that makes it feel less 70’s JW than Family Plot, Black Sunday, and even Jaws 2. But there are moments like the horn writing at the beginning of Out to Sea (Jaws) that just scream mid-70’s Williams to me. I love it. This Lost in Space cue from 1965 feels like a precursor to a lot of the moody interior scoring from the disaster pictures: If I’m not mistaken, both Earthquake and The Towering Inferno were the first film scores he wrote after Barbara passed in March of ‘74. Earthquake was released mid-November and Inferno the end of December. JW has said that her passing marked a significant change in his life and how he approached his work from there on out. There’s so much individuality in his 70’s scores, and I’d definitely say it’s my favorite decade of his. There’s just a roughness to them that appeals to me more than the sometimes overly-polished and smoothly orchestrated scores that we’ll get in the 80’s and 90’s. The Five Tones, _deleted_ and Ricard 3 Link to comment Share on other sites More sharing options...
Popular Post Thor 7,602 Posted December 1, 2019 Popular Post Share Posted December 1, 2019 "Earthwake" -- sounds like the perfect name for an environmental issue movement! Time to wake up and save the earth, folks! Jurassic Shark, Chewy, _deleted_ and 10 others 1 11 1 Link to comment Share on other sites More sharing options...
MikeH 768 Posted December 1, 2019 Share Posted December 1, 2019 “You maniacs! You blew it up!” - CGI Charlton Heston in Earthwake II: 2 Planets 2 Apes (2030) Arpy and SteveMc 2 Link to comment Share on other sites More sharing options...
Deacon Blues 65 Posted December 1, 2019 Share Posted December 1, 2019 Pretty cool idea for a boxset Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 2, 2019 Share Posted December 2, 2019 13 hours ago, Thor said: "Earthwake" -- sounds like the perfect name for an environmental issue movement! Time to wake up and save the earth, folks! This one actually secured you the most liked content of yesterday! #SnowyVernalSpringsEternal 1 Link to comment Share on other sites More sharing options...
#SnowyVernalSpringsEternal 10,265 Posted December 2, 2019 Share Posted December 2, 2019 Lets double up and make your post the most liked one today! Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 2, 2019 Share Posted December 2, 2019 Yes, please! I guess Celluloid Tunes now will be rebranded to Earthwake. Link to comment Share on other sites More sharing options...
Jay 37,474 Posted December 2, 2019 Share Posted December 2, 2019 Just saw this tidbit from Mike about The Poseidon Adventure posted in the FSM thread for this box set Quote Quote I'm SUPER excited for this, it looks stunning. I cannot wait to order it! I just have one tiny question: Will the two recordings of "The Morning After" performed by Renee Armand be the same as the two on the old LLL CD? Because neither of them are actually the film version. On the two LLL recordings, Armand sings very crisply, almost with a British accent, so the word "after" sounds like "uftuh" and the word "chance" sounds like "chunce". On the film recording, Armand's vocal performance is totally different. She is clearly trying to sound more like Carol Lynley. Armand's singing is more breathy and nasal/American, pronouncing the words "chANNce" and "aaafter". This recording matches both the rehearsal scene and the later dinner scene, so it sounds like that one recording was used in both scenes. Someone posted the full film recording online back in 2005. I have no idea where they sourced it from. I just wonder if it was available to LLL for this release. If so, that would be amazing! Unfortunately, the two we have are all that are on the music elements. It is possible that Armand came back at the very end of postproduction to replace the vocal a second time and that those recordings then ended up somewhere else. At least Renee is represented and credited, which she wasn't at the time. We also dedicated the release to Carol Lynley. Yavar Moradi 1 Link to comment Share on other sites More sharing options...
Dr. Rick 1,158 Posted December 2, 2019 Share Posted December 2, 2019 Cannot wait to hear the samples for these! I do not have any of these scores so this definitely fills in gaps in my collection. On 11/29/2019 at 3:17 AM, crumbs said: Yeah even the different studio aspect seems irrelevant now. I could definitely see this happening in the next few Black Fridays (The John Williams / Oliver Stone Collection) considering none of the 3 scores have ever been expanded. Would explain why JFK is taking so long. The idea of a "Williams Disaster Score Box," never occurred to me but it seems like the Williams camp must be reasonably fond of the concept of bundling similar scores in deluxe sets. I think you're on to something regarding JFK, am I correct to assume that each OS/JW soundtrack would fit on a single disc? If so let's say ~ $60 for the set and come in a slip case like this release? Someone with Photoshop skills should mock up what the case would look like Link to comment Share on other sites More sharing options...
Jay 37,474 Posted December 2, 2019 Share Posted December 2, 2019 I honestly doubt JW or MM would want to bundle Williams' Oliver Stone scores together in a box. If Mike gets to do them, I'd suspect they'd all come out one at a time as they are finished Link to comment Share on other sites More sharing options...
Popular Post mstrox 6,661 Posted December 2, 2019 Popular Post Share Posted December 2, 2019 I don't particularly care for the ongoing box set approach - especially in this case, since the bundle costs the same as (or more than) two single CDs and a double CD would cost from LLL. Just personal preference for individual releases I guess, plus it's easier to free up $20-30 at a time instead of $75 in one go. I am excited, but not excited enough to put it on credit. I'll pick this one up eventually - at 5000 copies, it's likely not going anywhere fast. Mattris, Yavar Moradi, 1977 and 1 other 4 Link to comment Share on other sites More sharing options...
Bellosh 3,484 Posted December 2, 2019 Share Posted December 2, 2019 What time does this go on sale tomorrow? Link to comment Share on other sites More sharing options...
Jay 37,474 Posted December 2, 2019 Share Posted December 2, 2019 12:00 PST Bellosh 1 Link to comment Share on other sites More sharing options...
The Five Tones 302 Posted December 2, 2019 Share Posted December 2, 2019 23 hours ago, MikeH said: Agreed! It is very fascinating to discuss JW’s transitional period. For me Jaws has a timeless quality that makes it feel less 70’s JW than Family Plot, Black Sunday, and even Jaws 2. But there are moments like the horn writing at the beginning of Out to Sea (Jaws) that just scream mid-70’s Williams to me. I love it. This Lost in Space cue from 1965 feels like a precursor to a lot of the moody interior scoring from the disaster pictures: If I’m not mistaken, both Earthquake and The Towering Inferno were the first film scores he wrote after Barbara passed in March of ‘74. Earthquake was released mid-November and Inferno the end of December. JW has said that her passing marked a significant change in his life and how he approached his work from there on out. There’s so much individuality in his 70’s scores, and I’d definitely say it’s my favorite decade of his. There’s just a roughness to them that appeals to me more than the sometimes overly-polished and smoothly orchestrated scores that we’ll get in the 80’s and 90’s. Agreed in turn. Thanks for the insightful comment, I wasn't keeping up with JW/Fan during those years so I missed this great clip. I'm ashamed to admit I bought the big LiS box set when it came out and haven't touched it due to a ordering/listening backlog that discourages me from taking on bigger listens (the Star Trek TOS box took me years as well). But yes, in general JW's contribution lent that show far more gravity than it had otherwise earned. The jeopardy seemed real! MikeH and Amer 2 Link to comment Share on other sites More sharing options...
Omen II 1,236 Posted December 2, 2019 Share Posted December 2, 2019 I am interested in the source music cues from Earthquake and wondered if either @Jay or @TownerFan or anyone else might know the answers to a couple of questions I have. There are quite a few source music cues in the film, for example in the supermarket where Jody (Marjoe Gortner) works and especially in the bar scene where Lew Slade hangs out with Rosa, Miles and others (I hear four distinct pieces in those scenes). There are also a couple of guitar cues later in the film, heard when the survivors are sheltering in Wilson Plaza and are entertained by Walter Matthau's drunkard. Most if not all of them sound to me very much like they were penned by John Williams, but it does not look like they are included on the new CD as far as I can tell from the track list. If they are by John Williams (and I believe they are) and are not included, was this because Williams did not want them on the album (as was the case with the source music from Superman, IIRC) or because the elements did not survive or because of space limitations or some other reason? Apologies if this is explained in the liner notes, but I assume there is a reason why most of the source music from The Poseidon Adventure and The Towering Inferno is included in their respective albums whereas most of the source music for Earthquake is not included (apart from - and I am guessing again here - Lunch With Remy and Something For Rosa). The film version of Miles' Pool Hall sounds quite different from the album version too but only the album version is represented as far as I can tell. P.S. I am only interested in the Williams source music; I already have the CD of Dee Barton's music for High Plains Drifter and if I need the Hare Krishna mantra, I can just go up Oxford Street and whip my phone out. Link to comment Share on other sites More sharing options...
Popular Post Jay 37,474 Posted December 2, 2019 Popular Post Share Posted December 2, 2019 I don't know the answer but await Maurizio's podcast to see if it's discussed there! If not, maybe Mike can share in a future JWFan interview/article wrapup of recent releases Omen II, A. A. Ron and Yavar Moradi 2 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 2, 2019 Share Posted December 2, 2019 6 minutes ago, Omen II said: because the elements did not survive The elements probably didn't survive the earthquake. Ricard 1 Link to comment Share on other sites More sharing options...
Popular Post Yavar Moradi 2,638 Posted December 3, 2019 Popular Post Share Posted December 3, 2019 In general Williams doesn't like his source music included on these, it seems. If you'll recall, he only allowed the Superman source music out on the Superman II/III set from LLL, not the Superman set proper. And I suspect that Poseidon Adventure and Towering Inferno have their source music included because it was already released by FSM in the past before Williams got involved in these specialty label releases, and leaving it off now would 1) make this release miss stuff that had been on a previous release, and 2) not actually accomplish much beyond annoying people at having to own both, because those pieces are already "out there" on a commercial release. Earthquake is in a different situation because the album recording came out on CD before this big soundtrack specialty label boom, and the film recording had never been released before. There is no earlier edition of the score with a definitive presentation of the source music to compete against. So in this case Williams might have "had his way" more, no doubt helped by the fact that including more Earthquake source music would have required a second disc for the score, just for that alone. Yavar The Five Tones, Amer and Jay 3 Link to comment Share on other sites More sharing options...
rough cut 1,715 Posted December 3, 2019 Share Posted December 3, 2019 Don’t forgot the missing source que from Dracula. A 19th century style Viennese waltz! Yavar Moradi 1 Link to comment Share on other sites More sharing options...
crumbs 14,364 Posted December 3, 2019 Share Posted December 3, 2019 Isn't there missing source music from Jaws 2 as well? Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 3, 2019 Share Posted December 3, 2019 Yes Link to comment Share on other sites More sharing options...
Luke Skywalker 1,805 Posted December 3, 2019 Share Posted December 3, 2019 It's depressing to know we will have to double dip all those scores in the future... Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 3, 2019 Share Posted December 3, 2019 We don't know that though. Link to comment Share on other sites More sharing options...
Popular Post Thor 7,602 Posted December 3, 2019 Popular Post Share Posted December 3, 2019 1 hour ago, Luke Skywalker said: It's depressing to know we will have to double dip all those scores in the future... You don't have to. You always have a choice. A. A. Ron, Yavar Moradi and 1977 2 1 Link to comment Share on other sites More sharing options...
Jurassic Shark 12,196 Posted December 3, 2019 Share Posted December 3, 2019 1 hour ago, Luke Skywalker said: It's depressing to know we will have to double dip all those scores in the future... You could buy this set, read the booklets, rip the CDs, and then sell it when it's gone OOP. Link to comment Share on other sites More sharing options...
Popular Post Arpy 4,145 Posted December 3, 2019 Popular Post Share Posted December 3, 2019 Quote Dear MM, I'm writing to inform you that the missing minute of the source cue from Earthquake that is barely audible in the film and is quite frankly shit, is simply unforgivable and I will promptly discard the entire collection in a fiery blaze until you acknowledge this unreasonable mistake. I don't care if the audio quality is unlistenable. Please, please reprint this score with the missing source music or I shall be forced to tell my mum that you haven't been very fair. Sincerely, Anonymous Disgruntled JWFan Member Mattris, That_Bloke, rough cut and 4 others 7 Link to comment Share on other sites More sharing options...
Popular Post Incanus 5,724 Posted December 3, 2019 Popular Post Share Posted December 3, 2019 I don't think we are that unreasonable. I think the disgruntled fan from here would write something like this: Quote Dear MM, You could have done more. Sincerely JW4eva of JWFan.com Smeltington, That_Bloke and Jurassic Shark 1 2 Link to comment Share on other sites More sharing options...
Holko 9,593 Posted December 3, 2019 Share Posted December 3, 2019 P.S. we'll never forgive Shawm. Link to comment Share on other sites More sharing options...
Brundlefly 2,385 Posted December 3, 2019 Share Posted December 3, 2019 4 hours ago, Luke Skywalker said: It's depressing to know we will have to double dip all those scores in the future... Maybe LLL will bundle all the missing source music in one single release? Link to comment Share on other sites More sharing options...
Holko 9,593 Posted December 3, 2019 Share Posted December 3, 2019 Good luck convincing the 90.000 separate legal entities holding the rights to different ones about that. Link to comment Share on other sites More sharing options...
Incanus 5,724 Posted December 3, 2019 Share Posted December 3, 2019 I am happy to say I don't have any particular craving for most of John Williams written source music. The actual complete scores are perfectly enough for me. Except for the missing shawm cue. Never forget! Amer 1 Link to comment Share on other sites More sharing options...
crumbs 14,364 Posted December 3, 2019 Share Posted December 3, 2019 I could imagine Shawm ending up on a Potter sequel score expansion like GoF (like the way they relegated S:TM source music to the S2/S3 set). Link to comment Share on other sites More sharing options...
MikeH 768 Posted December 3, 2019 Share Posted December 3, 2019 12 hours ago, Yavar Moradi said: In general Williams doesn't like his source music included on these, it seems. If you'll recall, he only allowed the Superman source music out on the Superman II/III set from LLL, not the Superman set proper. And I suspect that Poseidon Adventure and Towering Inferno have their source music included because it was already released by FSM in the past before Williams got involved in these specialty label releases, and leaving it off now would 1) make this release miss stuff that had been on a previous release, and 2) not actually accomplish much beyond annoying people at having to own both, because those pieces are already "out there" on a commercial release. Earthquake is in a different situation because the album recording came out on CD before this big soundtrack specialty label boom, and the film recording had never been released before. There is no earlier edition of the score with a definitive presentation of the source music to compete against. So in this case Williams might have "had his way" more, no doubt helped by the fact that including more Earthquake source music would have required a second disc for the score, just for that alone. Yavar Thankfully this new edition of Inferno has six additional pieces of source music included. The FSM release only had the song and the Morning After instrumental. MainTitle and Yavar Moradi 2 Link to comment Share on other sites More sharing options...
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