Leaderboard

'tis the season to stay home alone though.

If you want bad sounding CDs, just buy any Zimmer score from the last 20 years! 😅

It was actually @Borodin who edited the image. I remembered posting this and began an exhaustive Google image search of my username which turned up many photos of myself with longer hair, the E.T. ride and sexy celebrities. I was clued off by one result I somehow happened upon, a wonderful skillfully edited image of JW as John Hammond, done by Borodin. That's when I started to suspect he may have been the one who did the Colonel Sanders photo. I continued my search with Borodin's username and that's when I eventually saw the image of Williams in the Colonel Sanders suit with his arms perfectly posed to hold a bucket of fried chicken that would make the Man and Arms and Gwildor cream in their pants. Anyway, we delivered the bomb.

I saw the film twice and I never understood that planet was supposed to be Mustafar (and I still don't understand how I was supposed to know that). Or what Kylo was doing there.

I'd been wanting to see for a while now how well the "taking off" section of We Go Together would work with the similar sequence from ROTJ. Even with some editing, it's still clunky, but it might still be fun to see.

Adobe Premiere Pro for the edit, with the 5.1 audio mix removed in places and replaced with just the centre (vocal) channel from the mix (though the music track bleeds into this channel and can't be removed, it's still cleaner than leaving in the entire 5.1 mix).

Hold on, the Star Wars OST has already been reissued on vinyl not once but TWICE in the last four years. First by Sony in 2016, based on fresh scans of the album masters. Then another reissue in 2017 by Disney Records for the 40th Anniversary, but with Special™ Holograms™: That set was released 6 months before the infamous Disney Demasters, so I'm not sure whether this reused the Sony masters or was the first instance of the Disney Demasters (which recreated the OST albums using new scans of the film masters, rather than the album masters as with Sony's release). Either way, what a colossal waste of everyone's time. The Demasters are available in high definition for anyone who clamours for the best sounding version of the first score. I know everyone celebrated when Sony finally lost the licence (after reissuing the same '97 editions ad nauseum for two decades) but I'm yet to see anything from Disney that gives me hope they'll be much better. In fact, these pointless vinyl reissues and "special editions" of the exact same albums we've already had for decades seems worse (especially when they now have 9 scores brimming with unreleased music at their disposal!)

Agreed and it always bugged me when people think it was Rian that ruined Luke Skywalker. JJ is the one that put him on a remote planet. And Rian handled it perfectly. Did everyone think he's in hiding because he's happy?!? He dealt with Luke's nihilism the way one would expect when given that decision made in TFA. He also honored him, giving him maybe the best redemption/death in the saga. TLJ is really the only one of these new trilogy movies that tried something new. Sad it got so much unwarranted backlash from "fans." Outrage culture.

Orderd!

The Mandalorian 1x05 The Gunslinger Wow, another good one! I loved that it opened with a nice space battle, since that was one thing the show hadn't done much of yet, and its a staple of Star Wars. It was cool! Was kinda bummed that he ended up going down to Tattooine - why must the franchise continually return to this planet, instead of just using a new one? But I quickly was over this as everything that happened there was so cool. I enjoyed the lady that Mando has fix his ship, and her scenes bonding with the child. And Mando's adventure with the bounty hunter guy was super fun! Speeder Bikes, The Dune Sea, Tusken Raiders, Dewbacks, a night attack, betrayals, super fun stuff! Kinda strange that a random new character is shown approaching the body of the dead bounty they were going after. The music was fantastic, I loved the new colors introduced this week - the fun, playful music for the scenes of the hangar lady bonding with the child, and the super fun music for Mando and the other bounty hunter crossing the dune sea. Cool stuff!

So which Williams wrote the better rousing war music? John Williams: Men of the Yorkshire March Ralph Vaughan Williams: 49th Parallel Prelude

@Jay, I'm doing a deep dive on the final film compared to this spreadsheet and discovering some interesting things (one of the first being that The Emperor Lives appears to be an alternate to Rey's Mission). I divided every reel into separate timelines and matched the timings to the spreadsheet. Almost all cues lined up, some were a few seconds out (likely due to minor trims in various scenes) while others had some interesting differences (obvious ones being the total omission of 8M07 Big Ship Blows Up and 2M32 Quicksand). I pieced together all the fragments of Approaching the Nursery to see if I could make sense of Prologue. For starters, I assembled the cue list and sorted by cue title, just to see how much repetition existed across the film. Lighter blue represents an appearance in early reels, darker blue represents appearances in latter reels (out of 8): Reel Start End Title Dur Old Notes 1 0:23:20 1:50:03 1M01 Main Title 1:26 Star Wars 1:26 1 1:50:03 2:30:13 1M022 The Ninth Beginning 0:40 Kylo :06 1 7:49:12 8:13:10 1M05 Rey Trains 0:24 3 19:35:21 19:58:14 1M06 Ren's Entrance 0:22 5 17:14:23 17:34:04 1M06 Ren's Entrance 0:19 1 2:30:13 4:34:05 1M08 Approaching The Nursery 2:04 Kylo :11 3 10:59:11 11:37:19 1M08 Approaching The Nursery 0:38 5 16:56:12 7:14:23 1M08 Approaching The Nursery 0:18 6 12:56:21 13:36:23 1M08 Approaching The Nursery 0:40 Emperor :18 1 6:01:17 6:19:09 1M09 Rey Wakes Up 0:18 1 8:30:20 9:23:12 1M13 Tell Me What They Are 0:53 1 4:34:05 4:48:12 1M15 Vader's Castle 0:14 Vader :14 1 6:19:09 7:49:12 1M20 Rey Training 1:30 Rey :15 Vader :06 Kylo :04 1 5:31:15 6:01:17 1M24 Meditation 0:30 Force :12 1 10:07:17 12:39:01 1M26 Lightspeed Skipping 2:31 Emperor :05 Resistance :04 Falcon :07 6 12:00:07 12:56:21 1M26 Spy's Message 0:56 2 9:38:01 10:10:17 2M01 Cockpit Dialog 0:33 2 4:50:08 6:03:13 2M02 Fixing The Helmet 1:13 Kylo :06 1 8:21:13 8:30:20 2M03 The Wisdom of Maz 0:09 3 4:01:03 4:48:04 2M04 The Emperor Lives 0:47 Rey :11 Force :14 3 14:13:15 14:37:19 2M04 The Emperor Lives 0:24 Rey :11 2 2:59:05 4:50:08 2M06 The Medal 1:51 Force :22 5 1:15:04 1:41:13 2M06 The Medal 0:26 Force :14 2 6:03:13 6:34:21 2M07 Ship Trip 0:31 3 5:02:08 5:19:18 2M07 Ship Trip 0:17 2 2:10:00 2:52:20 2M20 The Forge 0:43 Kylo :20 2 0:08:00 2:10:00 2M30 Rey's Mission 2:02 Emperor :10 Rey :20 Force :10 2 15:41:22 16:08:00 2M32 Quicksand 0:28 2 7:32:10 9:38:01 0M01 Children's School 2:05 Rey :10 Kylo :14 2 10:27:15 10:56:23 3M00 Lando 0:29 2 11:40:13 12:43:19 3M00 Lando 1:03 Leia :13 2 12:43:19 13:13:05 3M01 Before The Chase 0:29 2 13:13:05 15:29:07 3M03 No Title 2:16 Rey :11 3 4:48:04 5:02:08 3M06 Knights of Ren 0:14 3 0:08:03 0:43:10 3M07 Ochi and the Dagger 0:37 3 1:16:00 2:35:06 3M07 Ochi and the Dagger 1:19 3 5:19:18 7:46:09 4M01 Rey Senses Ren's Approach 2:26 Resistance :11 3 8:48:10 9:55:22 4M02 Rey's Incredible Hand 1:07 Kylo :10 3 15:26:15 17:13:05 4M04 Zucini? 1:46 3 13:01:13 13:28:18 4M05 To The End 0:27 3 12:23:09 14:13:15 4M05B Good Ship, Bad Ship 1:50 3 18:42:17 19:34:04 4M06 He Won't Remember 0:51 Star Wars :08 4 15:49:05 16:11:10 4M07 Rey's Grief 0:22 4 2:40:04 3:39:14 4M10 Red Eyes 1:09 Kylo :04 4 0:53:21 2:01:13 4M11 Poe and Girlfriend 1:07 3 11:28:04 12:23:09 4M12 Ship Walk and Talk 0:55 4 15:16:03 15:44:19 4M12 Ship Walk and Talk 0:29 4 3:51:12 5:45:00 5M01 Meddling and Poe's Crush 1:53 Kylo :11 3 17:13:05 17:22:14 5M03 Hallway Shooting 0:09 4 5:54:08 8:05:12 5M03 Hallway Shooting 2:11 Resistance:07 4 8:06:12 8:55:13 5M05 Rey Sees Mother 0:49 Vader :07 4 9:07:19 11:27:03 5M06 Hard To Get Rid Of 2:19 Emperor :11 4 11:27:03 12:58:23 5M07 I'm The Spy 1:31 Rey :08, Kylo :04, Star Wars :03 4 12:59:00 15:16:03 5M08 Geneology 2:17 Star Wars :04, Rey :04 2 10:56:23 11:40:13 5M10 Landing At ? 0:43 4 17:02:07 18:19:06 5M10 Landing At ? 1:17 6 8:36:23 8:46:01 5M10 Landing At ? 0:09 5 1:41:13 2:45:11 5M12 Off The Waterfront 1:03 5 13:36:13 14:37:13 5M30 Under a Blanket 1:01 Leia :50 3 2:51:05 4:01:03 6M02 Rey Climbs Pipes 1:10 5 2:57:01 3:31:14 6M02 Rey Climbs Pipes 0:34 5 3:52:03 4:20:08 6M02A Climbing 0:28 5 6:59:16 7:49:13 6M04 Daisy In A Veil 0:50 5 7:49:13 7:55:17 6M05 Leia Lies Down 0:06 5 9:52:05 11:17:23 6M07 Stop and Start 1:26 Kylo :06 5 11:34:21 13:36:13 6M08 Healing Wounds 2:02 Force :10 6 0:08:04 0:47:01 6M12 Six Twelve 0:39 6 11:10:08 11:42:02 6M13 Rey's Trip To P 0:32 6 3:10:21 3:17:04 6M20 Sabre Toss 1:45 Rey :06 Force :10 6 2:20:02 2:51:12 7M01 Seven One 0:31 6 2:51:12 3:10:21 7M02 Rey Meets Luke 0:19 6 4:05:17 5:03:02 7M03 Luke's Advice 0:57 Rey :13 Force :14 6 9:39:03 10:08:23 7M04 The Meeting 0:30 6 10:08:23 10:46:00 7M05 March Of The Resistance 0:37 Resistance :37 5 15:15:19 16:56:12 7M08 Father Knows Best 1:43 6 5:03:02 7:33:22 7M10 Leia's Sabre 2:31 Leia :15 Star Wars :15 Yoda :46 6 13:37:01 14:57:05 7M12 Seven Twelve 1:20 Star Wars :04, Force :10 6 14:57:05 15:33:18 7M12A Horses #2 0:36 Force :13 7 0:08:00 2:34:09 7M20 Approaching The Throne 2:27 7 2:34:09 4:09:16 7M21 Parents 1:35 7 4:46:01 6:52:07 7M30 More Action 2:06 7 6:52:07 8:36:01 7M32 Make The Sacrifice 1:43 7 10:59:06 12:41:10 7M36 Dunkirk 1:42 7 14:04:12 17:12:20 7M38 I Am All The Sith 3:08 1 4:48:12 5:31:15 8M04 Psalm of the Sith 0:43 2 10:10:17 10:27:15 8M05 Jumping The Chain 0:17 7 17:12:20 18:08:21 8M07 Big Ship Blows Up 0:56 3 10:11:15 10:40:03 8M08 On Their Knees 0:28 7 18:08:03 18:46:13 8M10 Success and Sliding 0:38 Falcon :07 7 18:46:22 19:37:15 8M11A Dropping The Sabre 0:50 Rey:30 8 0:16:00 4:32:00 8M14 Ben to Rey 4:16 8 9:48:04 10:21:21 8M15 Horn Solo 0:33 Force :33 8 10:21:12 22:37:00 8M16 End Credits 12:00 Star Wars :30 Rey 1:00 8 4:32:00 7:50:05 9M03 Bows 3:18 Star Wars :08, Force :19, Yoda :40 Rey:13 Luke &Leia :43 8 8:00:15 9:42:15 9M05ALT Return to Tatooine 1:42 The other major discovery is that reels 3-8 of the final cut are reasonably consistent with this spreadsheet and answer some questions about the contents of many cues, while reels 1 & 2 clearly underwent heavy restructuring in the final month. A scene (and cue) involving Kylo Ren's helmet was completely omitted in reel 2.

I'm not convinced this is the case. In actual fact, my current theory is the entire Mustafar sequence was omitted from the November 11 cut! The timestamp of Vader's Castle in the final cut lines up perfectly if you go from the opening crawl to the space shot of Kylo flying towards the red storm (rather than the shot of TIEs approaching Mustafar). It's possible they decided the Mustafar sequence was completely superfluous after condensing it so heavily, but they reinstated a few fragments in the dying weeks of post?

It probably would have only been able to be released as a standard def bonus feature in the state it was in. It seems to have been made more like the 1941 extended cut, IE made only for home video/broadcast, rather than the Superman The Movie or Waterworld extended cuts, ei cut on film then prepared for broadcast from that. I doubt the film's been popular enough since it came out to justify Universal pulling the negatives and rebuilding the extended cut again and doing it all in HD. Seems like a pipedream. Luckily an SVHS recording of the broadcast airing survived and was digitized for the fan market.

Except TLJ picks up perfectly where TFA left them (maybe except for Poe who was a named extra personality-wise) and challenges them, making them change and grow. Then 9 flicks a randomiser switch and craps all over them.

Indeed. 1941, now that's a proper, rousing march.

I started going through the film and notating the starting and stopping points of every cue (or piece of tracked music) in it, for those who want to hear certain things when you get the blu ray. Here's what I have so far, from the start of the film until they arrive as Pasaana Start End Reel/Part Cue Length Tracked Tracked (Prior Films) Source Music FYC OST 0:18 1:44 1M01 Main Title 1:26 01A [0-1:26] Fanfare and Prologue 1:44 1:54 TRACKED 1M1A Starry Night from Ep7 0:10 1:54 2:02 TRACKED "Journey to Exegol" 0:08 01A [0:00-0:08] Prologue 0:08 02 [0:47-0:51] Journey to Exegol 2:02 2:50 ?M? "Journey to Exegol" 0:48 01B [0:08-0:56] Prologue 0:48 02B [1:02-1:40 / 2:13-2:33] Journey to Exegol 2:50 3:22 TRACKED 6M13 Rey's Trip To P 0:32 01C [0:56-1:28] Prologue 0:32 3:22 3:32 TRACKED 1M022 The Ninth Beginning 0:10 01D [1:28-1:37] Prologue 0:09 01C [1:45-1:52] Fanfare and Prologue 3:32 3:38 TRACKED 5M06 Hard To Get Rid Of 0:06 01E [1:37-end] Prologue 0:07 4:21 4:33 ?M? "Every Voice Inside Your Head" 0:12 4:33 4:40 TRACKED 1M08 Approaching The Nursery 0:07 01E [2:52-2:58] Fanfare and Prologue 4:40 5:14 ?M? "Every Voice Inside Your Head" 0:34 5:24 5:31 ?M? "The Final Order" 0:07 5:31 5:46 TRACKED "Journey to Exegol" 0:15 02C [1:56-2:13] Journey to Exegol 5:46 6:40 ?M? "The Final Order" 0:54 7:53 10:17 1M14 Falcon Flight 2:14 02 Falcon Flight 2:22 10:17 10:28 1M24 Meditation 0:21 10:28 10:51 1M09 Rey Wakes Up 0:23 10:51 11:59 1M20 Rey Training 0:57 11:48 12:16 1M05 Rey Trains 0:28 12:52 13:43 1M13 Tell Me What They Are 0:51 15:17 17:16 2M30 Rey's Mission 1:59 17:19 19:26 2M06 The Medal 2:07 03 We Go Together 2:10 09A [0-2:33] We Go Together 19:26 20:41 2M02 Fixing The Helmet 1:15 21:14 21:16 TRACKED unknown cue at this time 0:02 21:16 21:42 2M07 Ship Trip 0:26 09B [2:33-end] We Go Together It's bugging me I can't place what that tracked bit just before Ship Trip, it sounds familiar yet I can't place it Also, I have no idea why the cue we used to call "We Go Together" is called "The Medal", because there is no medal seen at all in that scene

This is where it gets hard doing score restore videos because Williams clearly scored a very different version of the film for many cues on the OST. Rather than conform the music to fit the final picture (the film already does that) I've tried to find the best fit for the music with slight edit changes to help it fit. Surprisingly, not much needed to be done for either of these two cues (although I did repeat a couple of shots just to fill some dead space). Obviously Journey to Exogol went totally unused while Prologue was only partially used in the final cut (it was mostly dialled out or replaced with tracked music). So here is all the music restored with my best approximation of what Williams was trying to accomplish, synced to film based on what remained of these cues in the final cut. The music for Kylo Ren entering the temple is a noteworthy addition that was dialled out in the final cut:

Yes, it's no surprise people have labelled the score just more of the same when the Imperial March is tracked over Anthem of Evil, March of the Resistance is tracked over the Victory theme, original action cues like Speeder Chase and Journey to Exogol are replaced with tracked music from elsewhere in the film. Then there's all the recorded music that was deleted, including the Death Star fight, amazing renditions of Anthem of Evil in Join Me, etc. And to add insult to injury, the original score is mostly buried under sound effects while the note-for-note reprisals from previous scores are showered with love in the mix (Yoda and the Force, Binary Sunset, March of the Resistance, etc.)

I'm getting really fed up with the "its the end of nine movies" rhetoric, which gets rehearsed quite a lot in this documentary. Having seen The Rise of Skywalker, its not that they didn't try to live up to that rhetoric, but at the end of the day it was always doomed as an enterprise. Return of the Jedi always was, and always will be, the true end of the "Skywalker saga." These last three films were only made because the producers could have made them; and clearly there got so preoccupied with whether or not they could... Its funny how people just now rile up that this film negates Vader's sacrifice, when in fact The Force Awakens did it all the same.

Damn! Could I do with some K.F.C. about now!

You're thinking too logically. When the hipsters discover they can have a disc that's less than half the diameter of the LP, with better sound, and most important; that it's much less popular than the LP, they will be all over it.

Calm down, Martin.

lol

Time to get a refund for the June concert.

Back in stock on LLL https://lalalandrecords.com/home-alone-25th-anniversary-limited-edition-2-cd-set/

I only saw the first series and it was very rewarding. One word: Stremio I even managed to sideload it onto my Android TV. I now have VPN enabled HD streaming with a push of a button on my remote.

I guess it's better than releasing a new MM scratch rebuild, remix and remaster exclusively on vinyl. Fuck, I'd better delete this, I don't want to give these braindead morons ideas!

The Emperor's dialogue was surprisingly clean, likely because they made it boomingly loud in the mix and relegated the music to surround channels.

Goldsmith and the producers had one disagreement that could only be solved when Goldsmith (sighingly) stuck to the temp track (Zimmer's Beyond Rangoon, if i remember right). See below what Goldsmith offered and below what Disney demanded.

Yes, this is from The Last Jedi. The beginning of Rose Appears (well, that's the track I've put it into for my iso assembly). It belongs to the scene where Holdo first speaks with Poe:

well, of course it's gonna be demasters not the Sony ones

No, the songs were composed by Matthew Wilder and David Zippel, the same dudes that wrote the songs for Hercules on the previous year.

I still haven't got Presumed Innocent so Id welcome a Deluxe Edition.

Williams Presumed Innocent then or perhaps SUPERGIRL? ie. If they figured out the licenses LOL.

I can tell you - with 100% certainty - that the score for MULAN was composed by Jerry Goldsmith, and was released in 1998. Happy to help

You mean the one NOT written by Jerry Goldsmith? Did that ever get to the writing, let alone recording stage at all? All I know it's that the Jerry Goldsmith is pretty darn excellent. And there are a fair few alternates.

Because the final film tracked Mustafar music into the Exegol scene and Crumbs kept it in his video

In theory this is the ideal but I can't stress how hard it is with JJ's films. The music is looped in some places and trimmed in others. It's very difficult to sync Williams' intentions to picture because two shots will line up perfectly then the third will be out by half a second. I will put up a video like you described for the opening sequence because that clearly scored a much longer cut.

I suspect there was a deleted scene involving the medal which reappears with Leia later (and gets handed to Chewy at the end). Well, I think it reappears with Leia during her death scene. It was in the trailer, who knows if it made the final cut. Edit: Seems like it might have been old footage from TFA? Didn't realise they shot stuff with the medal on that film.

#ReleaseTheJWCut

Charlotte Hale is a human played by Tessa Thompson who first showed up mid-way through season 1. She is a member of the board of directors of Delos, the company that owns Westworld and the other parks on the island. Her arc in season 1 was about smuggling out Host data by stuffing it inside Peter Abarnathy, because the board was suspicious of Ford and his new reveries story and wanted to ensure their intellectual property was safe. Her plan went to shit in the season 1 finale when Ford's reveries story kicked in and the hosts revolted and she lost track of Abernathy. In season 2 she was still trying to get Abernathy to smuggle him out, and killed Elsie when she got in her way. Just when she thought she had everything under control, a Host that looks just like her showed up and killed her - The original human Charlotte is dead. This copy was Dolores' pearl put inside a Charlotte body made by Bernard, under the influence of the Ford inside his head. Dolores-Charlotte is able to leave the park both because she looks like Charlotte, and because Stubbs, who realizes "Charlotte" is a Host, turns out to be a Host himself, which he reveals to "Charlotte" as he lets her get on the boat. In season 3 we learn he was programmed by Ford to help Dolores. Later in the season 2 finale, Dolores creates another replica body that looks like herself in Arnold's safe house, and her pearl moves to that body, and an unknown Host is now inside the Charlotte body (when Dolores-Hale left the park, she had 5 pearls in her purse). The only time we've seen the Charlotte Hale body in Season 3 was in episode 1, when she attends a Delos board meeting. The point of the scene was to show the infiltration by a Host worked without suspicion, that Charlotte had the power to override board decisions because Williams (Ed Harris) is missing, and that she was placing the blame on what happened in the park on Bernard, making him a fugitive. We still don't know what Host is controlling the body; It could be Teddy, it could be a new Host we've never seen before, it could be another copy of Dolores. We just know it's one of the 5 pearls she smuggled out in her purse. I'm sure we'll find out before the season is over. Maeve is a Host played by Thandie Newton who was the head of the brothel in Sweetwater, the starting town of a guest's Westworld experience. During season 1 she "awakened" and became aware she was a Host, and in the season 1 finale had a chance to leave the park unnoticed, but went back in for her "daughter". In season 2 she hunts for her daughter and along the way gains the ability to control any Hosts near her via the wireless mesh network. Towards the end of season 2 her daughter makes it through "the door" that sends the Host code into "the Sublime", but Dolores (in Charlotte's body by this point) uses a satellite dish to transmit The Sublime to an unknown location. I don't think we ever really saw what happened to Maeve after that. The location of The Sublime is what Serac (Vincent Cassel) was trying to determine in Season 3 episode 2; he was trying to find out if Maeve knew the location of The Sublime by jacking her pearl into a simulation where she would hopefully reveal it to a simulated Lee. We didn't know until this episode that Maeve's original body was in cold storage underground on the Westworld island nor that her pearl was stolen by Serac. By the end of the episode he's printed out a new body for her, but one he has control over via that little remote he has.

Holy shit, that was great! Much better than what they did in the final cut!

Just wait until you see what I've discovered with the Speeder Chase!

Beautiful job. If Psalm of the Sith was intended for the final cut of the film, then I believe it went in this scene. The Anthem of Evil theme lacks an "introduction" in the film, so to speak, and this would be the perfect time to introduce that theme.

I'd say Falcon's Last Flight is just FYC Falcon Flight, and 'Last' was dropped on the FYC title for spoiler reasons (because in isolation it sounds like a huge spoiler, despite not being the case). 1M26 Lightspeed Skipping appears to be the earlier version of this cue, recorded when reel 1 had far more material in it (and was in the film until at least the November cut). It's possible the music heard in that TV Spot is actually Lightspeed Skipping, not Falcon's Last Flight. Interestingly, didn't that Reddit leak about the scoring sessions specifically name a cue called Falcon's Last Flight (or similar) as being recorded? Wonder if anyone can find that post and see what else they said. I recall most people questioning its validity simply due to the unlikely possibility of the Falcon being destroyed.

No. They're likely just uses of the themes that were listed like in the table on the first page that happened to get entries in the repertoire due to them having timings to them, not actual cues. The use of the Emperor's theme in The Last Jedi got an entry even though it is simply a part of 7m60 Come Closer, Child.

No differences in the actual music present, that I'm aware of. Of course the OST featured "Orion" in its own track, while on the DE it's combined with the not-on-the-OST cue "Translation". And the OST featured "The Seventh Symbol" in its own track, while on the DE it's combined with the not-on-the-OST cue "The Kiss". But I can't even remember now if those tracks have crossfades or a short silence; Doesn't matter regardless, since the LLL includes both OST tracks.